Konkordanz is an experimental performance that positions the body of the performer within the medium of sculpture and the existential conflicts of Samuel Beckett’s literature. The performance is set to a 97-minute audio tape recording of a score generated by the concordance indexing method applied to Beckett’s novel The Unnameable.
Performed September 5, 2015 at the 6th Edition of the At.tension Festival in Lärz, Germany.