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In Spanish seagoing jargon, placing a ship alongside another is called abarloar. The navy dictionaries do not clarify whether the gathered vessels touch each other. At the sea, things do not remain motionless. In this mystery subsists, sensually, the watery, the oscillating and the magnetic. (...)
This exhibition explores the poetic facet of those liminal and tactile tensions that are produced when two bodies come into contact. In the sculptural practice of Garcia Bello, the formalization of those bodies is inspired by the asceticism of the popular tradition and its materialization draws a deep link with the territory and the landscape. A landscape that, when it comes to Galicia and Portugal, is outlined by a fluctuating, continuous and common horizon: the Atlantic Ocean.
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