Julie Culler Wolfe

A copy of the book by Thomas Wolfe, You Can’t Go Home Again (Ex Los Angeles public library copy). With a notecard and envelope addressed to “Mr. Frank Sinatra” and dated July 28, 1965 from the c

Julie Hart Beers New Jersey, Massachusetts 1835-1913 Naturalistic depiction of towering birch trees beside a glistening lake illuminated by sunlight. Beers was the sister of two Hudson River School ar

a Hudson River scenic - possibly near Constitution Island, oil on canvas, signed 'Julie H. Beers 1878' (lower right), 17x14in., overall framed 26x22in. Condition: UV light reveals approx. 2x1.5†i

Julie Heffernan (American, b.1956) 'Self-Portrait as Alien' Oil on Canvas 1994, unsigned, depicting an abstract still life having annotations and images in and around it, there is a lightly painted vo

Ralph Goings (American, b. 1928), "Julie London with Orange," circa 1960, oil on canvas, signed verso, canvas: 30"h x 25"w, overall (with frame): 31.25"h x 26"w. Provenance: From artist to current own

(British/South African, 1897-1982) Afternoon, unsigned, oil on canvas, 36-1/2 x 48-7/8 in.; 17th century plate frame with central and corner decoration, 45-1/4 x 58-1/8 in.<

Wayne Wolfe (Amer., b. 1944), &#34;Afternoon in Loch Vale&#34;, oil on canvas panel sight: 30 x 40 in., frame: 41.5 x 51.5 in. Provenance: Property from the lifelong collection of a prominent artist

(American, b. 1966) Candy, 2007, signed, titled, editioned 13/25 margin recto lower right, archival digital color print, sheet 24-1/2 x 24-1/2 in.; unframed, unmatted Provenance: Private Collection, W

Lot 9 Wayne Wolfe American (20th Century) Rocky Mountain Sunrise oil on canvas laid to board signed lower left 40 x 52 inches Provenance: a Centre Island, Oyster Bay collection

ANNIE LEIBOVITZ, Julie Andrews and Blake Edwards on the stage before the opening of the musical "Victor Victoria" boldly endorsed by Leibovitz on the bottom margin "For Julie and Blake". New York, 199

(American, b. 1966) Rooster, 2007, signed, editioned 9/25, color digital print, 24 x 24-1/4 in.; unframed Provenance: Catherine Edelman Gallery, Chicago, Illinois, 2007. This lot is accompanied by cop

Julie Blackmon (born 1966) 'Queen', 2010 Pigment print; signed, titled, dated, and numbered '16/25' in ink on the reverse, framed. 22 x 30 in. (55.9 x 76.2 cm.) sheet 24 x 33 3/8 in. (61 x 84.8 cm.) F

A large 'Clip' sofa with four walnut veneered legs ('clips') by Ransom Culler for Thayer Coggin. Lacking original label.

Thaddeus Wolfe vase 2013mold blown glass9 h &times; 6 w &times; 5 d in (23 &times; 15 &times; 13 cm) Incised signature and date to underside 'Thaddeus Wolfe 2013'. Provenance:

2.20 CARAT DIAMOND DRESS RING, E WOLFE & CO in 18ct yellow gold, the central old cushion cut diamond of 1.30 carats between pear cut diamonds with further rose cut diamond accents, totalling approxima

Julie Blackmon (American, b. 1966) "Airstream", 2011 archival pigment print signed, titled and numbered "2/15" lower right (under matting). Matted, glazed and framed. sight 21-3/4" x 28-3/4", framed 3

Meyer R. Wolfe (Tennessee/New York, 1897-1985), "Vanderbilt Clinic," 1939, American regional realist lithograph depicting a group of Black patients with weary expressions in a segregated waiting room

Julie Heffernan (American, b. 1956) Suzanne and Judith, 1987 oil on canvas signed Julie Heffernan, titled and dated (verso) 58 x 77 inches. Property from the Estate of a Renowned Art Dealer, New York

Untitled oil on canvas 967 x 1170mm

(American, b. 1966) Queen, 2010, signed, titled, dated, editioned 9/25 margin lower right (not visible under mat), color pigment print, sight 21-1/2 x 29-1/2 in.; matted not framed, 31 x 39 in. overal

(American, b. 1966) Thin Mints, 2014, signed, dated, titled, editioned 4/15 margin lower right recto, archival color digital print, sheet 24 x 34 in.; unframed Provenance: Catherine Edelman Gallery, C

cannons such as this were used to signal other ships to pass orders and information, to salute other vessels in passing, to sound a mutiny, and in time of fog, as a distance off signal. Presented is a

Julie Blackmon Dinner Party 2005archival pigment print image: 22 h x 21.5 w in (56 x 55 cm) sheet: 25 h x 24 w in (63 x 61 cm) Signed, titled, dated and numbered to lower edge 'Dinner Party

cannons such as this were used to signal other ships to pass orders and information, to salute other vessels in passing, to sound a mutiny, and in time of fog, as a distance off signal. Presented is a