‘Challengers’ Review: Game, Set, Love Matches
Zendaya, Josh O’Connor and Mike Faist play friends, lovers and foes on and off the tennis court in Luca Guadagnino’s latest.
By Manohla Dargis
I review a wide range of work across the globe, from blockbusters to independent productions. I also write movie-related essays and report on festivals, which are crucial to the vitality of the international film ecosystem. Reviews are news as well as a type of service journalism: I steer readers toward good movies, warn against bad ones and encourage filmgoers to seek out the unexpected. I strive to offer more than a plot synopsis or a catalog of faults and beauties. I examine how movies work and why (or don’t), and how they work on us. I am interested in beauty and feeling, style and form, culture and history. My personal history and preferences factor into my writing, but these are in service to the reader and to the art.
I grew up in the East Village in New York City, where I attended public schools and spent a lot of time going to the movies. My life in journalism began when I started writing for The Village Voice while getting a master’s in cinema studies. In 1994, I moved to Los Angeles to join the L.A. Weekly as a staff film critic, and later I became its film editor. From there, I went to The Los Angeles Times, where I was a co-chief film critic; I joined The Times in 2004. I wrote a monograph on “L.A. Confidential,” and my work has been published in several anthologies. In 2007, I returned to graduate school to obtain a Ph.D. in cinema studies. I have taught at several colleges, which I loved. I’m a repeat finalist for the Pulitzer Prize in criticism.
As a Times critic, I am committed to upholding the standards of integrity outlined in our Ethical Journalism Handbook. As a consequence I don’t belong to film critic organizations, I don’t sit on prize juries and I don’t accept payment from institutions I write about; in addition, I don’t write about movies directed by friends and avoid Hollywood parties (although I like going to the Oscars). The Times pays for my work-related travel so that means I usually fly economy. I do not publicly broadcast my politics, but I do vote. And while I may be a tough critic, I always strive to be fair.
I may not be able to respond, but I will read your email.
Email: dargis@nytimes.com
Zendaya, Josh O’Connor and Mike Faist play friends, lovers and foes on and off the tennis court in Luca Guadagnino’s latest.
By Manohla Dargis
Beefed up and bloodied, Bill Skarsgard goes mano a mano against disposable hordes in this dystopian action flick.
By Manohla Dargis
Minhal Baig’s third feature follows two boys living in a public housing complex in Chicago as they cope by building their own dream worlds.
By Manohla Dargis
In this cheerfully unambitious vampire movie, a bloodsucker is shut up in an old mansion with some nitwit criminals. Will there be gore? You bet.
By Manohla Dargis
Here’s why you should watch it anyway.
By John White, Larissa Anderson, Melissa Kirsch, Manohla Dargis and Carole Sabouraud
The French star is the subject of a series at Film Forum focusing on movies from the ’60s and ’70s, when he became an international sensation.
By Manohla Dargis
In Alex Garland’s tough new movie, a group of journalists led by Kirsten Dunst, as a photographer, travels a United States at war with itself.
By Manohla Dargis
Despite its Parisian setting, the setup is familiar from any of Allen’s New York movies: An act of infidelity presents a dilemma. Some of the jokes are funny.
By Manohla Dargis
Dev Patel stars as Kid, a human punching bag who comes up with a plan to avenge a past wrong. The hits keep coming and the hero keeps taking them in this rapid-fire film.
By Manohla Dargis
This year’s edition of the festival tends toward familiar art-house fare, but there are standouts in which characters young and old grapple with childhood.
By Manohla Dargis