Frank Capra was a three-time Oscar winner who dominated the box office throughout the 1930s with his populist fables, nicknamed “Capra-corn.” Yet how many of these titles remain classics? Let’s take a look back at 12 of Capra’s greatest films, ranked worst to best.
Born in 1897 in Siciliy, Italy, Capra came to the United States with his family in 1903. His work often reflected an idealized vision of the American dream, perhaps spurned by his own experiences as an immigrant. Depression-era audiences lapped up his sweetly sentimental screwball comedies, which often centered on the plight of the common man.
He earned his first Oscar nomination for directing “Lady for a Day” (1933), and his loss was infamously embarrassing: when presented Will Rogers opened the envelope, he said, “Come up and get it, Frank!” Capra bounded to the stage, only to learned that Frank Lloyd (“Cavalcade”) has won instead.
No matter, because Capra came roaring back the next year with the romantic comedy “It Happened One Night” (1934), which became the first film to win the top five Oscars: Best Picture, Best Director, Best Actor (Clark Gable), Best Actress (Claudette Colbert) and Best Screenplay (Robert Riskin). Only two other films — “One Flew Over the Cuckoo’s Nest” (1975) and “The Silence of the Lambs” (1991) — have managed to repeat that feat.
Over the next five years, Capra would collect two more Oscar for directing (“Mr. Deeds Goes to Town” in 1936 and “You Can’t Take It With You” in 1938) and compete once more (“Mr. Smith Goes to Washington” in 1939). All three films would compete in Best Picture, as did his “Lost Horizon” (1937), while “You Can’t Take It With You” won the top prize. His three victories tie him with William Wyler for the second most wins in the category, behind John Ford‘s record-holding four.
With the outbreak of WWII, Capra enlisted in the Army, where he produced a number of propaganda films for the war effort. Hoping to strike out on his own as an independent producer, he founded the ill-fated Liberty Films, where he produced “It’s a Wonderful Life” (1946), which earned him an Oscar nomination and Golden Globe win for Best Director, and “State of the Union” (1948). Neither film turned much of a profit at the time, ending Capra’s reign as king of the box office.
Yet a funny thing happened to “It’s a Wonderful Life,” the uplifting story of a disillusioned businessman (James Stewart) who sees what life would be like if he’d never been born. After falling into public domain, it began its yearly showings on television during Christmastime, where its audience began to grow steadily over the years. It soon became a holiday classic, proving that box office dollars aren’t the ultimate measure of a film’s longevity.
Capra’s directing career ended in 1961 with “Pocketful of Miracles” (1961), a remake of “Lady for a Day.” He earned the DGA’s Lifetime Achievement Award in 1959 and the American Film Institute Life Achievement prize in 1982. He died in 1991.
Tour our photo gallery of Capra’s 12 greatest films, including some of the titles listed above as well as “Platinum Blonde” (1931), “Meet John Doe” (1941) and “Arsenic and Old Lace” (1944).
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12. POCKETFUL OF MIRACLES (1961)
Directed by Frank Capra. Screenplay by Hal Kanter and Harry Tugend, based on an earlier screenplay by Robert Riskin. Starring Glenn Ford, Bette Davis, Hope Lange, Arthur O’Connell, Peter Falk, Thomas Mitchell, Edward Everett Horton, Mickey Shaughnessy.
Capra ended his directorial career with a remake of one of his earlier masterpieces, 1933’s “Lady for a Day,” and while it can’t come close to matching the original, it tries its best. “Pocketful of Miracles” casts Glenn Ford as Dave the Dude, a New York City gangster who agrees to help turn the besotted beggar Apple Annie (Bette Davis) into a high society lady for one day. Peter Falk earned a Supporting Actor Oscar nomination for playing the Dude’s high strung right-hand man, Joy Boy. It also competed for its costumes and original song. Capra earned a DGA bid for directing, but was snubbed at the Academy.
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11. PLATINUM BLONDE (1931)
Directed by Frank Capra. Story by Harry E. Chandlee and Douglas W. Churchill, adaptation by Jo Swerling, dialogue by Robert Riskin. Starring Loretta Young, Robert Williams, Jean Harlow, Halliwell Hobbes, Reginald Owen.
This early Capra gem centers on the unlikely romance between a fast-talking reporter (Robert Williams, who died from an appendicitis the same year the film was released) and a spoiled heiress (Jean Harlow). Both think the other should change their lifestyles, so he takes a stab at playwriting, much to the chagrin of a fellow reporter (Loretta Young) who loves him. Though a tad creaky in parts, “Platinum Blonde” points the way towards the pristine comedies Capra would excel at throughout the decade.
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10. MEET JOHN DOE (1941)
Directed by Frank Capra. Screenplay by Robert Riskin, story by Robert Presnell, Sr., based on the story ‘A Reputation’ in ‘Century Magazine’ by Richard Connell. Starring Gary Cooper, Barbara Stanwyck, Edward Arnold, Walter Brennan, Spring Byington, James Gleason.
Although he dominated the box office in the 1930s with his upbeat visions of Americana (coined as “Capra-corn”), Capra stumbled in the 1940s when he tried to set out on his own as an independent producer. That’s not to say that the quality in filmmaking dipped, and indeed, “Meet John Doe” looks better with age. Barbara Stanwyck stars as a fired newspaper reporter who publishes a letter from a nonexistent person — the “John Doe” of the title — threatening to jump off City Hall on Christmas Eve in protest of social injustices. When the letter causes a sensation, she hires a homeless man (Gary Cooper) to impersonate Doe, and his made-up philosophy starts a political movement.
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9. ARSENIC AND OLD LACE (1944)
Directed by Frank Capra. Screenplay by Julius J. Epstein and Philip G. Epstein, based on the play by Joseph Kesselring. Starring Cary Grant, Josephine Hull, Jean Adair, Raymond Massey, Peter Lorre, Priscilla Lane, John Alexander, Jack Carson, John Ridgely, Edward Everett Horton.
“Arsenic and Old Lace” takes the classic Capra formula and spikes it with some macabre fun. Based on the hit play by Joseph Kesselring, it features Cary Grant as a drama critic who discovers that his old biddy aunts (Josephine Hull and Jean Adair) are homicidal maniacs. Turns out there’s a lot of insanity in his family — including one brother (John Alexander) who believes he’s Teddy Roosevelt and another (Raymond Massey) who’s a murderous ex-con — so Grant is nervous about starting a family with his new bride (Priscilla Lane). Originally filmed in 1941, the movie didn’t make its way to the screens until 1944 when the original show had finished its successful run.
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8. STATE OF THE UNION (1948)
Directed by Frank Capra. Screenplay by Myles Connolly and Anthony Veiller, based on the play by Russel Crouse and Howard Lindsay. Starring Spencer Tracy, Katharine Hepburn, Van Johnson, Angela Lansbury, Adolphe Menjou, Lewis Stone.
Viewed through today’s political landscape, the idea of a wealthy businessman seeking the Republican presidential nomination would make for a terrifying horror movie. But in Capra’s capable hands, it becomes a charming piece of Americana, and a perfect vehicle for the dynamic screen duo Spencer Tracy and Katharine Hepburn. Tracy plays an aircraft tycoon who decides to make a run for the White House. His campaign manager (Van Johnson) encourages him to reunite with his estranged wife (Hepburn) for appearance’s sake, but her confidence in him is shaken when he begins to compromise his values for political gain (proving that little has changed when it comes to Washington).
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7. LADY FOR A DAY (1933)
Directed by Frank Capra. Screenplay by Robert Riskin, based on the short story ‘Madame La Gimp’ by Damon Runyon. Starring May Robson, Warren William, Guy Kibbee, Glenda Farrell, Ned Sparks, Jean Parker, Barry Norton, Walter Connolly, Hobart Bosworth.
“Lady for a Day” was Capra’s first flat-out masterpiece, a harbinger of the kinds of sweetly sentimental, idealistic comedies the director would delight Depression-era audiences with. Based on a short story by Damon Runyon, it centers on a beggarly apple saleswoman (May Robson) who’s transformed into a lady of high society by a kind-hearted gangster (Warren William) so she can impress her estranged daughter (Jean Parker). The film brought Capra his first Oscar nomination as Best Director and competed in Best Picture, Best Actress (Robson), and Best Screenplay (Robert Riskin). His loss was infamously embarrassing: when presenter Will Rogers opened the envelope, he said, “Come up and get it, Frank!” Capra bounded to the stage, only to find out Frank Lloyd (“Cavalcade”) was actually the victor. Rogers called the third nominee, George Cukor for “Little Women,” to the stage to help Capra save face.
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6. YOU CAN’T TAKE IT WITH YOU (1938)
Directed by Frank Capra. Screenplay by Robert Riskin, based on the play by George Kaufman and Moss Hart. Starring Jean Arthur, Lionel Barrymore, James Stewart, Edward Arnold, Mischa Auer, Ann Miller, Spring Byington, Samuel S. Hinds, Donald Meek, H.B. Warner.
Capra collected his third Best Director prize and his second Best Picture victory for this charming adaption of George Kaufman and Moss Hart’s hit play. “You Can’t Take It With You” casts James Stewart as an idealistic young man who works as a vice president at his rich father’s (Edward Arnold) company. He falls in love with his stenographer (Jean Arthur), whose large, eccentric family cares nothing for money, even when Stewart’s dad offers them a hefty sum to buy their home in order to help him secure a munitions monopoly. Everyone has a grand time with the screwball material, especially Lionel Barrymore as the patriarch. Though some of screenwriter Robert Riskin’s changes don’t improve upon the stage show, this is still a prime example of Capra’s ability to make us laugh and cry in equal measure.
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5. LOST HORIZON (1937)
Directed by Frank Capra. Screenplay by Robert Riskin, based on the novel by James Hilton. Starring Ronald Colman, Jane Wyatt, Sam Jaffe, John Howard, H.B. Warner.
Massive cost overruns and problems in the editing room nearly derailed this ambitious adaptation of James Hilton’s fantasy novel, a rare foray into the genre for Capra. Luckily, the only wreck in this movie is the plane crash that transports a British diplomat (Ronald Colman) and his fellow passengers to the mythical Himalayan town of Shangri-La. With WWII on the horizon, the secluded paradise where health and happiness reign supreme provides a welcome respite for the world-weary travelers. The film earned seven Oscar nominations, winning for its art direction and film editing and competing in Best Picture. H.B. Warner also contended in Best Supporting Actor for playing a Chinese resident of Shangri-La, Chang. Surprisingly, Capra was snubbed in Best Director, a category he won three times in the decade.
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4. MR. DEEDS GOES TO TOWN (1936)
Directed by Frank Capra. Screenplay by Robert Riskin, based on the short story ‘Opera Hat’ by Clarence Budington Kelland. Starring Gary Cooper, Jean Arthur, George Bancroft, Lionel Stander, Douglass Dumbrille, H.B. Warner.
There was always a certain common man charm about Gary Cooper’s screen persona, which made him a perfect match for Capra, that patron saint of common men. “Mr. Deeds Goes to Town” is “Capra-corn” at its very best, a winning comedy about a small town man (Cooper) who inherits a vast fortune. When he moves to New York, a cynical newspaper reporter (Jean Arthur) decides to get the scoop on this guy, only to be won over by his awe-shucks authenticity. She’s especially shocked when Deeds decides he wants to give all his money away to the needy. While the Adam Sandler remake relied on pratfalls and gross-out humor, the original succeeds through its heart and sentimentality. The film brought Capra his second Oscar for Best Director and earned bids in Picture, Actor, Screenplay, and Sound.
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3. MR. SMITH GOES TO WASHINGTON (1939)
Directed by Frank Capra. Screenplay by Sidney Buchman, story by Lewis R. Foster. Starring Jean Arthur, James Stewart, Claude Rains, Edward Arnold, Guy Kibbee, Thomas Mitchell, Beulah Bondi, Eugene Pallette, H.B. Warner, Harry Carey.
Capra’s unique brand of populism was never more beautifully expressed than in this heartfelt political drama. “Mr. Smith Goes to Washington” made James Stewart a star, firmly establishing him as the idealistic boy next door. He plays the titular Mr. Smith, a naive young man appointed to fill a vacant Senate seat. When he arrives in Washington, he’s shocked to discover corruption around every corner (welcome to Washington, Mr. Smith). But rather than give in, he stands up for what’s right, culminating in the famous filibuster scene where he speaks for 25 hours straight to delay a vote to expel him. The film earned 11 Oscar nominations, including Best Picture, Best Director, and Best Actor for Stewart, winning for its original story by Lewis R. Foster. Capra lost his bid to Victor Fleming (“Gone with the Wind”).
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2. IT HAPPENED ONE NIGHT (1934)
Directed by Frank Capra. Screenplay by Robert Riskin, based on the short story ‘Night Bus’ by Samuel Hopkins Adams. Starring Clark Gable, Claudette Colbert, Walter Connolly, Roscoe Karns, Jameson Thomas, Alan Hale, Arthur Hoyt, Blanche Friderici, Charles C. Wilson.
Capra won the first of three Best Director Oscars for this sparkling screwball comedy, one of the standouts from Hollywood’s original Golden Age. “It Happened One Night” centers on a spoiled heiress (Claudette Colbert) who runs away from her family with a down-to-earth reporter (Clark Gable) who’s using her for a story. The film set the gold standard for romantic comedies to come with its quick-witted screenplay by frequent Capra collaborator Robert Riskin and charming performances by two leads with electrifying chemistry. It made history, in fact, by becoming the first movie to take home the top five Academy Awards (Picture, Director, Actor, Actress, and Screenwriting), a feat that’s only been repeated by “One Flew Over the Cuckoo’s Nest” (1975) and “The Silence of the Lambs” (1991).
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1. IT’S A WONDERFUL LIFE (1946)
Directed by Frank Capra. Screenplay by Frances Goodrich, Albert Hackett, and Frank Capra, based on the story ‘The Greatest Gift’ by Philip Van Doren Sten. Starring James Stewart, Donna Reed, Lionel Barrymore, Thomas Mitchell, Henry Travers, Beulah Bondi, Ward Bond, Frank Faylen, Gloria Grahame.
After dominating the box office throughout the 1930s with his populist entertainments, Capra struggled in the 1940s and ‘50s, churning out one financial bust after another. Yet it was during this period that he created not just his most beloved entertainment, but his greatest artistic achievement: “It’s a Wonderful Life.” Made after Capra and James Stewart finished their service in WWII, it centers on everyman George Bailey (Stewart), who contemplates suicide when his life sinks into despair. His guardian angel (Henry Travers) shows him what life would be like if he’d never been born, proving that every person, no matter how ordinary, matters. A flop in its time, the film found a second life after falling into public domain, when it began its yearly showings on TV during Christmastime and became a cherished classic. The film earned five Oscar nominations, including Best Picture, Best Director, and Best Actor.