Professional Documents
Culture Documents
AUSCULTATION
BY DR.VIDHU MITTAL
JUNIOR RESIDENT
DEPTT. OF CHEST AND TB
Anterior lung surface markings
Direct Indirect
(immediate) (Intermediate)
• Bell tympany
Topographic Percussion of
Lungs
• Percussion of the chest to determine the
boundaries or extent of lungs is referred to
as topographic percussion . It can be :-
• APICAL percussion
• BASAL percussion
• TIDAL percussion
Apical percussion: Can be carried out in the
supraclavicular fossae anteriorly by determining the upper
borders of lung resonance on the two sides.
Both side.
bilateral suggests.
An alternative method:
Kronig’s isthmus :- which is a band of 5-7cm in width of
resonance connecting the large zones of lung resonance
over the anterior and posterior aspects of each side.
• Traube’s area.
• Ewart’s sign
Special Percussional findings in disease:
• Reduction of both cardiac and liver dullness.
• Shifting dullness.
• Obliteration of Traube’s area.
• William’s tracheal resonance.
• Wintrich’s sign
• Gerhardts’ sign
• Friedreich’s sign
• Lines of Demarcation
• Myotatic irritability.
AUSCULTATION
HISTORICAL NOTE
A discovery of the greatest importance in the
early part of 19th century was that of
auscultation with the aid of stethoscope by
the French physician LAENNEC .
Remembering a well known acoustic fact that
“ if the ear be applied to one end of a plank , it
is easy to hear a pin’s scratching on the other
end .”
UNAIDED EAR
TYPE OF SOUND FOUND IN
1- STERTOROUS breathing coma and sleep( snoring)
2- RATTLING breathing ineffective cough due to suppression of
cough reflex
3- GASPING , GRUNTING and SIGHING physical and emotional stimuli- exercise ,
pain, cold fear , grief
4-HISSING ( KUSSMAULS ) breathing signifies hyperventilation without
dyspnoea.
sign of severe acidosis as in diabetic keto
acidosis
5-WHEEZING asthma
6- STRIDOR narrowing of extrathoracic airway
OBJECTIVES OF AUSCULTATION
• To determine whether the breath sounds are
equal on both sides .
• To ascertain the character of the breath
sounds .
• To detect any added sounds and decide their
nature and whether they are intra or
extrapulmonary.
• To compare the voice sounds on different
parts of lungs.
METHOD OF BREATHING
Patient is asked for forced or deep breathing ,
through the mouth as this increases the tidal
volume sufficiently without producing
additional upper airway noise or provoking
hypocapnia .
DEFECTIVE AUSCULTATION OF
RESPIRATORY SOUNDS
Auscultation may be defective if the patient is
• Breathing through the nose , especially in the
presence of nasal obstruction.
• Breathing noisily or too forcibly giving added
sounds .
• Shallow breathing due to pain on breathing .
• Hair on the chest produces crackling sounds
which may be mistaken for lung sounds .
POSITION OF THE PATIENT
• Ideal posture - upright , either sitting or
standing
• For examination of the back – patient may
lean slightly forward , with the head flexed
arms crossed in front or resting on the thighs .
• Examination in the recumbent position
although undesirable but may be required in
seriously ill patient .
FEATURES TO NOTE DURING
AUSCULTATION OF BREATH SOUNDS
• Intensity or loudness.
• Quality or character whether rustling or wheezy .
• Comparison of inspiratory and expiratory elements in
terms of intensity , duration or length and pitch.
• Presence or absence of intermediatory pause between
them .
• Characteristics such as prolongation or jerky or
interrupted nature .
• Presence of other sounds or accompaniments
FACTORS DETERMINING
TRANSMISSION OF BREATH SOUNDS
The intensity of the breath sounds heard
through the chest wall depends on :-
• rate of airflow into the territory of lung under
the stethoscope .
• The acoustic properties of the two media
namely the lung and the chest wall .
Therefore..
• Transmission is almost • Sound is reflected at
complete between the the interface between
two well matched the lung and air or fluid
media like consolidated in the pleural cavity so
lung and the chest wall that in pneumothorax
,hence the similarity and in pleural effusion
between the bronchial no breath sounds
breathing and the reaches the chest wall
breath sounds heard
over the trachea .
MODE OF PRODUCTION OF NORMAL
BREATH SOUNDS
Normal breath sounds are generated by turbulent
airflow in the upper airways i.e. in the pharynx and
larger airways of the lugs ( frequency range of 200 to
2000 Hz or cycles / sec per sound )
As this sound is transmitted through the lungs it is
dampened ; the higher frequencies are lost and a
softer , lower pitched sound ( 200 to 400 Hz ) is heard
, which are the normal vesicular breath sounds. In the
smaller airways airflow is slow and laminar ,
turbulence cannot be developed hence smaller
airways acts as filter and not a source of lung sounds .
TYPES OF NORMAL BREATH SOUNDS
TYPE OF SOUND AREA WHERE FOUND
Early
Coarse
inspiratory
Late
Fine
inspiratory
Expiratory
EARLY INSPIRATORY CRACKLES :-
• Are coarser
• Come from larger airways so pattern is same
over different parts of the lung .
• are scanty , audible at the mouth and not
posture dependent.
LATE INSIPIRATORY CRACKLES
• Are due to restrictive conditions of the lung
resulting in expiratory closure of small peripheral
airways with re-opening at the end of inspiration .
• Come from smaller airways so have fine pattern
and varies over small areas of the lung .
• Dependent on the gravitational forces on the lung
so best heard at lung bases where the small
airways close on expiration.
EXPIRATORY CRACKLES
• They arise by re-opening of the airways ,
temporarily closed by the trapping mechanism
as air is redistributed distal to larger and more
proximal airways narrowed by the trapping
mechanism during expiration .
• They are characteristic of severe airway
obstruction .
COVENTIONAL CLASSIFICATION OF
RALES
1. COARSE CRACKLES :- they originate within large
bronchial tubes and are heard equally in
inspiration and expiration.
. Are often altered with coughing and can be
heard over segments and lobes affected with
bronchiectasis.
. May also be heard at the mouth without
stethoscope and are caused by air bubbling
through collections of mucus or pus in areas of
bronchiectasis.
FINE CRACKLES
• Are due to sudden separation of sticky
alveolar walls , at the end of inspiration by the
inrushing of air .
• These lack the bubbling quality of coarse
crackles and have “crackling” quality .
• These may be artificially imitated by rubbing a
lock of hairs between the finger and the
thumb.
PLEURAL RUB ( PLEAURAL FRICTION )
Definition :- oscillations arising from the
frictional resistance between two layers of
inflammed or roughened pleura produce a
creaking sound ; the pleural friction rub .
SITE OF AUSCULTATION :- commonest site is
lower part of axilla as movement of two layers
of pleura is maximum in this area .
CHARACTERISTICS OF PLEURAL RUB
• Rubbing or creaky in quality
• Interrupted or jerky in nature
• Loud and superficial
• Audible during both phases of respiration
• Unaltered after bouts of cough
• Usually confined to small or localized area on
chest.
• Usually associated with pain and tenderness.
PLEURAL RUB AND CRACKLES :
COMPARISION
PLEURAL RUB CRACKLES
• Superficial and loud . • Not so superficial and loud
• Continuous sound. • Interrupted sound
• Heard over a localized area. • Heard over a wide area
• Remains unaffected by • Intensified or abolished by
coughing.
coughing
• Pressure of chest piece of
stethoscope intensifies the • Pressure of chest piece
sound. produces no effect
• Associated with pain or
local tenderness. • No pain or local tenderness
MISCELLANEOUS SOUNDS AND SIGN
1. Succussion splash:- Splashing sound heard
when the chest of the patient is shaken
suddenly by the examiner . It can be seen in
•Herniation of stomach or colon into the thoracic cavity
•Hydro or pyopneumothorax
INCREASED VR DECREASED VR