What are the 7 elements of graphic design?

Graphic design is the practice of incorporating photographs, text, and ideas to produce works that catch the interest of the viewer and convey a particular meaning. Since graphic designers are constantly trying to figure out how to do exactly that, they've developed a lot of tips and strategies to keep their work coordinated and successful.

The elements of architecture are better understood as the foundation of every project. Also the most intricate graphic design collection can be disassembled into basic elements such as lines, shapes, and fonts. Meanwhile, design principles—also known as “art principles”—are guidelines that help students of graphic designing courses in Kolkata.

The seven basic elements of graphic design are line, shape, color, texture, type, space and image. Once you have a grip on these elements; you can be the king of graphic designing!

Line

Lines are often more than just a series of points joined together. Lines may help coordinate details, describe forms, indicate movement, and express emotions depending on their form, weight, duration, and meaning. Designers have a lot of choices when it comes to choosing the right lines for their designs. Lines can be vertical, longitudinal, or diagonal in orientation. Graphics institutes near me where I studied taught me the same. 

Straight, bent, or fast paced, zigzag, or make other patterns. It may be strong, fractured, or inferred. The unseen lines used in print concept grids serve as guides, giving projects more order and guidance. In the meantime, noticeable lines of weight and shape can be found in a designer's completed work to convey a multitude of signals and moods.

Shape

Shapes are better interpreted in graphic design as fields, structures, or figures bounded by a border or closed diagram. Any graphic artist should be familiar with two kinds of shapes: linear and organic.

Geometric shapes may be two-dimensional or three-dimensional in nature. They are typically conceptual and straightforward, and are made up of a series of points connected by straight or curved lines. Diagonals, pyramids, spheres, squares, hexagons, octagons, rings, ellipses are examples of geometric forms.

Organic shapes are much less consistent, reciprocal, and established. They may be either symmetrical or asymmetrical in nature.

Color

Color theory and the color wheel are useful tools for graphic designers who choose to use a single color or mix several colors in a harmonious or purposefully discordant way.

Any colors in graphic design are classified into distinct groups.

The primary colors, red, yellow, and blue, are the basic pigment colors from which all others are produced. There really is no way to get red, yellow, or blue by combining other colors.

Secondary colors are the direct effects of combining two primary colors: Yellow and red combine to form orange; red and blue combine to form purple; and yellow and blue combine to form green.

Tertiary colors are generated by combining a primary and a secondary color.

Texture

The consistency of a surface is described by its texture, which may be hairy, smooth, gritty, soft, spongy, or shiny. Most graphic designers would physically express texture by using projections to simulate how their art would feel if audiences could contact it. Texture is a vital aspect of making projects look smooth and competent.

There are several ways to incorporate texture into the design work. If you are fascinated by design, you might also want to work with natural textures such as trees, pine needles, rocks, fur, herbs, grass, and dirt.

Type

If you're selecting a font or designing your own lettering for a graphic design project, it's critical that the style you choose is legible and suitable for the topic. Since type influences the overall mood of a design, decide whether the letters should be printing or text, and if they might have pointed or round edges.

Your lettering's weight is also a vital aspect of your style. Big or dense letters usually express the importance of the words they convey. However, if you are not cautious, they may seem high or ruin the harmony of a design. Small letters may be elegant or new, but they can also seem delicate.

Space

Spacing is an essential component of every designer's set of tools. It will allow a design more breathing space, maximize its visual effect, smooth out heavy visual elements, and highlight images or messages that audiences can recall. A concept that lacks space risks being too physically cluttered for the audience to appreciate.

Spacing may be used to isolate points or to connect them. Limited spacing among visual items presents a clear relationship, while broader spacing expresses a weaker relationship. Surrounding a visual concept with space emphasizes its significance, but the space may also suggest alienation and solitude.

Image

If graphic designers use portraits or drawings, they focus on visuals to capture the attention of their viewers and convey unique messages. A picture functions on several levels at the same time: it gives meaning for a designer's communication, it adds needed suspense or action, and it establishes an overall atmosphere.

When integrating photographs into your work, it is critical to choose images that convey the right story while still maximizing visual appeal. You could select a picture with a lot of matching colors and textures to provide viewers with a visual feast and keep them entertained. Alternatively, you might highlight a certain aspect of a picture to illustrate where they are focusing the rest of their attention.

Final Thoughts!

From billboards and banners to booklets and advertising, you can use graphic elements of any shape or layout that includes text, photographs, and concepts to convey something original. Learn how to choose and apply each idea carefully, and you'll be quite well your way to designing graphic designs that are unique, conversational, and visually pleasing.