This light mask (late 1800s) represents the spirit of an ancestor and was used for social control by Ngil, the judiciary association. The facial markings, abstract features and strong. Elegant lines are typical of Fang masks, which were among the most influential.

Made of 100% Native fiber, wood and paint.

Model is W 49 - H 18 and weight 1.5 kg.

This Old Makonde "Lipiko" Helmet Mask originates from Southern Tanzania and Northeast Mozambique. The Lipico helmet masks are worn on the top of the head and cover only part of the face. The helmet is worn tipped upward on the head so the dancer can see. The masks sometimes represent ancestral spirits, sometimes animals. The lipiko masks, which in the language of the Makonde people means “helmet mask.

Made of 100% wood, pigment.

Model is W 24 – H 26 and weight  0.6 kg.

This beautiful mask with a figure surmounting it is an Epa masks origination from the Yoruba/Ekiti people of northern Nigeria. Masks such as these are considered one of the largest masks used in Africa, and worn as a helmet. The Yoruba/Ekiti festival celebrates life, unity, and abundance of the village, and honor the families and lineages of the elders. The female figure surmounting the mask is a traditional Yoruba power symbol of offering, feminine powers, create life-balancing men’s social skills as rulers and chiefs. These large masks have extraordinary presence-conveying some of their power to visually project abstract principles and sculptural authority. This is one of them and it would hold a prominent place in a collection.

Made of 100% Wood.

Model is W 69 H 19 and weight 3.2 kg.

Colorful Bozo Buffalo puppets were used for performances in the region of the Bamana city of Segou or the Bozo area of Mopti, by Sogo ba masquerade. Dance troops of young men, members of local youth groups. The sing, dance, drum, manipulate puppets or dance masks in creating performances called Sogo Ba.

Made of 100% Wood, paint, fabrics.

Model is W 50 H 17 and weight 1.8 kg.

This authentic piece is called “Mbangu” (sickness mask) and originates from the Pende people of DR Congo. The Mbuya or village mask is characterized by a somber, gloomy expression such as this one, and represent human types, such as the chief, the diviner, the epileptic with a twisted mouth, the madman or man in a trance, the widow, the lover, or the executioner.

Made of 100% wood, aged surface with black pigment and kaolin.

Model is W 33 - H 16 and Weight 1 kg.

This beautifully well-carved mask, made of wood, covered with brass sheets and copper originates from Mali. This is one of the finest examples of Marka masks.  The works on the brass sheet are final and superb. This mask would have a place in any good collection for its artistic and intrinsic values.

Made of 100% wood, dark brown patina, sheet metal and red dyed fiber.

Model is W 45 - H 16 and weight 2.1 kg.

This Magnificient Bamana ChiWara carving originates from the Bambara tribe in Mali.  The patina is rich and the surface shows significant signs of age.  The mythology of the Bamana people of Mali tells the story of an antelope named Chi Wara who first taught farming skills to humanity.

Made of 100% wood.

Model is W 22 - H 68 and weight 8 kg.

Commissioned by powerful chiefs as 3-dimensional portraits of favourite wives, figures like these expressed status and prestige, both to the subjects, an ancestral family, and to the owners. They would bring honor to the ancestors and the owner of the sculptures. Lü me figures can also sometimes function as maternity figures with babies carved on their backs. Once carving of the figure is complete, the lü me is introduced to the community during a large feast hosted by the chief (as such only wealthy men may commission a lü me for their wives). After the unveiling, the figure is usually kept hidden in the house and thereafter only revealed during important occasions.

Made of 100% wood, black shining patina.

Model is W 21 - H 78 and weight 1.9 kg.

This beautiful ‘Gomintogo’ or ‘Hare mask’ of the Dogon, from the Bandiagara Escarpment in eastern Malimask’, represents one of the approximately 80 mask types of the Dogon. The Dogon people have created more than eighty mask types to represent characters in their cosmic myths.

Made of 100% wood.

Model is W 50 – H 21 and weight 2 kg.

This zoomorphic figure with protruding eyes and a large open mouth and carved teeth is a classic example of the Mambila people of northern Nigeria. They are thought to embody ancestors who are responsible for the clan's wealth.  The wide range of uses to which such a figure may have been employed was probably determined by the medicines in the possession of the owner, and how it was activated, rather than by specific stylistic characteristics of the sculpture itself.

Made of 100% wood, red pigments.

Model is W 39 - H 20 and weight 1.1 kg.

This anthromorphic ceremonial spoon originate from the Dan people of the Ivory Coast and Liberia.With these spoons the women of the Dan cater for guests who come to the village to attend big ceremonial feasts. Artists in Dan communities mastered the art of carving impressive, large wooden spoons that are virtuoso works of sculpture. The spoons are known by many names, including wake mia or wunkirmian, which roughly translates as "spoon associated with feasts." The spoons range in size from a foot to two feet and have one or (rarely) two parallel bowls. The handle of the spoon is always decorated and often is related to the human form and often feature a pair of legs like this example.Among the Dan, the owner of the spoon is called wa ke de, "at feasts acting woman." It is a title of great distinction that is given to the most hospitable woman of the village. With the honor, however, comes responsibility - the wa ke de must prepare the large feast that accompanies masquerade ceremonies.

Made of 100% wood, kaolin, pigments.

Model is W 19 – H 28 and weight 0.3 kg.

This zoomorphic deer mask is called ‘Gomintogo’. It originates from the Dogon people of Eastern Mali, and represent one of the 80 masks types of the tribe. The first mask was said to be originally carved by a farmer who killed the deer because it had devastated his fields. The farmer built an altar to shelter the spirit of the deer and prevent it to wanders and take revenge on the living people.

Made of 100% wood.

Model is W 24 – H 15 and weight 2.1 kg

This Suruku Hyena mask, belong to the 6th class of the society of the Bambara Korah; with Dark brown patina, it is simple but yet very harmonious, and an exceptional piece for your collection. It originates from Mali, located in the administrative districts of Bandiagara and Douentza, Mopti region. Lots of power.

Made of 100% wood.

Model is W 46 - H 23 and weight 3 kg.

This beautiful old carving originates from the Fang people of Gabon. Among the Fang, these type of masks identify to the Ngil Society and are known for their elegant abstractions of the human face. They were meant to protect. They are often of great aesthetic quality, which suggests that they are the culmination of a long sculptural tradition.

Made of 100% wood.

Model is W 69 - H 20 and weight 1.4 kg.

This striated masks, or Kifwebe, originates from the Songye, southern part of the Democratic Republic of the Congo. These types of masks were used to mark important periods of social transition and transformation, appearing at the death of a chief or any other eminent person, or when a person assumes an important political title.

Made of 100% wood

Model is W 25 - H 10 and weight  1.2 kg.

This example of Dogon art is over 35 years old. Dogon art is extremely versatile, although common stylistic characteristics – such as a tendency towards stylization – are apparent on the statues. Their art deals with the myths whose complex ensemble regulates the life of the individual. Their masks are preserved in innumerable sites of worship, personal or family altars, altars for rain, altars to protect hunters, in market.

Made of 100% wood

Model is W 28 - H 18 and weight 3 kg.

This pair of Senufo Kpelie hand-carved wooden masks comes from the Ivory Coast/Mali. They have preserved their authenticity,  surface, and aged patina. The wood carving is exquisite and exaggerated features, have all of the hallmarks of the Ivory Coast/Mali Senufo people's 'Kpelie' mask. Beautiful, mysterious and poetic, imbued with the cultural narrative of its people and its time.

Made of 100% wood

Model is W 34 – H 22 and weight 1.1 kg.

This anthropomorphic Dogon figure originates from Mali. The wooden pillars carried symbolic representations that were references to Dogon mythology, especially ancestors.

Made of 100% Wood, mineral pigments

Model is W 14 - H 61 and weight 2.4 kg.

This hand-carved Grebo Mask made of dense wood and black pigment belongs to the Kroo group and is nicknamed Nyabwa. The Grebo ethnic group in Ivory Coast uses this helmet mask to prepare spiritually for war.

Made of 100% Dense wood and metal.

Model is W 41 - H 24 and Weight 1.2 kg.

This anthropomorphic helmet mask with two female figures, originates from the Dogon people of Mali. The mask identified as representing a warrior, a member of a neighboring ethnic group with a reputation for aggressive, warlike behavior. The warrior mask has a special role in the masked dances of the dama ceremony.

Made of 100% wood.

Model is W 18 – H 52 and weight 1.3 kg.

This zoomorphic Dogon mask made of wood, with chestnut brown patina, simple but yet very harmonious, is an exceptional piece for your collection. It originates from Mali, located in the administrative districts of Bandiagara and Douentza, Mopti region.

Made of 100% wood, laundry blue decorations.

Model is W 51 - H 20 and weight 3.9 kg.

This beautiful well-carved mask comes from The Marka, Mali. This is one of the finest examples of Marka masks. This mask would have a place in any good collection for its artistic and intrinsic values.

Made of 100% wood, dark brown patina, sheet metal and red dyed fiber.

Model is W 36 - H 21 and weight 1.5 kg.

This zoomorphic Dyodyomini Dogon mask made of Hardwood with a kaolin coating is an exceptional piece for your collection. It originates from Mali, located in the administrative districts of Bandiagara and Douentza, Mopti region. The term Dyodyomini which designates this type of mask evokes a bird that pecks. It would be a Dobu, a sort of hornbill, white and brown, with a long curved beak. It was created on the occasion of a Dama (funeral ceremony, the feast of mourning).

Made of 100% wood.

Model is W 48 - H 192 and weight 1 kg.

This abstract anthropomorphic carving originates mask from the Fang tribe. They were meant to protect. They are often of great aesthetic quality, which suggests that they are the culmination of a long sculptural tradition. Symbolic representations of ancestors, these comparatively rare heads hold a special place in the corpus of Fang statuary.

Made of 100% wood.

Model is W 25 - H 20 and weight  1kg.

This hand-carved Grebo Mask made of dense wood and black pigment belongs to the Kroo group and is nicknamed Nyabwa. The Grebo ethnic group in Ivory Coast uses this helmet mask to prepare spiritually for war.

Made of 100% Dense wood and metal.

Model is W 47 - H 18 and weight 2 kg.

This ‘Gomintogo’ or ‘Hare mask’ or ‘Deer Mask’ of the Dogon, from the Bandiagara Escarpment in eastern Malimask’, represents one of the approximately 80 mask types of the Dogon.

Made of 100% wood.

Model is W 53 – H 21 and weight 3.5 kg.