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Archive for the ‘Fruit’ Category

???????????????????????????????I’ve been having fun making recipes from a new book this week: Michele Scicolone’s latest, The Italian Vegetable Cookbook. (Full disclosure: Michele’s a friend, and she gave me the copy.) It’s a handsome book, with lots of mouth-watering photographs of both familiar and novel dishes.

I had quite a time deciding what to try. Here are my first choices.

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Sausage-Stuffed Zucchini Boats

I’d just bought some early zucchini at my Greenmarket, so I was drawn to this recipe. A small problem was that the recipe calls for carving out halved “medium” zucchini, leaving hulls ½-inch thick. My slender ridged ones – a Costata Romanesco type called Gadzooks – were barely more than an inch thick to begin with. I had to make the walls much thinner and worried that they might collapse in the oven.

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I parboiled the hulls and let them drain while I made the stuffing. There’s almost no limit to the number of good things zucchini boats can be filled with. This recipe’s mixture seemed like a very tasty combination – and so it proved to be.

In olive oil I sautéed chopped onion, a crumbled Italian sweet sausage, the zucchini pulp, and a chopped tomato; added a little broth and cooked until the liquid evaporated. Once the mixture had cooled, I stirred in breadcrumbs, grated parmigiano, parsley and beaten egg. Though I was making a careful half recipe’s worth (just two portions), it seemed like a lot of filling for my slender boats to accommodate. Happily, they accepted it all – heaped high.

A sprinkling of more parmigiano and into the oven they went for about 20 minutes. The boats didn’t collapse, the stuffing stayed where it had been put, the flavors blended very well, and we were happy with the balance between the savory stuffing and the tender little zucchini. They made an excellent first course for dinner.

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Pasta with Spicy Escarole, Tomatoes, and Olives

Another day, another Greenmarket serendipity. I’d bought a big handsome head of escarole, and here was this handy pasta recipe.

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It turned out to be an archetypical peasant dish from the south of Italy: totally simple, totally meatless, totally satisfying. You just warm sliced garlic and a pinch of crushed red pepper in olive oil; add halved cherry tomatoes, chopped black olives, and chopped blanched escarole; sauté everything briefly; then stir in the cooked pasta, some grated pecorino Romano, and a drizzle of fresh olive oil. It sounds like nothing much, but – take my word for this – it’s delicious.

escarole pasta

The escarole absorbed some of every single flavor from the other ingredients and made the whole dish surprisingly rich and tantalizing on the palate, given how humble a concoction it was.

I have to say I took a few small liberties with the recipe. It called for whole wheat fusilli, but I had a lot of ordinary penne rigati in my pantry, so I used that instead. After my garlic had been in the pan for a while, it started to darken too much, so I fished it out instead of leaving it in until the end. (No problem: it had left its mark on the dish, as had the crushed red pepper.) Also, we felt it needed a little salt (the recipe has none at all), and we would have liked a few more cherry tomatoes in the sauce mix, just because they were such tasty little morsels.

As we ate, we felt that countless generations of Italian contadini must have eaten countless bushels of pasta prepared very like this, and we were pleased to be continuing such a fine tradition.

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Polenta Berry Cake

OK, blueberries and raspberries aren’t exactly vegetables, so why, you may ask, is this recipe in the book?  Well, since berries aren’t animal or mineral, I guess they count as vegetable.

The sweet cake batter, made with only 1 cup of flour and ⅓ cup of cornmeal (there: some actual vegetable) is rich with butter and eggs. The eggs go in whole, which is easier than adding just the yolks and then having to beat the whites and fold them in separately. The finished batter was very thick – also very finger-licking good.

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The batter gets spread in a buttered and floured break-away pan, the berries are strewn on top and sprinkled with a little more sugar, and the cake bakes for 45 minutes.

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I served the cake to dinner guests, and it was a big hit. The cornmeal had given the crumb a slightly coarse consistency – pleasantly toothsome and not overly sweet. The berries provided just enough moisture and fruit sweetness in each mouthful, and the crunchy edges made a nice contrast for the palate. I foresee that this is going to become a favorite in our household, to be tried with a variety of different fruits as the season progresses.

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So: Three dishes, three winners. That’s a good introduction to a new cookbook.

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Here’s the report I promised, last week, on what Tom and I ate on our trip to Honduras. It’s a little disappointing: the meals were abundant and edible, but not thrilling. Most were at the lodge where we stayed, and its restaurant was heavy on choices like Eggs Benedict, French Toast, Fettuccini Alfredo, Caesar Salad, Chicken Cordon Bleu, and Rack of Lamb. Moreover, too often the menu’s reach exceeded the chef’s grasp.

However, we did manage to get some reasonable Latin American dishes. There was this Catracho Breakfast: an omelette with onions, refried beans with cheese and sour cream, sautéed plantains, avocado, and warm tortillas. (Hondurans call themselves “Catrachos.”)

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Huevos Rancheros were attractive, but much too bland for our taste. Otherwise-good Fish Tacos could have used more zip, too. Guess the kitchen was afraid to frighten off the gringos.

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On the other hand, this Tortilla Soup was the best I’ve ever eaten. We both started several dinners with it. I couldn’t figure out what exactly was in it, but I’m going to have to try various recipes soon to see if I can recreate those flavors.

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Another extremely good starter, seemingly very simple, was a corn tamale that tasted mostly of sweet fresh corn. I ate it with such enthusiasm I completely forgot about taking a photo of it!

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The Fish of the Day was always good, once we could get the kitchen to just grill it, not serve it blackened, with garlic, or with basil. This one was a sea bass, we were told.

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I approached the Tequila Shrimp with some suspicion, but it was fine too. The shrimp were very fresh, and the sauce very good over rice, though I couldn’t really discern any tequila flavor in it.

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We had one lunch at a beachfront restaurant, where I had an excellent conch salad. You can’t see the conch very well, but there was a lot of it: tender and flavorful, with a light, creamy dressing. Tom’s lunch was a generous plate of grilled fish with a topping of sauteed onions and tomatoes, a mound of rice and black beans, and a raft of fried plantains. With that meal (and with many others, truth to tell) we drank Salva Vida, Honduras’s beer, an icy-cold bottle of which is truly a Life Saver in this tropical climate.

triple pic

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The major gastronomical disappointment of the trip was the almost complete absence of mangoes. We had many fruit plates with papayas, pineapples, and bananas, all more richly flavorful than anything we get in in this country. All along the highways were huge, gorgeous trees just dripping with ripe mangoes; some of the trails we walked were littered with fallen fruits that the birds and other animals had enjoyed, but our lodge just didn’t serve them.

By special request, we did get a few tastes, but apparently Hondurans appreciate unripe mangoes – green mangoes, they proudly announced. We just don’t understand that particular preference. Ironically, the juiciest mango we had was in the tiny fruit plate served on the airplane on our way home.  Oh, well – the sidewalk fruit stands in our neighborhood all have mangoes now, so we won’t be totally bereft.

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It has suddenly become high strawberry season at my Greenmarket.

Strawberry stands.

The berries I’ve tasted so far have been very good – plump and sweet. I just hope they’ll still be around when I get back from the trip that I’ll be away on during the week that this post is published, because I haven’t yet made my year’s supply of strawberry jam. What I did make, a few days before we left, was the season’s first strawberry tart.

I make a very simple version, using a recipe from my book The Seasons of the Italian Kitchen. It has only three ingredients: strawberries, sugar, and pastry dough. Well, okay, making the pastry requires other ingredients, but if you have the dough already made up in the freezer, as I often do, it counts as just one. (There’s also an optional fourth item: a beaten egg, to paint a glaze on the pastry before baking, if you feel so inclined.)

For that pastry, I use Italian-style pasta frolla, rolling out the extremely fragile dough between sheets of waxed paper to keep it from breaking apart. Any other kind of sweet pastry dough would also work, of course; even an unsweetened one.

Once the tart pan has been lined with the dough, I fill the shell tightly with fresh strawberries, just hulled, washed, and dried. I like to use small berries so they can stand straight up in the tart. If you’re working with very large ones, you’ll have to quarter them. I sprinkle a few tablespoons of granulated sugar over them – more or less according to how tart or sweet the berries are – and then I roll out the leftover dough and cut strips to make a lattice over the top. With or without an egg glaze, the tart then goes into a moderate oven for about 40 minutes.

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It has to be cooled before serving, so the berries can absorb back some of their juices that the sugar has drawn out. But that’s one of the virtues of this recipe: you can make it well in advance. The kinds of strawberry tarts that use a pre-baked pastry shell filled with a layer of pastry cream, sweetened ricotta cheese, or fruit preserves under uncooked berries can’t be assembled until very shortly before being served, or they’ll get soggy. Mine gets even better if made early in the day, allowing the flavors and textures of crust and fruit to blend deliciously at dessert time. It’s best to make a tart just big enough to be consumed at one sitting, however, because even this one will get soggy if it sits around for a day or two.

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BTW, this week I’m in Honduras. Tom and I are on a birding trip with Victor Emanuel Nature Tours. We’ll be staying for a week at The Lodge at Pico Bonito, a luxurious small eco-resort surrounded by lush tropical rainforest and boasting a myriad of gorgeous birds on its 400-acre property.

The Lodge at Pico Bonito

The lodge’s restaurant seems to be quite notable, so when I return I may do a post about the Mesoamerican specialties I hope to be enjoying there. Wish me many mangoes!

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Autumn Apples

TSOTIKA warm apple dessert makes a welcome ending for dinner on a chilly fall evening – especially if you live in an apartment building whose management is slow to admit that the heating season has begun!

Today’s recipe is from Tom’s and my book The Seasons of the Italian Kitchen. It’s my version of a dish served to us once at a luncheon hosted by a winemaker in Campania. That region of Italy is famous for Annurca apples*, a purely local and highly prized variety.

We don’t get them in this country, of course, but they seemed to me not too unlike our Stayman Winesaps, so I used those to recreate the dish at home and dubbed it Autumn Apples. Here are the ingredients.

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This time my apples were Galas, because they looked better in the store than the Winesaps when I went shopping. In the years since we published TSOTIK, I’ve learned that any crisp apples will work, if you just reduce the sugar a bit for less tart varieties. Peeling, coring, and slicing the apples can be done hours in advance: Just toss them with lemon juice to prevent browning.

The rest of the preparation does have to be done just before serving, but it doesn’t take long. A little pause between courses is good for the digestion, anyway! The first step is to sauté the apples in butter for a few minutes, then pour on grappa and ignite it to burn off the alcohol. I tried to take a picture of the flaming, but the merest ghostly hint of iridescent blue appeared in the photo. You’ll have to take my word that it was there!

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When the fire has died down, you stir in sugar, raisins, pignoli, and cookie crumbs – made by crushing a few dry biscotti or amaretti. You can have all these measured out and ready well in advance too. Then just a few more minutes’ sauteeing, a sprinkling of cinnamon, and dessert is ready to eat.

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The dish has a pleasing medley of simple flavors. The apples are still toothsome, the pignoli contribute their characteristic nuttiness, the raisins are little bursts of intense fruit sweetness, the cookie crumbs provide crunch, and there’s just a hint of cinnamon scent.

vin santo 2Another good thing about the recipe is its scalability: The book gives quantities for four servings, but it’s easy to adjust for any number. It makes a refreshingly light conclusion to a large dinner party, as well as a comfortable treat for one or two. And, as Tom says in his sidenote, it goes very well with a dessert wine, such as a vin santo or passito. As we experienced it in Campania, that’s quite sufficient to dress up this homely dish for presentation to company.

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* Here’s a photo of Annurca apples, from The Food and Wine Guide to Naples and Campania, an excellent book by Carla Capalbo.

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The equinox has passed and we’re firmly into autumn; that means it’s apple time! My Greenmarket is filled with colorful heaps of old and new apple varieties.

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???????????????????????????????Instead of wading right in with apple pies, tarts, and cakes, I thought I’d start the season with an only moderately apple-y dish. I found a recipe called Veal Scallopini with Cream, Calvados, and Apples in the Beef and Veal volume of the Time-Life Good Cook series. That seemed like a winning flavor combination, so I gave it a try.

The first thing to do was prepare the apples. The recipe said to cut them in ½-inch cubes. Now, there’s a problem in solid geometry: Make even cubes out of a spherical fruit! I guess a professional chef could assign one of his kitchen minions to make perfect tiny apple cubes, but that would waste an awful lot of apple. I achieved small chunks. I tossed them with lemon juice, as instructed, to keep them from discoloring.

The next task was to cook the veal. The recipe called for ½-thick slices, not to be pounded any thinner. That’s an unusually thick cut for a scallopini dish, more like what is properly called a veal cutlet, but I happened to have some that size in the freezer, intended for a different use (old-fashioned veal parmigiana, which I’ll still get around to making one of these days). My recipe said to salt, pepper, flour, and sauté the cutlets in butter and olive oil for 4 minutes to a side, then to keep them warm in an oven while the sauce was being made.

After doing that I added the apples, their lemon juice, and a splash of Calvados to the sauté pan and cooked them, stirring and deglazing, for 3 minutes. The next step was to add cream, cook “until the mixture has turned a rich ivory color,” then lower the heat and cook uncovered “for almost 10 minutes, until the cream has reduced by about half.” Well, my cream mixture turned ivory immediately, and in about 5 minutes it was thick enough so I could retrieve the veal from the oven and pour the sauce over it.

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The speed at which the sauce came together was probably because I was cutting a recipe for 6 down to portions for 2, but it was a good thing – because I’d been concerned that keeping the veal waiting in the oven for more than 15 minutes might dry it out. It didn’t, but the brief cooking the thick scallops had received wasn’t enough to tenderize the meat. It was chewy. And just pouring the sauce over the veal meant it hadn’t had enough contact with the other ingredients to absorb any of those flavors into itself. This made a disappointing result for such promising ingredients.

As we ate it, Tom said “You know, we could make a better version of this.” The oracle had spoken, and three days later, we did. Here’s how we changed the recipe:

  • Using thin, true veal scallops – only ¼ inch thick
  • Cutting the apple pieces smaller
  • Flaming the Calvados as soon as it and the apples went into the sauté pan
  • Adding ½ cup homemade meat broth and simmering for 2 minutes
  • Stirring in the cream, putting the veal back in, cooking 5 minutes covered
  • Uncovering and cooking just long enough to reduce the sauce.

And here’s the result:

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It didn’t look very different from the original version, but tasted a lot more interesting. The veal was perfectly tender, and it had taken on flavor from the rest of the ingredients – as well as given some of its own rich essence to them.

A valuable lesson, that: Ingredients need time together to blend. Otherwise they remain separate flavors, at best layered on top of each other. I really knew that – how can anyone who has cooked even a little not know that? – but like so much else that we all know, the wisdom needs periodic reinforcement. That’s why it’s always a challenge to try a new recipe: It not only pushes you to break old habits, but it also strengthens the best of them.

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On one of our many recent miserably cold, dank, windy, rainy days, Tom came home from the grocery store with four not-on-the-shopping-list peaches and asked me to make a little dessert tart with them. Surprisingly, the peaches were perfectly ripe – soft and fragrant, carrying a hopeful promise of summer. I was happy to take advantage of it.

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I thought a cobbler would be nice. The recipe I usually use calls for several ingredients that would have required another store excursion through the ugly weather, so I looked further afield. There’s a very simple peach cobbler recipe in Lee Bailey’s Country Desserts. It’s the one at lower left in this photo spread of luscious-looking indulgences from the book.

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The recipe has a pastry technique a bit different from any I’d used before, which was another reason it interested me. In the food processor I had to pulse flour, salt, frozen butter, and frozen Crisco; then add enough ice water for the mixture to come together in a ball. I’m not sure what the point of the frozen fats is; maybe it keeps the heat of the processor motor from overly blending the ingredients? In any case, this dough didn’t need to be rested in the refrigerator before rolling it out, as is recommended for most pie and tart doughs.

I rolled the dough into a large rough circle (the book says rough rectangle, but I was making a half recipe and had to use an eight-inch round cake pan) and transferred it to the pan, letting the extra dough hang over the sides. I put in my four peeled, thickly sliced peaches; sprinkled on sugar and generous dots of butter; and folded over the excess pastry. Actually, I used less sugar than the recipe indicated. Many Southern-style dessert recipes strike me as excessively sweet, and I felt that half a cup of sugar would overwhelm the flavor of my four smallish peaches.

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My cobbler baked in a hot oven for 45 minutes and gratified me by coming out looking just as pleasantly rustic as the one in the book.

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It was delightful. Beautiful, bright peach flavors, just sweet enough for our taste, and an effective contrast between the lightly crunchy crust and the lushly soft fruit. We gilded the lily a bit by serving it with whipped cream, which was also not shabby.

Bailey says he makes this dish only in the height of local peach season because “the cobbler’s flavor depends entirely on the flavor of the fruit.” With so few ingredients in the recipe, I can well believe that, and I must say these peaches – way out of season as they were – were outstanding. Next day I went back to the store and got a few more for eating in the hand. Turns out they’re from Kingsburg Orchards / Flavor Farmer, a family-owned specialty grower of stone fruit in California’s San Joaquin valley. Much as I hate fruit with labels pasted on them, I think I’ll be looking for this place’s products as the season progresses.

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To conclude my 2012 Year in Recipes culinary experiments with a mild adventure, I chose a recipe I’d never used before, for a dish of a kind I’d never made before, with a primary ingredient I’d never cooked before. I made a steamed persimmon pudding.

However traditional they may be, puddings (other than My-T-Fine) were not things my family ate. The only variety I’d ever even heard of was plum pudding, and to me that was something dark and lumpy that came in a can. Imagine, then, my amazement at a recent dinner party, when my friends Betty and Livio served a persimmon pudding that was wonderful: light, gently fruit-sweet, dramatically flamed with brandy, and served with a luscious whipped cream sauce.

We all loved it. Betty, who knows her First Ladies, told me it was Nancy Reagan’s persimmon pudding recipe and assured me it was easy to make. I kind of doubted that, but I decided I wanted it as the dessert for my Christmas Day dinner.

I found the recipe online; here it is. I have to warn you that this is a lousily written recipe. Deciphering it was the first of the series of worries this project presented. It has a few outrageous typos, such as “sold dissolves in warm water” – meaning baking soda dissolved in water – and its entire explanation for cooking the pudding is to “put in a buttered steam-type covered mold and steam two and a half hours.” That’s all very well if you already know how to do it, and no help at all if you don’t. As I’ve explained, I didn’t.

The next worry was finding persimmons, which I’d also never purchased before. Betty recommended the sweet Fuyu type, which are squat and rounded, like little tomatoes – not the more common pointy-ended ones, which I’m told are unbearably tart unless you catch them just as they’re about to dissolve into overripeness. This wasn’t a great year for Fuyus, apparently, because they were hard to find. The ones I finally found looked a little beaten up, but since they were going to be pureed, that was OK.

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The pudding mixture was perfectly easy to put together, if calorically terrifying. I dissolved a lot of sugar in a lot of melted butter, then added flour, salt, cinnamon, nutmeg, the persimmon puree, dissolved baking soda, brandy, vanilla, eggs, and raisins. Then came Worry #3: What to put it in (since I didn’t have an actual pudding basin) and exactly how to do the steaming? After checking in many cookbooks and online – several of which gave diametrically opposed instructions – I selected a procedure I hoped would work.

I buttered my largest French metal charlotte mold, put a round of buttered parchment in the bottom, and poured in the pudding mix. Happily, it came only about halfway up the pan, so there’d be room for expansion. I topped the mold with another piece of buttered parchment and a large piece of aluminum foil, anchoring them with a big rubber band.

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I set this construction on a rack in my pasta pot, poured in boiling water to come ⅔ of the way up the sides of the mold, covered the pot tightly and let it steam for the required 2½ hours. This had to be done in advance, since I was going to need that pasta pot elsewhere in the Christmas dinner, so Worry #4 was whether the pudding would tolerate cooling and rewarming.

I also made the sauce in advance. This required a raw egg (ooh, salmonella!) to be beaten with melted butter, confectioner’s sugar, and brandy; then whipped heavy cream to be folded in and the sauce to be refrigerated until serving time. Just a light little grace note, eh?

In the evening, as dinner drew to an end, I warmed the still-filled and covered mold in the oven and confronted my final worry: Would the pudding stick in the pan when I tried to unmold it, and/or would it fall apart on the plate?

Magically, it did neither of these. It slid out smoothly, holding its shape perfectly. When I poured on heated brandy and struck a match, it flamed majestically.

flaming pudding

And when the flames went out and I sliced and served it with its rich sauce, everyone agreed the dessert was delicious.

I was delighted with the success of my very first classic steamed pudding. Yes, it did turn out to be easy to make, despite all my worries. But I’d still like to think it was a Christmas miracle.

new year bells

So I wish a safe, happy, and prosperous New Year to all my readers, and I hope you’ll continue visiting my blog in 2013. I received three new cookbooks for Christmas, and I’m eager to try some of their recipes and share the tales with you.

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Stayman Winesaps are my favorite cooking apple. The local ones seem especially good this year. They’re not one of the prettiest varieties – a little dull looking, but crisp, tart, and juicy. Here they are in my Greenmarket.

I almost always buy too many of them, but I’ve learned how to keep apples: in a brown paper bag in the refrigerator’s crisper drawer, where they stay well for a long time. My latest batch didn’t hang around for long. I made three apple dishes on three different days this week: a main course, an appetizer, and a dessert.

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Pork Chops with Apples in Cider Sauce

Pork and apples are always a good combination. I found this recipe for Chuletas de Cerdo a la Asturiana in Penelope Casas’s The Foods and Wines of Spain. I’ve always had good results from this book, such as the two dishes I wrote about here, and this one is no exception.

It’s a very easy dish to make. Salt, flour, and brown pork chops in butter and oil; set them aside and briefly sauté sliced apples in the same fats. Lay half the apple slices in an ovenproof dish, top with the chops and the rest of the apples. Deglaze the sauté pan with a little broth and hard cider; pour that over the chops and apples. Cover and cook in a moderate oven until the chops are tender.

It was delicious. The pork’s own sweetness blended with that of the apples, and the apples absorbed some of the succulence of the pork. The little sauce was good on boiled potatoes, too. Casas suggests drinking the same cider with the dish, but we found a Beaujolais went perfectly well. There was nothing in this recipe – neither ingredient nor technique – that wouldn’t have been perfectly at home in a Norman or a Breton kitchen. Or an English or American one, for that matter: Apples speak the international language.

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Chorizo and Apples in Hard Cider Sauce

I happened on this tapa recipe for Chorizo alla Sidra while flipping through pages in the Casas book. I had cider left from the pork chop recipe, and I had chorizos in the freezer (they’d survived the post-hurricane power outage). Those are the only two ingredients other than apples, so making it was a slam-dunk.

All it took was to simmer a whole chorizo, some sliced apples, and a little cider in a covered pan for 15 minutes, adding more cider as the liquid evaporated. Then slice the chorizo and serve with the apples and sauce.

It was okay – not exceptional. The apples and cider had tamed down the spiciness of the chorizo more than we liked. The apples were good, with just a hint of flavor from the chorizo, but I’d let the liquid reduce too far. More sauce would have helped. Altogether, the dish was a bit less than the sum of its parts.

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Grandmother’s Apple Tart

The grandmother in question here is not mine. The recipe for Tarte aux Pommes Grand-Mere, which I found in the Pies & Pastries volume of the Time-Life Good Cook series, was originally printed in a cookbook called La Cuisine Lyonnaise. I have many recipes for apple tarts, from the plainest, such as the one I wrote about here, to some elaborate ones that take most of a day to achieve. This one was a little different from any that I’d made before, so I gave it a try.

I lined a pan with the recipe’s all-butter short-crust pastry dough, paved it with sliced apples, and sprinkled them with sugar. Then – this was the first unusual thing – the pan went into a 350-degree oven for 15 minutes. I’m used to baking pies and tarts at much higher temperatures. Meanwhile I prepared a small mixture of an egg, sugar, heavy cream, and kirsch. That custard filling was another thing I hadn’t used in a tart before.

I poured the mixture over the apples and returned the pan to the oven for another 20 minutes. I’d expected the custard to swell and engulf the apples, but it really didn’t. You can barely see it in the finished tart.

The finished tart was very good. The crust stayed fairly pale, but it was fully cooked, crisp and flaky, despite the low-temperature baking. Though the custard base was hardly noticeable, it moistened and flavored each bite of the tart. I might raise the quantity of custard next time I make this recipe, because we liked it quite a lot. Those Lyonnaise grandmothers knew their stuff.

The final unusual thing about this recipe was an instruction to serve the tart hot. That idea didn’t appeal to me. I’d made the tart early in the day, so at dinner time I just warmed it slightly in the oven, and it was fine.

Next time I might try raising the oven temperature a little for the second half of the cooking, to brown the pastry a bit more. More color wouldn’t hurt the apples either – it’s a rather pale tart. And finally, when an open-faced tart involves two layers of apples, I must remember to save enough of the best-shaped slices for an attractive pinwheel arrangement on the top!

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Just a short post this time, to supplement last week’s report on my first-day-of-autumn dinner party. This is the plum dessert I made for that dinner. I didn’t describe it then because the recipe wasn’t from my own book, whose recipes I was featuring in the meal.

I’ve sung the praises of Italian prune plums here before, and I’m happy to have another thing to do with them that’s equally as good as – and even simpler than – that Plum Cake Cockaigne.

This recipe for Purple Plum Crunch comes from the Fruits volume of the Time-Life Good Cook series. Like all the recipes in that series, this one is credited to another book, The Elegant but Easy Cookbook, by Marian Burros and Lois Levine. I wouldn’t call this recipe elegant – at least, not in the sense of producing a glamorous-looking dish – but it’s certainly easy and quite delicious.

You simply lay quartered prune plums in a buttered baking dish and top them with the crunch ingredients. In this case, unlike any other fruit crunch recipe I’ve seen, there are two crunch layers. First you sprinkle the plums with a dry mixture of brown sugar, flour, and cinnamon. Top that with a moist mixture of granulated sugar, flour, baking powder, salt, and egg. Finally, drizzle on melted butter and bake until the topping is brown.

It all comes together nicely. The sweet juices of the prune plums permeate the topping and produce a tender, crisp crunch. It’s a resilient dish too: You can make it a whole day in advance and reheat it without any loss of flavor. Leftovers are still good the third day. It loves a scoop of vanilla ice cream, but it’s also perfectly nice by itself. I do love prune plums!

Note: When this post is published, I’ll be in Barcelona, and the week after that I’ll be in Paris. So my next post will appear in mid-October. I’ll hope to discover some new recipes to tell you about in both places.

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None of the new dishes I’ve tried lately seems to deserve a whole post of its own, so here’s a roundup of a few small culinary experiments.

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No Trumpets for Crumpets

I’ll get “the Bad” over with first. Tom and I like English muffins a lot. One morning I had the idea that their cousins, Crumpets, which I’d never eaten, might be interesting to make for a breakfast, so I looked up the recipe in my Cooking of the British Isles volume of the Time-Life Foods of the World series.

It calls for small metal flan rings to hold the crumpet batter in shape while it cooks on a griddle. Fortunately I had some, made from tunafish cans, which I use occasionally for making frittatine, miniature vegetable omelettes for antipasti. I dug them out and went to work. I made a yeast batter with flour, milk, egg, salt, sugar, and butter. While it was rising, I clarified more butter for brushing the griddle and the rings.

The batter rose ebulliently (it had a lot of yeast) and was extremely thick. As I spooned it into the rings on the hot griddle it only reluctantly spread out to fill them.

When bubbles appeared on the surface of the batter, the bottoms had browned, as the recipe promised, so I removed the rings and turned the little cakes over to finish cooking. As I understand crumpets, the bubbles are supposed to break and leave tiny holes all over the surface (for the butter you put on them to melt into), but mine didn’t. They came out looking like anemic English muffins.

Tom and I tried them for breakfast. Despite all the yeast, they were quite flat – both physically and palatally. Like tasteless pancakes, bland and boring. Butter and jam did nothing for them. Toasting didn’t help either. We each ate part of one and dumped the rest. Was it me? Do you have to be British to appreciate these? Do you have to have grown up with them? Was it a bad recipe? Was the griddle too hot? I don’t know, and I don’t think I’ll try again. I’ll just stick to store-bought Thomas’s English muffins.

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Praise for a Pound Cake

Next comes “the Good.” I had some sour cream in the refrigerator that it was time to use up. I was thinking about putting it in muffins, but when I browsed among my cookbooks for things to do with it I found a Sour Cream Pound Cake recipe in Lee Bailey’s Country Desserts.

I usually make pound cake from Joy of Cooking or from an old handwritten recipe of my mother’s. Those call for sweet milk and baking powder, while Bailey’s calls for sour cream and baking soda. His also separates the eggs and folds in the stiffly beaten whites at the end. In other respects it’s a typical pound cake: beat butter and sugar together until light, beat in egg (yolks, this time), flour, liquid (the sour cream) and vanilla; bake in a loaf pan in a moderate oven. I thought I’d give it a try.

It was really nice. A good, loose-textured crumb. Fragrant, mildly tangy, not too sweet (I cut back the sugar a bit). An especially tasty crust. Altogether a very successful pound cake, simply begging for a topping of fruit, with or without cream.

The book says the cake improves with a day of aging, so I toasted a slice for breakfast the next day. The fresh-baked fragrance came right back up, and the flavor was excellent. This is a recipe that will probably enter my repertory.

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Decent Dessert Bananas

Finally, here’s the “So-So.” I’ve never understood the appeal of Ferran Adrià’s “molecular gastronomy” and never felt any compulsion to visit El Bulli or purchase any of the famous chef’s cookbooks. But a newspaper review, some time ago, of The Family Meal: Home Cooking with Ferran Adrià included a very simple recipe of his for Bananas in Lime Syrup. No foams, no chemicals, no technology: just bananas, limes, and sugar. I clipped it out for my recipe binder.

Tom and I like good bananas, and this week the stores had them from Costa Rica, which we’re convinced have a richer flavor than other countries’ bananas. (We learned to love them from several birding expeditions to that fascinating little country, where the eco-lodges would hang whole huge bunches of bananas on the porch that guests could help themselves to.) Naturally, I bought too many and had to find ways to use them before they turned totally black.

Out came the Adrià recipe. I made a simple sugar-and-water syrup, let it cool, added the juice and grated zest of a lime, submerged two thinly sliced bananas into it, and refrigerated the bowl for a few hours.

The recipe said to serve the bananas either alone with their syrup or over ice cream. Wickedly, we chose ice cream: crema and cioccolata from L’Arte del Gelato, whose local shop is a constant temptation to overindulgence.

The bananas were nice enough. They tasted exactly like bananas in sweetened lime juice. Nothing to complain about, but nothing exciting either. The gelato, which was delicious, tolerantly accepted the companionship of the fruit. I guess I’d been hoping the molecular gastronomy genius had discovered some obscure chemical affinity of ingredients that would make the dish greater than the sum of its parts. Nope.

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