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2003, The Hitotsubashi review
2021 •
Alessandro Cavazzana, Francesco Urbano Ragazzi, Emanuele Carlenzi, Davide Coraci, Michael A R Biggs, Moyra Derby, Hannah Fasnacht, Oliwia Olesiejuk
Link to the open-access volume: https://edizionicafoscari.unive.it/en/edizioni4/riviste/the-journal-for-the-philosophy-of-language-mind-an/2021/1/
Fata Morgana Web
Pensare ad occhi aperti. "Quando le immagini prendono posizione" di Georges Didi-Huberman2019 •
This article analyzes the characteristics and the purposes that the object “photography” has in Proust’s Recherche and in Roland Barthes’ La chambre claire, by recognizing within these two texts a the double challenge represented by photography itself: that of being a transparent object and that of allowing the fruition of the extra-temporality. Barthes’ realism, however, prevents the critic from considering in its full extent the cognitive value of photography, as configured in Proust’s text, which is placed in watermark in relation to the Barthes’ discourse. Proust’s complex position with respect to the object “photography”, which he criticizes, among many other reasons, for thesnap-shot platitude, includes even a possible parallelism with the involuntary memory, since the heuristic meaning of photography is connected to the cognitive and affective dinamycs which guide our processes of remembrance and creative relationship with our own past.
Un passo (indietro) verso altri punti di vista. A partire da P. D. Bubbio, Sacrifice in the Post-Kantian Tradition. Perspectivism, Intersubjectivity, and Recognition, SUNY Press 2014.Lo sguardo - Rivista di Filosofia, n. 21, (II) – Filosofia e Catastrofe, pp. 369-376
Un passo (indietro) verso altri punti di vista. A partire da P. D. Bubbio, Sacrifice in the Post-Kantian Tradition. Perspectivism, Intersubjectivity, and Recognition, SUNY Press 20142016 •
Questo volume propone una riflessione sulla figura della fotografa Paola Mattioli che col suo lavoro ha indagato i caratteri e le risorse del mezzo espressivo, senza però indulgere in atteggiamenti freddamente concettuali o sterilmente formalistici, al contrario mettendosi nella condizione di sfruttarne appieno le caratteristiche, per formulare un giudizio visivo, una lettura critica del reale. Questo studio vuole mettere in evidenza come nel lavoro di Mattioli la ricerca sullo sguardo fotografico si coniughi sempre con un vivo interesse per istanze di natura sociale e politica, a partire dal femminismo, rispetto al quale il suo contributo è di grande spessore. Il ricco apparato iconografico del volume offre un ritratto per immagini di Mattioli che scorre parallelo all'analisi della sua produzione. isbn 9788874901746 Postmedia Books Research Interests: Fashion Photography, Women and Gender Studies, Fotografia, Femminismo, Scrittura Femminile, Storia Delle Donne and Fotografia italiana
2018 •
La serie " Visual Studies " esplora le zone di sovrapposizione tra i diversi approcci disciplinari agli oggetti visivi e alle pratiche storico-culturali che li coinvolgono: storia dell'arte, estetica, psicologia, antropologia, semiotica, sociologia, allo scopo di metterne a fuoco i nodi teorici, le questioni di metodo e le potenzialità rispetto a nuovi indirizzi di ricerca.
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