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<strong>Spotlight</strong><br />

92013<br />

Deutschland € 6,90|CH sfr 12,40|A·E· I·L·SK: € 7,50<br />

EINFACH ENGLISCH!<br />

TEST YOUR<br />

ENGLISH!<br />

Journey to India:<br />

Taj Mahal, Golden<br />

Temple and more<br />

Dinner in<br />

Johannesburg:<br />

a success story<br />

from Soweto<br />

Political scandal:<br />

Britain’s<br />

Profumo affair


Mit Englisch<br />

ganz nach oben!<br />

Englisch für den Beruf: Sprachtraining und interkulturelles<br />

Know-how für mehr Erfolg. Alle zwei Monate neu.<br />

4<br />

Magazine<br />

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von 3!*<br />

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www.business-spotlight.de/4fuer3 +49 (0)89/8 56 81-16<br />

* Kennenlern-Angebot für Neu-Abonnenten: 4 Ausgaben Business <strong>Spotlight</strong> zum Preis von 3 (€ 34,50 / SFR 51,75).


EDITORIAL | August September 2013 2013<br />

The power<br />

of learning<br />

Elektronische Wörterbücher<br />

mit professionellen Inhalten.<br />

Are you always looking for ways to improve<br />

<strong>your</strong>self? Then this issue of <strong>Spotlight</strong> is for<br />

you. Do the listening test that begins on<br />

page 14, and take <strong>your</strong> <strong>English</strong> to the next<br />

Inez Sharp, editor-in-chief<br />

level. This exclusive test, brought to you in cooperation<br />

with the British Council, is part of the International <strong>English</strong> Language<br />

<strong>Test</strong>ing System (IELTS) test taken by millions of people worldwide. Whether for<br />

<strong>your</strong> studies, for work or simply for <strong>your</strong> own satisfaction, it’s a challenge worth<br />

taking up. The audio material for the test is available online. Good luck!<br />

How do you build a good life? Hard work usually plays a role — and so<br />

does luck. We have two stories for you this month about people whose luck<br />

has improved. In “Writers inside”, correspondent Julian Earwaker describes<br />

how learning to write stories and poems has improved the lives of prisoners<br />

in Britain. Using the creative act of writing, they are learning to manage their<br />

problems before taking the step to freedom and becoming members of society<br />

again. This moving feature begins on page 24.<br />

Making something of <strong>your</strong> life is the theme of our food feature, too.<br />

Apartheid may have ended in South Africa nearly 20 years ago, but for children<br />

from townships like Soweto and Sharpeville, the chance of a good education<br />

and a successful career are still the exception. Desmond Mabuza is an exception.<br />

Once just another boy from Soweto, he now owns two restaurants in<br />

Johannesburg. Find out how he made his way on page 22.<br />

Colour<br />

Display<br />

Bis zu 21 1 fundierte Nachschlagewerke<br />

bewährter Verlagspartner, die auf die<br />

Bedürfnisse von Schülern und Lehrern<br />

zugeschnitten sind: Das zeichnet die<br />

elektronischen Wörterbücher der<br />

EX-word Serie aus.<br />

Das EX-word<br />

EW-G6500CP<br />

für Lehrer mit<br />

21 Wörterbüchern.<br />

i.sharp@spotlight-verlag.de<br />

Listen and learn:<br />

improve <strong>your</strong> <strong>English</strong><br />

with a new test<br />

Titelfoto: The Image Bank/Getty Images; Foto Editorial: F1online<br />

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EW-G560C 2<br />

für Schüler mit<br />

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<strong>Spotlight</strong> 9|13<br />

1 Gerätespezifi sche Zusammen stellung<br />

der Buchinhalte<br />

2 Voraussichtlich verfügbar ab 11/2013<br />

www.ex-word.de


CONTENTS | September 2013<br />

Writers in prison<br />

Writers in Britain help prisoners to express themselves<br />

and gain new perspectives before rejoining society.<br />

24 30<br />

The colours of India<br />

Jessica Mann visits India’s north: see the Taj Mahal in<br />

Agra and the Golden Temple of Amritsar.<br />

6 People<br />

Names and faces from around the world<br />

8 A Day in My Life<br />

A magazine editor from Mauritius<br />

10 World View<br />

What’s news and what’s hot<br />

13 Britain Today<br />

Colin Beaven’s view on tattoos<br />

40 History<br />

Looking back at the Profumo affair<br />

42 Press Gallery<br />

A look at the <strong>English</strong>-language media<br />

44 Arts<br />

Films, apps, books, culture and a short story<br />

66 The Lighter Side<br />

Jokes and cartoons<br />

22 Food<br />

South African cook Desmond Mabuza<br />

28 I Ask Myself<br />

Amy Argetsinger on same-sex marriage<br />

36 Around Oz<br />

Peter Flynn on political battles<br />

38 Debate<br />

Is Australian society fair to Aborigines?<br />

People in Brisbane have their say<br />

67 American Life<br />

Ginger Kuenzel on home repairs<br />

68 Feedback & Impressum<br />

Your letters to <strong>Spotlight</strong> — and our responses<br />

69 Next Month<br />

What’s coming next month in <strong>Spotlight</strong><br />

70 My Life in <strong>English</strong><br />

Athlete Magdalena Neuner on Tina Turner,<br />

using <strong>English</strong> in sport, and hamburgers<br />

Fotos: Alamy; Digital Vision; Mauritius; plainpicture<br />

THE SPOTLIGHT FAMILY<br />

<strong>Spotlight</strong> plus<br />

Every month, you can explore<br />

and practise the language and<br />

grammar of <strong>Spotlight</strong> with the<br />

exercise booklet plus.<br />

Find out more at:<br />

www.spotlight-online.de/plus<br />

<strong>Spotlight</strong> Audio<br />

This monthly 60-minute CD/download<br />

brings the world of <strong>Spotlight</strong><br />

to <strong>your</strong> ears. Enjoy interviews and<br />

travel stories and try the exercises.<br />

Find out more at:<br />

www.spotlight-online.de/audio<br />

4 <strong>Spotlight</strong> 9|13


14<br />

Listen and learn<br />

We take you through a listening test from the world’s<br />

most popular testing service, with online audio.<br />

37<br />

Easy <strong>English</strong><br />

Want to work on the basics? Then Green Light is for<br />

you: an eight-page booklet with essential <strong>English</strong>.<br />

IN THIS MAGAZINE: 14 LANGUAGE PAGES<br />

50 Vocabulary<br />

All about public transport<br />

52 Travel Talk<br />

On a cruise<br />

53 Language Cards<br />

Pull out and practise<br />

55 Everyday <strong>English</strong><br />

Talking about taking a gap year<br />

57 The Grammar Page<br />

Using the past perfect continuous<br />

58 Peggy’s Place: The Soap<br />

The latest from a London pub<br />

59 <strong>English</strong> at Work<br />

Ken Taylor answers <strong>your</strong> questions<br />

60 Spoken <strong>English</strong><br />

Using the word “do”<br />

61 Word Builder<br />

A focus on the words in <strong>Spotlight</strong><br />

62 Perfectionists Only!<br />

Nuances of <strong>English</strong><br />

63 Crossword<br />

Find the words and win a prize<br />

IMPROVE YOUR ENGLISH WITH SPOTLIGHT PRODUCTS<br />

<strong>Spotlight</strong> Audio: hear texts and interviews on our CD or<br />

download. See www.spotlight-online.de/hoeren<br />

OUR LANGUAGE LEVELS<br />

The levels of difficulty in <strong>Spotlight</strong> magazine correspond roughly to<br />

The Common European Framework of Reference for Languages:<br />

A2 B1– B2 C1– C2<br />

To find <strong>your</strong> level, visit Sprachtest.de<br />

<strong>Spotlight</strong> plus: 24 pages of language exercises related<br />

to the magazine. See www.spotlight-online.de/ueben<br />

<strong>Spotlight</strong> in the classroom: free of charge to teachers who<br />

subscribe to <strong>Spotlight</strong>. See www.spotlight-online.de/teachers<br />

Readers’ service: abo@spotlight-verlag.de · www.spotlight-online.de<br />

Tel.: +49 (0)89 / 85681-16 · Fax: +49 (0)89 / 85681-159<br />

www.SprachenShop.de: order products<br />

from our online shop (see page 48).<br />

<strong>Spotlight</strong><br />

in the classroom<br />

Teachers: if you use <strong>Spotlight</strong> in<br />

<strong>your</strong> lessons, this six-page supplement<br />

will provide great ideas for<br />

classroom activities around the<br />

magazine. Free for all teachers<br />

who subscribe to <strong>Spotlight</strong>.<br />

www.spotlight-online.de<br />

<strong>Spotlight</strong> Online will help you to improve<br />

<strong>your</strong> <strong>English</strong> every day. Try our language<br />

exercises or read about current events<br />

and fascinating places to visit. Subscribers<br />

will also find a list of all the glossed vocabulary<br />

from each issue of the magazine.<br />

9|13 <strong>Spotlight</strong><br />

5


PEOPLE | Names and Faces<br />

The singer<br />

Who exactly is…<br />

Janelle<br />

Monáe?<br />

She has been compared to David<br />

Bowie, Dinah Washington and<br />

James Brown. R & B singer<br />

Janelle Monáe, who is known for<br />

wearing a tuxedo on stage, not a tight,<br />

sexy dress, has become a star by experimenting<br />

and doing her own thing.<br />

Monáe was born in Kansas in<br />

1985 to working-class parents. As a<br />

child, she sang in church, and wrote<br />

her own plays. After leaving school,<br />

she decided to go to New York to<br />

study at the American Musical and<br />

Dramatic Academy. She told www<br />

.biography.com that being the only<br />

black woman in her classes didn’t<br />

bother her, but she realized that she<br />

wanted to create her own material<br />

rather than living “through a character<br />

that had been played<br />

thousands of times”.<br />

After dropping out of the<br />

academy, Monáe moved to<br />

Georgia and made a demo<br />

CD called The Audition. She<br />

promoted her music by playing<br />

in local colleges, and she<br />

met Chuck Lightning and<br />

Nate Wonder, who are songwriters<br />

and producers. Together,<br />

the three started the<br />

Wondaland Arts Society record label.<br />

“Once I got in touch with my<br />

own ideas, I knew there was some<br />

light in me trying to come out,” she<br />

told the Los Angeles Times.<br />

In 2010, she released a concept<br />

album, The ArchAndroid, in which<br />

she took on the persona of a timetravelling<br />

android called Cindi Mayweather.<br />

When the pop star Prince<br />

heard the album, he said, “This is<br />

amazing, this is incredible, this is<br />

going to rule the world,” as Monáe<br />

told The Guardian.<br />

President Barack Obama is also a<br />

fan, calling her “incredibly talented”.<br />

On 10 September, Monáe is releasing<br />

a new album called The Electric<br />

Lady.<br />

arch [A:tS] Bogen (➝ p. 61)<br />

billion [(bIljEn]<br />

Milliarde(n)<br />

drop out [drQp (aUt]<br />

eine Schule / Hochschule ohne<br />

Abschluss verlassen<br />

ensure [In(SO:]<br />

sicherstellen, gewährleisten<br />

get in touch with [)get In (tVtS wID]<br />

Kontakt aufnehmen mit<br />

lawsuit [(lO:su:t]<br />

Gerichtsverfahren<br />

Monáe [mQ(neI]<br />

preserve [pri(z§:v]<br />

erhalten<br />

R & B = rhythm and blues [)A:r En (bi:]<br />

real-estate developer [)rIEl I)steIt di(velEpE] N. Am Bauunternehmer(in)<br />

record label [(rekO:d )leIb&l]<br />

Plattenfirma<br />

sue sb. [sju:]<br />

jmdn. verklagen<br />

tuxedo [tVk(si:dEU] N. Am.<br />

Smoking<br />

In the news<br />

The real-estate developer and art collector<br />

Robbie Antonio has hired<br />

the famous architect Rem Koolhaas to<br />

build a home for him in Manila — at<br />

a cost of more than $15 million. The<br />

36-year-old plans to turn it into a “museum<br />

of me”, filling it with portraits of<br />

himself. Antonio<br />

hopes to have 35<br />

paintings, photographs<br />

and sculptures<br />

completed<br />

in the near future,<br />

created by the<br />

greatest art ists<br />

living today.<br />

Oprah Winfrey is giving $12 million<br />

to the National Museum of African<br />

American History and Culture, which<br />

is expected to open in Washington,<br />

DC, in 2015. Thousands of objects will<br />

illustrate African American history,<br />

from the time of slavery to today. Winfrey<br />

told The Washington<br />

Post : “I<br />

want to help ensure<br />

that we honor<br />

and preserve our<br />

culture and histo -<br />

ry, so that the stories<br />

of who we are<br />

will live on for generations<br />

to come.”<br />

British artist Roger Dean recently<br />

watched the hugely successful 2009<br />

film Avatar, and the planet of Pandora<br />

looked strangely familiar to him. Dean<br />

thinks that director James Cameron<br />

stole ideas from his artwork, which<br />

often features fantastical landscapes<br />

and mythical creatures. Now he is<br />

suing Cameron for $50 million. In the<br />

lawsuit, he says that Pandora’s moving<br />

mountains and stone arches were<br />

copied directly from his paintings.<br />

Avatar has earned nearly $3 billion.<br />

6 <strong>Spotlight</strong> 9|13


Out of the ordinary<br />

Chefs Andreas Eggmann and Benjamin Barton from<br />

New Zealand recently served a meal in an unusual place: on a<br />

ferry between Auckland and the suburb of Devonport. On the<br />

12-minute journey, people were seated at tables and enjoyed<br />

a seafood starter with a glass of wine. The meal continued in a<br />

restaurant when they reached Devonport. Eggmann told The<br />

New Zealand Herald that the purpose of the event was to encourage<br />

people to use public transportation. He added that in<br />

the future, his “pop-up dining” business hopes to serve food<br />

to people “using the trains, buses and biking lanes”.<br />

Ani Choying Drolma is bringing Buddhist chants to the<br />

world. The 42-year-old joined a Buddhist monastery near Kathmandu,<br />

Nepal, when<br />

she was a teenager.<br />

The BBC reports that<br />

visitors to the monas -<br />

tery noticed her beautiful,<br />

pure voice, and<br />

that Steve Tibbetts, an<br />

American guitarist, encouraged<br />

her to sing<br />

for the public. In 1998,<br />

Choying performed in<br />

several cities in the US.<br />

Since then, she has released<br />

a number of<br />

CDs. The money from<br />

sales goes to educating<br />

novice A fine voice: Ani Choying Drolma<br />

nuns.<br />

“The” is the most commonly used word in the <strong>English</strong> language,<br />

and Australian Paul Mathis believes that it should have its<br />

own typographic symbol. He wants to add a 27th letter to the<br />

alphabet, a symbol that looks like a combination of “T” and “h”.<br />

The Age reports that Mathis has spent thousands of dollars creating<br />

an app that allows people to download a new keyboard<br />

for their smartphones, complete with his “the” symbol. “Is this<br />

going to change the world? Not really,” he said. “But is it something<br />

that might be useful for people? I think so.”<br />

The newcomer<br />

• Name: Jack Andraka<br />

• Age: 16<br />

• Occupation: high-school student, inventor<br />

• Accomplishment: The American teenager has found a<br />

way to detect early-stage pancreatic cancer.<br />

• Why it matters: Pancreatic cancer has few symptoms<br />

in the early stages, so it is usually not diagnosed until it’s<br />

too late. Andraka’s test can find the cancer early. The<br />

test takes five minutes and costs three cents.<br />

• Won: $75,000 at the 2012 Intel International Science and<br />

Engineering Fair<br />

• What’s next: finishing high school and starting an LLC<br />

Internationale<br />

Sprachschulen<br />

MEHR INFOS<br />

UND KOSTENLOSE<br />

BROSCHÜREN AUF<br />

www.ef.de/<br />

katalog<br />

Fotos: Getty Images; laif; Reuters; Jiro Schneider<br />

accomplishment [E(kVmplISmEnt]<br />

chant [tSA:nt]<br />

detect [di(tekt]<br />

early-stage [(§:li )steIdZ]<br />

LLC = limited liability company<br />

[el el (si:] US<br />

monastery [(mQnEstEri]<br />

novice nun [)nQvIs (nVn]<br />

pancreatic cancer<br />

[pÄNkri)ÄtIk (kÄnsE]<br />

starter [(stA:tE] UK<br />

suburb [(sVb§:b]<br />

Leistung,<br />

Errungenschaft<br />

(Sprech)Gesang<br />

erkennen,<br />

feststellen<br />

im Frühstadium<br />

Kapitalgesellschaft<br />

Kloster<br />

Novizin<br />

Bauchspeicheldrüsenkrebs<br />

Vorspeise<br />

Vorort<br />

Texts by RITA FORBES<br />

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A DAY IN MY LIFE | Mauritius<br />

Good contacts:<br />

Touria Prayag<br />

has plenty<br />

Island life<br />

The church at<br />

Cap Malheureux<br />

Die Chefredakteurin einer englischsprachigen<br />

Zeitschrift in Mauritius kennt all die richtigen<br />

Leute auf der Insel. LORRAINE MALLINDER<br />

sprach mit ihr.<br />

My name is Touria Prayag. I am in my fifties,<br />

and I am the editor of a magazine called Weekly.<br />

It’s the only <strong>English</strong>-language magazine in<br />

Mauritius. Although <strong>English</strong> is the official language here,<br />

most people tend to speak French and Creole.<br />

I wake up very early in the morning — not that I like<br />

leaving my bed. In fact, I quite enjoy sleeping in a bit, but<br />

I can’t afford it because I have very long days. The first<br />

thing I do is go online to see if there’s any important news,<br />

so that I can brief my journalists if needed.<br />

I leave home at about six and go to the gym because it<br />

makes me feel good — and it also helps me keep my<br />

weight down. It has to be every day, because if I give myself<br />

the choice, it doesn’t work out. I start thinking to myself:<br />

“Well, should I go or not go?” Afterwards, I get ready and<br />

arrive at the office after nine. I’m usually the first in. I<br />

make myself a cup of coffee and have my breakfast: homemade<br />

bread rolls with butter or olive oil. I think I deserve<br />

it after the gym. For me, that time on my own at the start<br />

of the day is important.<br />

At about ten, we have a briefing. The journalists will<br />

have read the news before coming in, so we discuss what<br />

is going on and decide what topics are important for our<br />

readers. Each journalist has a section that he or she likes<br />

to do most, such as education or health or youth.<br />

bread roll [bred (rEUl]<br />

brief [bri:f]<br />

briefing [(bri:fIN]<br />

gym [dZIm]<br />

sleep in [sli:p (In]<br />

work out [w§:k (aUt]<br />

Brötchen<br />

informieren, instruieren<br />

(Einsatz)Besprechung<br />

Fitnessstudio<br />

ausschlafen<br />

hier: klappen<br />

8 <strong>Spotlight</strong> 9|13


Fotos: L. Mallinder; Hemera; iStockphoto<br />

A Mauritian news<br />

magazine in <strong>English</strong><br />

Later in the morning, I<br />

might be working with the<br />

marketing department,<br />

talking about advertising or<br />

finding out how many<br />

pages we have for editorial<br />

use. I also edit articles,<br />

which I put on a server.<br />

The editorial assistant<br />

looks for photos, then<br />

the layout artists put it<br />

all on the page for me to approve.<br />

Lunch is never before one o’clock. We try to have lunch<br />

as a group. When the journalists are hungry, they come<br />

and say: “Are you hungry? Can we go for lunch?” I’m always<br />

ready, because I’m always hungry. Sometimes, we<br />

have journalists who say: “No, no, I’m going to eat at my<br />

desk.” But I think it’s important for people to sit and relax<br />

in the dining room as a team. That’s when you get to know<br />

<strong>your</strong> colleagues.<br />

After lunch, I might go and interview someone. At the<br />

beginning of this week, I interviewed a Michelin-starred<br />

German chef. Everybody was saying how nice his cooking<br />

was. I didn’t try it. But, if he has three stars from Michelin,<br />

I suppose he must be good.<br />

In the afternoon, I usually write, edit and read and<br />

make phone calls. I use my contacts to find out information,<br />

which I then relay to the journalists. Finding out the<br />

other side of the story, rather than taking things at face<br />

value, is very important. Journalists can forget that.<br />

I sometimes spend my evenings at cocktail parties because,<br />

you know, that’s when you hear all the gossip. That’s<br />

when you know what the intelligentsia of this country<br />

thinks. After a party, I usually get home at 9.30 p.m. My<br />

husband, who works for a German company, is out of the<br />

country six months of the year. He can’t complain when<br />

I’m not at home, because he’s away more than I am. During<br />

the other six months, we try to have a normal life.<br />

I go to bed at around 11, so I still get five to six hours<br />

of sleep. When I do a good exercise session the following<br />

morning, I really feel awake. And thank goodness for coffee<br />

— it’s the best invention in the world.<br />

approve [E(pru:v]<br />

edit [(edIt]<br />

editorial assistant<br />

[edI)tO:riEl E(sIstEnt]<br />

exercise session [(eksEsaIz )seS&n]<br />

gossip [(gQsIp]<br />

intelligentsia [In)telI(dZentsiE]<br />

layout artist [(leIaUt )A:tIst]<br />

Michelin-starred chef<br />

[miS)læ̃ stA:d (Sef]<br />

relay sth. to sb. [(ri:leI tE]<br />

genehmigen<br />

redigieren<br />

Redaktionsassistent(in)<br />

Trainingseinheit,<br />

Fitnessstunde<br />

Klatsch<br />

die Intellektuellen<br />

Layouter(in)<br />

Sternekoch, -köchin<br />

jmdm. etw. übermitteln<br />

INFO TO GO<br />

Mauritius<br />

Mauritius, an island in the Indian Ocean (population<br />

1.3 million), is usually grouped geographically with<br />

southern Africa. Located east of Madagascar, it has 177<br />

kilometres of coastline and is circled by reefs. It was<br />

once the home of the dodo (see <strong>Spotlight</strong> 1/13, page<br />

33), a flightless bird that is now extinct. The Portuguese<br />

colonized Mauritius in the 1500s; then came the Dutch,<br />

the French and the British. The Mauritians became independent<br />

of the UK in 1968. The economy has grown<br />

dramatically, relying on industry, finance and tourism.<br />

go for lunch / go to lunch<br />

It’s midday. Are you hungry? Maybe it’s time to go for<br />

lunch — or to lunch. Both versions of the expression<br />

are correct. Be careful, though: if you describe someone<br />

as being “out to lunch”, it means something else<br />

entirely. For example: “My husband is completely out<br />

to lunch when it comes to organizing birthday parties.”<br />

If someone is said to be “out to lunch”, it means that<br />

he or she has no idea about something. Perhaps it is<br />

simply from not paying attention — or maybe from<br />

having lost touch with reality. Read and complete the<br />

following sentences using these expressions.<br />

a) I have decided to take a break. I think I will ___ ___<br />

lunch now.<br />

b) He has no idea what’s coming, does he? In my opinion,<br />

he is completely ___ ___ ___.<br />

take something at face value<br />

Touria Prayag says journalists should avoid taking<br />

things at face value. This means that they have to consider<br />

the source of the information they receive and<br />

ask themselves if there is more to the story. For example,<br />

if a politician says that a building project is being<br />

carried out at no cost to the taxpayer, a journalist is expected<br />

to research whether this is really true and not<br />

simply take the statement at face value. The expression<br />

comes from the value printed on a banknote, which is<br />

its “face value”. Read the sentences below and decide<br />

if the saying has been used correctly.<br />

a) He’s lying. I can’t take anything he says at face value.<br />

b) She said it was true. I decided to face the value.<br />

carry out [)kÄri (aUt]<br />

coastline [(kEUstlaIn]<br />

extinct [Ik(stINkt]<br />

flightless [(flaItlEs]<br />

lose touch [)lu:z (tVtS]<br />

reef [ri:f]<br />

ausführen, durchführen<br />

Küste, Küstenlinie<br />

ausgestorben<br />

flugunfähig<br />

den Bezug verlieren<br />

Riff<br />

Answers: lunch: a) go for / go to; b) out to lunch;<br />

face value: sentence (a) is correct; sentence (b) is incorrect<br />

9|13 <strong>Spotlight</strong><br />

9


WORLD VIEW | News in Brief<br />

The famous<br />

“Man in Black”<br />

over the years<br />

It’s a good month to visit...<br />

the Johnny Cash Museum<br />

UNITED STATES Ten years ago, the<br />

world lost a music legend: on September 12, 2003, Johnny<br />

Cash passed away at the age of 71. His greatest hits, such<br />

as “Folsom Prison Blues,” “I Walk the Line,” and “Man in<br />

Black,” are as loved by fans today as they were when they<br />

first came out in the fifties, sixties, and seventies.<br />

Celebrate the memory and the music of this great<br />

singer-songwriter with a visit to a museum that has been<br />

dedicated to him. Opened earlier this year in Nashville,<br />

Tennessee, the Johnny Cash Museum was a project or-<br />

ganized by the legendary artist’s long-time friend Bill<br />

Miller. Exhibits include many of the guitars Cash played,<br />

awards he received, outfits he wore at his concerts, and a<br />

wealth of memorabilia donated by his friends and family.<br />

Videos explain his life and times, and notes written by<br />

Cash himself document highlights from his career. Cash’s<br />

wife, country music star June Carter, who also died in<br />

2003, is represented at the museum as well.<br />

The museum is open Monday to Sunday, from 11 a.m.<br />

to 7 p.m. See www.johnnycashmuseum.com<br />

bill [bIl] N. Am.<br />

counterfeit [(kaUntEfIt]<br />

dedicate [(dedIkeIt]<br />

donate [US (doUneIt]<br />

exhibit [Ig(zIbIt]<br />

maple syrup [)meIp&l (sIrEp]<br />

memorabilia [)memErE(bIliE]<br />

pass away [US pÄs E(weI]<br />

polymer [(pQlImE]<br />

rumour [(ru:mE]<br />

10 <strong>Spotlight</strong> 9|13<br />

Geldschein<br />

fälschen<br />

widmen<br />

spenden<br />

Exponat<br />

Ahornsirup<br />

Erinnerungsstücke<br />

versterben<br />

Polymer, hier: Kunststoff<br />

Gerücht<br />

Is the new,<br />

plastic money<br />

really so different?<br />

The sweet smell<br />

of money<br />

CANADA If you’ve travelled to Australia or even<br />

Vietnam, you’ve probably noticed that both countries use polymer<br />

for their banknotes. These plastic bills last longer than paper and<br />

are much harder to counterfeit.<br />

Canada will soon be replacing all of its paper bills with polymer<br />

notes. The first ones were introduced in 2011, and C$ 5 and C$ 10<br />

bills will be in use starting in November.<br />

The Canadian Press, a national news organization, reports that<br />

not all Canadians are happy with this. Rumours about the new notes<br />

are in circulation. People have written to the Bank of Canada asking<br />

if it’s safe to leave the money lying in the sun, or if it will melt. Many<br />

people think that the C$ 100 bills smell like maple syrup. “Everyone<br />

I asked who’s smelt the bills agrees they smell like maple,” one citizen<br />

wrote to the bank. “I strongly suggest the bank increase the<br />

strength of the maple smell,” wrote another.<br />

Officials say the money does not have a special smell, that it<br />

will not melt and that everyone will soon get used to it.


Fotos: Bank of Canada: Getty Images; Marion Trutter<br />

Medical help when you need it most<br />

UNITED STATES Imagine you are the<br />

victim of an accident. There’s been an explosion, which<br />

has sent bits of metal flying. You’ve been hit. One of <strong>your</strong><br />

internal organs is damaged, and although a medic is applying<br />

pressure to <strong>your</strong> chest, the bleeding can’t be stopped.<br />

Arsenal Medical in Massachusetts has been developing<br />

a way to stop the bleeding, so that people suffering from<br />

such injuries can be brought to the operating table in time.<br />

To stabilize a patient, researchers at Arsenal propose injecting<br />

two types of liquid — polyol and isocyanate —<br />

into the body through the navel.<br />

Once inside the body, the liquids interact to form a<br />

polyurethane polymer foam. After expanding to cover the<br />

organs, the foam hardens within a minute. This puts pressure<br />

on the organs, slowing or stopping the bleeding. The<br />

chest [tSest]<br />

inject [In(dZekt]<br />

medic [(medIk]<br />

navel [(neIv&l]<br />

polyurethane polymer foam<br />

[US pQ:lI)jUrETeIn )pQ:lEm&r (foUm]<br />

protective layer [US prE(tektIv )leI&r]<br />

Brust(korb)<br />

injizieren, spritzen<br />

Sanitäter<br />

Nabel<br />

Polymerschaum<br />

Schutzschicht<br />

resulting protective layer does no harm to healthy organs<br />

and can be removed later by a doctor. The US government<br />

has been helping to pay for Arsenal’s research, which is<br />

still in the experimental phase. Watch a video on how the<br />

foam works at www.arsenalmedical.com/products<br />

One use of the new technology: treating battlefield injuries<br />

Klasse(n)fahrt<br />

Die junge Schiene der Bahn<br />

Reisen, erleben, wissen<br />

mit Bahn, Bus oder Flug<br />

DB Klassenfahrten & Gruppenreisen<br />

Buchen Sie Ihr individuelles Reiseprogramm:<br />

Kunst, Kultur, Zeitgeschehen, Musicals, Theater,<br />

Museen, Führungen, Rundfahrten, Spaß, Freizeit,<br />

spezielle Bildungsangebote...<br />

Weitere Infos unter:<br />

www.bahn.de/klassenfahrten<br />

Die Bahn macht mobil.


WORLD VIEW | News in Brief<br />

Born to be hunted<br />

SOUTH AFRICA “Canned hunting” — or shooting animals<br />

in an enclosed area, such as a game park — is booming in South<br />

Africa. More than 160 farms breed lions, many of which are then killed<br />

by tourists with guns. There are some 5,000 lions in captivity in the country<br />

today compared with just 2,000 in the wild.<br />

Canned hunting is big business: tourists pay<br />

between £5,000 and £25,000 to shoot a lion.<br />

It is also very controversial: animal-rights<br />

groups argue that it is cruel, while some hunting<br />

organizations say that it removes the sporting<br />

aspect of the hunt. Fiona Miles, who runs<br />

a lion reserve, told The Guardian that the public<br />

needs to know more about what’s happening.<br />

“If we can ... make [people] aware of ... what<br />

the life of a [captive-bred] lion is actually like,<br />

I believe there will be an outcry,” she said.<br />

approach sb. [E(prEUtS]<br />

breed [bri:d]<br />

canned hunting [)kÄnd (hVntIN]<br />

captivity [kÄp(tIvEti]<br />

chair [tSeE]<br />

enclosed [In(klEUzd]<br />

foam [fEUm]<br />

game park [(geIm pA:k]<br />

Jewish [(dZu:IS]<br />

latte art [(lÄteI A:t]<br />

(latte Ital.<br />

maintenance [(meIntEnEns]<br />

mosque [mQsk]<br />

outcry [(aUtkraI]<br />

raise money [reIz (mVni]<br />

short-lived [)SO:t (lIvd]<br />

toothpick [(tu:TpIk]<br />

Is this sport? The bad business<br />

of “canned hunting”<br />

sich an jmdn. wenden<br />

züchten<br />

Gatterjagd (Trophäenjagd auf Zuchtlöwen in<br />

einem eingeschränkten Gebiet bzw. Gehege)<br />

Gefangenschaft<br />

Vorsitzende(r)<br />

(ab)geschlossen<br />

Schaum<br />

Wildpark<br />

jüdisch<br />

künstlerische Gestaltung von Milchschaum<br />

auf Kaffeegetränken<br />

Milch; hier kurz für „latte macchiato”)<br />

Instandhaltung<br />

Moschee<br />

Aufschrei<br />

Geld beschaffen<br />

kurzlebig<br />

Zahnstocher<br />

WHAT’S HOT<br />

Art to go<br />

JAPAN If you order a<br />

latte in Osaka, you might find <strong>your</strong>self<br />

staring at <strong>your</strong> coffee instead of<br />

drinking it. Why? Japan is taking<br />

“latte art” to a new level.<br />

People working in cafes don’t<br />

just make a heart in the foam on top<br />

of the drinks they serve. Using a<br />

spoon and a toothpick, they draw<br />

very realistic pictures — such as a<br />

portrait of Einstein. Or they make<br />

3D sculptures of cats out of milk<br />

foam. Kazuki Yamamoto, 26, has<br />

more than 100,000 followers on<br />

Twitter. He even posts photos of his<br />

fascinating coffee creations every<br />

day at twitter.com/george_10g<br />

Design philosopher Leonard<br />

Koren thinks Japan is a natural place<br />

for this art form. He told America’s<br />

National Public Radio that in Japanese<br />

culture, “many things are beautiful<br />

precisely because they are<br />

short-lived”.<br />

Waiter, there’s a<br />

cat in my coffee<br />

City of many faiths<br />

Cultural jewel: the Victorian<br />

synagogue in Bradford<br />

12 <strong>Spotlight</strong> 9|13<br />

BRITAIN It may seem surprising — but is it? In<br />

England, a Muslim group is raising money to keep a synagogue from<br />

closing. The Bradford Council for Mosques told The Times of Israel<br />

that their choice to support the Jewish community was a logical one.<br />

“When the chair of the Bradford synagogue approached the<br />

Muslim community for help and assistance towards the maintenance<br />

of this building, it was a<br />

challenge which didn’t take us<br />

long to decide on,” said the<br />

council’s Zulfi Karim.<br />

Bradford, also known for its<br />

large Indian and Pakistani communities,<br />

its Hindu temple and its Sikh festival, belongs to a huge<br />

urban area in England’s north.<br />

In the 19th century, the region was a centre of textile production,<br />

and as such attracted workers from abroad. Jewish families arrived<br />

first from Germany and then from Russia.<br />

There are no longer many Jewish people in Bradford, and<br />

running the city’s last remaining synagogue costs more than<br />

the small community can afford. But the building, dating<br />

from 1880, is an architectural jewel as well as a symbol of<br />

the city’s rich multiculturalism. Thanks to the Council for<br />

Mosques, it may be able to play this role in the future, too.<br />

By RITA FORBES and CLAUDINE WEBER-HOF<br />

Fotos: Alamy; Getty Images; Kazuki Yamamoto


Britain Today | COLIN BEAVEN<br />

“<br />

Is body<br />

art the<br />

answer?<br />

”<br />

It’s time to cover up<br />

Tätowierungen sind seit einigen Jahren groß in Mode.<br />

Doch Moden vergehen, Tätowierungen bleiben.<br />

Foto: Alamy<br />

It’s great when the summer is finally<br />

over. As the weather begins to get<br />

cooler, everyone puts on more<br />

clothes, so I no longer feel quite so<br />

different. The warm weather encourages<br />

people to take off what they’re<br />

wearing and show off their tattoos,<br />

but I have to confess I don’t have any.<br />

Tattoos have become so popular<br />

in Britain that if you don’t have one,<br />

you almost feel you don’t fit in. Especially<br />

fond of them are young people,<br />

even though they’re the ones who<br />

need tattoos least. It’s the older generation<br />

that needs help to cover up<br />

the bits that have seen better days.<br />

Even so, is body art the answer?<br />

Clothes seem a much simpler way of<br />

making sure that other people don’t<br />

get a nasty shock when they see you<br />

in the street. Tattoos are so permanent<br />

and painful in comparison, like<br />

marriage or membership of the European<br />

Union. And they’re just as hard<br />

to put right when they go wrong.<br />

It’s risky, for example, to use <strong>your</strong><br />

partner’s name in a tattoo. A friend of<br />

mine was once asked for help by two<br />

young women who were arguing<br />

about the spelling in a new tattoo<br />

that one of them had; should she<br />

have spelled her beloved’s name Stewart<br />

with an “e” or as Stuart with a “u”?<br />

Some people spell it one way,<br />

some the other way. The woman had<br />

a 50 per cent chance of being right<br />

and a 50 per cent chance of needing<br />

a new boyfriend. It’s no joke when<br />

<strong>your</strong> happiness stands on a knife-edge<br />

like that. OK, tattooists use needles,<br />

not knives, but frankly, anything<br />

sharp and metallic worries me.<br />

In theory, love is as permanent as<br />

a tattoo, but what if the teenage Stewart<br />

who’s adored today turns into a<br />

middle-aged husband tomorrow<br />

who’s stopped listening to real music<br />

(heavy metal, perhaps) and thinks he<br />

sounds like Frank Sinatra when he<br />

sings “I’ve Got You Under My Skin”<br />

during a karaoke night at the pub?<br />

Some of us think that what Sinatra<br />

did to Cole Porter’s wonderful<br />

song about passion was unforgivable,<br />

and that a partner trying to imitate<br />

him would clearly be grounds for divorce.<br />

As part of the divorce, he’ll<br />

take everything that’s got his name on<br />

it — even if it means you have to cut<br />

off the arm you had tattooed when<br />

you first met. What a nightmare!<br />

Gay couples in Britain now have<br />

all this to look forward to as well. The<br />

government plans to make gay marriage<br />

legal. Not everyone agrees with<br />

adore [E(dO:]<br />

anbeten<br />

argue [(A:gju:] streiten (➝ p. 61)<br />

beloved [bi(lVvId]<br />

Liebster<br />

change one’s mind [)tSeIndZ wVnz (maInd] es sich anders überlegen<br />

confess [kEn(fes]<br />

gestehen<br />

especially [I(speS&li]<br />

besonders<br />

fit in [fIt (In]<br />

dazugehören<br />

fond: be ~ of sth. [fQnd]<br />

etw. mögen<br />

frankly [(frÄNkli]<br />

ehrlich gesagt<br />

gay marriage [geI (mÄrIdZ]<br />

gleichgeschlechtliche Ehe<br />

nasty [(nA:sti]<br />

fürchterlich<br />

nightmare [(naItmeE]<br />

Albtraum<br />

stand on a knife-edge [)stÄnd Qn E (naIf edZ] auf Messers Schneide stehen<br />

unforgivable [)VnfE(gIvEb&l]<br />

unverzeihlich<br />

this reform. The Church of England<br />

has found it hard to accept that gay<br />

people may want a religious ceremony.<br />

Some on the political right are<br />

also worried; they want marriage to<br />

stay the same as it’s always been.<br />

That’s a common conservative<br />

view, but the prime minister, who’s<br />

leader of the Conservative Party, has<br />

campaigned actively to make gay<br />

marriage possible.<br />

I think David Cameron’s quite<br />

right to do so. I just hope that young<br />

people wait until they’re really sure<br />

about choosing a partner before they<br />

rush off to get their tattoos. Luckily,<br />

there are some names both men and<br />

women can use; Chris can be<br />

Christopher or Christine, and Charlie<br />

can be Charlotte or Charles.<br />

What if you leave Daniel and<br />

move in with Danielle, though, or if<br />

you thought that Nicole was the love<br />

of <strong>your</strong> life, only to change <strong>your</strong> mind<br />

when you realize it’s Cole? You don’t<br />

really want to have to ask the tattooist<br />

to add letters or take them away.<br />

Perhaps it’s better not to be in too<br />

much of a hurry with tattoos.<br />

Colin Beaven is a freelance writer who lives<br />

and works in Southampton on the south<br />

coast of England.<br />

9|13 <strong>Spotlight</strong><br />

13


LANGUAGE | IELTS <strong>Test</strong><br />

Let’s hear it for IELTS!<br />

In der Ausgabe 2/13 haben wir den Textverständnisteil des internationalen<br />

IELTS-Sprachtests behandelt. Hier konzentrieren wir uns auf den Hörverständnisteil.<br />

JOANNA WESTCOMBE gibt nützliche Tipps für Hörverständnistests.<br />

In the 12 months to April 2013, more than two million<br />

IELTS tests were taken worldwide. This makes IELTS<br />

(International <strong>English</strong> Language <strong>Test</strong>ing System) the<br />

world’s most popular test for people wanting to move<br />

abroad or study in <strong>English</strong>. <strong>Spotlight</strong> would like to congratulate<br />

IELTS on this achievement. It is the reason for<br />

the title of this feature: to praise someone or something,<br />

you can say “Let’s hear it for...” and everybody cheers.<br />

An IELTS test will accurately show <strong>your</strong> ability to communicate<br />

in <strong>English</strong>. In <strong>Spotlight</strong> 2/13, we introduced the<br />

tests and also featured a reading test. We are cooperating<br />

with IELTS and the British Council again this month to<br />

praise sb./sth. [preIz]<br />

jmdn./etw. loben<br />

bring you exclusive listeningtest<br />

material. On the following<br />

pages, you will<br />

find many helpful<br />

tips and three sections<br />

from a listening<br />

test. You<br />

can find the<br />

audio component<br />

as well as<br />

the last part of<br />

the test at<br />

www.spotlightonline.de/audio<br />

THE BRITISH COUNCIL<br />

The British Council is the UK’s cultural-relations organization.<br />

It works in the arts, education and society in more than 100<br />

countries worldwide. In addition to the IELTS test, the British<br />

Council offers resources for teachers and learners of <strong>English</strong>.<br />

It has been in Germany since 1959, initiating projects and<br />

holding events across the country. The British Council offers<br />

the IELTS test up to 36 times a month in 14 test<br />

locations around Germany. For more information, visit<br />

www.britishcouncil.de or.at or.ch<br />

IELTS<br />

IELTS is jointly managed by the British Council,<br />

IDP: IELTS Australia and Cambridge <strong>English</strong> Language<br />

Assessment. IELTS results are recognized<br />

by more than 8,000 educational institutions, government<br />

agencies and professional organizations<br />

in more than 135 countries. This includes 3,000 institutions<br />

and programmes in the US, as well as all<br />

UK universities and colleges. In Germany, as more<br />

<strong>English</strong>-taught courses are offered, the number of<br />

institutions recognizing IELTS results continues to<br />

grow. http://takeielts.britishcouncil.org<br />

14<br />

<strong>Spotlight</strong> 9|13


The IELTS listening test<br />

The full listening test takes 30 minutes and consists of four<br />

sections of equal length, presenting spoken <strong>English</strong> in a<br />

variety of formal and informal, general and academic situations.<br />

The listening test (like the speaking test) is the<br />

same for both the Academic and the General Training<br />

modules (see <strong>Spotlight</strong> 2/13).<br />

You will hear each of the four recordings once only.<br />

Time is given for you to read the questions before you listen<br />

and to check <strong>your</strong> answers afterwards. There are 40<br />

questions altogether, each worth one point. The questions<br />

become progressively more difficult. Your writing and<br />

reading skills are also tested, and you need good organizational<br />

and logical-thinking skills. Here are <strong>Spotlight</strong>’s<br />

“golden rules” for preparing for success in listening tests:<br />

1. Know the format and question types. Each section<br />

of the test has a different format and tests different skills,<br />

so you need to have practised and to be prepared for each<br />

one. Our tips on sections one to three will help you.<br />

2. Use all the information given. For each conversation<br />

or monologue, try to picture the situation and the participants.<br />

Use this information to predict the language you<br />

are going to hear. Find more clues in headings and the text<br />

around the questions.<br />

3. Be efficient and accurate. Use the time given before<br />

you listen to read the instructions and questions carefully.<br />

Take notes on the question sheet while you listen. Use the<br />

time afterwards to transfer <strong>your</strong> answers accurately to the<br />

answer boxes. In the test, these are on a separate sheet.<br />

Fotos: Digital Vision; Fuse; Mauritius<br />

Section 1: questions 1–10<br />

This section presents a conversation between two people in<br />

an everyday situation. It tests basic, specific details such as<br />

names and times. You may need to complete a form or notes<br />

with short answers of one or more words or a number.<br />

Questions 1–5<br />

Complete the notes below. Write NO MORE THAN<br />

ONE WORD AND / OR A NUMBER for each<br />

answer. Write <strong>your</strong> answers in boxes 1–5 on the right.<br />

Second-hand Bedroom Furniture for Sale<br />

Example<br />

Number of items for sale:<br />

Bedside tables<br />

Construction: wood<br />

Colour: 1. .............<br />

Drawers: two (in each table)<br />

handles made of<br />

2. .............<br />

Height: 3. ............. cm<br />

Condition: 4. .............<br />

Price: 5. ............. (for both)<br />

Answer<br />

three<br />

.............<br />

1. ➯<br />

2.➯<br />

3.➯<br />

4.➯<br />

5.➯<br />

There is a lot to do before you listen. Look at the words<br />

and headings in bold to give you key information and to<br />

organize <strong>your</strong> listening. Look at the words around the<br />

question gaps, as they will help you to know what you<br />

are listening for: a price in questions 5 and 9, an adjective<br />

in question 8, for example. Listen to the instructions on<br />

the audio, as they tell you which questions to focus on,<br />

and to the example section, where you hear the two<br />

voices for the first time and see a typical answer.<br />

This section tests <strong>your</strong> spelling and numerical skills.<br />

Remember that you can write only one word or a number.<br />

In the real test, it is important that you transfer the<br />

details accurately from <strong>your</strong> notes to the answer sheet.<br />

Questions 6 –10<br />

Complete the notes below. Write NO MORE THAN<br />

ONE WORD AND / OR A NUMBER for each<br />

answer. Write <strong>your</strong> answers in boxes 6 –10 on the right.<br />

Dressing table<br />

Drawers: five (two are<br />

6. .............)<br />

6.➯<br />

Width: 7. .............<br />

7. ➯<br />

Mirrors: three: one large, two small<br />

(all 8. .............) 8.➯<br />

Condition: good<br />

Price: 9. .............<br />

9.➯<br />

Seller’s details<br />

Name:<br />

Carolyn Kline<br />

Address: 19 10. ............. Road 10. ➯<br />

Tips<br />

Answers<br />

Section 1: 1. cream; 2. brass; 3. 65 / sixty-five; 4. perfect; 5. £30 / 30 pounds /<br />

thirty pounds; 6. deep; 7. 1.25 metres / 1.25 m; 8. adjustable; 9. £50 /<br />

50 pounds / fifty pounds; 10. Domain<br />

9|13 <strong>Spotlight</strong> 15


LANGUAGE | IELTS <strong>Test</strong><br />

Section 2: questions 11–20<br />

In the second section of the test, you hear a presentation<br />

or talk by one speaker. This is more challenging than listening<br />

to a conversation, as you do not have another<br />

speaker’s questions to provide you with thinking time or<br />

to guide you. Instead, the information you need may be<br />

“hiding” in lots of other spoken text.<br />

Questions 11–17<br />

Label the plan below. Write the correct letter,<br />

A–J, in boxes 11–17 on the right.<br />

SPORTS SUPER CENTRE<br />

11. Administration office<br />

12. Sports medicine clinic<br />

13. Bike racks<br />

14. Café<br />

15. Conference room<br />

16. Men’s locker room<br />

17. Pool shop<br />

The task in the first part of this section is to label a<br />

plan of a sports centre. Look at the plan and note the<br />

information provided. Mark the places that are still to<br />

be labelled. Note their location — for example, F is near<br />

the stairs, B is next to the outdoor pool. Then look at<br />

the names of the areas (11–17) that need to be added<br />

to the plan. Reading them aloud to <strong>your</strong>self (quietly!)<br />

may help you to recognize them when you hear the<br />

recording.<br />

You have probably predicted that you will hear a<br />

guided tour of the centre, so you need to find out<br />

exactly where the tour starts and then<br />

listen for directions like “Let’s go<br />

through...” and descriptions of location<br />

such as “opposite”.<br />

Listen for sequencing words<br />

and phrases such as “first”<br />

and “then” and “you’ll have<br />

seen”, as they will help you, too.<br />

Write <strong>your</strong> notes on<br />

the plan. Keep them organized<br />

and clear — you<br />

11. ➯<br />

will need to be able to<br />

12. ➯<br />

understand them when<br />

13. ➯<br />

you transfer the letters<br />

to the answer boxes.<br />

14. ➯<br />

15. ➯<br />

16. ➯<br />

17. ➯<br />

Tips<br />

Answers<br />

Section 2: 11–H; 12–C;<br />

13–J; 14–F; 15–B; 16–I;<br />

17–A; 18–A; 19–D/E; 20–D/E<br />

Question 18<br />

Choose the correct letter,<br />

A, B or C.<br />

18. The sports centre<br />

is open on public<br />

holidays from<br />

A 7 a.m. to 5 p.m.<br />

B 5 a.m. to 7 p.m.<br />

C 5 a.m. to 9 p.m.<br />

18. ➯<br />

Listen carefully to all the<br />

instructions on the audio, so<br />

that you know which ques -<br />

tions to focus on. In this case,<br />

the next part of the recording<br />

contains the answers not just<br />

to question 18, but also to<br />

questions 19 and 20.<br />

Note the format of these<br />

tasks: in question 18, there are<br />

three choices of ending to one<br />

sentence. First, highlight the<br />

key words in this sentence —<br />

in this case: “open on public<br />

holidays...”. For questions 19<br />

and 20, you need to choose two specific pieces of information<br />

from the services included in the membership<br />

fee. But be careful: the recording will contain words<br />

used in the other options as well.<br />

Tips<br />

Questions 19 and 20<br />

Which TWO services are covered by the<br />

membership fee? Choose TWO letters, A – E.<br />

Write the correct letters in boxes 19 and 20.<br />

A personal training<br />

B swim squads<br />

C childminding<br />

D programme design<br />

E<br />

tennis lessons<br />

19. ➯ 20.➯<br />

16 <strong>Spotlight</strong> 9|13


Section 3: questions 21–30<br />

Since many people take the IELTS test because they want to study in <strong>English</strong>,<br />

the third section of the listening test is always a discussion on an educational<br />

topic. You are listening for the main facts, reasons or opinions given.<br />

Das erste Wörterbuch,<br />

das Sie klicken<br />

und blättern können.<br />

Questions 21–25<br />

Complete the notes below. Write NO MORE THAN TWO WORDS for<br />

each answer.<br />

Part One – Checklist:<br />

• Write an 21. ....... — keep it brief.<br />

• List relevant 22. .......<br />

• Have two academic advisors read over <strong>your</strong> 23. .......<br />

• Choose the journal you want to submit to.<br />

• Apply the journal’s 24. ....... to <strong>your</strong> article.<br />

• Sign the 25. .......<br />

21. ➯<br />

22.➯<br />

23.➯<br />

24.➯<br />

25.➯<br />

Questions 26–30<br />

Complete the flow chart<br />

below. Write NO MORE<br />

THAN TWO WORDS<br />

for each answer.<br />

Tips<br />

The second task in a section is always<br />

more challenging. These questions are<br />

more difficult than 21–25 because there<br />

are fewer clues, and the questions are not<br />

embedded in full sentences. However, the<br />

incomplete flow chart helps you to plan<br />

<strong>your</strong> listening. Read it through, asking<br />

<strong>your</strong>self a question for each gap, for<br />

example, question 26: “What do I need to<br />

submit?” You won’t always hear exactly<br />

the words that are printed, so you need to<br />

recognize their synonyms. An answer may<br />

also need rephrasing to fit in the notes.<br />

Part Two – Process:<br />

26.➯ 27.➯ 28.➯<br />

Submit<br />

26. .......<br />

Check<br />

e-mail for<br />

27. .......<br />

of<br />

submission<br />

28. ........<br />

Gedruckt und online – das neue Langenscheidt<br />

Taschenwörterbuch vereint das Beste<br />

aus zwei Welten. Das Nachschlagewerk von<br />

morgen: Erhältlich für Englisch, Französisch,<br />

Italienisch und Spanisch.<br />

Fotos: Goodshot; iStockphoto<br />

Answers<br />

Section 3: 21. abstract;<br />

22. key words / keywords;<br />

23. final draft;<br />

24. style guide;<br />

25. copyright form;<br />

26. (the) manuscript;<br />

27. confirmation;<br />

28. peer review; 29. rejection;<br />

30. cover letter<br />

Acceptance<br />

or<br />

29. ........<br />

Conditional<br />

acceptance<br />

or<br />

revise and<br />

resubmit<br />

29.➯ 30.➯<br />

Revise &<br />

send back<br />

with a<br />

30. .......<br />

Mehr unter www.klicken-und-blättern.de<br />

9|13 <strong>Spotlight</strong><br />

17


LANGUAGE | IELTS <strong>Test</strong><br />

You can find the fourth section of this test and the questions that go with<br />

it, as well as more information, at www.spotlight-online.de/audio<br />

We would like to thank Martin Spieß and the British Council in Berlin<br />

for making this test available to us. We hope to offer you more news<br />

from IELTS and another test in early 2014.<br />

Martin Spieß works<br />

in the exams department<br />

at the British<br />

Council in Berlin, with<br />

responsibility for the<br />

IELTS test in Germany.<br />

TRANSCRIPT<br />

TRACK 1: Section 1<br />

Instructions are given in italics.<br />

You will hear a telephone conversation between a woman who is selling<br />

some furniture and a man who is making enquiries about it. First, you<br />

have some time to look at questions 1 to 5. [20 seconds] You will see that<br />

there is an example that has been done for you. On this occasion only, the<br />

conversation relating to this will be played first.<br />

WOMAN: Hello! Carolyn speaking.<br />

MAN:<br />

Hello! My name is Lincoln Farraday and I’m ringing to<br />

see if you still have the bedroom furniture that you advertised<br />

for sale.<br />

WOMAN: Yes, there are three items left — two bedside tables and a<br />

dressing table.<br />

The woman said she has three items available, so “three” has been written<br />

in the space. Now we shall begin. You should answer the questions as you<br />

listen, because you will not hear the recording a second time. Listen carefully<br />

and answer questions 1 to 5.<br />

W: Hello! Carolyn speaking.<br />

M: Hello! My name is Lincoln Farraday and I’m ringing to see if you<br />

still have the bedroom furniture that you advertised for sale.<br />

W: Yes, there are three items left — two bedside tables and a dressing<br />

table.<br />

M: Oh, good! They’re just the items I’m after. Tell me, what’s the construction<br />

of the bedside tables? I mean, what are they made of?<br />

W: Well, they’re a matching pair, and they’re made of wood — but<br />

the wood has been painted. It’s not brown any more. It’s been<br />

painted cream.<br />

M: I see.<br />

W: Each table has a shelf and two drawers. Oh, and the drawers have<br />

square brass handles — quite modern and quite nice really.<br />

M: And what about the dimensions?<br />

W: Well, each table is 50 centimetres wide...<br />

M: That’s good, much bigger than that and they wouldn’t fit beside<br />

my bed. I live in an apartment where the bedrooms are quite<br />

small. What I really need to know is how tall they are. You see,<br />

my bed’s quite high.<br />

W: 65 centimetres high and 45 centimetres deep.<br />

M: Thanks. Just a couple more questions about the bedside tables:<br />

what condition are they in, and how much are they?<br />

W: They’re in perfect condition — there isn’t a mark on them. I had<br />

them painted professionally, you know, so the finish is much better<br />

than you’d normally expect. As for how much... I think 15<br />

pounds each would be fair, but I’ll only sell them as a pair, so<br />

that’s thirty pounds all up.<br />

Before you hear the rest of the conversation, you have some time to look<br />

at questions 6 to 10. [20 seconds] Now listen and answer questions 6<br />

to 10.<br />

M: Now, can you tell me about the dressing table?<br />

W: Yes, it matches the other tables in colour and style.<br />

M: Good. How many drawers does it have?<br />

W: Five altogether. Um... the bottom two drawers hold more, as<br />

they’re deep.<br />

M: Mmm... and the dimensions — how wide is it? That’s all I need<br />

to know. It wouldn’t be more than a metre and a half, would<br />

it?<br />

W: Well, just under actually... it’s... ah, 1.25 metres across.<br />

M: Does it have a mirror?<br />

W: Three.<br />

M: Sorry?<br />

W: It has three mirrors — you know... a central one and a narrower<br />

one on each side. And they’re all adjustable.<br />

M: I see — and the overall condition of the dressing table?<br />

W: Well, it has a couple of scratches on the surface, but it’s still in<br />

good condition, so I’m asking fifty pounds.<br />

M: Could I call round and have a look later today?<br />

W: What time were you thinking of?<br />

M: In about half an hour.<br />

W: Oh, yes, that’s fine. By the way, my name is Carolyn Kline. It’s<br />

on the gate at the front of the house.<br />

M: Kline — is that K-L-I-N-E?<br />

W: That’s right. And I live at 19 Domain Road.<br />

M: Did you say the main road?<br />

W: No, Domain — D-O-M-A-I-N Road.<br />

M: That’s just off Ash Grove, isn’t it?<br />

W: Yes. See you soon, then.<br />

M: Yes, in about 30 minutes.<br />

That is the end of section 1. You now have half a minute to check <strong>your</strong><br />

answers. [30 seconds]<br />

TRACK 2: Section 2<br />

You will hear an employee of the Sports Super Centre giving a guided<br />

tour of the facilities in the centre. First, you have some time to look at<br />

questions 11 to 17. [20 seconds] Listen carefully and answer questions<br />

11 to 17.<br />

SPEAKER:<br />

It’s so nice to see so many people here on our Open Day. I hope you’ll<br />

be impressed by what you see and that you’ll all decide to join up.<br />

We have tried to cover all aspects of sport and fitness here at the centre.<br />

Well, let’s start, shall we?<br />

As we’re standing here at reception looking down the long corridor,<br />

you’ll notice the car park on <strong>your</strong> left (where most of you have<br />

parked) asks you to reverse into the parking spaces (for safety reasons).<br />

Also, this morning, a couple of keen potential members rode their<br />

bikes right in through the door instead of leaving their bikes outside<br />

there, on <strong>your</strong> right, where the secure bike stands are. Um... you may<br />

be wondering why there are so many mothers arriving with little children.<br />

As we proceed, you’ll see that this first room on <strong>your</strong> right is a<br />

crèche, where you can leave <strong>your</strong> little ones for up to two hours, and<br />

they’ll be expertly supervised while you work out.<br />

After the crèche, on the same side of the corridor, is the male<br />

locker room with showers, spa and sauna. Opposite that, on <strong>your</strong><br />

left, there’s a staircase leading to the mezzanine floor. You’ll not only<br />

get a great view out over the playing field, but you’ll also find a coffee<br />

shop and snack bar selling a range of wholesome food and drinks<br />

— protein shakes, fruit smoothies... that kind of thing. We won’t go<br />

up the stairs at this point. I’ll give you some time later when you can<br />

explore at <strong>your</strong> leisure. Most of you in the group are women ... so<br />

next, let me point out the women’s locker room (which has the same<br />

facilities as the men’s — you know, things like showers, spa and<br />

sauna). It’s separated from the men’s locker room by an office which<br />

the staff mainly use for administrative purposes.<br />

As we move on, on the same side of the corridor as the stairs,<br />

you’ll see the entrance to the main hall, where they hold yoga classes,<br />

Foto: British Council<br />

18 <strong>Spotlight</strong> 9|13<br />

continued on page 21


Englisch zum<br />

Frühstück!<br />

Einfach Englisch: 70 Seiten Lebensgefühl.<br />

Mit großem Sprachlernteil. Jeden Monat neu.<br />

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* Risikoloses Kennenlern-Angebot für Neu-Abonnenten: 12 Ausgaben <strong>Spotlight</strong> für EUR 74,40 / SFR 111,60. Jederzeit kündbar!


Unser Beitrag zu mehr Verständigung.<br />

Alles auf einen Blick unter www.spotlight-online.de/komplett<br />

<strong>Spotlight</strong> – das Magazin für Ihr Englisch<br />

Verbessern Sie Ihre Sprachkenntnisse! Mit didaktisch aufbereiteten Übungen und<br />

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Inklusive Online-Zugang zum Premium-Bereich.<br />

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Vertiefen Sie Ihre Grammatik- und Wortschatzkenntnisse! 24-seitiges Übungsheft<br />

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<strong>Spotlight</strong> Audio – Englisch-Training, das ins Ohr geht<br />

Trainieren Sie Ihr Hörverständnis! Die CD umfasst rund eine Stunde Texte, Interviews<br />

und Sprachübungen. Das Begleit-Booklet ergänzt Aufgaben und Texte zum Mitlesen.<br />

Lehrerbeilage – Bestnoten für Ihren Unterricht<br />

Kostenlose Tipps und Ideen für Abonnenten in Lehrberufen! Das Lehrmaterial ist<br />

in drei verschiedenen Niveaustufen aufbereitet. Sie erhalten die Beilage auf Anfrage<br />

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Mehr Informationen unter www.spotlight-online.de/komplett<br />

Bei Rückfragen erreichen Sie uns unter E-Mail abo@spotlight-verlag.de oder Telefon +49 (0) 89 / 8 56 81-16.


continued from page 18<br />

aerobics and so on. On the wall here, there is a timetable of all group<br />

classes, and it is updated regularly. Now, opposite the hall is the gymnasium<br />

itself. Go ahead — have a look. Impressive isn’t it? Very spacious,<br />

light and airy with all the most modern equipment.<br />

As we continue down the corridor past the main hall, on the same<br />

side, there is a conference room. This is mainly used when the centre<br />

is hosting a big sports event of some kind. It gives the officials a quiet<br />

place to gather and have meetings and so on. You’ll have seen the<br />

400-metre athletics track on <strong>your</strong> way in, beside the car park. We<br />

have some pretty big athletics conventions here.<br />

Well, after a strenuous workout, I bet there’s nothing you’d like<br />

more than a swim... in the aquatic complex. But first, these rooms<br />

on our right are all part of the sports medicine clinic, where you have<br />

access to a doctor, physiotherapist, massage therapist, podiatrist and<br />

even a sports psychologist if you need one. Of course, you’ll need to<br />

make appointments, but if you have any questions, just pop in and<br />

see the clinic receptionist, and she’ll help you out.<br />

OK. Let’s go through the turnstile ahead of us... and here we are...<br />

in the aquatic centre. Turn left, past the pool shop, where you can<br />

buy or hire goggles, swim caps and such like... and we’re outside...<br />

poolside. Beautiful, isn’t it? Especially on a day like today. Go on, dip<br />

<strong>your</strong> toes in the water — and if that’s not warm enough for you, then<br />

I’ll take you to the indoor pool, which is less than half the size, but<br />

heated to 32 degrees. Let’s go back past the pool shop and through<br />

the double doors to the indoor pool.<br />

Well, that’s all I have time to show you. Let’s go back to the reception<br />

area and, if you like, we can run through some details about<br />

opening hours, membership and so on.<br />

Before you hear the rest of the talk, you have some time to look at questions<br />

18 to 20. [20 seconds] Now listen and answer questions 18 to 20.<br />

Now, in this brochure, you’ll see the opening hours: the centre is<br />

open seven days, from 5 a.m. to 9 p.m. Monday to Friday, except for<br />

public holidays, which follow Sunday’s timetable. On Saturdays,<br />

we open at the same time as weekdays and close a little earlier: so<br />

that’s 5 a.m. to 7 p.m. on Saturdays; and on Sundays, everyone gets<br />

a sleep-in — you can come in between 7 a.m. and 5 p.m.<br />

Membership fees cover access to the gym, group classes and the<br />

pool, but if you want to join a swim squad to train with a coach, you<br />

should enquire at reception for prices and timetables. In the gym,<br />

personal training is available from one of our dedicated team of trainers,<br />

and reception will have more information on who is free when,<br />

and what hourly rates apply. However, there is a certificated instructor<br />

on hand in the gym at all times for advice and help, and once <strong>your</strong><br />

membership is paid, you are entitled to a free health assessment,<br />

and you’ll get a programme designed to meet <strong>your</strong> own particular<br />

needs. You’ll need to book a time for this with the gym instructor.<br />

Now, if you’re a mum or dad, remember you can leave <strong>your</strong> children<br />

in the crèche — they take babies from six weeks old. Bookings are<br />

essential, though, and you’ll have to check the website for times and<br />

pricing. Members are also entitled to tennis lessons on a Tuesday or<br />

Thursday from 9 till 10.30, but bookings are essential, so ring Natalie<br />

(her number is here in the brochure) to reserve a place.<br />

Well, I think that’s it. Any questions?<br />

That is the end of section 2. You now have half a minute to check <strong>your</strong><br />

answers. [30 seconds]<br />

TRACK 3: Section 3<br />

You will hear a conversation between a research student, Jeremy, and his<br />

supervisor. They are talking about the process of having a research project<br />

published in a journal. First, you have some time to look at questions 21<br />

to 25. [20 seconds] Listen carefully and answer questions 21 to 25.<br />

SUPERVISOR: So, you’re nearly ready to submit <strong>your</strong> article to an<br />

academic journal, are you?<br />

JEREMY: Yes, I think so. I just wanted to go over all the things I need<br />

to do before I submit it. And then I wanted to go over the submission<br />

process with you.<br />

S: Great! So, firstly, you need to write an abstract. Make sure it’s<br />

short and concise.<br />

J: Of course. I forgot all about that. And what about key words?<br />

S: Huh! Yes, a lot of students overlook this part and just jot down<br />

whatever comes to mind. But take some time to make a list of<br />

key words that are accurate and relevant.<br />

J: OK. Another thing, could you have a look at my article before I<br />

submit it?<br />

S: Absolutely. Actually, at least two senior staff members should always<br />

read through a final draft before submission. Do you mind<br />

if I give it to Professor Johnson to have a look at as well?<br />

J: Not at all. I’d be glad to have the feedback.<br />

S: Do you know which journal you want to submit to yet?<br />

J: Not yet. I have a shortlist of about three that I’m interested in.<br />

S: Make that decision soon. Because you’ll need to adjust <strong>your</strong> article<br />

so that it matches the style guide of the journal you are submitting<br />

to.<br />

J: I bet that can take a while.<br />

S: Yes, but after that you are just about ready to submit. One more<br />

thing: you’ll have to sign the copyright form — just confirming<br />

that it’s <strong>your</strong> own work — and then you’re good to go.<br />

Before you hear the rest of the conversation, you have some time to look<br />

at questions 26 to 30. [20 seconds] Now listen and answer questions 26<br />

to 30.<br />

J: Now, the submission process. How does it work exactly?<br />

S: Well, the first thing is to just send it off. You’ve got to send in the<br />

manuscript before anything else can happen.<br />

J: Sure. And then, should I call to check if they have received it?<br />

S: No need for that. No. All you have to do is just log on to <strong>your</strong><br />

e-mail regularly because you will get a submission confirmation<br />

once they have processed the manuscript.<br />

J: And that will have comments on what they thought of it?<br />

S: No. No comments yet. That e-mail is just to let you know they<br />

have received it. The next stage is what is known as peer review.<br />

This is when experts in the field review <strong>your</strong> manuscript and decide<br />

whether to accept it.<br />

J: Aagh! They’ll never accept me. I’m only a master’s student!<br />

S: Don’t worry about that, Jeremy. It’s all done through a doubleblind<br />

method. That means that whoever reads <strong>your</strong> manuscript<br />

has no idea whether you are a grad student or a Nobel Prize laureate.<br />

They’ll only be judging <strong>your</strong> work, not you.<br />

J: Well, that’s good to hear. And then what, once they’ve made their<br />

decision?<br />

S: Well, there are four possible outcomes. You might get an acceptance.<br />

But a first-off acceptance is very, very rare. Don’t pin <strong>your</strong><br />

hopes on it. You could also get a rejection, but these don’t happen<br />

very often either. I don’t think this will be a problem.<br />

J: What do you think I’ll get?<br />

S: If you’re very lucky, you’ll get a conditional acceptance. This<br />

means that they’ve accepted the article, and it will be published,<br />

but you need to tweak a few things first: a sentence here, a heading<br />

there, nothing major.<br />

J: That sounds good.<br />

S: But, to be honest, you will probably end up with a revise and resubmit.<br />

This means they are definitely interested, but you will<br />

need to rework the paper before it’s accepted. The necessary<br />

changes will be outlined by the reviewers.<br />

J: OK. So I just fix the things that need changing and present it<br />

again?<br />

S: Yes, but include a cover letter that discusses the changes you<br />

have made. The same goes for a conditional acceptance, actually.<br />

It helps the reviewers see that you’ve taken their criticism<br />

seriously.<br />

That is the end of section 3. You now have half a minute to check <strong>your</strong><br />

answers. [30 seconds]<br />

The transcript of section 4 with the accompanying listening material<br />

can be found at www.spotlight-online.de/audio<br />

9|13 <strong>Spotlight</strong><br />

21


FOOD | South Africa<br />

Desmond Mabuza at his<br />

restaurant Signature<br />

Dinner with<br />

Desmond<br />

In ärmsten Verhältnissen in Johannesburg<br />

aufgewachsen und zu einem preisgekrönten<br />

Gastronomen avanciert: CHRISTINE MADDEN<br />

über eine Bilderbuchkarriere.<br />

How do you move from a childhood in one of South<br />

Africa’s poorest and most violent townships to the<br />

ownership of not one, but two high-end restaurants<br />

in Johannesburg? The man to ask is Desmond Mabuza.<br />

The 40-year-old award-winning restaurateur speaks with<br />

<strong>Spotlight</strong> about the lives of his father and grandfather in<br />

Soweto, and about his own life today as a successful businessman<br />

and role model for young black South Africans.<br />

From Soweto (top) to the<br />

Sandton business district<br />

22 <strong>Spotlight</strong> 9|13<br />

<strong>Spotlight</strong>: You grew up in Soweto, where <strong>your</strong> father had<br />

a hardware store. How did you end up becoming a<br />

restaurateur?<br />

Desmond Mabuza: My father’s store is still up and running.<br />

It’s about 55 years old now, and he recently turned<br />

75. He still gets up at eight o’clock in the morning and<br />

makes a start. His work ethic has a lot to do with how<br />

I’ve turned out.<br />

My grandfather was also very entrepreneurial. He<br />

had a minihotel, supermarket, butchery and a little<br />

restaurant. That was long before Apartheid law took effect<br />

in Johannesburg and forced relocation according to<br />

race. He lost all of those businesses. Everyone was migrated<br />

to places like the “tribal homeland”, where they<br />

had to start again from nothing. All these things happened<br />

before I was born.<br />

<strong>Spotlight</strong>: How did you learn about food and running a<br />

restaurant?<br />

Mabuza: I trained as a civil engineer<br />

in the US and came back in<br />

1993. At that time, the politics<br />

made it interesting to return and<br />

bring some of that know-how<br />

back into the country.<br />

Then I had an opportunity to<br />

help set up a restaurant, Back o’<br />

the Moon, which opened in<br />

2000. I was doing my engineering<br />

work in the daytime and<br />

managing the restaurant at night.<br />

After a while, we needed somebody<br />

to be there full-time. And I<br />

said, “Look. I’m loving this. Let<br />

me be the one.” Fourteen years later, I’m still in the<br />

restaurant business.<br />

I stayed with Back o’ the Moon for roughly nine<br />

years. Then I spent about a year putting together my<br />

restaurant Signature, which opened in June 2009. It<br />

turned out to be quite a success story. I opened my next<br />

restaurant, Wall Street, about a year later.<br />

<strong>Spotlight</strong>: What is it that you like so much about gastronomy<br />

and running restaurants?<br />

Mabuza: Every day is different. You get to meet quite a lot<br />

of interesting people — personalities, big business executives,<br />

celebrities, politicians. During the World Cup,<br />

we had all the soccer greats coming in, such as Zinedine<br />

Zidane and Patrick Vieira. We had Bono here as well,<br />

and activist Jesse Jackson from the US, who was here in<br />

the country to receive an award from our president.<br />

Metzgerei<br />

Tiefbauingenieur(in)<br />

unternehmerisch<br />

Manager(in)<br />

Eisenwarenhandlung<br />

Oberklassen-<br />

hier: jmdn. umsiedeln<br />

Umsiedlung, Umzug<br />

Gastronom(in)<br />

Vorbild<br />

aufbauen, eröffnen<br />

Fußball<br />

wirksam werden<br />

Stammesgebiet<br />

werden<br />

in Betrieb sein<br />

butchery [(bUtSEri] UK<br />

civil engineer [)sIv&l )endZI(nIE]<br />

entrepreneurial [)QntrEprE(n§:riEl]<br />

executive [Ig(zekjUtIv]<br />

hardware store [(hA:dweE stO:]<br />

high-end [)haI (end]<br />

migrate sb. [maI(greIt]<br />

relocation [)ri:lEU(keIS&n]<br />

restaurateur [)restErE(t§:]<br />

role model [(rEUl )mQd&l]<br />

set up [set (Vp]<br />

soccer [(sQkE]<br />

take effect [)teIk E(fekt]<br />

tribal homeland [)traIb&l (hEUmlÄnd]<br />

turn out [t§:n (aUt]<br />

up and running: to be ~<br />

[)Vp End (rVnIN]<br />

Fotos: africamediaonline/images.de; Masterfile; PR


Tasty creations: fine presentation and fresh ingredients such as local seafood make Mabuza a star of South African cuisine<br />

<strong>Spotlight</strong>: South Africa has a very varied cuisine because<br />

of all its many different ethnic elements. Do you have<br />

a culinary theme in <strong>your</strong> menu?<br />

Mabuza: South Africa is a very big country with a diverse<br />

populace. So our menus are quite vast. We offer<br />

all kinds of seafood: shellfish, prawns, langoustines,<br />

crabs, as well as meat dishes. The cuisine we serve is<br />

international. We also have uniquely South African<br />

dishes.<br />

<strong>Spotlight</strong>: What are <strong>your</strong> plans for the future?<br />

Mabuza: A group that’s setting up a hotel in Abuja, the<br />

capital of Nigeria, asked me to design the hotel restaurant.<br />

It’s called Panache and is due to open later this<br />

year. I’ve also had quite a few interested parties contacting<br />

me about doing something in Zambia, Namibia,<br />

Kenya and Ghana.<br />

<strong>Spotlight</strong>: Is it true that you’re the first black South<br />

African restaurant entrepreneur?<br />

Mabuza: I think there are a few black South African<br />

restaurant owners, but they have what they call franchise<br />

offerings. On the level of fine dining, at the top<br />

of the restaurant food chain, I’m the only one.<br />

<strong>Spotlight</strong>: You are seen as a role model. Do you run any<br />

programmes to teach others?<br />

Mabuza: We work together with a hotel school based in<br />

Tanzania, which often sends us some of its students for<br />

practical training experience. I also get daily enquiries<br />

from people who would like to enter the restaurant<br />

business. I’m glad to assist them.<br />

<strong>Spotlight</strong>: If you could give somebody a quick piece of<br />

advice, what would that be?<br />

Mabuza: We live in an era when people expect everything<br />

to be immediate — especially the youngsters. The real<br />

world doesn’t work that way, unless you win the lottery.<br />

I think it was the US general Colin Powell who said:<br />

“Success is the result of perfection, hard work, learning<br />

from failure, loyalty and persistence.”<br />

Restaurant life is hard work. There are a lot of sacrifices.<br />

But I enjoy it. I’ve put in the time, and I’ve been<br />

in the trenches. Although I was good at civil engineering,<br />

I didn’t have the passion for it. And if you love what<br />

you do and you have a passion for it, I think the sky is<br />

the limit.<br />

crab [krÄb]<br />

cuisine [kwI(zi:n]<br />

diverse [daI(v§:s]<br />

franchise offering<br />

[(frÄntSaIz )QfErIN]<br />

interested party<br />

[)IntrEstId (pA:ti]<br />

langoustine [)lQNgu(sti:n]<br />

persistence [pE(sIstEns]<br />

populace [(pQpjUlEs]<br />

prawn [prO:n]<br />

sacrifice [(sÄkrIfaIs]<br />

shellfish [(SelfIS]<br />

the sky is the limit<br />

[DE (skaI Iz DE )lImIt]<br />

trench: be in the ~es [trentS]<br />

uniquely [ju(ni:kli]<br />

unless [En(les]<br />

vast [vA:st]<br />

Krabbe, Krebs<br />

Küche, Kochkunst<br />

bunt gemischt, vielfältig<br />

Franchise-Angebot<br />

Interessent<br />

Kaiserhummer<br />

Ausdauer<br />

Bevölkerung<br />

Garnele<br />

Opfer<br />

Schalentiere<br />

alles ist möglich<br />

an der Front sein;<br />

hier: hart arbeiten<br />

einzigartig, unverwechselbar<br />

es sei denn, außer wenn<br />

(sehr) groß; hier: breitgefächert<br />

„Mein Briefkasten steht<br />

auf meinem Schreibtisch.“<br />

Bequem und sicher im Netz – der .<br />

Informieren und kostenlos registrieren:<br />

www.epost.de<br />

Mit dem E-POSTBRIEF profitieren Sie im Internet von den zuverlässigen<br />

Leistungen der Deutschen Post. Denn jetzt können Sie<br />

Ihre Briefpost sicher, schnell und bequem auch online erledigen.


SOCIETY | Britain<br />

Writers<br />

inside<br />

Freiwillig ins Gefängnis? JULIAN EARWAKER hat sich mit einigen Autoren unterhalten,<br />

die Insassen mit Worten davon abbringen, rückfällig zu werden.<br />

Is that how you spell it?” asks<br />

Craig*. He sits at the computer,<br />

concentrating on the screen, battling<br />

with the words in front of him.<br />

“What can you rhyme with ‘violence’?”<br />

He looks out of the barred<br />

window for inspiration.<br />

Outside the education block, officers<br />

in dark uniforms stand guard.<br />

Keys jangle. People come and go. The<br />

heavy metal entrance door bangs<br />

shut. “How about sirens?” says Craig,<br />

a smile on his face. A few minutes<br />

later, his work is complete. “Can I<br />

print it out and take it back to my<br />

pad?” he asks. “I’d like to send it to<br />

my mum.”<br />

His “pad” is a prison cell. Craig is<br />

17 years old and is in a young offenders’<br />

institute, halfway through a ninemonth<br />

sentence. He has been<br />

involved in crime for much of his life.<br />

24 <strong>Spotlight</strong> 9|13<br />

Five weeks ago, he joined a<br />

creative writing workshop run by the<br />

prison writer in residence and has just<br />

completed his first ever poem. If he<br />

looks pleased, that shouldn’t be a surprise:<br />

when he first came to prison,<br />

Craig could barely read or write.<br />

The writer in residence, James*, is<br />

an experienced author recruited and<br />

trained by the Writers in Prison<br />

Foundation (WIPF). He works two<br />

“very full days” each week in the<br />

prison and runs workshops and oneto-ones<br />

with young male offenders<br />

aged 15 to 18. “They are creative,<br />

spontaneous and find it difficult to<br />

manage their emotions, especially<br />

anger,” he says. “Their lives have usu-<br />

bang shut [bÄN (SVt] mit lautem Krach zufallen (➝ p. 61)<br />

barely [(beEli]<br />

kaum<br />

barred [bA:d]<br />

vergittert<br />

first ever [f§:st (evE] allererste(s, r)<br />

foundation [faUn(deIS&n]<br />

Stiftung<br />

jangle [(dZÄNg&l]<br />

rasseln<br />

one-to-one (lesson) [)wVn tE (wVn] Einzelunterricht<br />

sentence [(sentEns]<br />

Urteil; hier: Strafe<br />

writer in residence [)raItE In (rezIdEns] hier: Gefängnisschriftsteller(in)<br />

young offenders’ institute<br />

Jugendstrafanstalt<br />

[)jVN E(fendEz )InstItju:t]<br />

(offender<br />

Straftäter(in))<br />

*Names have been changed.<br />

Fotos: Alamy; iStockphoto; Julian Earwaker


CHANGE OF SENTENCE<br />

In the US, offenders can be sentenced to read as an alternative<br />

to custody. The Changing Lives Through Literature (CLTL) programme<br />

helps them to read and discuss a range of literature<br />

and philosophy. Results are impressive: an average reoffending<br />

rate of 18.8 per cent compared to 45 per cent nationally.<br />

ally been quite chaotic, and writing can help them find<br />

some order, some meaning. It also provides them with an<br />

escape from prison life.” All of James’s activities are voluntary,<br />

which he says makes the programme attractive for<br />

young people (YPs) who have had bad experiences with<br />

formal education.<br />

WIPF was set up by the author and playwright Clive<br />

Hopwood in 1992 after he had worked for the Arts Council<br />

on prison writing projects. Since then, his awardwinning<br />

charity has created more than 140 long-term<br />

writing residencies in prisons across Britain. Hopwood,<br />

60, still believes strongly in the benefits of putting writers<br />

behind bars. “Prison is a noisy, tough, overcrowded, sometimes<br />

violent, often boring environment,” he says. “It<br />

makes a quiet art such as writing all the more precious.”<br />

Award-winning screenwriter Hugh Stoddart, 65, began<br />

a WIPF residency at Her Majesty’s Prison Brixton in London<br />

in 1999. “It was up the road from where I lived,” he<br />

explains. “But I’d never stepped inside a prison in my life.”<br />

Being accepted by staff was as important as getting on well<br />

with offenders, which meant he had to listen to lots of<br />

jokes about “finishing sentences”. In what way does he believe<br />

writing best connects with prisoners?<br />

“Writing is an articulation of their experiences,<br />

thoughts or feelings,” he says. “People in prison have often<br />

had very little opportunity to express themselves. They believe<br />

that they have nothing to say. You tell them, ‘No,<br />

that’s not the case. You have as much to say as anybody<br />

else.’ And that can have a profound effect on people who<br />

have been told repeatedly that they are nobodies.” Over<br />

the two years of his residency, Stoddart produced several<br />

Inside: using creativity to open doors<br />

Marek Kazmierski runs Not Shut<br />

Up, a national prison magazine<br />

anthologies of prisoners’<br />

work and discovered some<br />

enthusiastic and talented<br />

writers who were “genuinely<br />

thrilled and delighted” to see<br />

their work published.<br />

Why spend time and<br />

money improving prisoners’<br />

writing and reading skills,<br />

though? Why encourage<br />

someone who has committed<br />

a crime to sit writing poems<br />

and stories?<br />

“It’s simple really,” says<br />

Hopwood. “There are around<br />

92,000 people in UK prisons<br />

today. Most of them will<br />

come out one day, and a<br />

handful will be coming to a<br />

street near you soon. Would<br />

you like them to be better or<br />

worse than they were when<br />

they went in?”<br />

Writer, journalist and exoffender<br />

Caspar Walsh has<br />

experienced the transformational<br />

power of words firsthand.<br />

“Literature has saved my<br />

life. If I hadn’t used writing as<br />

part of my rehabilitation<br />

from drugs and crime, I’d be<br />

dead,” he told The Guardian.<br />

“I learned to express myself<br />

through my writing and<br />

found deep healing. I knew<br />

that telling my story was<br />

going to be the making of<br />

me, and I discovered this was<br />

true for the majority of men<br />

I worked with in prison.”<br />

Walsh has since set up his<br />

own charity, Write to Freedom,<br />

which successfully<br />

combines wilderness experifinish<br />

a sentence [)fInIS E (sentEns]<br />

playwright [(pleIraIt]<br />

precious [(preSEs]<br />

profound [prE(faUnd]<br />

screenwriter [(skri:n)raItE]<br />

thrilled [TrIld]<br />

eine Strafe absitzen;<br />

hier auch: einen Satz zu<br />

Ende bringen<br />

Dramatiker(in)<br />

wertvoll, kostbar<br />

tiefgreifend<br />

Drehbuchautor(in)<br />

begeistert<br />

9|13 <strong>Spotlight</strong><br />

25


SOCIETY | Britain<br />

ence with writing exercises and selfdiscovery.<br />

Prisons contain some of the most<br />

vulnerable and disadvantaged people<br />

in society. Low self-esteem and lack<br />

of qualifications, education and training<br />

are endemic; so are literacy problems<br />

and learning difficulties.<br />

Reading and writing skills can increase<br />

both empathy and communication<br />

between people.<br />

“Writing is a way of finding out<br />

who you are,” explains Stoddart.<br />

“Through their imagination, through<br />

their application, prisoners can escape<br />

the notion of themselves as criminals<br />

who are only good for prison and<br />

punishment. With encouragement,<br />

they can become more rounded people;<br />

they can think of themselves as<br />

having potential. All that can occur<br />

application [)ÄplI(keIS&n]<br />

desistance agenda [di(zIstEns E)dZendE]<br />

hier: Einsatz, Fleiß<br />

Reintegrationsprogramm<br />

(von straffälligen Jugendlichen)<br />

vorherrschend<br />

hier: Angebot, Förderung<br />

Lese- und Schreibfähigkeit<br />

beratend, Beratungs-<br />

Vorstellung, Bild<br />

Rückfallquote (von Straftätern)<br />

Selbstwertgefühl<br />

verletzbar, anfällig<br />

endemic [en(demIk]<br />

intervention [)IntE(venS&n]<br />

literacy [(lIt&rEsi]<br />

mentoring [(mentErIN]<br />

notion [(nEUS&n]<br />

reoffending rate [riE(fendIN reIt]<br />

self-esteem [)self I(sti:m]<br />

vulnerable [(vVlnErEb&l]<br />

The Museum of My Life<br />

Over there are all the drugs I have taken,<br />

That burned out white Corsa is the first car I ever stole,<br />

This is the book of all the crimes I have committed,<br />

These are the people who have stuck by me,<br />

And those are the people who have been affected by my crimes.<br />

That is my first jail,<br />

These are the years I have spent inside,<br />

There is the gate,<br />

And over there is the new me.<br />

through writing and arts activity.”<br />

This view is backed by a 2011 report<br />

from think tank New Philanthropy<br />

Capital, which has found that arts interventions<br />

in criminal-justice set-<br />

Brixton prison: home to strong<br />

writing programmes as well as<br />

National Prison Radio<br />

by Dean Hudson (ex-offender)<br />

tings can reduce reoffending rates by<br />

as much as half.<br />

James is not surprised by the results<br />

of the research. “Writing is just<br />

one form of intervention,” he says. “It<br />

doesn’t solve everything, but it does<br />

provide an outlet for people’s emotions.<br />

It can open doors which have<br />

long remained closed for most offenders.<br />

It builds confidence and gives<br />

them a real sense of achievement.”<br />

James has set up a prison magazine<br />

in which all the content is produced<br />

by the YPs he works with.<br />

They are, he says, very proud to see<br />

their work in print. There is also a<br />

strong mentoring element to his<br />

work — and lots of listening.<br />

Sheffield Hallam University recently<br />

concluded that the work of Writers<br />

in Prison Foundation is “making a<br />

significant contribution to the desistance<br />

agenda”.


Author Alex Wheatle<br />

speaks to young offenders<br />

about writing<br />

Stories from the<br />

heart: Wheatle’s<br />

books are street<br />

and family dramas<br />

All of this should be music to the ears of<br />

Chris Grayling, the justice secretary, who<br />

heads the government’s so-called “rehabilitation<br />

revolution”. In June 2013, Grayling<br />

told the press that “Britain’s problem is less about offending<br />

and more about reoffending”.<br />

The UK’s high reoffending rates cost the economy between<br />

£9.5 and £13 billion each year, according to the<br />

National Audit Office. The costs to victims, offenders,<br />

their respective families and to society in general are<br />

equally high. It’s easy to lock people up, but much harder<br />

to solve the difficult issues behind their offending and potential<br />

rehabilitation.<br />

Britain is the only country in the world to have a national<br />

prison arts award. It’s organized by a charity called<br />

the Koestler Trust. “The arts can have a huge impact on<br />

offenders,” says Tim Robertson, chief executive of the<br />

trust, “enabling them to create positive new lives for themselves,<br />

free from crime.”<br />

James promotes the annual Koestler awards in his<br />

prison. Many of his YPs have won awards for their work.<br />

James also brings in visiting writers and<br />

artists, especially those who are ex-offenders,<br />

to talk to the young inmates. Among the<br />

writers is the novelist Alex Wheatle, who was<br />

recently awarded an MBE for his services to literature. He<br />

discovered books when serving a prison sentence for his<br />

part in the 1981 Brixton riots. But what made him want<br />

to write?<br />

“I started to write,” he explains, “because I wanted to<br />

get rid of the anger inside of me — about the way I was<br />

raised, the way I was treated as a young guy, the way I felt<br />

my life was insignificant. I wanted to shout out to the<br />

world that my life was just as important as anybody else’s.<br />

I wanted to validate my life. I think that was the main<br />

motivation.”<br />

Back in the young offenders’ institute, Craig shares a<br />

similar view.<br />

“I used to express my emotions with this,” he says,<br />

holding up a clenched fist. He lowers it and, with the other<br />

hand, raises a pen.<br />

“Now I express them with this.”<br />

Fotos: Alamy; Julian Earwaker<br />

On a prison visit:<br />

Mark Grist, Alex Wheatle and Caspar Walsh<br />

clenched fist [klentSt (fIst] geballte Faust<br />

impact [(ImpÄkt]<br />

Einfluss, Wirkung<br />

inmate [(InmeIt]<br />

Gefängisinsasse<br />

MBE (Member of the Order britischer Verdienstorden<br />

of the British Empire)<br />

[)em b: (i:]<br />

National Audit Office Rechnungshof<br />

[)nÄS&nEl (O:dIt )QfIs] UK<br />

novelist [(nQvElIst]<br />

Romanschriftsteller(in)<br />

respective [ri(spektIv] jeweilig (➝ p. 61)<br />

riot [(raIEt]<br />

Aufstand<br />

serve a prison sentence eine Freiheitsstrafe verbüßen<br />

[)s§:v E (prIz&n )sentEns]<br />

validate sth. [(vÄlIdeIt] hier: Anerkennung für<br />

etw. erlangen<br />

9|13 <strong>Spotlight</strong><br />

27


AMY ARGETSINGER | I Ask Myself<br />

Is marriage a matter<br />

of equal rights?<br />

“<br />

Gay<br />

marriage<br />

was a radical,<br />

politically<br />

untouchable<br />

idea<br />

”<br />

Vor knapp zehn Jahren wurde in Massachusetts die gleichgeschlechtliche<br />

Ehe eingeführt. Weitere US-Bundesstaaten folgten.<br />

My friend Roy used to love<br />

weddings. The pageantry,<br />

the party — he loved it all.<br />

For the first decade or so after we left<br />

college and our friends began to get<br />

married, he was always the ideal wedding<br />

guest. The first to RSVP, the last<br />

to leave, he would make all the right<br />

toasts and be sure to lead the bride’s<br />

single sister onto the dance floor. He<br />

had the perfect formal suit and always<br />

sent the perfect gift.<br />

Suddenly, though, 10 or 12 years<br />

ago, he soured on weddings. We were<br />

all getting a little tired of them by that<br />

time. We had just been to too many of<br />

them, with some of the ceremonies<br />

obnoxious in their ostentation and expense.<br />

But Roy’s feelings bordered on<br />

resentment. There he was, spending so<br />

much money and time to celebrate<br />

someone else’s special day, yet he<br />

would never get to have a wedding of<br />

his own, because he was gay.<br />

It’s amazing how quickly things<br />

have changed. Through most of the<br />

1990s, few people took seriously the<br />

idea that men should be able to<br />

marry men, or women to marry<br />

women. When gay activists in Hawaii<br />

bill [bIl]<br />

civil union [)sIv&l (ju:njEn]<br />

court challenge [kO:rt (tSÄlIndZ]<br />

obnoxious [A:b(nA:kSEs]<br />

ostentation [)A:sten(teIS&n]<br />

pageantry [(pÄdZEntri]<br />

portrayal [pO:r(treIEl]<br />

resentment [ri(zentmEnt]<br />

RSVP [)A:r es vi: (pi:]<br />

(RSVP = répondez s’il vous plaît<br />

shunt sb. into sth. [SVnt (Intu]<br />

sign into law [)saIn )IntE (lO:]<br />

sour on sth. [(saU&r A:n]<br />

straight [streIt] ifml.<br />

toast [toUst]<br />

28 <strong>Spotlight</strong> 9|13<br />

raised a court challenge to the traditional<br />

definition of marriage, members<br />

of Congress reacted quickly.<br />

They introduced a bill saying the federal<br />

government would recognize<br />

only marriages between a man and a<br />

woman, no matter what crazy laws<br />

might be passed by the states. The bill<br />

went through and was signed into<br />

law by a liberal president, Bill Clinton.<br />

That was in 1996 — just 17<br />

years ago. Gay marriage was a radical,<br />

politically untouchable idea, and no<br />

one thought that would ever change.<br />

It already was changing, though.<br />

In that same decade, a handful of European<br />

nations pioneered the idea of<br />

domestic partnerships, a way to recognize<br />

gay couples with many of the<br />

same rights as married couples. Suddenly,<br />

activists in the US could ima -<br />

gine a way to do the same. A state<br />

court ruling that same-sex couples<br />

could not be treated differently from<br />

straight couples inspired Vermont to<br />

create “civil unions” for gay couples.<br />

But the gay community pushed for<br />

more: they wanted marriage.<br />

If civil unions offered all the same<br />

rights and responsibilities as mar-<br />

hier: Gesetzesvorlage<br />

eingetragene Partnerschaft<br />

gerichtliche Anfechtung<br />

unausstehlich, widerlich<br />

Prunk, Prahlerei<br />

Prunk<br />

Darstellung<br />

Groll<br />

auf ein Einladungsschreiben antworten<br />

(frz.) um Antwort wird gebeten)<br />

jmdn. auf etw. abschieben<br />

zum Gesetz machen<br />

etw. leid sein<br />

hier: heterosexuell<br />

Trinkspruch, Tischrede<br />

riage, wasn’t that enough? My gay<br />

friends explained: if it offered all the<br />

same rights and responsibilities, why<br />

not call it marriage? Otherwise, they<br />

were being shunted into a “separate<br />

but equal” institution, like the<br />

schools reserved for black people during<br />

the days of racial segregation.<br />

In 2004, Massachusetts approved<br />

gay marriage. Now 13 states allow it,<br />

and another seven permit marriagelike<br />

unions. It is still a controversial<br />

issue, and many states ban same-sex<br />

unions. But in June, the Supreme<br />

Court overturned that 1996 law,<br />

which means the federal government<br />

now recognizes gay marriages approved<br />

by individual states.<br />

How have things changed so fast?<br />

Some think it’s because of the many<br />

friendly portrayals of gay people in<br />

popular culture, in TV shows like<br />

Will & Grace. I think it’s because<br />

more Americans have opened their<br />

minds, thanks to gay friends.<br />

We respect their desire to live in<br />

committed relationships like everyone<br />

else — like my friend Roy, who<br />

will get married to his boyfriend next<br />

spring. He promised to have a small<br />

ceremony. Happy as he is to have<br />

one, he’s says he’s still a little tired of<br />

weddings.<br />

Committed<br />

relationships<br />

for all<br />

Amy Argetsinger is a co-author of “The Reliable<br />

Source,” a column in The Washington<br />

Post about personalities.<br />

Foto: Comstock


Sprachen lernen für alle!<br />

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KOSTENLOS UND<br />

UNVERBINDLICH<br />

Die neue Basismitgliedschaft:<br />

✔ 10 kostenlose Videos<br />

✔ 90 interaktive Übungen<br />

✔ Voller Zugriff auf „mein dalango“<br />

www.dalango.de<br />

Einfach Lernen mit Spaß!


TRAVEL | India<br />

Uusually I am not a morning person, but today, just<br />

after 6 a.m., I feel energetic and excited. I am<br />

standing in a queue behind the gates of what many<br />

consider to be the most beautiful building in the world.<br />

As the guard opens the door, I know immediately why<br />

every guidebook says you should see the Taj Mahal at<br />

dawn. The sky is a very light pink with a hazy shimmer,<br />

making the building’s smooth white marble domes appear<br />

like a shining mirage — or like a painting that has come<br />

to life. As I join the other tourists photographing themselves<br />

in front of what’s considered to be the jewel of Islamic<br />

art in India, I hear another visitor say exactly what<br />

I am thinking: “Well, it was definitely worth getting up<br />

so early.”<br />

The famous mausoleum made “the sun and the moon<br />

shed tears from their eyes”, according to its creator, Shah<br />

dawn [dO:n]<br />

dome [dEUm]<br />

hazy [(heIzi]<br />

marble [(mA:b&l]<br />

Morgendämmerung<br />

Kuppel<br />

verschleiert, diesig<br />

(aus) Marmor<br />

mirage [(mIrA:Z]<br />

queue [kju:]<br />

shed tears<br />

[Sed (tIEz]<br />

Trugbild, Illusion<br />

Warteschlange<br />

Tränen vergießen<br />

Fotos: Mauritius<br />

30 <strong>Spotlight</strong> 9|13


Soul of India<br />

Erleben Sie die atemberaubende Schönheit Indiens.<br />

JESSICA MANN beschreibt einige der berühmtesten Sehenswürdigkeiten<br />

und erzählt von der kulturellen Vielfalt des Landes.<br />

A vision from a dream:<br />

the Taj Mahal seen from the<br />

River Yamuna<br />

Jahan. The Mogul emperor built this impressive tomb after<br />

his beloved third wife, Mumtaz Mahal, died in childbirth<br />

in 1631. The verse he wrote does not seem like much of<br />

an overstatement. I feel almost as if I am dreaming as I<br />

wander around the formal gardens and watch a herd of<br />

water buffalo through the mist on the other side of the<br />

River Yamuna. Am I really here?<br />

beloved [bi(lVvId]<br />

in childbirth [In (tSaI&ldb§:T]<br />

mist [mIst]<br />

Mogul emperor [(mEUg&l (empErE]<br />

tomb [tu:m]<br />

geliebt<br />

während der Geburt<br />

Nebel, Dunst<br />

Großmogul<br />

Grabmal


TRAVEL | India<br />

As soon as I leave the<br />

peaceful grounds, I am<br />

thrown back into reality.<br />

Cycle rickshaws and threewheeled<br />

auto rickshaws,<br />

commonly known as tuktuks,<br />

crowd the narrow,<br />

dusty streets near the Taj<br />

Mahal. The drivers do their<br />

best to compete for the attention<br />

of tourists, so it<br />

doesn’t take long to find a ride to the train station.<br />

Agra has beautiful sights in addition to the Taj Mahal,<br />

including more grand tombs and the famous Red Fort,<br />

but I really want to go north and get off the beaten track.<br />

At the station, I buy some snacks and a Limca, a fruitflavoured<br />

drink, and wait for the overnight train.<br />

When the train arrives, I discover that I’ve been standing<br />

at the wrong end of the track. I run with my bags to<br />

make it to the right car, moving quickly through a crowd<br />

of people, luggage and carts full of goods. I splurged on<br />

first-class tickets: the seats are old but comfortable, folding<br />

Fast transport: three-wheeled tuk-tuks<br />

At a shop in Agra:<br />

strings of flowers for sale<br />

down into beds with plenty of space to stretch my legs.<br />

The air conditioning is on so high that it’s almost cold.<br />

“Chai, chai, chai...” The cries of the chai wallah carry<br />

through the car, and I stick my head out of my compartment<br />

to wave him over. For 10 rupees, the equivalent of a<br />

few euro cents, I receive an espressosized<br />

plastic cup filled with hot,<br />

spiced, milky tea. The drink is known<br />

as masala chai, a combination of the<br />

words for a mix of spices and tea —<br />

or chai. I order a vegetarian meal as<br />

well, which comes with two types of<br />

lentil stew along with some rice and<br />

flatbread.<br />

car [kA:]<br />

cart [kA:t]<br />

chai [tSaI]<br />

chai wallah [(tSaI )wQlE]<br />

(wallah ifml.<br />

compartment [kEm(pA:tmEnt]<br />

cycle rickshaw [(saIk&l )rIkSO:]<br />

flatbread [(flÄtbred] N. Am.<br />

fold down [fEUld (daUn]<br />

lentil stew [)lentIl (stju:]<br />

masala [mE(sA:lE]<br />

off the beaten track<br />

[)Qf DE )bi:t&n (trÄk] ifml.<br />

Red Fort [red (fO:t]<br />

spiced [spaIst]<br />

splurge on [(spl§:dZ Qn] ifml.<br />

Detail: at the Taj Mahal<br />

hier: Waggon<br />

Karren<br />

indischer Tee<br />

Teeverkäufer(in)<br />

(Hindi) Typ, -fritze)<br />

(Zug)Abteil<br />

Fahrradrikscha<br />

Fladenbrot<br />

sich umklappen lassen<br />

Linseneintopf<br />

(ind.) Mischung; hier: Gewürzmischung<br />

aus Kardamom, Zimt,<br />

Ingwer, Lorbeer, Nelken und<br />

Muskat<br />

abseits vom (Touristen)Rummel<br />

Rote Festung<br />

gewürzt<br />

großzügig Geld ausgeben für<br />

Mogul strength:<br />

the Red Fort


Fotos: iStockphoto; Mauritius<br />

The Golden Temple in Amritsar: visitors on the marble pathway by the sacred pool, above<br />

After a while, an older Indian couple joins me in the<br />

four-person compartment. They’re on their way to Amritsar<br />

as well, taking a four-day trip from Delhi. At some<br />

point, the conversation moves on to the topic of regional<br />

and linguistic differences in India. The couple explains<br />

how it is sometimes easier for them to speak to people<br />

from other parts of India in <strong>English</strong> than in Hindi. “Can<br />

you understand Punjabi?” I ask. It is the language spoken<br />

in the Indian state of Punjab, where we are heading. “Of<br />

course,” the man says, tilting his head from side to side in<br />

an Indian nod.<br />

We fall asleep to the rocking of the train and wake up<br />

in Amritsar, one of the largest cities in Punjab. I say goodbye<br />

to the couple and check into a hotel near the station.<br />

Then I stop on the street to buy a glass of fresh sugar-cane<br />

juice — from a vendor who crushes an entire cane, using<br />

a hand-operated press — before making my way to the<br />

city’s best-known sight.<br />

The word Sikh [si:k] comes from the Punjabi language<br />

and means “learner”. Sikhism honours one god<br />

and ten gurus, or teachers. The religion, which grew<br />

out of the Hindu tradition, was founded in the Punjab<br />

region in the 15th century. Today, there are 27 million<br />

Sikhs, most of them living in Punjab, India. Ideas basic<br />

to the religion include the search for truth, using<br />

truth in daily life and the equality of all people.<br />

chant [tSA:nt]<br />

cloakroom [(klEUkru:m]<br />

crush [krVS]<br />

cutlery [(kVtlEri]<br />

nod [nQd]<br />

pilgrim [(pIlgrIm]<br />

sacred [(seIkrId]<br />

scarf (pl. scarves) [skA:f]<br />

shallow [(SÄlEU]<br />

sugar cane [(SUgE keIn]<br />

tilt [tIlt]<br />

vendor [(vendE]<br />

volunteer [)vQlEn(tIE]<br />

A CLOSER LOOK<br />

(feierlicher) Sprechgesang<br />

Garderobe<br />

zerstoßen<br />

Besteck<br />

Nicken<br />

Pilger(in)<br />

heilig<br />

Schal<br />

seicht<br />

Zuckerrohr<br />

neigen<br />

Straßenverkäufer(in)<br />

Freiwillige(r), Ehrenamtliche(r)<br />

Amritsar was founded<br />

by the fourth Sikh guru,<br />

Ram Das, in the 1570s.<br />

The Golden Temple in the<br />

city centre is the religion’s<br />

holiest shrine, drawing pilgrims<br />

from around the<br />

world. At the entrance to<br />

the temple, I leave my<br />

shoes in a special cloakroom<br />

and join the other<br />

On site: author Jessica Mann<br />

visitors. We cover our heads with scarves and follow the<br />

crowd of pilgrims through the gates, passing through shallow<br />

footbaths to clean our feet. We walk on the marble<br />

pathway that surrounds the sacred pool with the shining<br />

temple at its centre. Inside the temple, texts are continuously<br />

read aloud from a Sikh holy book, and rhythmic<br />

chants echo through the complex. The effect is calming,<br />

and the whole place is very peaceful.<br />

While circling the pool, I come to the community dining<br />

room, a feature of all Sikh temples. Anyone is welcome<br />

to eat here at no cost, and the massive kitchens run nonstop<br />

all day. I queue up for a metal tray and cutlery and<br />

then join the rest of the group seated on the floor.<br />

Servers come by with flatbread, lentils,<br />

yogurt and rice — more than you<br />

could ever want. When I have finished<br />

my meal, I leave through a<br />

large outdoor area<br />

where volunteers<br />

are doing the<br />

washing-up.<br />

Daily work:<br />

women in Agra<br />

collecting water<br />

33


TRAVEL | India<br />

INDIA DIVIDED<br />

The British East India Company first<br />

arrived in India for the spice trade<br />

in the early 1600s. When the Mogul empire<br />

collapsed in the 1700s, the British<br />

were able to take control of much of<br />

the country. India was effectively<br />

British by the early 1800s.<br />

<strong>English</strong> replaced Persian as the language<br />

of politics and government, and<br />

many other aspects of the country<br />

were transformed. Roads and railways<br />

were built. Institutions and educational<br />

systems were created based on those<br />

in Britain. But controversial policies like<br />

high taxes and flooding the markets<br />

with cheaper British goods — made<br />

from Indian raw materials — damaged<br />

local people’s livelihoods.<br />

The London-educated barrister Mohandas<br />

Karamchand Gandhi (1869–<br />

1948), later known as Mahatma, or<br />

“Great Soul”, became the leader of a<br />

movement that encouraged people to<br />

oppose the British Raj — “reign” in<br />

Hindi — in a non-violent manner. Examples<br />

included refusing to pay taxes or<br />

buy British products. Gandhi also called<br />

for the end of the traditional Hindu<br />

caste system and for peaceful Hindu-<br />

Muslim relations.<br />

Although India gained independence<br />

in 1947, Gandhi’s dream of a<br />

peaceful Hindu-Muslim state was not<br />

fulfilled. Instead, India was divided. The<br />

country of Pakistan was formed to satisfy<br />

the demands of the Muslim League<br />

to have its own state. The partition of<br />

India cut Punjab in half. Amritsar became<br />

part of India, and Lahore became<br />

part of Pakistan. Many Hindus and Muslims<br />

on both sides of the border were<br />

caught up in violence, and 10 million<br />

people were forced to leave their<br />

homes.<br />

barrister [(bÄrIstE] UK<br />

caste [kA:st]<br />

livelihood [(laIvlihUd]<br />

Muslim League [)mUzlIm (li:g]<br />

partition [pA:(tIS&n]<br />

spice trade [(spaIs treId]<br />

Rechtsanwalt, -anwältin<br />

(bei höheren Gerichten)<br />

Kaste<br />

Lebensgrundlage<br />

Muslimische Liga<br />

Teilung<br />

Gewürzhandel<br />

A nation remembers:<br />

the “flame of liberty” in<br />

Jallianwala Bagh<br />

My next stop is to visit<br />

Jallianwala Bagh, a peaceful<br />

park near the temple that<br />

serves as a memorial to the<br />

people — between 1,000 and<br />

1,500 altogether — who were<br />

killed here by British authorities<br />

during a peaceful protest in<br />

1919. The tragic scene has been described<br />

in several books and shown in<br />

many films, including the awardwinning<br />

movie Gandhi. The massacre<br />

brought new energy to Indian nationalism<br />

and drove Gandhi to<br />

strengthen his campaign of civil disobedience<br />

against the ruling colonial<br />

powers.<br />

By now, the sun is low in the sky,<br />

and I realize that I have to get on my<br />

way for one last special occasion. I’ve<br />

arranged for a driver to take me from<br />

Amritsar to the Indian-Pakistani border<br />

at Wagah, about 30 kilometres<br />

away. Every afternoon, a legendary<br />

border closing ceremony is performed<br />

there before sunset. The drive<br />

to Wagah is filled with anticipation<br />

— I hope that I’ll be early enough to<br />

get a good seat. I can tell we’re nearing<br />

the border when we start to drive<br />

Soliders closing the border at Wagah<br />

anticipation [Än)tIsI(peIS&n]<br />

civil disobedience<br />

[)sIv&l )dIsE(bi:diEns]<br />

drop sb. off [drQp (Qf]<br />

emcee [)em(si:] ifml.<br />

flashing light [)flÄSIN (laIt]<br />

grandstand [(grÄndstÄnd]<br />

memorial [mE(mO:riEl]<br />

syncopate [(sINkEpeIt]<br />

past a long line of delivery trucks<br />

waiting to cross into Pakistan. They’re<br />

richly painted with designs and decorated<br />

with flashing lights.<br />

The driver drops me off about a<br />

kilometre away. I join the crowds<br />

walking towards the border, passing<br />

what seems like a hundred snack<br />

stands and vendors selling Indian<br />

flags. When I reach the grandstand, I<br />

show my passport and join the other<br />

foreign tourists at the front. It’s just<br />

like a sporting match, complete with<br />

an emcee and loud music to excite<br />

the crowd.<br />

The event begins when a group of<br />

soldiers comes out of the guardroom<br />

and begins to parade up and down in<br />

front of the crowd. The marching is<br />

frequently syncopated by dramatic<br />

high kicks that wouldn’t be out of<br />

place in a Monty Python sketch. The<br />

crowd loves it, cheering and fighting<br />

for the best view with<br />

video cameras and<br />

smartphones. Accompanied<br />

by shouts of<br />

“Hindustan zindabad!”<br />

(“Long live<br />

India!”), the soldiers<br />

lower the Indian flag,<br />

while the Pakistani<br />

soldiers can be seen<br />

lowering theirs on the<br />

other side. Before the<br />

border is officially<br />

(gespannte) Erwartung<br />

ziviler Ungehorsam<br />

jmdn. aussteigen lassen<br />

Showmaster<br />

Blinklicht<br />

Zuschauertribüne<br />

Gedenkstätte<br />

synkopieren, rhythmisch<br />

verschieben<br />

Fotos: Jessica Mann; Mauritius, picture alliance; Karte: Nic Murphy<br />

34 <strong>Spotlight</strong> 9|13


IF YOU GO...<br />

closed for the night, one soldier from each side opens the<br />

gates and shakes hands with his counterpart.<br />

The crowd stays on for a while, before slowly walking<br />

back along the road to where the taxis and tuk-tuks are<br />

waiting. The sun is setting, and the wind begins to blow,<br />

taking sand around with it. Through the haze, I find my<br />

driver and settle in for the ride back to town. As we drive<br />

off, I watch the brightly painted trucks and their drivers,<br />

who will have to wait another night before they can be on<br />

their way.<br />

counterpart [(kaUntEpA:t]<br />

vaccine [(vÄksi:n]<br />

(Amts)Kollege, Kollegin, Gegenüber<br />

Impfung<br />

All aboard<br />

for the colours<br />

of India<br />

Some of the borders on this map are in dispute.<br />

A Sikh ticket<br />

inspector<br />

in Punjab<br />

Getting to northern India<br />

Lufthansa offers direct flights from Frankfurt and Munich<br />

to Delhi. Direct flights from Zurich are available from<br />

Swiss Air Lines and from Vienna on Austrian Airlines.<br />

Getting around<br />

Signs throughout Indian train stations call Indian Railways<br />

“the pride of the nation”. Because of the demand<br />

for seats, advance reservations are recommended. A certain<br />

number of seats are set aside for foreigners, and<br />

tickets for these can be bought directly at major reservation<br />

offices, but finding those offices is not easy. Booking<br />

tickets online and many months in advance is a<br />

better option. For timetables and route information, see<br />

www.indianrail.gov.in<br />

Tickets can be booked at www.irctc.co.in or<br />

www.cleartrip.com<br />

Where to stay<br />

For real luxury in Agra, stay at Oberoi Amarvilas — or<br />

simply go for a drink there and see a perfect view of the<br />

Taj Mahal. As a special offer, a double room costs 19,500<br />

rupees, or about €250. Taj East Gate Road; tel. (0091)<br />

562-223 1515. www.oberoihotels.com/oberoi_amarvilas<br />

In Amritsar, try the Grand Hotel. Rooms cost 1,000–<br />

2,000 Indian rupees (about €13 to €26). Situated across<br />

a busy street from the railway station, the hotel has simple<br />

rooms and a welcoming restaurant. Trips and tours,<br />

including to the Wagah border, can be arranged at the<br />

front desk. Queen’s Road; tel. (0091) 183-256 2424.<br />

www.hotelgrand.in<br />

Keep in mind<br />

Obtaining a visa from the Indian government as well as<br />

getting the necessary vaccines from <strong>your</strong> doctor are important<br />

steps to take before travelling to India.<br />

More information<br />

See www.incredibleindia.org<br />

9|13 <strong>Spotlight</strong><br />

35


PETER FLYNN | Around Oz<br />

An election gamble<br />

Kann die Rückkehr des populären Premierministers Rudd<br />

seine zerstrittene und skandalbehaftete Partei vor einer<br />

Katastrophe an den Wahlurnen bewahren?<br />

Thankfully, the longest election<br />

campaign in Australian memory<br />

will soon be over. Ever<br />

since Labor formed a minority government<br />

in 2010 with the support of<br />

the Greens and three independents,<br />

the country has been preparing for<br />

the next election. Now, at least, the<br />

campaign between Labor and the<br />

conservative coalition of the Liberal<br />

and National Parties will be interesting<br />

and competitive.<br />

Prime Minister Julia Gillard had<br />

led a shambolic government, not<br />

helped by internal party warring.<br />

Labor could easily have lost as many<br />

as half its seats in parliament. The opposition<br />

conservatives, led by Tony<br />

Abbott, had only to remain disciplined<br />

and make themselves as small<br />

a target as possible.<br />

as preferred PM candidate, a position<br />

Gillard had lost to Abbott a long time<br />

before. This is important because,<br />

while Australia is a parliamentary<br />

democracy, our elections are increasingly<br />

in the US presidential style.<br />

Rudd is also a bit of a rock star on<br />

the campaign trail. A large section of<br />

the public feels he should never have<br />

been dumped before completing his<br />

first term. “The Australian people<br />

elected me to be prime minister in<br />

2007,... and I’m back here to do that<br />

job,” he said, while also trying to distance<br />

himself from the messy legacy<br />

of the Gillard years.<br />

Abbott and the opposition will<br />

confront him, however, with his own<br />

three-year history as PM, which laid<br />

the foundation for Gillard’s government<br />

and many of its problems.<br />

The conservatives will also have<br />

mountains of extremely negative<br />

public descriptions of Rudd — from<br />

his closest colleagues — to use during<br />

the official election campaign. Senior<br />

Labor people have repeatedly described<br />

Rudd as everything from a<br />

“once-in-a-lifetime egomaniac” to<br />

“<br />

Things are<br />

now starting<br />

to get very<br />

interesting<br />

”<br />

“dysfunctional” and even “psychopathic”.<br />

Government and party insiders<br />

commonly observe that the<br />

only people who like Rudd are those<br />

who don’t know him.<br />

Abbott has plenty of senior ministerial<br />

experience from the last conservative<br />

government, but he is still<br />

suspected of being morally and socially<br />

more conservative than his<br />

macho image suggests. (He once<br />

trained briefly for the priesthood and<br />

is sometimes called “the mad monk”.)<br />

The opposition has the money, resources<br />

and discipline to hold much<br />

of its opinion-poll lead in many of<br />

Labor’s marginal seats, especially in<br />

New South Wales and Queensland,<br />

and possibly Victoria.<br />

Labor is likely to avoid catastrophic<br />

losses under Rudd, but I still<br />

expect Abbott to be the next PM.<br />

This move to Rudd, who is still despised<br />

by many in his party, was more<br />

about saving the furniture than the<br />

house — or about politicians saving<br />

their own skins.<br />

Comeback: Prime Minister Kevin Rudd<br />

In late June, however, Gillard was<br />

deposed by former Prime Minister<br />

Kevin Rudd — almost three years to<br />

the day after Gillard had deposed him<br />

with the support of Labor factional<br />

leaders and union heavyweights.<br />

Rudd’s return was one of the<br />

greatest political comebacks in our<br />

country’s history. Immediately,<br />

Labor’s polling stocks lifted considerably,<br />

and Rudd was comfortably back<br />

kurz<br />

absetzen<br />

verachten<br />

jmdn. fallenlassen<br />

Fraktions-<br />

Vorsprung<br />

Erbe<br />

mit knapper Mehrheit<br />

gewonnener Parlamentssitz<br />

im Wahlkampf<br />

Meinungsumfrage<br />

Umfragewerte<br />

hier: charismatische Figur<br />

chaotisch<br />

Amtszeit<br />

Gewerkschaft<br />

briefly [(bri:fli]<br />

depose [di(pEUz]<br />

despise [di(spaIz]<br />

dump sb. [dVmp] ifml.<br />

factional [(fÄkS&nEl]<br />

lead [li:d]<br />

legacy [(legEsi]<br />

marginal seat<br />

[)mA:dZIn&l (si:t] Aus., UK<br />

on the campaign trail [Qn DE kÄm(peIn treI&l]<br />

opinion poll [E(pInjEn pEUl]<br />

polling stocks [(pEUlIN stQks]<br />

rock star [(rQk stA:]<br />

shambolic [SÄm(bQlIk] Aus., UK ifml.<br />

term [t§:m]<br />

union [(ju:niEn]<br />

Peter Flynn is a public-relations consultant and social commentator who lives in Perth,<br />

Western Australia.<br />

Foto: Getty Images<br />

36<br />

<strong>Spotlight</strong> 9|13


GET STARTED NOW!<br />

<strong>Spotlight</strong>’s easy-<strong>English</strong><br />

booklet<br />

Einfaches Englisch<br />

für Alltagssituationen<br />

Green Light


DEBATE | Australia<br />

What about the Aborigines?<br />

Trotz vieler Bemühungen, das an den Aborigines begangene Unrecht wiedergutzumachen,<br />

kann noch keine Rede von Chancengleichheit sein.<br />

City life: Sydney has the highest population of Aborigines<br />

For most people, Australia is “the Lucky Country”.<br />

The majority of its 22 million inhabitants enjoy a<br />

strong economy, political stability and a high standard<br />

of living. But for the original inhabitants of Australia<br />

— today, 550,000 Aborigines and Torres Strait Islanders<br />

— life has been anything but lucky since British colonization<br />

began in 1788.<br />

Killed in their thousands by European diseases,<br />

stripped of any civil rights and removed from their traditional<br />

lands, the indigenous people have suffered greatly.<br />

It was only in 1967 that the Australian constitution was<br />

changed to recognize Aboriginal people as equal citizens.<br />

Before then, there had been special laws for Aborigines,<br />

and they were not counted as part of the population.<br />

In a landmark High Court case in 1992, judges ruled<br />

that Australia’s indigenous people owned their traditional<br />

land. The court overturned the concept that when the<br />

British first arrived, Australia was terra nullius — a Latin<br />

term that describes land that no one owns. This decision<br />

has still not been recognized in the constitution, however.<br />

Another landmark came in 2008, when Kevin Rudd,<br />

prime minister at that time, apologized “for the laws and<br />

policies of successive parliaments and governments that<br />

have inflicted profound grief, suffering and loss” on<br />

Australia’s indigenous people. Rudd apologized in particular<br />

for the “stolen generations”. These were Aboriginal<br />

children forcibly removed from their families by federal-<br />

and state-government agencies, as well as church organizations,<br />

and given to white Australian families. The practice<br />

lasted from 1869 to 1969, though in some places,<br />

children were being taken as late as the 1970s.<br />

Despite the many improvements in recognition of<br />

Aboriginal Australians, there is still a long way to go to<br />

remove the inequality between indigenous and nonindigenous<br />

Australians. Estimates for 2009 by the Australian<br />

Bureau of Statistics show that life expectancy for<br />

indigenous people is lower than for the non-indigenous<br />

— by 11.5 years for men and 9.7 years for women. In the<br />

period between 2002 and 2006, indigenous children<br />

under five died at around three times the rate of nonindigenous<br />

children; and at the time of the 2006 census,<br />

around 48 per cent of indigenous people were in employment<br />

compared to 72 per cent of non-indigenous people.<br />

Australia is famous for its belief in giving everyone a<br />

“fair go”, an equal opportunity, no matter what a person’s<br />

race, gender or sexual orientation is. Now, after more than<br />

200 years of sorrow and tragedy, are Australia’s indigenous<br />

people finally being given a fair go?<br />

Strong traditions: indigenous culture is rich and diverse<br />

forcibly [(fO:sEbli]<br />

gender [(dZendE]<br />

grief [gri:f]<br />

High Court [)haI (kO:t]<br />

indigenous [In(dIdZEnEs]<br />

inequality [)Ini(kwQlEti]<br />

inflict sth. on sb. [In(flIkt Qn]<br />

landmark [(lÄndmA:k]<br />

no matter [nEU (mÄtE]<br />

profound [prE(faUnd]<br />

strip sb. of sth. [(strIp Ev]<br />

successive [sEk(sesIv]<br />

mit Gewalt<br />

Geschlecht<br />

Leid, Kummer<br />

Oberstes Gericht<br />

eingeboren<br />

Ungleichheit<br />

jmdm. etw. zufügen<br />

grundlegend, historisch<br />

ganz gleich<br />

tiefgreifend, schwer<br />

jmdm. etw. entziehen, aberkennen<br />

nachfolgend<br />

Fotos: Julie Collins; Getty Images; Photonica<br />

38 <strong>Spotlight</strong> 9|13


Julie Collins asked people in Brisbane, Australia:<br />

Is society fair to Aborigines?<br />

Listen to Danial, Angela, Paula and Craig<br />

Danial Cox, 31,<br />

IT developer<br />

Angela Berry, 41,<br />

photographer<br />

Paula Gray, 45,<br />

business owner<br />

Craig Claxton, 42,<br />

post-office worker<br />

Blair McGilvay, 27,<br />

video producer<br />

Sheila Sissons, 50,<br />

artist<br />

Emmily Cox, 30,<br />

nurse<br />

Jason Linke, 38,<br />

engineer<br />

as opposed to [Ez E(pEUzd tE]<br />

benefits [(benIfIts]<br />

bloodline [(blVdlaIn]<br />

exemption [Ig(zempS&n]<br />

anstatt<br />

Unterstützung,<br />

Sozialleistungen<br />

Abstammung<br />

Ausnahme(regelung)<br />

fair share [feE (SeE]<br />

mistreat [)mIs(tri:t]<br />

pull sb. up [pUl (Vp]<br />

walkabout<br />

[(wO:kE)baUt] Aus.<br />

gerechter Anteil<br />

misshandeln, schlecht behandeln<br />

jmdn. anhalten<br />

hier: Umherziehen eines Aborigine<br />

auf den australischen Traumpfaden<br />

9|13 <strong>Spotlight</strong><br />

39


HISTORY | 50 Years Ago<br />

Christine Keeler:<br />

model, dancer<br />

and later author<br />

John Profumo:<br />

secretary of<br />

state for<br />

war<br />

Sex, lies<br />

Die Affäre zwischen Kriegsminister John<br />

Profumo und einer Oben-ohne-Tänzerin war<br />

im Kalten Krieg ein Skandal ohnegleichen.<br />

MIKE PILEWSKI berichtet.<br />

The characters could have been straight out of a<br />

James Bond film: a British war minister, a beautiful<br />

woman and a Soviet spy. But while From Russia with<br />

Love took place in the cinema, a real-life story of Cold War<br />

intrigue was just unfolding, causing one of the biggest political<br />

scandals ever to hit Britain. The cover-up surrounding<br />

War Minister John Profumo’s brief affair with model<br />

Christine Keeler helped to bring down a government.<br />

John Profumo — his friends called him Jack — was a<br />

rising star in the Conservative Party. In 1940, at the age<br />

of 25, he was elected to the House of Commons as the<br />

youngest member of parliament. Profumo had completed<br />

an officer’s training in the army and served in politics and<br />

the military at the same time, fighting in North Africa and<br />

landing in Normandy on D-Day.<br />

During the 1950s, he held a number of ministerial<br />

posts, rising to the position of minister for foreign affairs.<br />

In July 1960, he was appointed secretary of state for war<br />

and made an adviser to the queen.<br />

On a warm evening in July 1961, he met Christine<br />

Keeler. Keeler, 19 at the time, had grown up in poverty<br />

and had gone to London in search of opportunity. What<br />

she found was some part-time modelling and a job as a<br />

topless dancer for high society. She lived with Stephen<br />

Ward, a playboy who threw parties for influential people.<br />

At one such party, Keeler was<br />

swimming naked in the pool<br />

when Profumo first saw her.<br />

Their affair lasted only a<br />

few weeks, until Profumo<br />

ended it, but it had consequences.<br />

In 1962, rumours<br />

began to circulate. Keeler<br />

had also slept — once, she<br />

says — with Yevgeny Ivanov,<br />

who was an assistant attaché for<br />

the Soviet navy.<br />

The risk to national security<br />

could not be underestimated.<br />

Double agents were everywhere.<br />

George Blake (see<br />

<strong>Spotlight</strong> 10/11) had been<br />

discovered in 1961; Kim<br />

40 <strong>Spotlight</strong> 9|13<br />

and<br />

spies<br />

Philby would follow in 1963. But a certain amount of<br />

Cold War paranoia contributed to the atmosphere surrounding<br />

what was really just an extramarital affair.<br />

A fight involving two of Keeler’s other lovers resulted in<br />

one of them, Johnny Edgecombe, trying to shoot his way<br />

into the flat of Ward and Keeler. The press started to pry<br />

deeper into the rumours of a connection to Profumo. When<br />

Keeler failed to appear at Edgecombe’s trial in March 1963,<br />

everyone, including the House of Commons, wanted to<br />

know whether Profumo had any inside knowledge.<br />

appoint [E(pOInt]<br />

brief [bri:f]<br />

circulate [(s§:kjuleIt]<br />

D-Day [(di: deI]<br />

extramarital [)ekstrE(mÄrIt&l]<br />

From Russia with Love<br />

[frEm )rVSE wID (lVv]<br />

House of Commons<br />

[)haUs Ev (kQmEnz]<br />

minister for foreign affairs<br />

[)mInIstE fE )fQrEn E(feEz]<br />

pry [praI]<br />

rumour [(ru:mE]<br />

secretary of state<br />

[)sekrEtEri Ev (steIt] UK<br />

topless [(tQplEs]<br />

trial [(traIEl]<br />

underestimate [)VndEr(estImeIt]<br />

unfold [Vn(fEUld]<br />

ernennen<br />

kurz<br />

sich verbreiten<br />

6. Juni 1944 (Beginn der Landung<br />

der Alliierten in der Normandie<br />

im Zweiten Weltkrieg)<br />

außerehelich<br />

Liebesgrüße aus Moskau<br />

Unterhaus des britischen<br />

Parlaments<br />

Außenminister(in)<br />

herumschnüffeln<br />

Gerücht<br />

Minister(in)<br />

oben ohne<br />

Gerichtsverhandlung<br />

unterschätzen<br />

sich entwickeln<br />

Fotos: Corbis; dpa/picture alliance; Gamma/Keystone


From left to right:<br />

playboy Stephen Ward;<br />

Profumo told the House that he<br />

knew Keeler, but had not done anything<br />

inappropriate with her. When<br />

Paris Match and Tempo Illustrato<br />

printed stories about their affair, Profumo<br />

sued them both — successfully.<br />

The rumours, however, kept television<br />

audiences interested night after<br />

night in the evening news. Journalists<br />

referred to Keeler as a prostitute and<br />

to Ivanov as a spy.<br />

In June, only 10 weeks after his<br />

statement to parliament, Profumo<br />

admitted in a letter to Prime Minister<br />

Harold Macmillan that he had lied.<br />

“You will recollect that on 22 March,<br />

following certain allegations made in<br />

parliament, I made a personal statement.<br />

... I said there had been no impropriety<br />

in this association [with<br />

Keeler]. To my very deep regret, I<br />

have to admit that this was not true,<br />

and that I misled you and my colleagues<br />

and the House,” he wrote.<br />

His resignation followed.<br />

An investigation led by Lord<br />

Denning determined that Profumo<br />

had not told Keeler any state secrets.<br />

The official report was published 50<br />

years ago this month, on 25 September<br />

1963. Days later, Prime Minister<br />

Macmillan resigned, saying he was in<br />

poor health. The Conservatives were<br />

voted out of office in 1964.<br />

Lord Denning, judge; Soviet<br />

official Yevgeny Ivanov<br />

For the next 40 years, Profumo<br />

worked for the charity Toynbee Hall,<br />

helping the poor in London’s East<br />

End. In 1975, this work earned him<br />

the title Commander of the British<br />

Empire, and in 1995, Margaret<br />

Thatcher called Profumo “one of our<br />

national heroes”. She said, “It’s time to<br />

forget the Keeler business. His has<br />

been a very good life.”<br />

From 1963 until his death in<br />

2006, Profumo never mentioned the<br />

affair again. Prime Minister Tony<br />

Blair said the affair with Keeler had<br />

been a “serious mistake”, but that<br />

Profumo had undergone “a journey of<br />

redemption” and had given “support<br />

and help to many, many people”.<br />

Keeler’s story is somewhat different.<br />

The affair put an end to the modelling<br />

offers she’d had. She took a job<br />

preparing school dinners, but lost it<br />

when her identity was found out.<br />

Other jobs never paid well, except her<br />

books about the affair — six of them<br />

between 1985 and 2012. Her 1989<br />

book Scandal! was made into a film.<br />

“I don’t remember the sex with<br />

Jack that much,” Keeler told the<br />

Daily Mail in 2012. “It seems incredible,<br />

looking back, (that) it could<br />

have resulted in so much tragedy and<br />

damage. All that Swinging Sixties: it<br />

didn’t do anyone any good, did it?”<br />

A creative-writing class was<br />

asked to write a short essay<br />

containing the following elements:<br />

religion, royalty, sex<br />

and mystery. The prize-winning<br />

essay read: “‘My God!’ said<br />

the queen. ‘I’m pregnant.’”<br />

A creative-writing class was<br />

asked to write a short essay<br />

containing the following elements:<br />

religion, royalty, sex<br />

and mystery. The prize-winning<br />

essay read: “‘My God!’ said<br />

the queen. ‘I’m pregnant.’”<br />

A creative-writing class was<br />

asked to write a short essay<br />

containing the following elements:<br />

religion, royalty, sex<br />

and mystery. The prize-winning<br />

essay read: “‘My God!’ said<br />

the queen. ‘I’m pregnant.’”<br />

ENGLISCH LERNEN IST EIN WITZ?<br />

Ja, mit diesem Spiel, in dem die Spieler Witze,<br />

Reime, Zungenbrecher und lustige Zitate zum<br />

Besten geben. Und da Spielen ja eine ernste<br />

Angelegenheit ist, versuchen alle sich das<br />

Lachen zu verkneifen, denn das gibt Extrapunkte.<br />

Für 3 – 8 Spieler ab 12 Jahren. Mit 400 Witzen,<br />

Zungenbrechern und Reimen, 252 Kärtchen<br />

mit 504 Vokabeln und 1 Spielanleitung mit<br />

ausführlichem Vokabelteil.<br />

In Zusammenarbeit mit:<br />

allegation [)ÄlE(geIS&n]<br />

association [E)sEUsi(eIS&n]<br />

business [(bIznEs]<br />

impropriety [)ImprE(praIEti]<br />

inappropriate [)InE(prEUpriEt]<br />

mislead [mIs(li:d]<br />

recollect [)rekE(lekt]<br />

redemption [ri(dempS&n]<br />

resignation [)rezIg(neIS&n]<br />

sue [sju:]<br />

undergo [)VndE(gEU]<br />

Anschuldigung<br />

Verbindung, Bekanntschaft<br />

hier: Sache, Affäre<br />

Unanständigkeit<br />

unangemessen<br />

täuschen<br />

sich erinnern<br />

Wiedergutmachung<br />

Rücktritt<br />

verklagen<br />

durchmachen<br />

JETZT BESTELLEN!<br />

www.sprachenshop.de/spiele<br />

oder im Buch- und Spielwarenhandel<br />

3 19,95 (UVP)<br />

9|13 <strong>Spotlight</strong><br />

41<br />

Mehr Informationen auf<br />

www.grubbemedia.de


PRESS GALLERY | Comment<br />

The National Health<br />

Service turns 65<br />

Der kränkelnde staatliche Gesundheitsdienst im Vereinigten Königreich braucht eine<br />

Finanzspritze. Doch wer soll sie verabreichen, der private oder der staatliche Sektor?<br />

Emergency service: answering a call in North Yorkshire<br />

In 1948], at a time of food rationing, a housing shortage<br />

and profound poverty, the National Health Service was<br />

born in the face of fierce opposition. It promised a<br />

comprehensive service, funded by taxation, available to all<br />

and free at the time of need. It has developed, over the<br />

years, into an institution rightly esteemed around the<br />

world and much-loved by the British people[,] whom it<br />

has mostly served well. ...<br />

When spending increases — under Labour it saw an<br />

increase of 5.7% a year on average — satisfaction is high.<br />

Now, and for several years ahead, in spite of a ringfenced<br />

budget, spending will flatline and demand will increase.<br />

That means the NHS could face an effective cut of £36bn<br />

by 2018. The choice ahead is whether better services are<br />

paid for through tax rises or private spending on healthcare<br />

by those who can afford it.<br />

[I]t would be a tragedy if the increasing pressures on<br />

services and an ever-tighter budget were used as an excuse<br />

to open the door wide to the private sector — a sector not<br />

committed to the training of professionals, the reduction<br />

of health inequalities vital [to] a prosperous society or the<br />

collection of nationwide data that is a necessary part of<br />

good public health [— a] private sector that is exempt<br />

from the provisions of the Freedom of Information Act,<br />

depriving us of access to important information and limiting<br />

accountability and transparency.<br />

A “comprehensive service funded by taxation” continues<br />

to represent the heart of the NHS. ... May it continue to<br />

flourish as a public institution for many years to come.<br />

© Guardian News & Media 2013<br />

accountability [E)kaUntE(bIlEti] Verantwortlichkeit<br />

act [Äkt]<br />

Gesetz<br />

committed [kE(mItId]<br />

sich einsetzend für<br />

comprehensive [)kQmprI(hensIv] umfassend<br />

deprive [di(praIv]<br />

berauben<br />

esteem [I(sti:m]<br />

schätzen<br />

exempt [Ig(zempt]<br />

befreit, ausgenommen<br />

fierce opposition [)fIEs QpE(zIS&n] entschlossener Widerstand<br />

flourish [(flVrIS]<br />

gedeihen<br />

housing shortage [(haUzIN )SO:tIdZ] Wohnungsnot<br />

National Health Service (NHS) staatlicher Gesundheitsdienst<br />

[)nÄS&nEl (helT )s§:vIs] UK<br />

private sector [)praIvEt (sektE] Privatwirtschaft, privater Sektor<br />

profound [prE(faUnd]<br />

tief<br />

prosperous [(prQspErEs]<br />

wohlhabend<br />

provision [prE(vIZ&n]<br />

Bedingung<br />

ring-fenced [)rIN (fenst] UK zweckgebunden<br />

vital [(vaIt&l]<br />

unerlässlich<br />

42 <strong>Spotlight</strong> 9|13<br />

A lesson in 1948: nurses learn about human anatomy<br />

Fotos: Alamy


INFO TO GO<br />

flatline<br />

The writer of the article uses flatline as a play on<br />

words. The verb originated in the 1980s in the world<br />

of medicine, where it is used informally to mean “die”.<br />

It comes from the line on a monitor used in hospitals<br />

to show how a patient’s heart is beating. If the patient<br />

is alive, the line displays regular peaks and troughs.<br />

When the heart stops beating, or a patient is close to<br />

death, the line on the monitor becomes flat. “Flatline”<br />

also has a more general meaning of “fail to increase”<br />

or “remain at a stagnant level”. This is what the journalist<br />

predicts will happen to government spending<br />

on the National Health Service.<br />

Which one of the following two uses of “flatline”<br />

is correct?<br />

a) Since smartphones came on to the mobilecommunications<br />

market, sales of old-style mobile<br />

phones have flatlined.<br />

b) The patient is recovering; his heart rate has flatlined.<br />

IN THE HEADLINES<br />

Listen to more news<br />

items in Replay<br />

Don’t even think about it The Economist<br />

This headline can have several meanings: “don’t consider<br />

the possibility of sth. happening”, “don’t let sth. worry<br />

you” and “don’t consider doing sth.”. The article to which<br />

it refers is about the use of statistical information to predict<br />

criminal activity. The use of “predictive techniques”<br />

by police in the US and Britain has already led to fewer<br />

home break-ins, for example. Software experts now want<br />

to use cameras, sensors and computers to analyse “suspicious<br />

behaviour”, listen for gunshots and monitor socialmedia<br />

websites. The headline is a warning to criminals<br />

that police know what they’re thinking, but it’s also a<br />

reminder of the ethical questions such systems may raise.<br />

Answer: a) is correct<br />

close to death [)klEUs tE (deT]<br />

peaks and troughs [)pi:ks End (trQfs]<br />

dem Tod nahe sein<br />

Spitzen und Täler<br />

Perfektion lässt sich leicht üben.<br />

Mit dem Übungsheft <strong>Spotlight</strong> plus passend zum aktuellen Magazin.<br />

Zu jeder<br />

Ausgabe von<br />

<strong>Spotlight</strong><br />

<strong>Spotlight</strong> plus ist die ideale Ergänzung<br />

zum Magazin:<br />

Bietet 24 Seiten Übungen zu Grammatik,<br />

Wortschatz und Redewendungen<br />

Enthält <strong>Test</strong>s zur Überprüfung des Lernerfolgs<br />

Erscheint monatlich passend zum Magazin<br />

Zusammen mit dem Magazin <strong>Spotlight</strong> steht Ihnen<br />

damit ein ideales Lernsystem zur Verfügung.<br />

Am besten, Sie probieren es gleich aus!<br />

Bestellen Sie hier <strong>Spotlight</strong> plus:<br />

www.spotlight-online.de/plusheft


ARTS | What’s New<br />

| Drama<br />

A writer’s life<br />

| Comedy<br />

Director David Gordon Green won a Silver Bear at this year’s<br />

Berlinale for Prince Avalanche, a charming form of American<br />

road movie. Alvin (Paul Rudd) is an introverted guy whose<br />

work consists of painting road markings so that he can move<br />

to Europe with his girlfriend. Travelling through a lonely part<br />

of America with the younger, laid-back<br />

Lance (Emile Hirsch) — who is also the<br />

brother of his girlfriend — tests the<br />

two men to their limits. The film<br />

brings together time and space in an<br />

almost dream-like sequence, as Alvin<br />

and Lance share a tent, a campfire —<br />

and a certain understanding.<br />

Starts 26 September.<br />

Stuck in Love from first-time American director Josh<br />

Boone deals with a familiar subject: divorce and what<br />

happens afterwards. In this case, there is a spin on<br />

the story, because the father, William (Greg Kinnear), and<br />

both children are writers. College student Samantha (Lily<br />

Collins) has just published a novel. Younger brother Rusty<br />

(Nat Wolff) writes poems and is in the process of falling<br />

in love for the first time. Creative people need intense experiences,<br />

but what happens when it is all too much?<br />

Stuck in Love shows what is needed for people to welcome<br />

Life (with a capital L) instead of letting disappointment<br />

take over. Reflecting on family trauma in different<br />

and very individual ways, Collins and Wolff give solid performances<br />

as good kids in a bad situation. But it’s the mixture<br />

of helpless stupidity and humour that Kinnear brings<br />

to his relationship with ex-wife Erica (Jennifer Connelly)<br />

that makes this film feel satisfying: it shows chaos as a normal<br />

state of affairs, best accepted, not to be worried about.<br />

And if the whole process leads to a couple of good books<br />

(and a rather good film) with a nice little surprise tucked<br />

away at the end — well, who’s complaining?<br />

Starts 19 September.<br />

| Romance<br />

Young talent:<br />

Lily Collins as the<br />

writer Samantha<br />

Baz Luhrmann’s extravagant<br />

new 3D interpretation of<br />

F. Scott Fitzgerald’s 1925<br />

novel The Great Gatsby<br />

received mixed reviews. The<br />

ornate sets, musical-style<br />

dance routines and largerthan-life<br />

characters are typi-<br />

Mulligan and DiCaprio<br />

cal of Luhrmann and very different from the more thoughtful<br />

1974 film version. Nonetheless, Leonardo DiCaprio as mysterious<br />

businessman Jay Gatsby and Carey Mulligan as Daisy<br />

Buchanan, his unhappy love interest, live out their story<br />

against a garish background that mirrors the crash-and-burn<br />

atmosphere of 1920s New York. Out on DVD on 20 September.<br />

crash-and-burn<br />

[)krÄS End (b§:n] ifml.<br />

dance routine [(dA:ns ru:)ti:n]<br />

first-time director<br />

[f§:st )taIm daI&(rektE]<br />

garish [(geErIS]<br />

laid-back [)leId (bÄk] ifml.<br />

vollkommen unbekümmert,<br />

nach mir die Sintflut<br />

Tanzeinlage<br />

Regie-Debütant(in),<br />

Jung-Regisseur(in)<br />

grell<br />

locker<br />

nonetheless [)nVnDE(les]<br />

ornate [O:(neIt]<br />

sequence [(si:kwEns]<br />

spin [spIn]<br />

state of affairs [)steIt Ev E(feEz]<br />

stupidity [stju(pIdEti]<br />

tucked away [tVkt E(weI]<br />

nichtsdestotrotz, trotzdem<br />

kunstvoll<br />

Abfolge<br />

Dreh<br />

Lage, Situation<br />

Dummheit<br />

versteckt<br />

Fotos: PR<br />

44 <strong>Spotlight</strong> 9|13


| Language learning<br />

| Travel<br />

One of the biggest challenges faced by people learning a foreign<br />

language is being able to follow natural speech. How can<br />

we understand what is often a jungle of sounds created when<br />

a native speaker runs words together in a way that seems incomprehensible?<br />

The answer for learners of (British) <strong>English</strong> is<br />

to practise with Cool Speech. In this app, listening expert<br />

Richard Cauldwell presents a number of authentic dialogues<br />

that, among other things, can be broken down into segments<br />

and listened to either quickly or slowly. This allows the listener<br />

both to understand single words and to discover how different<br />

those words can sound when they occur in natural speech.<br />

Cool Speech is suitable for learners who are at least at B2 level.<br />

Available for the iPad, it costs €6.99.<br />

If you have ever dreamed<br />

of becoming a foreign<br />

correspondent, or if you<br />

just like listening to adventurous<br />

travel stories,<br />

you’ll enjoy the BBC podcast<br />

From Our Own<br />

Correspondent. The<br />

programme, which is<br />

more than 50 years old,<br />

is introduced by the<br />

veteran war reporter<br />

Kate Adie. Each free<br />

episode, which is roughly<br />

30 minutes long, features<br />

Kate Adie: stories from<br />

around the world<br />

short stories from interesting places around the world — often<br />

ones that are making the headlines. A recent episode, for example,<br />

included a visit to Libya to look at the result of the revolution,<br />

a report on why Australians don’t like kangaroo meat<br />

and a trip to the Jordanian capital, Amman, where homesick<br />

Syrian refugees like to meet at a cafe that serves a special ice<br />

cream imported from home. The podcasts are available on<br />

iTunes, or type “From Our Own Correspondent” into the search<br />

function at www.bbc.co.uk<br />

| Theatre<br />

The real thing: understanding natural speech<br />

The <strong>English</strong> Theatre in Hamburg<br />

opens its autumn season<br />

with Stone Cold Murder, a<br />

thriller by James Cawood that<br />

will have you on the edge of<br />

<strong>your</strong> seat. It starts with a young<br />

<strong>English</strong> couple, Robert and<br />

Olivia Chappell, who are celebrating<br />

their first successful summer as owners of a small hotel in the <strong>English</strong> Lake Dis-<br />

A dark story: <strong>English</strong> crime comes to Hamburg<br />

trict. A storm is raging outside, and a visitor knocks on the door, asking for shelter. Is he<br />

really a stranger, though? And what about the second man who arrives shortly afterwards<br />

to make up a quartet of personalities whose roles are as changeable as the weather? Cawood’s<br />

play mixes the <strong>English</strong> drawing-room “whodunnit” with psychological drama. If<br />

you can’t get to England this year, get tickets and information at www.englishtheatre.de<br />

drawing room [(drO:IN ru:m]<br />

foreign correspondent<br />

[)fQrEn )kQrE(spQndEnt]<br />

homesick [(hEUmsIk]<br />

incomprehensible<br />

[In)kQmprI(hensEb&l]<br />

jungle [(dZVNg&l]<br />

Salon<br />

Auslandskorrespondent(in)<br />

heimwehkrank<br />

unverständlich<br />

Dschungel; hier: Durcheinander<br />

make the headlines<br />

[)meIk De (hedlaInz]<br />

rage [reIdZ]<br />

shelter [(SeltE]<br />

veteran [(vetErEn]<br />

whodunnit<br />

[)hu:(dVnIt] ifml.<br />

in die Schlagzeilen kommen<br />

wüten, toben<br />

Unterschlupf, Unterkunft<br />

erfahren<br />

Krimi<br />

Reviews by EVE LUCAS<br />

9|13 <strong>Spotlight</strong><br />

45


ARTS | Short Story and Books<br />

Dublin noir<br />

Innerhalb einer Woche werden drei Bankdirektoren auf grausame Art und Weise umgebracht.<br />

Detective Inspector O’Shaughnessy ermittelt. Von CHRISTINE MADDEN.<br />

Detective Inspector O’Shaughnessy stared at the<br />

body in front of her and turned up the collar of<br />

her trench coat against the cold. It was just before<br />

daybreak, and the drizzle in the air felt like fog sliding in<br />

from the sea. It was so fine that the tent over the crime<br />

scene couldn’t keep it out. It travelled in the air, cold and<br />

heavy in the grey hour before it became light.<br />

O’Shaughnessy shivered, but not because of the cold.<br />

“How long has he been here?” she asked.<br />

“Not sure, detective inspector,” the Garda answered.<br />

“We got a call about 45<br />

minutes ago.”<br />

“Who from?”<br />

“Don’t know, ma’am. The caller<br />

hung up before we could get the<br />

name.”<br />

“This is the third one this week.”<br />

“The doctors are on their way.”<br />

O’Shaughnessy pulled on a pair<br />

of latex gloves and bent down to<br />

look closer at the body. Like the<br />

others, it was lying directly under a<br />

cash machine. The eyes had been cut<br />

out and replaced with euro coins. The chest<br />

had an ugly, bloody hole where the heart had<br />

once been. But it wasn’t entirely empty. Something had<br />

been stuffed into it.<br />

“What did the perpetrator leave in there this time?”<br />

O’Shaughnessy asked.<br />

“Not sure, ma’am, but it looks like Aldi receipts for<br />

baked beans.”<br />

“Hmmm!” O’Shaughnessy had never liked baked<br />

beans. “Another bank manager, of course.”<br />

“We’re waiting for final confirmation, but that’s what<br />

his identification indicates.”<br />

Dublin was a hard place to be these days. The recession<br />

had forced people out of work. Many of them didn’t know<br />

where their next meal would come from. It was simply a<br />

matter of time before someone cracked. But was this really<br />

only about money?<br />

O’Shaughnessy stood up. “Chief Inspector Gilligan<br />

knows about this?”<br />

“He’s on his way, ma’am.”<br />

O’Shaughnessy’s mobile beeped: a text<br />

message. It was the subplot. Earlier that<br />

week, she had had what she called a<br />

“sweet night” with the man who had<br />

sent her the text. The plot thickened,<br />

of course, when she had seen his<br />

name and picture in The Irish Times<br />

the next day. As a bank manager, he<br />

was advising other bank managers<br />

to be careful. This was very helpful<br />

for building the tension at the end of<br />

the last episode.<br />

“What have we got?” Chief Inspector Gilligan<br />

asked, as he arrived at the scene of the crime.<br />

“We’ve got another one,” said O’Shaughnessy.<br />

“That’s the third one this week.”<br />

“Yes,” said O’Shaughnessy. She was known for being a<br />

woman of few words.<br />

“We need to talk,” said Gilligan.<br />

Chief Inspector Gilligan pulled Detective Inspector<br />

O’Shaughnessy to one side. “We’ve got to get something<br />

on whoever’s doing this. The bank managers are terrified.<br />

The politicians think they’re next. The people on the<br />

street think he’s a hero. There’s a Facebook page for the<br />

nameless perpetrator, and it already has nearly a million<br />

likes. They sang a song for him at last Sunday’s football<br />

match.”<br />

beep [bi:p]<br />

cash machine<br />

[(kÄS mE)Si:n]<br />

chest [tSest]<br />

chief inspector [)tSi:f In(spektE]<br />

collar [(kQlE]<br />

crack [krÄk] ifml.<br />

crime scene [(kraIm si:n]<br />

detective inspector<br />

[di)tektIv In(spektE]<br />

drizzle [(drIz&l]<br />

piepsen<br />

Geldautomat<br />

Brust<br />

Hauptkommissar(in)<br />

Kragen<br />

überschnappen<br />

Tatort<br />

etwa: Polizeikommissar(in)<br />

Nieseln<br />

Garda [(gA:dE] Irish<br />

like [laIk]<br />

O’Shaughnessy [EU(SO:nEsi]<br />

perpetrator [(p§:pEtreItE]<br />

receipt [ri(si:t]<br />

shiver [(SIvE]<br />

subplot [(sVbplQt]<br />

tension [(tenS&n]<br />

text message [(tekst )mesIdZ]<br />

thicken [(TIkEn]<br />

Polizist<br />

(Comp.) “Gefällt mir-Klick”<br />

auf Facebook<br />

Täter(in)<br />

Quittung, Kassenbon<br />

zittern, erschaudern<br />

Nebengeschichte<br />

Spannung<br />

SMS<br />

sich verdichten<br />

Fotos: Hemera; iStockphoto<br />

46 <strong>Spotlight</strong> 9|13


Short Story<br />

“We’re getting closer,” said O’Shaughnessy. She knew<br />

that now — near the end of episode three — a major<br />

breakthrough was due. “We’re getting closer,” she repeated.<br />

“I can feel it.”<br />

“We’ve got to get him. Soon!” said Gilligan.<br />

O’Shaughnessy focused her steel-blue eyes on Gilligan.<br />

“Him?”<br />

Gilligan looked confused.<br />

“I’m not so sure this is the work of a man,” she said.<br />

“Detective inspector!” a Garda shouted from the scene.<br />

“Come and look at this!”<br />

Right on time, O’Shaughnessy thought. She reached<br />

to flip up the collar of her coat, but it was already up. So<br />

she put it back down. The Garda was pointing to a piece<br />

of paper lying behind the bloodied head of the dead bank<br />

manager. O’Shaughnessy bent down and picked it up with<br />

her gloved hands.<br />

“What’s that?” asked Gilligan.<br />

“It looks like a list.” O’Shaughnessy studied the bit of<br />

paper more carefully. The bloodstains made it hard to read,<br />

but she could see a number of names written there. Three<br />

had already been crossed out — the three victims. The next<br />

name after that was her subplot.<br />

“This could be important,” she said. “Have forensics<br />

study it for fingerprints when they get here, then give it<br />

back to me.”<br />

“Yes, ma’am,” said the Garda.<br />

Detective Inspector O’Shaughnessy put up the collar<br />

of her trench coat again. It was time for another sweet<br />

night. This time, in the call of duty.<br />

Novel<br />

Following the success of Olive Kitteridge,<br />

winner of the 2009 Pulitzer<br />

Prize, American writer Elizabeth<br />

Strout returns with a new work, The<br />

Burgess Boys. The story is about<br />

two brothers, Jim and Bob, and their<br />

sister Susan, and how they deal with<br />

a hate incident involving Susan’s son<br />

and a group of immigrant Somalis.<br />

Set in small-town Maine and New York City, and starting with<br />

a childhood tragedy, Strout picks apart the family’s history.<br />

The author goes looking for the reasons that have made Jim<br />

a successful lawyer with a seemingly perfect family life, while<br />

Bob and Susan have done less well. If there’s a difference<br />

between loving and liking <strong>your</strong> family, Strout has found it,<br />

describing emotions that we all know and have felt with a<br />

unique and perceptive eye. Simon & Schuster, ISBN 978-1-<br />

4711-2752-6, €15.99.<br />

Easy reader<br />

Rakesh is the perfect son, an excellent student<br />

and, later, a successful doctor. He is<br />

the pride of his parents, who live in a<br />

modest house on the edge of a large Indian<br />

city. After years of being held up as a<br />

model of good behaviour, however,<br />

Rakesh begins to show another side of his<br />

character. When his father finally rejects<br />

Rakesh’s treatment of him, it becomes a<br />

battle between life and death. “A Devoted Son”, by Indian writer<br />

Anita Desai, is one of six short tales in World Stories. Sudan,<br />

New Zealand and Australia are represented by Leila Aboulela,<br />

Katherine Mansfield and Henry Lawson in this colourful and<br />

varied collection. The stories in this advanced-level reader have<br />

not been adapted. Single words, though, are translated, and<br />

each story comes with background on the author and a<br />

language section with exercises. Macmillan Publishers, ISBN<br />

978-3-19-472959-9, €12.99.<br />

adapt [E(dÄpt]<br />

bloodied [(blVdid]<br />

bloodstain [(blVdsteIn]<br />

due: be [dju:]<br />

hate incident<br />

[(heIt )InsIdEnt]<br />

bearbeiten<br />

blutbefleckt<br />

Blutfleck<br />

fällig sein<br />

Hassdelikt<br />

in the call of duty [In DE )kO:l Ev (dju:ti]<br />

modest [(mQdIst]<br />

perceptive [pE(septIv]<br />

right on time [)raIt Qn (taIm]<br />

seemingly [(si:mINli]<br />

unique [ju(ni:k]<br />

dienstlich, im Dienst<br />

bescheiden<br />

einfühlsam<br />

genau zur rechten Zeit<br />

scheinbar<br />

einzigartig<br />

Reviews by EVE LUCAS<br />

9|13 <strong>Spotlight</strong><br />

47


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LANGUAGE | Vocabulary<br />

Public transport<br />

You may use it every day, but can you talk about it in <strong>English</strong>?<br />

ANNA HOCHSIEDER presents words that have to do with public transport.<br />

9<br />

12<br />

6<br />

11<br />

1<br />

7<br />

4<br />

10<br />

2<br />

3<br />

5<br />

8<br />

14<br />

13<br />

15<br />

16<br />

1. (double-decker) bus<br />

5. bus stop<br />

9. map<br />

13. escalator<br />

2. passengers<br />

6. bus shelter<br />

10. ticket machine<br />

14. platform<br />

3. bus driver<br />

7. timetable<br />

11. tracks<br />

15. ticket inspector<br />

4. queue (UK), line (US)<br />

8. bus lane<br />

12. departures board<br />

16. ticket barrier<br />

Bus talk<br />

Train talk<br />

Excuse me. Does the number 12 bus go to Church<br />

Street Underground station?<br />

Let me see... No, it doesn’t. It’s best to take the<br />

number 19 to the station and walk from there.<br />

Or you could catch the 142 and then change at<br />

Rupert Square. The number 7 will take you to<br />

Church Street from there.<br />

But I thought the number 142 runs only once an<br />

hour.<br />

Oh, that’s right. And you’ve just missed it. Yes, it’s<br />

probably best to get the 19. It stops over there,<br />

where the queue is.<br />

I always go to work by train. It’s only a half-hour<br />

journey, and it’s much cheaper than driving.<br />

Haven’t they just put the fares up again, though?<br />

A single to the city centre costs £9, I think.<br />

Well, I’ve got a season ticket. It’s £147 a month,<br />

and it lets me travel all over the city as often as<br />

I like.<br />

But isn’t it hell during the rush hour, when everything<br />

is packed with commuters — especially in<br />

summer? I’d rather go on foot or by bike any day.<br />

No, it’s OK, and I can read the newspaper on the<br />

train, too.<br />

Illustration: Bernhard Förth<br />

50<br />

<strong>Spotlight</strong> 9|13


Möchten Sie noch mehr Tipps und Übungen? Abonnieren Sie <strong>Spotlight</strong> plus! www.spotlight-online.de/ueben<br />

Practice<br />

Now try the exercises below to practise talking about public transport.<br />

1. Match the words on the left to their definitions on the right.<br />

a) A fare...<br />

b) A commuter...<br />

c) A ticket barrier...<br />

d) A timetable...<br />

e) A season ticket...<br />

f) A passenger...<br />

a ➯<br />

b ➯<br />

c ➯<br />

d ➯<br />

e ➯<br />

f ➯<br />

1. is a ticket that lets you make regular journeys during a particular period.<br />

2. is someone who travels in a car, bus or train but does not drive it.<br />

3. is a list of the times when buses or trains leave.<br />

4. is someone who travels regularly to and from a place of work.<br />

5. is a gate where <strong>your</strong> ticket is checked before you go on to the platform.<br />

6. is the price you pay to travel by public transport.<br />

2. Complete the sentences below with words from the opposite page.<br />

a) You’re not allowed to drive along there. That’s the _______________.<br />

b) Oh, no! The _______________’s out of order. I’ll have to carry all these bags up the<br />

stairs.<br />

c) Look at that long _______________ at the bus stop. It’ll be quicker to walk.<br />

d) The city is putting up new _______________ so passengers can keep out of the<br />

wind and rain.<br />

e) I don’t understand this _______________. Are the blue lines the buses or the trams?<br />

3. In each line, one of the verbs printed in bold<br />

is incorrect in the context. Cross it out.<br />

a) Do you catch, get, go or take a bus?<br />

b) Do you come, drive, go or travel by train?<br />

c) Do you go by bus, car, foot or train?<br />

The verb get is used very<br />

commonly — often in the<br />

context of travel:<br />

• How do you get to<br />

(= travel to) work?<br />

• What time did you get in<br />

(= arrive) this morning?<br />

• When do you usually get<br />

(= arrive) home?<br />

• I usually get (= take) the<br />

subway (US) to 42nd Street.<br />

Remember: you get on or off<br />

a bus, a tram, a train, a plane<br />

or a boat, but you get into or<br />

out of a car or a taxi.<br />

Tips<br />

4. Complete the table below with words from the opposite page in British and American <strong>English</strong>.<br />

British <strong>English</strong><br />

American <strong>English</strong><br />

a) the system of buses, trains and trams: ___________________ public transportation<br />

b) a ticket for just one journey: a __________________ a one-way ticket<br />

c) a system of trains that travel through tunnels below a city: the ________________ the _______________<br />

d) the time spent travelling from one place to another: a __________________ a trip<br />

Answers<br />

1. a–6 (fare: Fahrpreis); b–4 (commuter: Pendler(in)); c–5 (ticket barrier: Durchgangssperre); d–3; e–1 (season ticket: Dauerkarte); f–2<br />

2. a) bus lane; b) escalator (Rolltreppe); c) queue (US: line); d) bus shelters (Buswartehäuschen); e) map<br />

3. a) You can catch, get or take a bus. b) You can come, go or travel by train, but you drive a train only<br />

if you’re a train driver. c) You can go by bus, car or train, but you go on foot.<br />

4. a) public transport; b) single (ticket); c) Underground, subway; d) journey<br />

9|13 <strong>Spotlight</strong><br />

51


LANGUAGE | Travel Talk<br />

On a cruise<br />

It’s time to sail away<br />

on an ocean cruise<br />

with RITA FORBES.<br />

First dinner<br />

Hi! I’m Sally, and this is Rupert.<br />

Hello! We’re Gina and Frank. Embarkation day is<br />

always so exciting: finding <strong>your</strong> cabin, doing the<br />

lifeboat drill, meeting new people... What do you<br />

think of the ship?<br />

Well, she’s very big, isn’t she? How many passengers<br />

are there on this trip?<br />

Around 3,000, I think — not counting the crew,<br />

of course. It’s nice that we’ve been assigned dining<br />

tables and times, isn’t it? Otherwise we might never<br />

see the same face twice.<br />

That’s true. Have you been on lots of cruises?<br />

This is our third. Our first was in the Bahamas, too.<br />

Booking activities<br />

Excuse me! I’d like to book a shore excursion.<br />

Yes, of course. Here’s a list of our ports of call. We<br />

offer a number of different activities at each one.<br />

My husband and I would like to do some<br />

snorkelling.<br />

There are still a few places left for Nassau. We’ll be<br />

docking there on Friday.<br />

That’s perfect!<br />

Good. I’ll charge it to <strong>your</strong> on-board account.<br />

Would you just sign here, please?<br />

A relaxed day<br />

Frank said there’s a tour of the bridge and galley<br />

at 10 o’clock today. Do you want to go?<br />

Why not? That sounds interesting — a look behind<br />

the scenes.<br />

We could go and sunbathe on the lido deck afterwards,<br />

couldn’t we?<br />

That’s exactly what I was thinking. Not do much<br />

all day, and then finish up at the<br />

midnight buffet.<br />

charge to sth. [(tSA:dZ tE]<br />

cruise [kru:z]<br />

etw. belasten<br />

Kreuzfahrt<br />

• Embarkation is a noun that describes going on to<br />

a ship. If you leave, you “disembark” (von Bord gehen).<br />

• The room in which you sleep on a boat or ship is<br />

called a cabin. On a cruise ship, you can also book a<br />

suite [swi:t] or a stateroom (Luxuskabine).<br />

• Ships must, by law, carry out (durchführen) a lifeboat<br />

drill at the beginning of a cruise, so that passengers<br />

know what to do in an emergency.<br />

• A ship is often referred to as she, not “he” or “it”.<br />

• The times and seating plan for meals have been<br />

assigned. This means that cruise passengers have<br />

been told where they should sit at mealtimes and<br />

what these times are. Passengers often share a table<br />

with the same people for the whole cruise.<br />

• A shore excursion [Ik(sk§:S&n] is an activity or tour<br />

that takes place on land and is organized by the cruise<br />

company. “Onshore” means on land; “offshore” means<br />

on the water (as in “offshore oil rig” (Ölbohrinsel)).<br />

• A port of call is a place where a ship makes a temporary<br />

stop. Cruise ships usually have several ports of<br />

call where passengers can disembark.<br />

• Nassau [(nÄsO:] is the capital city of the Bahamas<br />

and a popular port of call for cruise ships. About<br />

250,000 people live in Nassau, and many thousands of<br />

cruise passengers may be there at any one time. <strong>English</strong><br />

is the official language of the Bahamas.<br />

• The noun dock means the place on land where cruise<br />

and other ships can stop for people to get on and off.<br />

The verb “to dock” means to arrive at a dock.<br />

• Cash is not used on a cruise ship. Instead, you have<br />

an on-board account to which all the extra items<br />

(Einzelposten) you buy or activities you sign up for<br />

during <strong>your</strong> cruise are charged. You pay the total with<br />

<strong>your</strong> credit card at the end of the trip.<br />

• The bridge is the part of a ship where the captain and<br />

other officers control operations.<br />

• The galley [(gÄli] is a ship’s kitchen area.<br />

• The lido deck [(li:dEU )dek] is the part of a ship that<br />

has an outdoor (Außen-) swimming pool. Lido is the<br />

Italian word for “shore”.<br />

• Food is included in the cost of a cruise — and there is<br />

a lot of it. Apart from 24-hour room service, midnight<br />

buffets [(bUfeI] are often offered.<br />

Tips<br />

Fotos: Creatas; iStockphoto<br />

52 <strong>Spotlight</strong> 9|13


Cards | LANGUAGE<br />

cli-fi<br />

NEW WORDS<br />

More and more cli-fi novels have been winning<br />

important literary prizes.<br />

GLOBAL ENGLISH<br />

What would a speaker of standard<br />

<strong>English</strong> say?<br />

Welsh speaker: “Where to is <strong>your</strong> mam, butty?”<br />

<strong>Spotlight</strong> 9|13<br />

<strong>Spotlight</strong> 9|13<br />

(IN)FORMAL ENGLISH<br />

Make this command sound more formal:<br />

Shut up and listen to me, for Chrissake!<br />

TRANSLATION<br />

Translate the following sentences:<br />

1. Lass mich dir einen Rat geben.<br />

2. Sie hat mir zwei Ratschläge gegeben.<br />

<strong>Spotlight</strong> 9|13 <strong>Spotlight</strong> 9|13<br />

PRONUNCIATION<br />

IDIOM MAGIC<br />

Read the following words aloud:<br />

accident<br />

account<br />

Ching Yee Smithback<br />

eccentric<br />

succinct<br />

occupy<br />

tobacco<br />

washed-up<br />

<strong>Spotlight</strong> 9|13 <strong>Spotlight</strong> 9|13<br />

FALSE FRIENDS<br />

slipper / Slipper<br />

Translate the following sentences:<br />

1. The dog ate my slippers.<br />

2. Diese italienischen Slipper waren richtig teuer.<br />

GRAMMAR<br />

Complete these sentences with the<br />

correct pronoun:<br />

1. When he’s alone, Tom talks to _____ (sich).<br />

2. Tom put the book down on the chair next to<br />

_____ (sich).<br />

<strong>Spotlight</strong> 9|13 <strong>Spotlight</strong> 9|13


LANGUAGE | Cards<br />

GLOBAL ENGLISH<br />

In informal spoken British <strong>English</strong> you might hear:<br />

“Where’s <strong>your</strong> mum, mate?”<br />

The words and phrases in bold on the front of this<br />

card — the expansion of “where” to “where to”,<br />

and the use of “butty” to mean “friend” or “mate”<br />

(Kumpel) — are typical of southern Welsh <strong>English</strong>.<br />

In northern Wales, people would understand the<br />

word “butty” to mean “sandwich”.<br />

NEW WORDS<br />

The new expression cli-fi [)klaI (faI] comes from<br />

“climate fiction”, just as “sci-fi” [)saI (faI] was<br />

once formed from “science fiction”. Cli-fi novels<br />

deal with the effects of climate change and are<br />

often set (spielen) in the present or near future.<br />

<strong>Spotlight</strong> 9|13<br />

<strong>Spotlight</strong> 9|13<br />

TRANSLATION<br />

1. Let me give you some advice.<br />

2. She gave me two pieces of advice.<br />

German Rat can be both uncountable (Rat suchen)<br />

and countable — at least in the singular form — as<br />

in example (1). <strong>English</strong> “advice”, however, is never<br />

countable. In (1), “a / one piece of advice” could<br />

also be used instead of “some advice”.<br />

(IN)FORMAL ENGLISH<br />

Stop talking and listen to me, for goodness’<br />

sake!<br />

“For Chrissake” [fE (kraIs)seIk] is an informal way<br />

of spelling / pronouncing “for Christ’s sake”,<br />

which is used in a similar way to um Gottes willen<br />

in German. Other frequently used alternatives are<br />

“for God’s / heaven’s sake”.<br />

<strong>Spotlight</strong> 9|13 <strong>Spotlight</strong> 9|13<br />

IDIOM MAGIC<br />

PRONUNCIATION<br />

A person who is described as washed-up is<br />

thought to be no longer effective or successful at<br />

something. Depending on the context, “washedup”<br />

might be translated as erledigt or gescheitert.<br />

[(ÄksIdEnt]<br />

[Ik(sentrIk]<br />

[sEk(sINkt]<br />

[E(kaUnt]<br />

[(QkjupaI]<br />

[tE(bÄkEU]<br />

“Marie’s mother is a washed-up film actress.”<br />

The letter combination “cc” is pronounced [k] in<br />

most cases, but usually [ks] when followed by<br />

“e” or “i”. The Italian word “cappuccino”, with the<br />

sound [tS], is an exception.<br />

<strong>Spotlight</strong> 9|13 <strong>Spotlight</strong> 9|13<br />

GRAMMAR<br />

1. When he’s alone, Tom talks to himself.<br />

2. Tom put the book down on the chair next to<br />

him.<br />

When the object of a preposition refers to the<br />

subject, it is normally reflexive, as in (1).<br />

When the preposition reflects a spatial (räumlich)<br />

relationship, however, as in (2), it is generally<br />

non-reflexive.<br />

FALSE FRIENDS<br />

1. Der Hund hat meine Hausschuhe gefressen.<br />

2. These Italian loafers were really expensive.<br />

British speakers also call German Slipper a “slip-on<br />

(shoe)”.<br />

<strong>Spotlight</strong> 9|13 <strong>Spotlight</strong> 9|13


Fotos: Hemera; iStockphoto<br />

A gap year<br />

1. We need to talk<br />

Olivia is thinking about taking a gap year. She is talking<br />

to her parents, Kirsty and Alan.<br />

Olivia: Mum! Dad! I need to talk to you.<br />

Kirsty: Oh, dear! That sounds ominous. What is it?<br />

Olivia: Well, you know I’ve got a place at uni?<br />

Alan: Yes...<br />

Olivia: I’m thinking of deferring and using the<br />

chance to take a gap year — with Freya.<br />

Alan: How much is that going to cost, then?<br />

Kirsty: Oh, Alan! Honestly! Give Olivia a chance to<br />

explain.<br />

Olivia: I haven’t worked out the details, but we know<br />

we want to travel and work. We thought we<br />

could maybe volunteer...<br />

Alan:<br />

let out [let (aUt] UK untervermieten<br />

ominous [(QmInEs] verdächtig<br />

Listen to dialogues 2 and 3<br />

This month, DAGMAR TAYLOR looks at the<br />

words and phrases people use when they talk<br />

about taking a year off between school and<br />

university or college.<br />

As long as you can find a way to finance it, I<br />

think it’s a great idea. You may never have the<br />

opportunity again to see the world and learn<br />

first-hand about other cultures.<br />

Olivia: Thanks, Dad. I knew you’d understand.<br />

Alan: And it means we can let out <strong>your</strong> room.<br />

• When people are accepted for their chosen<br />

course of study, they have a place (on a course or<br />

at university).<br />

• Uni [(ju:ni] (UK ifml.) is short for “university”.<br />

• Deferring means to delay a university course to take<br />

a gap year. In other contexts, “defer” takes an object.<br />

• When a person takes a gap year (or a “year out”), he<br />

or she spends a year working and / or travelling, often<br />

between school and starting college or university.<br />

• Here, honestly is used to show that Kirsty is annoyed<br />

by Alan’s comment.<br />

• When you work sth. out, you plan or think about it.<br />

• If you volunteer, you work without being paid. The<br />

work is often for charity, and the volunteer gains work<br />

and life experience.<br />

• When the adverb phrase as<br />

long as comes at the start of<br />

a sentence, it means “only if”.<br />

Tips<br />

2. Putting together a plan<br />

Everyday <strong>English</strong> | LANGUAGE<br />

Olivia and her friend Freya are in a cafe talking about<br />

their gap-year plans.<br />

Olivia: OK. Which countries do you want to go to?<br />

Freya: Well, I know I want to go backpacking round<br />

Europe...<br />

Olivia: Yeah. Me, too.<br />

Freya: ...and I really want to go to Australia. I’ve been<br />

in touch with my rellies in Sydney. It wouldn’t<br />

be a problem to stay with them for a while.<br />

Olivia: Really? Oh, my God! That’s amazing! If we get<br />

one of those working-holiday visas, we could<br />

probably find jobs in cafes or restaurants and<br />

make enough money to travel.<br />

Freya: Yeah, and we could stay in youth hostels or<br />

even try couchsurfing.<br />

Olivia: Dylan... You know Dylan, right?<br />

Freya: Yeah.<br />

Olivia: He was telling me about this programme...<br />

• A popular way to travel cheaply is to go backpacking<br />

— carrying <strong>your</strong> clothes and equipment in a<br />

backpack (or rucksack).<br />

• When you communicate with someone, usually by<br />

phone or in writing, you can say you are in touch.<br />

• Rellies (Aus. ifml.) is short for “relatives”. Australians<br />

are known for their use of slang, in which they typically<br />

shorten words and change word endings.<br />

• You stay somewhere when you live in a place tempo -<br />

rarily as a guest or as a visitor.<br />

• A working-holiday visa allows you to live and work in<br />

Australia for up to 12 months. You can apply for a visa<br />

on the Australian government website:<br />

australia.gov.au<br />

• Many people offer travellers a bed or sofa in their<br />

homes to sleep on. Staying with these people is called<br />

couchsurfing (ifml.). See www.couchsurfing.org<br />

youth hostel [(ju:T )hQst&l]<br />

Jugendherberge<br />

Tips<br />

9|13 <strong>Spotlight</strong><br />

55


LANGUAGE | Everyday <strong>English</strong><br />

3. Wwoofing 4. Letting go<br />

Olivia and her friend Freya are still talking about<br />

what they’re going to do on their year out.<br />

Kirsty and Alan are talking about<br />

their daughter Olivia’s gap year.<br />

Olivia: It’s called “wwoofing”.<br />

Freya: What’s wwoofing?<br />

Olivia: “World-Wide Opportunities on Organic<br />

Farms”. They have the scheme in loads of different<br />

countries, and you work for four to six<br />

hours a day on a farm in exchange for food<br />

and accommodation.<br />

Freya: Farming? I don’t know the first thing about it.<br />

Olivia: Yeah, but you’ll learn. We could harvest grapes<br />

in Italy or make cheese in Switzerland...<br />

Freya: Great! It sounds really glamorous.<br />

Olivia: Don’t be like that. Have a look at the website,<br />

at least. I think it would be a great way to<br />

meet interesting people and get to know the<br />

country.<br />

Alan: We’re soon going to be empty nesters.<br />

Kirsty: I can’t wait!<br />

Alan: Really? I thought it’d be a wrench for you.<br />

Kirsty: Don’t get me wrong. Of course I’ll miss her, but<br />

you have to let go at some point, don’t you?<br />

She’s so together now and ... grown-up.<br />

Alan: I’m glad that she’ll be travelling with Freya,<br />

though.<br />

Kirsty: Yes, me too. They’ve sorted out their own insurance<br />

and visas, and they’ve even found out<br />

about the best way to carry money.<br />

Alan: We should make copies of the most important<br />

documents, just in case.<br />

Kirsty: She’s done that already. They’re all here. She’s<br />

going to be fine.<br />

• On an organic farm, no artificial fertilizers<br />

[A:tI)fIS&l (f§:tElaIzE] (Kunstdünger) or pesticides<br />

[(pestIsaId] are used.<br />

• If you do one thing in exchange for another, you get<br />

something in return for what you did or gave.<br />

• In British <strong>English</strong>, accommodation is uncountable. In<br />

US <strong>English</strong>, it is used in the plural: “accommodations”.<br />

• If you know nothing at all about a subject, you can say<br />

that you don’t know the first thing about it.<br />

• Olivia says Don’t be like that because she is disappointed<br />

that Freya has reacted sarcastically.<br />

• Here, at least is used to mean “even if you do nothing<br />

else”.<br />

Tips<br />

• A parent whose child has grown up and left home<br />

is known informally as an empty nester (N. Am.).<br />

• To emphasize how excited you feel about something,<br />

you can say: I can’t wait!<br />

• If something is a wrench [rentS], it makes you feel<br />

pain or unhappiness. (wrench: Schraubenschlüssel )<br />

• Don’t get me wrong means “don’t misunderstand<br />

me”.<br />

• When parents let go of their child, they allow him or<br />

her to be an independent adult.<br />

• Someone who is together is organized and confident.<br />

• If you organize something successfully, you sort it<br />

out.<br />

Tips<br />

EXERCISES<br />

harvest [(hA:vIst]<br />

scheme [ski:m]<br />

ernten<br />

Programm<br />

1. What do the words in bold refer to in the<br />

dialogues?<br />

a) I think it’s a great idea. _____________________________<br />

b) It wouldn’t be a problem to stay with them. _________<br />

c) It sounds really glamorous._________________________<br />

d) She’s done that already. _______________________________<br />

grown-up [)grEUn (Vp] erwachsen<br />

insurance [In(SUErEns] Versicherung<br />

just in case [)dZVst In (keIs] für alle Fälle<br />

3. True or false?<br />

a) Olivia has a place at university. _________<br />

b) Freya has a family in New Zealand. _________<br />

c) Freya doesn’t know what wwoofing is. _________<br />

d) Kirsty is worried about Olivia. _________<br />

2. Add the missing word.<br />

a) I haven’t worked ______ the details.<br />

b) Dylan was telling me ______ this programme.<br />

c) You work ______ a farm.<br />

d) They’ve sorted ______ their own insurance.<br />

4. What did they say?<br />

a) I’m thinking of d _ _ _ _ _ _ _ _ and taking a gap year.<br />

b) I want to go b _ _ _ _ _ _ _ _ _ _ round Europe.<br />

c) You work in exchange for a _ _ _ _ _ _ _ _ _ _ _ _.<br />

d) We’re going to be e _ _ _ _ n _ _ _ _ _ _.<br />

56 <strong>Spotlight</strong> 9|13<br />

Answers: 1. a) taking a gap year; b) Freya’s relatives; c) working on farms; d) made copies of the most important documents;<br />

2. a) out; b) about; c) on; d) out; 3. a) true; b) false; c) true; d) false; 4. a) deferring; b) backpacking; c) accommodation; d) empty nesters


The Grammar Page | LANGUAGE<br />

The past perfect<br />

continuous<br />

ADRIAN DOFF uses notes on a short dialogue to present and<br />

explain a key point of grammar.<br />

Mark and Val are exchanging some news.<br />

Mark: Did you hear about Peter — Sue’s boyfriend?<br />

Val: Oh, you mean the one with all the money? No.<br />

What about him?<br />

Mark: Well he crashed 1 his car and was taken 1 to hospital.<br />

He’s OK, though, it seems.<br />

Val: What happened?<br />

Mark: He drove into a tree. He was on his way home after<br />

he’d been celebrating 2 his 21st birthday somewhere.<br />

Val: Had he been drinking? 3<br />

Mark: No, he hadn’t 4 , but he was talking 5 on his mobile<br />

phone, so he wasn’t paying attention. 5<br />

Val: Well, that’s illegal, too.<br />

Mark: Yes, I know. Really dangerous. Anyway, a car came<br />

out 5 from the side suddenly, and Peter came off 5<br />

the road. He wasn’t badly injured — just a few cuts.<br />

Val: And the car?<br />

Mark: He wasn’t so lucky there. It was a brand-new BMW.<br />

His dad had given 6 it to him for his birthday.<br />

He’d only been driving 7 it for a week...<br />

Remember!<br />

Forms of the past perfect continuous:<br />

Positive: had been + verb + -ing<br />

• He’d been driving the car for six months.<br />

Negative: hadn’t been + verb + -ing<br />

• He hadn’t been driving the car for long.<br />

Question: Had (subject) been + verb + -ing?<br />

• Had he been driving the car for long?<br />

1 Mark is telling a story that happened in the past, so he<br />

uses the past simple tense in the active and passive form.<br />

2 Here, Mark is talking about background activities that<br />

continued for a period of time up to the main event of<br />

the story — the crash. He uses the past perfect continuous<br />

tense: had (or ’d) been + verb + -ing.<br />

3 To ask a question in the past perfect continuous, the subject<br />

and “had” change positions: He had... ➝ Had he...?<br />

4 This is the contracted negative form of He had not been<br />

drinking.<br />

5 Now Mark is talking about the crash itself again, so he<br />

uses the past continuous and past simple tenses. (Peter<br />

was using his phone when the other car came out of the<br />

side road.)<br />

6 This is the past perfect simple, used to describe a single<br />

event that happened before the main event of the story.<br />

7 Here again, the past perfect continuous tense describes<br />

an activity going on for a period of time before the crash.<br />

Beyond the basics<br />

Simple and continuous tenses<br />

Simple tenses are generally used for single events and<br />

continuous tenses for ongoing activities:<br />

• I’m hungry! I’ve been working all day, and all I’ve<br />

had is a ham sandwich. (someone talking now)<br />

• When I got home, I was hungry. I’d been working<br />

all day, and all I’d had was a ham sandwich.<br />

(someone talking about the past)<br />

EXERCISE<br />

Complete the sentences below with a verb from the list in the past perfect continuous.<br />

climb | listen | look | save up | sit | wear | work<br />

d) We really needed a holiday. We _____________________<br />

hard all year.<br />

a) They reached the mountain hut very late. They<br />

e) He smelt terrible. He _____________________ the same<br />

_____________________ for six hours.<br />

shirt for three days.<br />

b) We finally had enough money to buy a flat.<br />

f) My shoulders were burned. I _____________________<br />

We _____________________ for years.<br />

in the sun for too long.<br />

c) In December, I managed to get a job.<br />

g) I had no idea what the talk was about. I (not)<br />

I _____________________ for one since May.<br />

_____________________.<br />

Answers: a) had been climbing; b) had been saving up; c) had been looking; d) had been working; e) had been wearing;<br />

f) had been sitting; g) hadn’t been listening<br />

9|13 <strong>Spotlight</strong><br />

57


LANGUAGE | The Soap<br />

Helen<br />

Phil<br />

Peggy<br />

It’s all about beer<br />

Join us at Peggy’s Place — <strong>Spotlight</strong> ’s very<br />

own London pub. By INEZ SHARP<br />

George<br />

Sean<br />

FOCUS<br />

Peggy: Can’t believe the summer’s already over.<br />

Helen: Perhaps we’ll have a nice September. Anyway,<br />

you’ve still got some colour.<br />

Peggy: Yeah. Ibiza was great — even if I didn’t see much<br />

of Jane.<br />

Helen: Out every night, was she?<br />

Peggy: Yup. Honestly, my daughter has the energy of a teen -<br />

ager — and the mental age, too, come to think of it.<br />

Helen: Didn’t Simone mind?<br />

Peggy: No. I think she sometimes finds her mother a bit<br />

embarrassing: all the tight clothes and the flirting.<br />

Helen: Speaking of bad behaviour, how are things with<br />

Sean? I see he’s back in the kitchen.<br />

Phil: Yes. He sauntered in the morning after the row as if<br />

nothing had happened, and that was it.<br />

Peggy: I think he’s just a bit temperamental sometimes.<br />

They say the best chefs are. And he’s right about the<br />

customers. They love him and his cooking.<br />

George: I hate to be a nuisance, but any chance of a drink?<br />

Peggy: I’m sorry, love. I didn’t see you there. What’ll it be?<br />

George: Phil had lager here a couple of weeks ago from<br />

some microbrewery.<br />

Phil: Oh, you mean Beetle Beer. It’s from Cornwall. Sean<br />

read about it and thought we should try it.<br />

Helen: Can you sell any beer you like?<br />

Peggy: We’re not a tied pub, if that’s what you mean.<br />

We’re independent — always have been.<br />

Helen: There must be advantages to being supported by<br />

one of the breweries. Have you ever thought about...?<br />

Phil: Over my dead body! It’s not support those pub companies<br />

offer. They milk all the profits out of the pubs,<br />

and the landlord’s just a glorified manager.<br />

Helen: But the landlords still own their pubs, don’t they?<br />

Peggy: Na. In most cases, pub companies own the property,<br />

and the publican’s a tenant.<br />

Phil: Dennis over at the King’s Head — I’ve known him<br />

for donkey’s years — he sold out to one of the pub<br />

companies, and now he’s sorry for it. Him and Audrey<br />

are only just scraping by.<br />

This month, the conversation at Peggy’s Place is about<br />

tied pubs. Around half the public houses in the UK are run<br />

under a tied system. So-called pub companies own the<br />

houses, and the landlord rents the building but is tied to the<br />

make of beer that the pub company chooses. Critics of tied<br />

pubs say that the rents can be high and the beer is expensive,<br />

so that landlords find it hard to make a profit. The system<br />

also limits the variety of beers available in British pubs.<br />

58 <strong>Spotlight</strong> 9|13<br />

Eddy<br />

“ ”<br />

Can you sell any beer you like?<br />

Jane<br />

Peggy: So many pubs are closing. I read somewhere that<br />

every week 18 pubs close around Britain.<br />

Helen: But is that just the fault of the pub companies?<br />

Peggy: No. It’s the price of drink at the supermarkets that’s<br />

hitting the pub trade hard. Your average pub can’t compete<br />

with those kind of rock-bottom prices.<br />

Phil: And the smoking ban. That hasn’t exactly helped.<br />

Helen: How many independent pubs are there?<br />

Peggy: Well, they say there are about 50,000 pubs in the<br />

UK, and maybe half of them are independent.<br />

Phil: We’re the ones supporting the new microbreweries.<br />

Helen: But that’s just a trend, isn’t it?<br />

Phil: I don’t know. I’ve tried some of the beers they produce,<br />

and the quality is really first-class.<br />

Peggy: Take that Beetle Beer George asked for: it’s got a<br />

great flavour. And it’s nice talking to the brewers. It’s<br />

much more personal. They want to tell you about their<br />

beer and ask for feedback. You don’t get that with the<br />

big companies.<br />

George: I hate to interrupt <strong>your</strong> discussion on the state of<br />

the British brewing industry, but if you don’t give me<br />

my beer soon, I’ll take my custom to the King’s Head.<br />

Dennis might be just a glorified manager, but at least<br />

he does his job and doesn’t simply talk about it.<br />

ban [bÄn]<br />

Verbot<br />

chef [Sef]<br />

Küchenchef(in)<br />

come to think of it<br />

wenn ich es mir recht<br />

[)kVm tE (TINk Qv It]<br />

überlege<br />

custom: take one’s ~ elsewhere<br />

anderswo hingehen<br />

[(kVstEm] UK<br />

embarrassing [Im(bÄrEsIN]<br />

peinlich<br />

for donkey’s years [fE (dQNkiz jIEz] UK ifml. seit einer Ewigkeit<br />

glorified manager [)glO:rIfaId (mÄnIdZE] besserer Verwalter<br />

landlord [(lÄndlO:d]<br />

Wirt<br />

microbrewery [(maIkrEU)bruEri]<br />

kleine Brauerei<br />

nuisance: hate to be a ~ [(nju:s&ns] nicht lästig sein wollen<br />

publican [(pVblIkEn] UK<br />

Wirt<br />

rock-bottom prices [)rQk )bQtEm (praIsIz] Tiefstpreise<br />

row [raU] UK<br />

Streit<br />

saunter in [)sO:ntE (In]<br />

hereinschlendern<br />

scrape by [skreIp (baI]<br />

gerade so über die<br />

Runden kommen<br />

tenant [(tenEnt] Mieter, Pächter (➝ p. 61)<br />

Have a look at all the characters from Peggy’s Place at<br />

www.spotlight-online.de/peggy


<strong>English</strong> at Work | LANGUAGE<br />

Dear Ken: How<br />

do I end a formal<br />

letter correctly?<br />

Dear Ken<br />

Could you please tell me how I should end a formal letter?<br />

I’m confused. I’ve seen “Yours faithfully” when the letter<br />

begins with “Dear Sir or Madam” and “Yours sincerely”<br />

after “Dear Mr Miller”, but in one book, I read “Dear Sir<br />

or Madam” and “Yours sincerely”. Is “Yours faithfully”<br />

used much less now, like the German Hochachtungsvoll ?<br />

Even in applications, we write “Mit freundlichen Grüßen”.<br />

Is there a difference in ending between a formal letter and<br />

an application, and between American <strong>English</strong> and British<br />

<strong>English</strong>?<br />

Regards<br />

Regina W.<br />

Dear Regina<br />

Ending a formal letter should not be complicated. Like<br />

you, I always use “Yours sincerely” when I write the addressee’s<br />

name in the greeting. I also use “Yours faithfully”<br />

when I start with “Dear Sir or Madam”. This is standard<br />

British <strong>English</strong> business practice. I would suggest you continue<br />

to use these conventions.<br />

In the US, there are some differences. A standard formal<br />

ending that you might use if you are not writing to a specific<br />

person is “Sincerely”. If you are writing to a named<br />

person, then “Sincerely <strong>your</strong>s” expresses <strong>your</strong> wish to establish<br />

or continue good business relations with him or<br />

her. “Yours truly” is used for personal but polite correspondence;<br />

for example, to a family member whom you don’t<br />

know well.<br />

Application letters are formal letters. So it’s best to use the<br />

conventions I mentioned in the first paragraph.<br />

One additional tip I have is this: remember that the first<br />

sentence after the greeting always starts with a capital letter,<br />

unlike in German.<br />

All the best<br />

Ken<br />

abbreviation [E)bri:vi(eIS&n] Abkürzung<br />

addressee [)Ädres(i:]<br />

Adressat<br />

capital letter [)kÄpIt&l (letE] Großbuchstabe<br />

care about sth.: not ~ nichts gegen etw. haben,<br />

[(keE E)baUt]<br />

jmdm. egal sein<br />

fairly [(feEli] ziemlich, relativ (➝ p. 61)<br />

recede [ri(si:d]<br />

verschwinden<br />

recipient [ri(sIpiEnt]<br />

Empfänger(in)<br />

Send <strong>your</strong> questions<br />

about business <strong>English</strong><br />

by e-mail with “Dear<br />

Ken” in the subject line to<br />

language@spotlight-verlag.de.<br />

Each month, I answer two questions<br />

<strong>Spotlight</strong> readers have sent in. If one of<br />

them is <strong>your</strong> question, you’ll receive a<br />

copy of my book: Fifty Ways to Improve<br />

Your Business <strong>English</strong>. So don’t forget<br />

to add <strong>your</strong> mailing address!<br />

Dear Ken<br />

I read <strong>your</strong> column in <strong>Spotlight</strong> 4/13. Some years ago, our<br />

(British) <strong>English</strong> teacher at work specifically told us not to<br />

write BR as an abbreviation for “Best regards”, at least not<br />

to British people, since this abbreviation stands for British<br />

Railways in Britain. We were told we should write out<br />

“Best regards” in full instead. What is <strong>your</strong> view on that?<br />

I also notice you don’t put full stops after the B or R —<br />

like this: B.R. I was taught always to use full stops in<br />

abbreviations. Has that rule changed?<br />

I’m looking forward to <strong>your</strong> reply.<br />

Kind regards<br />

Eva L. (Malmö, Sweden)<br />

Dear Eva<br />

Thanks for <strong>your</strong> e-mail.<br />

Basically, I agree with <strong>your</strong> <strong>English</strong> teacher about the abbreviation<br />

BR. It does have connotations for older British<br />

recipients of e-mails. But because British Rail(ways) has<br />

receded into history since the privatization of the railways,<br />

younger writers probably don’t associate it with BR, and<br />

therefore don’t care about using BR for “Best regards”.<br />

I’ll continue to write the phrase out in full in e-mails. I<br />

used “BR” in my column because it has come into use<br />

fairly recently.<br />

In British <strong>English</strong> at least, we tend to leave out the full<br />

stop in abbreviations that include the first and last letters<br />

of a single word, such as Mr, Mrs, Ms, Dr, etc.<br />

BR — sorry! — Best regards<br />

Ken<br />

Ken Taylor is the director of Taylor Consultancy Ltd, an international<br />

communication-skills consultancy in London. He regularly<br />

runs seminars in Germany.<br />

9|13 <strong>Spotlight</strong><br />

59


LANGUAGE | Spoken <strong>English</strong><br />

He’s done it!<br />

ADRIAN DOFF looks at how the word “do” is<br />

used in spoken <strong>English</strong>.<br />

• Did you have a good time at the party?<br />

— Yes, I did, thanks. It was great!<br />

• I do everything in this house. Why can’t you help a<br />

little sometimes?<br />

As you can see from the examples in the box, “do” is used<br />

in two main ways. In the first example, “do” is an auxiliary<br />

verb [O:g(zIliEri )v§:b] (Hilfsverb), used here in its past simple<br />

form “did”. In the second example, “do” is a main verb,<br />

used to talk about activities. On this page, we discuss this<br />

second use of “do” as a main verb.<br />

As a main verb, “do” normally has a general meaning, as in<br />

the following common questions:<br />

• What do you do? (= What’s <strong>your</strong> job?)<br />

possible answer: I work in a bank.<br />

• What are you doing? (= at this moment)<br />

possible answer: I’m reading.<br />

• How are you doing? (= How are you?)<br />

possible answer: Fine, thanks.<br />

“Do” is used to talk about:<br />

1. studying<br />

You might do a course (in languages), do a university degree<br />

or do research. If you are a school pupil, you have to<br />

do <strong>your</strong> homework.<br />

2. work in the home<br />

You might do the cleaning, do the washing (= wash<br />

clothes) or do the washing-up (UK = wash the dishes). All<br />

these activities are part of doing the housework. Someone<br />

also has to do the cooking and do the shopping.<br />

3. sport and fitness<br />

Some people do yoga; others do fitness training (in a<br />

sports club) or do exercises at home. Notice the difference<br />

between do exercises (such as sit-ups) and do exercise (in<br />

general):<br />

• My father’s over 80, but he still does his exercises<br />

every morning.<br />

• You’re putting on weight. You need to do more<br />

exercise. (= be more active)<br />

“Do” is often used before a quantity expression + -ing:<br />

• When we lived in Cornwall, I used to do a lot of sailing.<br />

(= I often went sailing.)<br />

• She lives alone, so she doesn’t do much cooking.<br />

“Do” can also be used informally in place of another verb:<br />

• Can you do the potatoes? (= cook them)<br />

• I’ll just do my hair. (= brush / wash it)<br />

• Have you done the sitting room yet? (= cleaned it)<br />

“Do” has other common meanings in spoken <strong>English</strong>.<br />

It’ll do. (= It’s good enough.):<br />

• I’ve finished my essay. It’s not that good, but it’ll do.<br />

You’ve been done. (UK = cheated):<br />

• You paid £6,000 for that car? I think you’ve been done.<br />

Now you’ve done it. (= You’re in trouble.):<br />

• I got really angry with her again. — Well, now you’ve<br />

done it. She’ll probably never speak to you again.<br />

do (someone) out of (UK ifml. = cheat):<br />

• When I left the company, they tried to do me out of a<br />

month’s pay. (= They didn’t want to pay me.)<br />

do (someone) good / harm:<br />

• Drink this green tea. It’ll do you good.<br />

• All those sweets he eats don’t seem to do him any harm.<br />

done (= cooked):<br />

• OK, the potatoes are done. Let’s eat!<br />

“Do” is also used in phrases that include with or without.<br />

could do with (= would like / need):<br />

• I’m thirsty. I could do with a beer.<br />

make do with (= manage):<br />

• You sleep in the bed. I’ll make do with the sofa.<br />

(= It’s not ideal, but I’ll survive.)<br />

do without (= manage or survive without):<br />

• I love my smartphone. I just couldn’t do without it.<br />

Complete the sentences below with the correct<br />

word or phrase.<br />

a) He’s very fit. He does / goes a lot of running.<br />

b) Look! Now you’ve been done / done it. It’s broken.<br />

c) He doesn’t do any exercises / exercise. He just<br />

watches TV all day.<br />

d) They tried to do me into / out of my money.<br />

e) I really couldn’t do with / without a laptop. I use it<br />

all the time.<br />

f) He should try to find a girlfriend. It would do him<br />

good / do him well.<br />

(= She doesn’t cook much.) Answers: a) does; b) done it; c) exercise; d) out of; e) without; f) do him good<br />

EXERCISE<br />

Foto: iStockphoto<br />

60<br />

<strong>Spotlight</strong> 9|13


Word Builder | LANGUAGE<br />

Build <strong>your</strong> vocabulary<br />

JOANNA WESTCOMBE presents useful words and phrases from this issue of <strong>Spotlight</strong> and their<br />

collocations. The words may also have other meanings that are not listed here.<br />

arch [A:tS] noun p. 6<br />

tenant [(tenEnt] noun p. 58<br />

curved structure, often found in churches or above a<br />

door or gateway<br />

Bogen<br />

The pointed arches in Durham Cathedral were<br />

the first of their kind.<br />

a person who rents a flat, house, office, etc. from<br />

the owner<br />

Mieter, Pächter<br />

Our long-term tenant has just moved out, so<br />

we have to start looking for a new one.<br />

Gewölbe is also usually translated as arch;<br />

Senkfuß = fallen arches.<br />

A tenant pays rent to a landlord or landlady.<br />

argue [(A:gju:] verb p. 13<br />

bang shut [bÄN (SVt] verb pp. 24, 66<br />

to speak angrily because you disagree about something<br />

to close (something) loudly<br />

streiten<br />

zuknallen; mit lautem Krach zufallen<br />

I don’t want to argue with you about this any<br />

more. You know I’m right!<br />

We need something to stop the kitchen door<br />

banging shut.<br />

If you argue, you have an argument (about something).<br />

See the extra notes below on how to use the verb bang.<br />

fairly [(feEli] adverb p. 59<br />

respective [ri(spektIv] adjective p. 27<br />

relatively, quite<br />

to do with or belonging to each thing mentioned<br />

ziemlich, relativ<br />

jeweilig<br />

I don’t know exactly, but I’m fairly sure<br />

Kathy’s new baby is a boy.<br />

The women exchanged stories about their respective<br />

husbands and children.<br />

Other common collocations: fairly<br />

soon; fairly early/late; fairly quick<br />

The adverb respectively orders and separates details:<br />

“Dave and Joe worked here for 12 and 17 years respectively.”<br />

Foto: iStockphoto<br />

How to use the verb bang<br />

Bang! is the noise of a window closing<br />

in the wind, a balloon popping or<br />

a gun going off. The verb bang takes various prepositions.<br />

Bang out means to play a tune badly and loudly:<br />

• Auntie June banged out the melody on the piano.<br />

But bang doesn’t always have to do with a loud noise.<br />

You can bang <strong>your</strong> head on a low ceiling, or bang<br />

<strong>your</strong> knee if you bang into a low table. Ouch!<br />

If a person bangs on (about sth.) (UK), he or she talks<br />

about something for a long time in a boring way:<br />

• Uncle Tom is always banging on about the army.<br />

If you bang away at something, you work hard at it:<br />

• Tom is still banging away at her church newsletter.<br />

Be careful with the slang expression banged up, which<br />

can mean both to be in prison (UK) or badly injured.<br />

Complete the following sentences with words<br />

from this page in their correct form.<br />

a) They are a very happy couple. They never seem to<br />

____________.<br />

b) The boat will only fit under the middle ____________<br />

of the bridge.<br />

c) I didn’t know about the plans until ____________<br />

recently.<br />

d) Careful! Mind you don’t ____________ <strong>your</strong> head on<br />

that cupboard.<br />

e) I want to live in my own home. I’m tired of being<br />

someone’s ____________.<br />

f) Both scientists are experts in their ____________<br />

fields.<br />

OVER TO YOU!<br />

Answers: a) argue; b) arch; c) fairly; d) bang;<br />

e) tenant; f) respective<br />

9|13 <strong>Spotlight</strong><br />

61


LANGUAGE | Perfectionists Only!<br />

WILL O’RYAN explains developments in the <strong>English</strong> language and examines<br />

some of the finer points of grammar.<br />

The one<br />

before that<br />

In a series of things, what do you call<br />

the item that comes right before the<br />

very last one? In normal, everyday<br />

<strong>English</strong>, it’s either “the last but one” or<br />

“the second to last”; for example, “the<br />

second to last train”. Many welleducated<br />

speakers with a fondness<br />

(Vorliebe) for Latinate morphology<br />

might prefer to speak of “the penultimate<br />

train”. And the one before that?<br />

The predictable “last but two” / “third<br />

from last” have a serious competitor<br />

in “antepenultimate”. Can this continue?<br />

Not for long: the next and final<br />

member of this group of adjectives is<br />

“pre-antepenultimate”. “Last but<br />

three” may serve you better, however.<br />

Back to the roots<br />

You may have heard native <strong>English</strong><br />

speakers refer to the flat of the hand<br />

as Palme instead of Handfläche, when<br />

speaking German. The reason for this<br />

classic mistake is that <strong>English</strong> “palm”<br />

and German Palme are half-false<br />

friends. Not surprisingly, both come<br />

from the same Latin root, palma. The<br />

original Latin meaning of palma was<br />

“palm of the hand” — the palm tree<br />

got its name from the shape of its<br />

leaves, which look like the fingers of<br />

a hand. With Christianity,<br />

the word made it to northern<br />

Europe, where<br />

the tree does not<br />

grow. The original<br />

meaning is still<br />

present in “palm”,<br />

but not in Palme.<br />

On the other hand,<br />

the German word<br />

has developed a further<br />

sense with no<br />

<strong>English</strong> counterpart:<br />

auf die<br />

Palme bringen,<br />

auf der Palme sein.<br />

62 <strong>Spotlight</strong> 9|13<br />

The first-person imperative<br />

Which sentence is less formal?<br />

Grammar<br />

The following two sentences appear to contain the same verb — “let”:<br />

a) Let them ask the boss what she thinks.<br />

Let’s ask the boss what she thinks.<br />

In the first sentence, “let” is a “normal” verb (meaning “allow, permit”) and<br />

is used as an “ordinary” (second-person) imperative. The second sentence,<br />

a first-person imperative, no longer has this sense of allowance / permission.<br />

Let’s take a closer look at this “let” of the first-person inclusive imperative,<br />

contrasting it with the normal verb “let”. Note that “us” is nearly<br />

always contracted to “’s”. “Let us” is normally used only in formal situations<br />

— the priest says “Let us pray” rather than “Let’s pray”. In normal imperatives<br />

and in all non-imperatives, however, “us” cannot be contracted:<br />

b) The boss decided to let us (let’s) all take the day off.<br />

As we see in (c), the subject can be stated in an ordinary imperative<br />

(though it normally isn’t) but not in the first-person imperative:<br />

c) (You) let her decide for herself, OK?<br />

We let’s decide for ourselves, OK?<br />

Predictably, the logical subject of “let” shows up in a tag question, however,<br />

even in the second case:<br />

d) Let her decide for herself, will you?<br />

Let’s decide for ourselves, shall we?<br />

There are two different negative forms of a first-person imperative. The<br />

first sentence in (e) is slightly less formal:<br />

e) Don’t let’s ask the boss what she thinks.<br />

Let’s not ask the boss what she thinks.<br />

There is an important structural contrast here to the ordinary imperative.<br />

The first sentence of (f) expresses not allowing them to ask the boss, while<br />

in the second, “let” expresses allowing them not to ask the boss (in other<br />

words, not forcing them to do it):<br />

f) Don’t let them ask the boss what she thinks. (= They mustn’t.)<br />

Let them not ask the boss what she thinks. (= They don’t have to.)<br />

Many speakers use a further first-person imperative in informal style,<br />

which takes the reanalysis of “let” a step further away from the normal<br />

verb “let”:<br />

g) Let’s you and I / me have a chat about that soon.<br />

Here, “Let’s” cannot be replaced by “Let us”, so “you and I / me” are not in<br />

apposition to “us”. “Let’s” can no longer be viewed as “verb + object” —<br />

the two have been fused into a single unit that serves simply as a marker<br />

for the first-person imperative. This usage is so widespread that it’s safe<br />

to consider it acceptable informal style in standard <strong>English</strong>.<br />

1. Don’t let’s worry about that right now.<br />

2. Let’s not worry about that right now.<br />

Answer: 1<br />

Fotos: iStockphoto


Crossword | LANGUAGE<br />

1 2<br />

4 5 6 7<br />

8 9 10 11<br />

12 13<br />

16<br />

14 15<br />

17 18 19 20<br />

21 22 23 24<br />

25 26<br />

The words in this puzzle are taken from the article about prisoners<br />

who write. You may find it helpful to refer to the text on pages 24–27.<br />

Competition!<br />

Form a single word from the letters in the coloured squares.<br />

Send that word on a postcard to: Redaktion <strong>Spotlight</strong>, “September<br />

Prize Puzzle”, Postfach 1565, 82144 Planegg, Deutsch land.<br />

Ten winners will be chosen from the entries we receive by<br />

20 September 2013. Each winner will be sent<br />

a copy of Contemporary Indian Short Stories<br />

by courtesy of Reclam.<br />

The answer to our July puzzle was legend.<br />

Congratulations to: Christine Lohs (Munich),<br />

Michael Vandrey (Potsdam), Edith Reicherz<br />

(Ellwangen), Bernadette Terme (Eschenlohe),<br />

Peter Saegert (Celle), Willy Walker (Zurich),<br />

Dennis Schorpp (Friedrichshafen), Günter<br />

Schmidt (Nuremberg), Jürgen Kripp (Speyer)<br />

and Monika Hertel (Frankfurt).<br />

3<br />

Mike Pilewski<br />

Prison writers<br />

Across<br />

1. Worthy of people’s respect and admiration<br />

because it makes an impression on them.<br />

4. Began: “I ______ to write in the 1980s.”<br />

6. Not these.<br />

8. Third-person singular form of “to be”.<br />

9. A writing tool filled with ink.<br />

11. Was of the opinion: “I ______ that my life was<br />

insignificant,” says novelist Alex Wheatle.<br />

12. Things one can do.<br />

14. To carry something to a particular place.<br />

16. A word that expresses an alternative.<br />

17. Something that is <strong>your</strong> ______ belongs to you.<br />

18. Performs an action.<br />

21. Two words that have a similar sound ______.<br />

24. A word of comparison.<br />

25. To ______ something up is to establish it: “He<br />

______ up his own charity.”<br />

26. Twenty-four hours.<br />

Down<br />

1. The power to think of new situations or things.<br />

2. Therefore.<br />

3. Sent to prison for a certain amount of time.<br />

4. Not planned: “It was a ______ decision.”<br />

5. In particular: “They find it difficult to manage<br />

their emotions, ______ anger.”<br />

6. “What are you going ______ write about?”<br />

7. An individual.<br />

10. A negative answer.<br />

11. Someone who does something before anyone<br />

else.<br />

13. A word that expresses condition or possibility.<br />

15. Plural form of 8 across.<br />

19. “Craig is 17 years ______.”<br />

20. To express oneself verbally.<br />

22. That man.<br />

23. Belonging to me.<br />

Solution to<br />

puzzle 8/13:<br />

MEMOIRS<br />

P C O N V I N C E D<br />

E N O I<br />

A A T T E N D E D<br />

S C H O O L O F D<br />

E S E P<br />

C F A M O U S R O L E<br />

O N D E R<br />

L D I D M O N T H S<br />

O T T C O<br />

N H I S R O B E S N<br />

E E U O<br />

L A N D O W N E R<br />

S F N A M E<br />

Jetzt erhältlich!<br />

Der Jahrgang 2012.<br />

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THE LIGHTER SIDE | Wit and Wisdom<br />

“<br />

If at first you don’t succeed,<br />

failure may be <strong>your</strong> style.<br />

”<br />

Quentin Crisp (1908–99), British writer and actor<br />

Different kinds of people<br />

• There are two kinds of people in the world: those who<br />

can pay attention and those who... Hey! There’s something<br />

shiny over there.<br />

• There are three kinds of people in the world: those who<br />

can count and those who can’t.<br />

• There are two kinds of people in the world: those who<br />

finish what they’re saying and...<br />

© Bulls<br />

Fast food<br />

Q: What’s the best way to see flying saucers?<br />

A: Trip up the waiter.<br />

bang shut [bÄN (SVt] zuknallen (➝ p. 61)<br />

flying saucer [)flaIIN (sO:sE] fliegende Untertasse<br />

honey [(hVni] ifml.<br />

Schatz<br />

mammal [(mÄm&l]<br />

Säugetier<br />

shoot [Su:t]<br />

schießen; auch: Schössling, Spross<br />

trip sb. up [trIp (Vp]<br />

jmdm. ein Bein stellen,<br />

zum Stolpern bringen<br />

PEANUTS<br />

THE ARGYLE SWEATER<br />

Lotto winner<br />

A woman comes home, runs into the house and bangs the<br />

front door shut behind her. She shouts out: “Honey, pack<br />

<strong>your</strong> bags! I’ve won the lottery!” Her husband says: “Oh, my<br />

God! What should I pack, beach stuff or mountain stuff?”<br />

“Doesn’t matter,” she replies. “Just get out!”<br />

Knock, knock!<br />

Knock, knock!<br />

Who’s there?<br />

To.<br />

To who?<br />

No, “to whom”.<br />

Why did the chicken cross the road?<br />

I don’t know. Why?<br />

To get to the stupid person’s house. Knock, knock!<br />

Who’s there?<br />

The chicken.<br />

Panda power<br />

A panda walks into a restaurant, sits down and orders some<br />

food. Once it has finished eating, the panda takes out a gun,<br />

shoots the waiter in the leg and begins to walk out. The manager<br />

runs after it and stops it at the door.<br />

“Why did you do that? I don’t understand.”<br />

The panda says: “Hey, I’m a panda. Look in <strong>your</strong> dictionary.”<br />

Confused, the manager goes to his dictionary and finds the<br />

word. It says: “Panda — noun, large black-and-white mammal<br />

from China. Eats shoots and leaves.”<br />

66 <strong>Spotlight</strong> 9|13


American Life | GINGER KUENZEL<br />

Foto: iStockphoto<br />

“<br />

Make<br />

sure you have<br />

lots of friends —<br />

most offer to<br />

help only<br />

once<br />

”<br />

September is when I start fixing<br />

things up around the house. Every<br />

year, it seems, there are more<br />

projects than the year before. That’s<br />

why I keep adding pages to my own<br />

per sonal “Home Moaner’s Manual.”<br />

Despite the clichés about women<br />

being helpless when it comes to repairs,<br />

I am the quintessential tool person.<br />

I have so many tools that I don’t<br />

even know what some of them are for.<br />

Many came from kindly souls who<br />

offered to help me and then left some<br />

of their tools behind. I do, of course,<br />

know what a hammer looks like and<br />

a screwdriver, too. Once we get into<br />

the wrench department, though,<br />

things become more complicated.<br />

I’m not really sure why anyone<br />

would need as many wrenches as I<br />

have acquired over the years. Last<br />

summer, I bought an expensive one at<br />

the request of someone who had offered<br />

to help me remove the engine<br />

from my wood chipper. Yes, I really<br />

do have a wood chipper; and no, I<br />

don’t remember why we decided to<br />

So many reasons to visit<br />

remove the engine. The project<br />

didn’t end well. That friend hasn’t<br />

been back.<br />

“Home Moaner’s Manual” tip 1:<br />

make sure you have lots of friends,<br />

since most of them extend an offer to<br />

help only once.<br />

Here’s tip 2, especially important<br />

for women (like me) who live on their<br />

own: don’t hesitate to ask for assistance<br />

from anyone who drops by.<br />

My theory is that most guys love<br />

to play the role of aiding a damsel in<br />

distress. Let’s say <strong>your</strong> lawn mower<br />

won’t start. When the UPS or FedEx<br />

guy comes by the next time, just ask<br />

him if he knows anything about machines.<br />

Most men would give their<br />

right arm and first-born son rather<br />

than admit that they can’t fix something.<br />

So, of course they’re going to<br />

offer to help. Unfortunately, these delivery<br />

guys are now wise to my ways.<br />

acquire [E(kwaI&r]<br />

erwerben<br />

after all [)Äft&r (O:l]<br />

immerhin<br />

damsel in distress [)dÄmz&l In dI(stres]<br />

Dame in Nöten<br />

delete [di(li:t]<br />

löschen, streichen<br />

driveway [(draIvweI]<br />

Hof-, Garageneinfahrt<br />

drop by [drA:p (baI]<br />

zufällig vorbeischauen<br />

Home Moaner’s Manual<br />

etwa: Handbuch für jammernde<br />

[)hoUm )moUn&rz (mÄnjuEl]<br />

Heimwerker(innen)<br />

lawn mower [(lO:n )moU&r]<br />

Rasenmäher<br />

on the porch [)A:n DE (pO:rtS] N. Am.<br />

auf die Veranda; hier: vor die Haustür<br />

ply with [(plaI wIT]<br />

hier: jmdn. mit etw. abfüllen<br />

quintessential: the ~ [)kwIntE(senS&l] der Inbegriff eines / einer ...<br />

screwdriver [(skru:)draIv&r]<br />

Schraubendreher<br />

spirits [(spIrEts]<br />

hier: Spirituosen<br />

tricky [(trIki]<br />

verzwickt<br />

wise to one’s ways: be ~ [)waIz tE wVnz (weIz] wissen, wie der Hase läuft<br />

wood chipper [(wUd )tSIp&r]<br />

Holzhackschnitzelmaschine<br />

wrench [rentS]<br />

Schraubenschlüssel<br />

Wenn man selbst nicht heimwerken kann,<br />

muss man eben andere dazu animieren.<br />

I don’t see them anymore. First, they<br />

started quietly placing my packages<br />

on the porch without ringing the<br />

doorbell. Then, I installed a driveway<br />

alarm so that I could hear them when<br />

they drove in. But the next thing I<br />

knew, they were parking their trucks<br />

on the main road and walking up my<br />

driveway.<br />

I was thinking that I might need<br />

to delete tip 2 from the manual. But<br />

then I designed a backup plan: I call<br />

the cable company to report that my<br />

television isn’t working properly and<br />

ask them to send someone to check it<br />

out. This tactic has served me well<br />

when I’ve needed help with something<br />

I couldn’t manage on my own,<br />

like moving furniture. After all, there<br />

he is — the TV guy — right in the<br />

living room, exactly when I need that<br />

table to be moved.<br />

One more way to get help is to invite<br />

a friend over. You may, for example,<br />

want to offer him a glass of<br />

<strong>your</strong> best single-malt scotch before<br />

mentioning the much-needed repair.<br />

This tactic can be a bit tricky, though.<br />

Sure, the friend might not be able to<br />

refuse his help after you’ve plied him<br />

with <strong>your</strong> best spirits, but he may no<br />

longer be capable of successfully completing<br />

the project.<br />

Now the UPS and FedEx guys<br />

leave my packages at the post office,<br />

and the cable guy seems to be able to<br />

fix everything from a remote location.<br />

What’s more, when I invite my<br />

friends over for a cocktail, they all tell<br />

me that they’ve given up drinking.<br />

Clearly, I’m going to have to come<br />

up with some new ideas. After all, it’s<br />

nearly fall, and I have a whole list of<br />

things I’ll be needing help with.<br />

Ginger Kuenzel is a freelance writer who<br />

lived in Munich for 20 years. She now calls<br />

a small town in upstate New York home.<br />

9|13 <strong>Spotlight</strong><br />

67


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Very funny!<br />

<strong>Spotlight</strong> 7/13 — Language: “Laugh and learn”. Thank you<br />

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Recognize it?<br />

<strong>Spotlight</strong> 6/13 — Travel: “Love letter to Alaska”. I enjoy<br />

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Look” that I found a bit puzzling: “When Bligh explored<br />

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Petra Gadler, by e-mail<br />

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The Editor<br />

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<strong>Spotlight</strong> Online — <strong>Test</strong> 1, July 2013. Frage 4 lautet: “‘I’ve<br />

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If Harry says, “I’ve never eaten meat,” he is talking about the<br />

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used to be a vegetarian” means he was a vegetarian in the past,<br />

but he isn’t a vegetarian now. Because Harry is still a vegetarian,<br />

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68 <strong>Spotlight</strong> 9|13


October 2013 | NEXT MONTH<br />

USA Special<br />

America’s Route 66<br />

Next month, we’ll be getting our kicks<br />

on Route 66. Join us in the great<br />

south-western state of Arizona for a<br />

road trip along part of this legendary<br />

highway. Meet bandits and bikers,<br />

and visit the amazing Grand Canyon.<br />

Dakota<br />

dreaming<br />

We’re off to “the<br />

last best West”.<br />

North Dakota is<br />

where cowboys eat<br />

Knödel, Native<br />

Amer icans dance at<br />

powwows and visit -<br />

ors explore the<br />

Badlands — be -<br />

loved of President<br />

Teddy Roosevelt.<br />

Is it time to<br />

colonize Mars?<br />

It’s a popular topic in<br />

science-fiction novels<br />

and Hollywood films:<br />

should we be making<br />

plans to settle the “red<br />

planet”? Talitha Linehan<br />

asks people in Los<br />

Angeles about an excit -<br />

ing idea that some<br />

astronauts are starting<br />

to take seriously.<br />

Language<br />

Vocabulary<br />

What’s in <strong>your</strong> bin? Let’s lift the<br />

lid on language to talk about the<br />

things you throw away and the<br />

places in which you put them.<br />

Spoken <strong>English</strong><br />

Watch out! We’re going to take a<br />

look at words and phrases used<br />

to talk about danger and risk.<br />

Don’t say we didn’t warn you!<br />

Travel Talk<br />

Our Travel Talk writer will be a<br />

guest at a wedding. Join Rita<br />

Forbes and take part in the big day.<br />

Let’s hope the autumn sun shines!<br />

Fotos: Cinetext; Ingram Publishing; iStockphoto; TRONPS<br />

<strong>Spotlight</strong> 10/13 is on sale from<br />

25 September<br />

9|13 <strong>Spotlight</strong><br />

69


QUESTIONS AND ANSWERS | My Life in <strong>English</strong><br />

Magdalena<br />

Neuner<br />

A real winner:<br />

Neuner and<br />

her prizes<br />

Die ehemalige Biathletin Magdalena Neuner<br />

berichtet über die Bedeutung der englischen<br />

Sprache in ihrem Leben.<br />

As an athlete, what makes <strong>English</strong> important to you?<br />

It’s very simple: in international sport, <strong>English</strong> is the<br />

“unofficial official language”. You won’t get very far without<br />

it.<br />

When was <strong>your</strong> first <strong>English</strong> lesson, and what do you<br />

remember about it?<br />

All I remember is that in the first lesson, we all got an<br />

<strong>English</strong> name to use in class. I was called “Sally” and<br />

thought that was just horrible.<br />

Who is <strong>your</strong> favourite <strong>English</strong>-language author, actor<br />

or musician?<br />

I’m really enjoying reading the American author<br />

Nicholas Sparks at the moment.<br />

Which song could you sing at least a few lines of in<br />

<strong>English</strong>?<br />

Tina Turner’s cover version of “Proud Mary”, with the<br />

line “rolling on the river”.<br />

Which is <strong>your</strong> favourite city in the <strong>English</strong>-speaking<br />

world and why?<br />

Oh, dear! I still have to find that out.<br />

When did you last use <strong>English</strong> (before answering this<br />

questionnaire)?<br />

During an interview for Swedish TV.<br />

Which phrase do you use most when you talk in<br />

<strong>English</strong>?<br />

Um!<br />

Which <strong>English</strong> word was the hardest for you to learn to<br />

pronounce?<br />

“Authorized”, or even worse, “unauthorized”.<br />

Which person from the <strong>English</strong>-speaking world would<br />

you choose to be stuck with on a desert island and why?<br />

Jamie Oliver — then at least I’d always have something<br />

tasty to eat.<br />

What is <strong>your</strong> favourite food from the <strong>English</strong>-speaking<br />

world? A good home-made hamburger.<br />

Which person from the<br />

<strong>English</strong>-speaking world<br />

(living or dead) would<br />

you most like to meet?<br />

Robbie Williams. But<br />

I’m probably not the<br />

only one with that<br />

answer.<br />

If you could be anywhere<br />

in the <strong>English</strong>speaking<br />

world right<br />

now, where would it<br />

be?<br />

Hawaii would be<br />

very nice.<br />

How do you improve <strong>your</strong> <strong>English</strong>?<br />

By reading an <strong>English</strong> book in the original language<br />

from time to time — and, of course, by speaking <strong>English</strong><br />

as often as possible.<br />

If you suddenly found <strong>your</strong>self with a free afternoon in<br />

London or New York, what would you do?<br />

Since I haven’t been to either city yet, I’d probably do<br />

exactly what all tourists do on their first visit: the whole<br />

nine yards!<br />

What would be <strong>your</strong> motto in <strong>English</strong>?<br />

Know <strong>your</strong>self.<br />

questionnaire [)kwestSE(neE] Fragebogen<br />

tasty [(teIsti]<br />

lecker<br />

the whole nine yards<br />

das volle Programm<br />

[DE )hEUl naIn (jA:dz] N. Am. ifml.<br />

Fotos: action press<br />

70<br />

<strong>Spotlight</strong> 9|13


Gut für<br />

den Kopf!<br />

Besser mit Sprachen. Land und Leute<br />

verstehen – und nebenbei die Sprache<br />

lernen. Jeden Monat neu.<br />

4<br />

Magazine<br />

zum Preis<br />

von 3!*<br />

Bestellen Sie jetzt Ihr Lieblingsmagazin!<br />

www.spotlight-verlag.de/4fuer3 +49 (0)89/8 56 81-16<br />

* Kennenlern-Angebot für Neu-Abonnenten: 4 Ausgaben eines Magazins Ihrer Wahl zum Preis von 3<br />

(€ 18,60 / SFR 27,90 – Business <strong>Spotlight</strong> € 34,50 / SFR 51,75).


Green Light<br />

92013<br />

ENGLISCH LEICHT GEMACHT!<br />

Read about<br />

the Union<br />

Jack<br />

Learn words<br />

for things<br />

you need at<br />

school<br />

Practise using<br />

“can” and<br />

“can’t”


GREEN LIGHT | News<br />

This month…<br />

Was beschäftigt die englischsprachige Welt im September?<br />

VANESSA CLARK spürt die heißen Storys für Sie auf.<br />

Rule Britannia<br />

Thriller man<br />

Music The BBC Proms music festival at London’s Royal<br />

Albert Hall (see also Green Light 7/13) ends on 7 September<br />

with the famous Last Night of the Proms concert<br />

— including an energetic celebration of traditional<br />

British songs, such as “Rule Britannia” and “Land of<br />

Hope and Glory”. Some people think the evening is too<br />

patriotic, but international visitors love it. The concert<br />

is broadcast live in London’s Hyde Park as well as in<br />

parks around Wales, Scotland and Northern Ireland.<br />

This year is a “first” for the Last Night of the Proms:<br />

after 118 years, it will have its first female conductor,<br />

American Marin Alsop.<br />

Books American David Baldacci was working as a lawyer when<br />

he decided to write a political thriller. It took three years to complete,<br />

but it was an international bestseller. Since then, he has<br />

written more than 20 other books, mostly exciting and fastmoving<br />

thrillers.<br />

Baldacci still lives in his home state of Virginia with his<br />

wife, their two “terrific teenagers” and two “not-so-wellbehaved<br />

Labradoodles”.<br />

His latest thriller, Das Komplott (<strong>English</strong> title: Deliver Us<br />

from Evil ), comes out in paperback in German this month.<br />

40<br />

1973<br />

years<br />

ago<br />

Washington, DC / Paris On<br />

26 September 1973, Concorde made<br />

its first non-stop flight across the<br />

Atlantic in record-breaking time.<br />

The supersonic plane flew from<br />

Washington to Paris in three<br />

hours and 32 minutes — half<br />

the time of the old record.<br />

broadcast [(brO:dkA:st]<br />

celebration [)selE(breIS&n]<br />

conductor [kEn(dVktE]<br />

energetic [)enE(dZetIk]<br />

exciting [Ik(saItIN]<br />

female [(fi:meI&l]<br />

Labradoodle [(lÄbrE)du:d&l]<br />

lawyer [(lO:jE]<br />

not-so-well-behaved<br />

[)nQt sEU wel bi(heIvd]<br />

supersonic plane [su:pE)sQnIk (pleIn]<br />

take [teIk]<br />

terrific [tE(rIfIk] ifml.<br />

senden, übertragen<br />

Fest<br />

Dirigent(in)<br />

energiegeladen<br />

spannend, fesselnd<br />

weiblich<br />

Hundemischling aus Labrador-<br />

Retriever und (Groß)Pudel<br />

(Rechts)Anwalt, -anwältin<br />

eher unerzogen<br />

Überschallflugzeug<br />

hier: dauern, benötigen<br />

toll, fantastisch<br />

2<br />

<strong>Spotlight</strong> 9|13


At school<br />

8 pictures | GREEN LIGHT<br />

STEPHANIE SHELLABEAR presents the words for things that are<br />

used at school.<br />

1<br />

8<br />

2<br />

7<br />

3<br />

6<br />

4<br />

5<br />

Titel: Polka Dot; Fotos Doppelseite: A. Slater; Arpingstone; Illustrationen: B. Förth<br />

Write the words below next<br />

to the pictures.<br />

1. pencil case [(pens&l keIs]<br />

2. pencil<br />

3. (a pair of) scissors [(sIzEz]<br />

4. ruler [(ru:lE]<br />

5. compasses [(kVmpEsIz]<br />

6. rubber (UK), eraser [I(reIzE]<br />

7. fountain pen [(faUntIn pen]<br />

8. (ink) cartridges [(kA:trIdZIz]<br />

1. What do you need...<br />

a) ...to correct mistakes? __________________<br />

b) ...to draw circles? __________________<br />

c) ...to draw lines? __________________<br />

d) ...to cut paper? __________________<br />

Tips<br />

2. Write the names of the <strong>English</strong> words<br />

next to the German translations below.<br />

a) Füllfederhalter __________________<br />

b) Tintenpatrone __________________<br />

Schere is a singular noun, but in<br />

c) Federmäppchen __________________<br />

<strong>English</strong>, you need to ask for a pair of d) Bleistift __________________<br />

scissors. It is only one thing, but it is<br />

made up of (bestehen aus) two parts.<br />

Don’t call a Radiergummi a rubber when you’re talking to people from the US. In US <strong>English</strong>, a<br />

rubber is a “condom”.<br />

Answers: 1. a) a rubber / an eraser; b) (a pair of) compasses; c) a ruler; d) a pair of scissors<br />

2. a) fountain pen; b) (ink) cartridge; c) pencil case; d) pencil<br />

9|13 <strong>Spotlight</strong><br />

3


GREEN LIGHT | Grammar elements<br />

“Can” and “can’t”<br />

STEPHANIE SHELLABEAR presents basic grammar.<br />

Can you remember how to use “can” and “can’t”?<br />

There is a group of special verbs that are called “modal verbs”. Can is one of them. It<br />

has no infinitive — you never say to can. Let’s look at how the verb is used:<br />

I / you / he / she / it / we / you / they can<br />

I / you / he / she / it / we / you / they can’t<br />

“Can’t” is the shortened form of “cannot” (written as one word).<br />

Can and can’t are used to say three different things:<br />

• We have / don’t have the ability (die Fähigkeit) to do something.<br />

• We have / don’t have the possibility (die Möglichkeit) of doing something.<br />

• We have / don’t have permission (die Erlaubnis) to do something.<br />

Sometimes we give a reason (Begründung). Look at these examples:<br />

• My daughter can play basketball really well. She has trained hard.<br />

• I can’t go swimming today because I have forgotten my bikini.<br />

• You can’t park there. The space is for disabled (behindert) drivers.<br />

Can and can’t are used in questions like these:<br />

• Can you meet me on Friday at ten o’clock?<br />

• Can’t she move her meeting to another day?<br />

If people begin a question with Can’t I / you / he...?, they are showing that they are not<br />

happy with the situation and would prefer to change it:<br />

• Can’t you play the trumpet somewhere else?<br />

Tips<br />

Complete the following sentences with “can” or “can’t”.<br />

a) I’m really sorry, but I _____ come to <strong>your</strong> party.<br />

b) _____ we have lunch a bit later?<br />

c) We _____ go to the US this year, because the flights cost too much.<br />

d) Are you free on Saturday? _____ you come to the beach with me?<br />

e) I don’t have the information you need, but my colleague _____ help you.<br />

f) _____ we have a break? I’m tired.<br />

Fotos: iStockphoto<br />

Answers: a) can’t; b) Can / Can’t; c) can’t; d) Can; e) can; f) Can / Can’t<br />

4<br />

<strong>Spotlight</strong> 9|13


Being ill<br />

It’s Saturday morning. Andrew is still in bed.<br />

By DAGMAR TAYLOR<br />

Donna: Aren’t you getting up today? We<br />

wanted to go shopping.<br />

Andrew: (groans) I don’t feel well.<br />

Donna: Oh? What’s the matter? Have you<br />

got the flu?<br />

Andrew: I don’t know. I’ve got a sore throat,<br />

and I feel awful.<br />

Donna: You poor thing! Shall I get you some<br />

tea? Do you want to take a paracetamol?<br />

Andrew: I’ve already taken one. I just want<br />

to sleep.<br />

Donna: I’ll try to make an appointment<br />

with the doctor.<br />

Andrew: OK. You’ll have to go shopping<br />

without me.<br />

Donna: No. We’ll go when you feel better. I<br />

know how much you enjoy it.<br />

Andrew: (groans)<br />

flu [flu:]<br />

groan [grEUn]<br />

throat [TrEUt]<br />

Grippe<br />

stöhnen<br />

Hals<br />

The Greens | GREEN LIGHT<br />

• When you get out of bed in the morning,<br />

you get up. You don’t stand up.<br />

• Another way to say you feel ill is to say<br />

you don’t feel well.<br />

• To find out more about how a person<br />

is feeling, you can ask: “What’s wrong?”<br />

or What’s the matter?<br />

• If a part of <strong>your</strong> body is sore [sO:], it is<br />

painful (schmerzhaft).<br />

• To tell someone how you feel, you can<br />

say you feel awful, “tired”, “sick”, etc.<br />

(Don’t say: I feel me...)<br />

• If you want to show that you feel sorry<br />

for someone, say: You poor thing!<br />

• When you take medicine or a pill, you<br />

swallow (hinunterschlucken) it.<br />

• If you want to see a doctor to ask for<br />

advice (einen Arzt (innerhalb der Sprechstundenzeiten)<br />

aufsuchen), you have to<br />

make an appointment (einen Termin<br />

vereinbaren).<br />

Tips<br />

Underline the correct words in bold<br />

to complete the sentences below.<br />

Donna<br />

a) Aren’t you getting / standing up today?<br />

b) I don’t feel ill / well.<br />

c) You poor one / thing!<br />

d) I’ll make an appointment / a date.<br />

Andrew<br />

Answers<br />

a) getting; b) well; c) thing; d) an appointment<br />

Listen to the dialogue at<br />

www.spotlight-online.de/<br />

products/green-light


GREEN LIGHT | Get writing<br />

Saying sorry<br />

VANESSA CLARK helps you to write<br />

letters, e-mails and more in <strong>English</strong>.<br />

This month: how to apologize.<br />

Use<br />

it!<br />

Highlight the key words<br />

and phrases that you would use if you<br />

wanted to write an e-mail like this <strong>your</strong>self.<br />

Sorry :-(<br />

To:<br />

Cc:<br />

Subject:<br />

fiona_h@offended.net<br />

Sorry :-(<br />

Dear Fiona<br />

I’m sorry about what happened yesterday. I made a mistake, and I feel bad about it.<br />

I was very tired all day, and I’m under a lot of stress at the moment.<br />

I hope we can continue to work together.<br />

Sorry again<br />

Max<br />

• The most important thing to say is: I’m sorry. You can make this stronger by saying:<br />

“I’m very sorry...” or “I’m really sorry...”<br />

• Maybe you made a mistake, or “did the wrong thing”, or “said the wrong thing”. Now you<br />

may feel bad, “terrible” or “awful” [(O:f&l].<br />

• Explain why the mistake happened. Perhaps you were tired, “ill”, “drunk” (betrunken) or<br />

under a lot of stress.<br />

• To look to the future, start with “I hope”; for example, I hope we can continue to work<br />

together or “I hope we can be friends again.”<br />

Tips<br />

Fotos: iStockphoto; T. Mansch


Culture corner | GREEN LIGHT<br />

I like…<br />

the Union Jack<br />

Jeden Monat stellt ein Redakteur etwas Besonderes aus der<br />

englischsprachigen Welt vor. Diesmal präsentiert<br />

Sprachredakteurin<br />

STEPHANIE<br />

SHELLABEAR ihr<br />

Lieblingsdesign.<br />

Fun<br />

facts<br />

What it is<br />

“Union Jack” is the popular name for the<br />

red, white and blue national flag of the<br />

United Kingdom. Its name comes from the<br />

sea term “jack”, meaning the flag that flies<br />

at the head of a ship. The design we know<br />

today dates from the year 1801, but there<br />

has been a union flag since the early<br />

1600s. It is made up of the individual<br />

crosses on the flags of St George, the patron<br />

saint of England, St Patrick, the patron<br />

saint of Ireland, and St Andrew, the patron<br />

saint of Scotland. The blue background is<br />

from St Andrew’s flag.<br />

Why I like it<br />

I love the design and the bright colours of<br />

the flag. These days, there are many products<br />

in the shops (even outside the UK) that<br />

are decorated with this design. One of the<br />

things I own is a small purse covered in sequins<br />

with a similar pattern to the flag on it.<br />

I keep my iPod in it. When I see the Union<br />

Jack, I am reminded of some very happy<br />

events that happened in my home country<br />

when I was a child of nine: I picture crowds<br />

of cheering people waving small versions<br />

of the flag when Queen Elizabeth II celebrated<br />

her silver jubilee — 25 years on the<br />

throne — in 1977.<br />

You might be asking <strong>your</strong>self why a<br />

flag of Wales is not included in the<br />

Union Jack. It’s because the cross of<br />

St George represents both England<br />

and Wales. Wales has a national flag<br />

of a red dragon on a green and white<br />

background, made official in 1959.<br />

background [(bÄkgraUnd]<br />

bright [braIt]<br />

cheering [(tSIErIN]<br />

cross [krQs]<br />

dragon [(drÄgEn]<br />

included: be ~ in sth.<br />

[In(klu:dId]<br />

individual [)IndI(vIdZuEl]<br />

made up of: be ~<br />

[)meId (Vp Ev]<br />

own [EUn]<br />

patron saint [)peItrEn (seInt]<br />

pattern [(pÄt&n]<br />

picture sth. [(pIktSE]<br />

remind sb. of sth.<br />

[ri(maInd Ev]<br />

sea term [(si: )t§:m]<br />

sequin [(si:kwIn]<br />

wave [weIv]<br />

Hintergrund<br />

leuchtend<br />

jubelnd<br />

Kreuz<br />

Drache<br />

in etw. enthalten<br />

sein<br />

hier: einzeln<br />

bestehen aus<br />

besitzen<br />

Schutzheilige(r)<br />

Muster<br />

sich in<br />

Erinnerung rufen<br />

jmdn. an etw.<br />

erinnern<br />

Seefahrerausdruck<br />

Paillette<br />

schwenken<br />

9|13 <strong>Spotlight</strong><br />

7


GREEN LIGHT | Notes and numbers<br />

There are different ways to say<br />

the number “0”.<br />

Nil is used to talk about the score (Spielstand,<br />

-ergebnis) in a team game such as football:<br />

• Our team is winning! The score is 8–0.<br />

(eight nil)<br />

O [EU] is used to give telephone numbers:<br />

• Is her number 804? (eight oh four)<br />

Zero [(zIErEU] is used when talking about<br />

temperatures and in scientific, medical and<br />

economic contexts:<br />

• Temperatures will drop to 0 °C.<br />

(zero degrees)<br />

Your notes<br />

Use this space for <strong>your</strong> own notes.<br />

Write the following numbers as you<br />

would say them.<br />

a) 0 °F __________________________________<br />

zero degrees (Fahrenheit)<br />

b) The score is 2–0. _____________________<br />

c) His number is 305. ___________________<br />

______________________________________<br />

d) The score is 4–0. _____________________<br />

e) Her number is 675090. _______________<br />

______________________________________<br />

Love<br />

In tennis, love is used for the score of zero:<br />

• He won the first set six to love.<br />

Answers: b) two nil; c) three oh five; d) four nil; e) six seven<br />

five oh nine oh<br />

Fotos: iStockphoto<br />

IMPRESSUM<br />

Herausgeber und Verlagsleiter: Dr. Wolfgang Stock<br />

Chefredakteurin: Inez Sharp<br />

Stellvertretende Chefredakteurin: Claudine Weber-Hof<br />

Chefin vom Dienst: Susanne Pfeifer<br />

Autoren: Vanessa Clark, Dagmar Taylor<br />

Redaktion: Owen Connors, Elisabeth Erpf,<br />

Anja Giese, Peter Green, Reinhild Luk,<br />

Michael Pilewski (Online), Stephanie Shellabear,<br />

Michele Tilgner, Joanna Westcombe<br />

Bildredaktion: Sarah Gough (Leitung), Thorsten Mansch<br />

Gestaltung: Marion Sauer/Johannes Reiner<br />

www.vor-zeichen.de<br />

Anzeigenleitung: Axel Zettler<br />

Marketingleitung: Holger Hofmann<br />

Produktionsleitung: Ingrid Sturm<br />

Vertriebsleitung: Monika Wohlgemuth<br />

Verlag und Redaktion: <strong>Spotlight</strong> Verlag GmbH<br />

Postanschrift: Postfach 1565, 82144 Planegg, Deutschland<br />

Telefon +49(0)89/8 56 81-0, Fax +49(0)89/8 56 81-105<br />

Internet: www.spotlight-online.de<br />

Litho: HWM GmbH, 82152 Planegg<br />

Druck: Medienhaus Ortmeier, 48369 Saerbeck<br />

© 2013 <strong>Spotlight</strong> Verlag, auch für alle genannten Autoren,<br />

Fotografen und Mitarbeiter.<br />

UNSER SPRACHNIVEAU: Das Sprachniveau in Green Light entspricht ungefähr Stufe A2 des<br />

Gemeinsamen Europäischen Referenzrahmens für Sprachen.


<strong>Spotlight</strong><br />

Pocket<br />

Puzzles<br />

Language tips<br />

Crosswords<br />

15 FUN<br />

WORD<br />

GAMES


ENGLISCH LERNEN<br />

IST EIN WITZ?<br />

Ja, mit diesem Spiel, in dem die Spieler<br />

Witze, Reime, Zungenbrecher und lustige<br />

Zitate zum Besten geben. Ein witziges<br />

Familienspiel mit großem Lerneffekt:<br />

vorlesen, frei vortragen, übersetzen,<br />

hören, verstehen und Vokabeln lernen.<br />

Mit 400 Witzen, Reimen, Zungenbrechern ,<br />

lustigen Zitaten und 504 Vokabelkärtchen,<br />

1 Spielanleitung, 1 Würfel, 1 Leinenbeutel.<br />

JETZT BESTELLEN!<br />

www.sprachenshop.de/spiele<br />

oder im Buch- und<br />

Spielwarenhandel<br />

5 19,95 (UVP)<br />

In Zusammenarbeit mit dem<br />

Erschienen bei:<br />

400 WITZE,<br />

REIME UND<br />

ZUNGEN-<br />

BRECHER<br />

Für 3 – 8 Spieler ab 12 Jahren,<br />

Spieldauer ca. 20 Minuten pro Runde.


WORD GAMES | Wortspiele<br />

We all love rules. We also know that rules<br />

are there to be broken and that the <strong>English</strong><br />

language especially loves to break rules —<br />

just look at the list of irregular verbs in <strong>English</strong>,<br />

or at plural forms, spelling or pronunciation.<br />

We have put together a booklet of puzzles<br />

not only for <strong>your</strong> amusement, but to help you remember and practise<br />

some of those tricky areas of <strong>English</strong>. We’ve included helpful<br />

tips and word games, and there’s a competition, too. So, grab a<br />

pencil and enjoy <strong>Spotlight</strong>’s word-games booklet. We hope you’ll<br />

have fun — and learn a lot, too.<br />

IMPRESSUM<br />

HERAUSGEBER UND VERLAGSLEITER:<br />

Dr. Wolfgang Stock<br />

CHEFREDAKTEURIN: Inez Sharp<br />

STELLVERTRETENDE CHEFREDAKTEURIN:<br />

Claudine Weber-Hof<br />

CHEFIN VOM DIENST: Susanne Pfeifer<br />

AUTORIN: Dagmar Taylor<br />

REDAKTION: Owen Connors, Elisabeth Erpf,<br />

Anja Giese, Peter Green, Reinhild Luk,<br />

Michael Pilewski (Online),<br />

Stephanie Shellabear, Michele Tilgner,<br />

Joanna Westcombe<br />

BILDREDAKTION:<br />

Sarah Gough (Leitung), Thorsten Mansch<br />

GESTALTUNG: Marion Sauer, Johannes Reiner<br />

www.vor-zeichen.de<br />

ANZEIGENLEITUNG: Axel Zettler<br />

MARKETINGLEITUNG: Holger Hofmann<br />

PRODUKTIONSLEITUNG: Ingrid Sturm<br />

VERTRIEBSLEITUNG: Monika Wohlgemuth<br />

VERLAG UND REDAKTION:<br />

<strong>Spotlight</strong> Verlag GmbH<br />

Postanschrift: Postfach 1565, 82144 Planegg,<br />

Deutschland<br />

Hausanschrift:<br />

Fraunhoferstraße 22, 82152 Planegg<br />

Telefon +49(0)89/8 56 81-0; Fax 8 56 81-105<br />

Internet: www.spotlight-online.de<br />

LITHO: HWM GmbH, 82152 Planegg<br />

DRUCK: te Neues,47906 Kempen<br />

© 9/13 <strong>Spotlight</strong> Verlag;<br />

Foto Titel: iStockphoto<br />

Fotos Innenteil: Thinkstock<br />

Language author, <strong>Spotlight</strong><br />

CONTENTS<br />

1. Verb search...............................4<br />

2. Uncountable crossword............5<br />

3. Spot the prepositions ...............6<br />

4. “Make” and “do” snakes ............7<br />

5. Plurals crossword I....................8<br />

6. Plurals crossword II...................9<br />

7. Alphabet riddles......................10<br />

8. Word pyramid .........................11<br />

9. Spelling balloons.....................12<br />

10. Punctuate this ........................14<br />

11. Word partners.........................15<br />

12. Fix the idioms .........................16<br />

13. Commonly confused words ...17<br />

14. What’s the joke? .....................18<br />

15. Code breaker ..........................19<br />

Answers .......................................20<br />

Competition.................................23<br />

9|13 <strong>Spotlight</strong><br />

3


WORD GAMES | Wortspiele<br />

1. Verb search<br />

Circle the past simple forms of the following verbs in the word<br />

search below. The words read diagonally , horizontally and<br />

vertically . The first one has been done for you.<br />

bite | break | buy | catch | cost | do | drink | give<br />

go | leave | make | steal | teach<br />

A F G B K B Z R W E N T<br />

B I T O S A R I P L O R<br />

S R T U G C Y O K G D T<br />

E T T G N A I I K B C A<br />

L S O H H J V Z O E P U<br />

E T T T O M A E E T E G<br />

F R R O Z A X V B H U H<br />

T T E D L D H Z F D A T<br />

F T Z A W E D G H T I C<br />

G C O S T Q W E R T Z D<br />

R H J I O P W D R A N K<br />

E Z C A U G H T U I K L<br />

It’s important to know the past forms of irregular verbs. You can find<br />

a list of them in a good grammar book or a learner’s dictionary.<br />

Tips<br />

4 <strong>Spotlight</strong> 9|13


2. Uncountable crossword<br />

The words in this crossword are all uncountable nouns.<br />

Read the clues and complete the crossword. Which uncountable<br />

noun can you make from the letters in the blue squares?<br />

1 2 3<br />

4<br />

5 6<br />

7 8<br />

9<br />

10<br />

11<br />

12<br />

ACROSS<br />

1. Reports of recent events<br />

6. Helpful suggestions about what to do<br />

8. Apples, bananas, oranges, etc.<br />

9. You use shampoo to wash this.<br />

11. You can spread butter on this.<br />

12. Tables, chairs, beds, etc.<br />

DOWN<br />

2. Rain, snow, sun, etc.<br />

3. A place to live or stay (UK)<br />

4. Facts or details<br />

5. The suitcases and bags with which you travel<br />

7. The vehicles on the road at a particular time<br />

10. The things that you do as part of <strong>your</strong> job<br />

9|13 <strong>Spotlight</strong><br />

5


WORD GAMES | Wortspiele<br />

3. Spot the prepositions<br />

Describe the beach scene below in <strong>your</strong> mind using<br />

prepositions of place. For example: “There are some<br />

shells on the beach.” Make notes on the lines given.<br />

Illustration: B. Förth<br />

Now use the correct prepositions to complete the sentences below.<br />

a) Paula is sitting ____ the beach ____ the shade.<br />

b) She’s sitting ______ her beach umbrella.<br />

c) The beach umbrella is stuck ____ the sand _____ Paula’s deckchair.<br />

d) The spade is lying ______ her deckchair.<br />

e) There is a boy standing _____ the sea.<br />

f) There is a seagull flying ____ the air _____ Paula.<br />

g) There is a sandcastle _____ the right of the picture.<br />

h) There is a rock pool ______ Paula’s chair.<br />

6 <strong>Spotlight</strong> 9|13


4. “Make” and “do” snakes<br />

It’s not always easy to know when you should use make and when<br />

you should use do. The two word snakes below are here to help you.<br />

There are six expressions in each snake. When you have found all the<br />

expressions, label the snakes. Which is the “do” snake and which is<br />

the “make” snake?<br />

a)<br />

YO U RH AI RHO USE WOR K BU SIN ESS TH ECO OKI NG HOM EWOR KTH EIRONING<br />

b)<br />

A S UGG E ST IO N NO ISE ADECIS ION AJ O UR NE YANEXC USE AP HON E CALL<br />

Tips<br />

Make and do<br />

Make is often used when you are talking<br />

about creative or more abstract tasks:<br />

• Mary made me some lovely earrings for<br />

my birthday.<br />

Do is usually the right word to use when<br />

you are talking about work or about jobs in<br />

the home:<br />

• His father does all the cooking.<br />

9|13 <strong>Spotlight</strong><br />

7


WORD GAMES | Wortspiele<br />

5. Plurals crossword I<br />

Some nouns are used only in their plural form. Read the clues and complete<br />

the grid with the correct words for things that you wear. Then,<br />

you should find a word for another piece of clothing in the blue boxes.<br />

a)<br />

b)<br />

c)<br />

d)<br />

e)<br />

f)<br />

a) Things that help you to see better.<br />

b) Things that you wear.<br />

c) “Shall I wear a skirt or ___________?”<br />

d) Scotsmen don’t always wear these.<br />

e) Male ballet dancers wear these on their legs.<br />

f) They are made of denim.<br />

Glasses<br />

When a glass is used for drinking out of,<br />

the plural is glasses:<br />

• She’s ordered six new wine glasses on the<br />

internet.<br />

Glasses that are used to help people see<br />

better or to protect the eyes from bright<br />

light are always plural:<br />

• My optician told me that I need to have<br />

new glasses.<br />

Tips<br />

Pronunciation fun<br />

Remember that<br />

clothes [klEUDz]<br />

sounds like<br />

“close” [klEUz], not<br />

“closes” [(klEUzIz].<br />

Tips<br />

8 <strong>Spotlight</strong> 9|13


6. Plurals crossword II<br />

1 2<br />

DOWN<br />

1.<br />

2.<br />

3<br />

5.<br />

6.<br />

4<br />

5<br />

Not all plurals are<br />

formed using -s.<br />

Complete the crossword<br />

by creating<br />

the correct<br />

irregular plural<br />

forms of the words<br />

shown in the<br />

picture clues.<br />

9<br />

6<br />

7 8<br />

8. 9.<br />

10<br />

11<br />

ACROSS<br />

3.<br />

4.<br />

11.<br />

7.<br />

9. 10.<br />

9|13 <strong>Spotlight</strong><br />

9


WORD GAMES | Wortspiele<br />

7. Alphabet riddles<br />

<strong>English</strong> has jokes about almost everything, including the alphabet.<br />

Can you guess the answers to the following letter riddles?<br />

a) Why is U the happiest letter?<br />

b) What is the longest word in the dictionary?<br />

c) What word becomes shorter when you add two letters to it?<br />

d) How can the letter A help a deaf lady?<br />

e) What starts with the letter T, is filled with T and ends in T?<br />

f) We see it once in a year, twice in a week and never in a day. What is it?<br />

g) How do you make the number one disappear?<br />

h) How do you write a love note with only five letters?<br />

i) Can you name the two days, apart from Tuesday<br />

and Thursday, that start with the letter T?<br />

j) What is at the end of a rainbow?<br />

10 <strong>Spotlight</strong> 9|13


8. Word pyramid<br />

Can you build the word pyramid? Get to the word “STARTING” by<br />

adding one letter to each previous word. The letters in each row must<br />

form real words. You can do the puzzle with or without the clues.<br />

The first one has been done for you.<br />

a)<br />

b)<br />

c)<br />

d)<br />

e)<br />

f)<br />

g)<br />

I<br />

S T A R T I N G<br />

a) A pronoun used to talk about <strong>your</strong>self<br />

b) Write the letters ___ the boxes.<br />

c) An action people disapprove of<br />

d) What you do when you make musical sounds with <strong>your</strong> voice<br />

e) A wound made by a bee or a wasp<br />

f) Used for tying things together<br />

g) You are doing this when you look at somebody for a long time.<br />

When you’ve completed this puzzle, close the booklet and see if you<br />

can get back to “I” again by removing one letter at a time.<br />

Tips<br />

9|13 <strong>Spotlight</strong><br />

11


WORD GAMES | Wortspiele<br />

9. Spelling balloons<br />

The 10 balloons on these two pages contain the letters of words that are<br />

often misspelt. Read the clues on page 13. The yellow letter is the first<br />

letter. Be careful: each balloon contains more letters than you need.<br />

l<br />

i<br />

f<br />

n<br />

e<br />

d<br />

i<br />

i<br />

e<br />

e<br />

y<br />

t<br />

e<br />

d<br />

a<br />

a<br />

l<br />

a<br />

e<br />

r<br />

n<br />

c<br />

j l<br />

e<br />

w e<br />

y<br />

y<br />

e<br />

r<br />

l<br />

e<br />

a) b) c)<br />

e<br />

a<br />

i<br />

i<br />

m<br />

l<br />

a<br />

e<br />

y<br />

d<br />

e<br />

m<br />

t<br />

i<br />

q<br />

n<br />

r<br />

o<br />

u<br />

s<br />

t<br />

e<br />

i<br />

a<br />

i<br />

e<br />

r<br />

n<br />

a<br />

u<br />

o<br />

n<br />

p<br />

i<br />

n<br />

u<br />

c<br />

t<br />

i<br />

r<br />

n<br />

o<br />

o<br />

d) e) f)<br />

12 <strong>Spotlight</strong> 9|13


e<br />

l<br />

s<br />

s<br />

u<br />

c<br />

e<br />

l<br />

c<br />

f<br />

u<br />

s<br />

e<br />

e<br />

c<br />

e<br />

s<br />

i<br />

p<br />

r<br />

t<br />

s<br />

e<br />

c<br />

r<br />

e<br />

n<br />

c<br />

a<br />

y<br />

r s<br />

e<br />

y<br />

b<br />

t<br />

i<br />

u<br />

u<br />

f<br />

l<br />

a<br />

l<br />

g) h) i) j)<br />

a) This adverb emphasizes that something is true.<br />

b) This shows the days, weeks and months in a year.<br />

c) Objects such as rings or necklaces worn for decoration<br />

d) Not later — not even a little bit later<br />

e) This list of questions is used for collecting information.<br />

f) It’s the way you say it.<br />

g) You are this when you achieve what you want to do.<br />

h) This piece of paper shows what you bought and how much you paid.<br />

i) This adjective is used to say that something is needed.<br />

j) This adjective describes a person or thing that is lovely to look at.<br />

The longest words<br />

Floccinaucinihilipilification (29 letters) means an estimation of<br />

something as worthless. It’s the longest real word in the <strong>English</strong><br />

language, according to the Oxford <strong>English</strong> Dictionary.<br />

Supercalifragilisticexpialidocious (34 letters) is a made-up word in<br />

the musical film Mary Poppins.<br />

9|13 <strong>Spotlight</strong><br />

13


WORD GAMES | Wortspiele<br />

10. Punctuate this<br />

Add the necessary punctuation so that the following sentence is<br />

grammatically correct — and makes sense.<br />

Whereas I had had had Alice had had had had had had had<br />

had the teachers approval<br />

You’ll need:<br />

one apostrophe (’)<br />

one full stop (.)<br />

one semi-colon (;)<br />

one comma (,)<br />

three pairs of inverted commas (“ ”)<br />

You won’t see many sentences<br />

like the one above, but punctuation<br />

can still be tricky. See<br />

<strong>Spotlight</strong>’s Language Pocket<br />

Guide 7: Punctuation today for<br />

more practice and tips.<br />

Tips<br />

What does a comma sound like?<br />

Have you ever thought that punctuation<br />

should have a voice? YouTube<br />

offers lots of ways to watch Victor<br />

Borge giving examples of his<br />

famous phonetic punctuation.<br />

14 <strong>Spotlight</strong> 9|13


11. Word partners<br />

Word partnerships help you to understand and speak natural<br />

<strong>English</strong>. Make expressions to describe weather conditions by matching<br />

two separate adjectives on the cards to each picture on the right.<br />

blazing<br />

howling<br />

/<br />

low<br />

blustery<br />

/<br />

deep<br />

glorious<br />

/<br />

fresh<br />

/<br />

scattered<br />

torrential<br />

/<br />

pouring<br />

9|13 <strong>Spotlight</strong><br />

15


WORD GAMES | Wortspiele<br />

12. Fix the idioms<br />

Look at the idioms below (a–h). One word in each of the expressions<br />

is incorrect. Circle the incorrect word and write the correct word from<br />

the list in the box below. There are more words than you need.<br />

barking | fish | hat | iceberg | ice cream | log<br />

road | sheep’s | spots | touch | wool | zebra<br />

a) He’s a wolf in<br />

cheap clothing.<br />

b) It’s as easy as<br />

falling off<br />

a dog.<br />

c) I wouldn’t eat<br />

that with a<br />

ten-foot pole.<br />

d) He’s like a duck<br />

out of water.<br />

f) A leopard can’t<br />

change his<br />

stripes.<br />

e) You can’t pull the<br />

wood over my eyes.<br />

g) That’s just the tip<br />

of the ice cube.<br />

h) I’m sorry. You’re<br />

parking up the<br />

wrong tree.<br />

16 <strong>Spotlight</strong> 9|13


13. Commonly confused words<br />

Learners of <strong>English</strong> sometimes confuse common words. Some sound<br />

similar or are “false friends”. Complete the crossword with pairs of<br />

words that are commonly confused.<br />

1 2<br />

3<br />

5 6<br />

7 8<br />

9<br />

10 11<br />

12<br />

13<br />

14<br />

15<br />

4<br />

DOWN<br />

1. She’s a great<br />

friend. She’s<br />

______ a sister to<br />

me.<br />

2. She’s a great<br />

player. She can’t<br />

______ this<br />

match.<br />

4. I’ve lived here<br />

______ 2012.<br />

6. He had to ______<br />

money from his<br />

parents.<br />

7. ______ you like,<br />

we can go out for<br />

dinner tonight.<br />

8. My dad left us<br />

when I was six.<br />

He started a new<br />

______ in Australia.<br />

11. Do you live<br />

______ here?<br />

12. Why did you<br />

_______ him the<br />

car?<br />

13. Look! She has<br />

the same bag<br />

______ I have.<br />

ACROSS<br />

3. Mum, my tooth is _______. I think it’s<br />

going to fall out soon.<br />

5. My mother lives on her own, but my<br />

sister lives ______.<br />

8. They’re planning a big wedding —<br />

with ______ music.<br />

9. It feels as if it’s been raining ______<br />

days. I need some sun.<br />

10. I’m going to London this weekend. I’ll<br />

call you ______ I get back.<br />

14. What’s for ______? Chocolate mousse?<br />

15. Dave is trekking in the Sahara ______.<br />

9|13 <strong>Spotlight</strong><br />

17


WORD GAMES | Wortspiele<br />

14. What’s the joke?<br />

Word order in <strong>English</strong> can sometimes seem like a puzzle. A sentence<br />

is hidden in each word cloud below. Put the words in each sentence in<br />

the correct order. All the sentences together will make a joke.<br />

a)<br />

b)<br />

c)<br />

d)<br />

e)<br />

Wordles<br />

You can make word clouds<br />

at www.wordle.net Working<br />

with word clouds can help<br />

you learn vocabulary or texts<br />

— or practise word order.<br />

Tips<br />

a)<br />

b)<br />

c)<br />

d)<br />

e)<br />

18 <strong>Spotlight</strong> 9|13


15. Code breaker<br />

Uncover the mystery quotation by cracking the code below.<br />

Each letter has been replaced by a different letter or number.<br />

“8 b355ywy5f 5335 fq3 vyjjysn7fh ye<br />

3a3zh xbbxzfneyfh;<br />

8e xbfywy5f 5335 fq3 xbbxzfneyfh ye<br />

3a3zh vyjjysn7fh.”<br />

“– ––––––––– –––– ––– –––––––––– ––<br />

––––– –––––––––––;<br />

–– –––––––– –––– ––– ––––––––––– ––<br />

––––– ––––––––––.”<br />

A B C D E F G H<br />

3<br />

I J K L M<br />

N O P Q R S T U V W X Y Z<br />

x<br />

f<br />

9|13 <strong>Spotlight</strong><br />

19


WORD GAMES | Answers<br />

1. Verb search (p. 4)<br />

2. Uncountable crossword (p. 5)<br />

A F G B K B Z R W E N T<br />

B I T O S A R I P L O R<br />

S R T U G C Y O K G D T<br />

E T T G N A I I K B C A<br />

L S O H H J V Z O E P U<br />

E T T T O M A E E T E G<br />

F R R O Z A X V B H U H<br />

T T E D L D H Z F D A T<br />

F T Z A W E D G H T I C<br />

G C O S T Q W E R T Z D<br />

R H J I O P W D R A N K<br />

E Z C A U G H T U I K L<br />

3. Spot the prepositions (p. 6)<br />

a) on, in<br />

b) under<br />

c) in, beside / next to<br />

d) in front of<br />

e) in<br />

f) in, over / above<br />

g) on<br />

h) behind<br />

1<br />

N E<br />

2<br />

W S<br />

3<br />

A<br />

I<br />

E<br />

C<br />

4<br />

N L A D V I C E<br />

5 6<br />

T F R U I T<br />

O<br />

7 8<br />

R O G H<br />

M<br />

H A I R G E<br />

M<br />

9<br />

F M A R<br />

10<br />

W O<br />

F A G<br />

O D<br />

I T E<br />

11<br />

B R E A D<br />

C I<br />

O<br />

K T<br />

I<br />

12<br />

F U R N I T U R E O<br />

N<br />

Extra word: luck<br />

4. “Make” and “do” snakes (p. 7)<br />

a) do <strong>your</strong> hair<br />

do housework<br />

do business<br />

do the cooking<br />

do homework<br />

do the ironing<br />

b) make a suggestion<br />

make noise<br />

make a decision<br />

make a journey<br />

make an excuse<br />

make a phone call<br />

5. Plurals crossword I (p. 8)<br />

a)<br />

b)<br />

G L A S S E S<br />

C L O T H E S<br />

T R O U S E R S<br />

c)<br />

d)<br />

e)<br />

f)<br />

U<br />

T<br />

J<br />

N<br />

I<br />

E<br />

D E R P A N T S<br />

G H T S<br />

A N S<br />

20 <strong>Spotlight</strong> 9|13<br />

6. Plurals crossword II (p. 9)<br />

C<br />

2<br />

G<br />

1<br />

A<br />

E<br />

3<br />

C H I L D R E N<br />

T<br />

S<br />

I<br />

4<br />

F E E<br />

5<br />

T<br />

E<br />

6<br />

K E<br />

N T<br />

F I S H<br />

9<br />

M I<br />

E<br />

N<br />

P<br />

V<br />

E<br />

E<br />

O<br />

10<br />

S H E E P<br />

L<br />

11<br />

W O M E N<br />

7 8<br />

C


7. Alphabet riddles (p. 10)<br />

a) Because it is always in the middle of “fun”.<br />

b) Smiles; there is a “mile” between each s.<br />

c) short<br />

d) It can make “her” “hear”.<br />

e) a teapot<br />

f) the letter E<br />

g) Add the letter G to “one”, and it’s gone.<br />

h) U R A Q T (You are a cutie.) (cutie: Süße(r)<br />

(ifml.))<br />

i) “today” and “tomorrow”<br />

j) the letter W<br />

8. Word pyramid<br />

(p. 11)<br />

I<br />

I N<br />

S I N<br />

S I N G<br />

S T I N G<br />

S T R I N G<br />

S T A R I N G<br />

S T A R T I N G<br />

9. Spelling balloons (p. 12)<br />

a) definitely<br />

b) calendar<br />

c) jewellery<br />

d) immediately<br />

e) questionnaire (Fragebogen)<br />

f) pronunciation<br />

g) successful<br />

h) receipt<br />

i) necessary<br />

j) beautiful<br />

10. Punctuate this (p. 14)<br />

Whereas I had had “had”,<br />

Alice had had “had had”;<br />

“had had” had had<br />

the teacher’s approval.<br />

11. Word partners (p. 15)<br />

low / scattered clouds (scattered clouds: aufgelockerte Bewölkung)<br />

pouring / torrential rain (torrential: sintflutartig)<br />

glorious / blazing sunshine (blazing, hier: strahlend)<br />

howling / blustery wind (blustery: stürmisch)<br />

deep / fresh snow<br />

12. Fix the idioms (p. 16)<br />

a) He’s a wolf in sheep’s clothing.<br />

b) It’s as easy as falling off a log. (Das ist ein Kinderspiel.)<br />

c) I wouldn’t touch that with a ten-foot pole. (Das würde ich noch nicht mal mit der<br />

Kneifzange anfassen.)<br />

d) He’s like a fish out of water. (Er ist wie ein Fisch auf dem Trockenen.)<br />

e) You can’t pull the wool over my eyes. (Du kannst mir keinen Sand in die Augen<br />

streuen!)<br />

f) A leopard can’t change his spots. (Die Katze lässt das Mausen nicht.)<br />

g) That’s just the tip of the iceberg. (Das ist nur die Spitze des Eisbergs.)<br />

h) I’m sorry. You’re barking up the wrong tree. (Du bist auf dem Holzweg.)<br />

9|13 <strong>Spotlight</strong><br />

21


WORD GAMES | Answers<br />

13. Commonly confused words (p. 17)<br />

1<br />

L<br />

2<br />

L<br />

I<br />

3<br />

L O O S E<br />

4<br />

K<br />

S I<br />

5N E A R<br />

6B Y E N<br />

O<br />

C<br />

7I<br />

R<br />

8<br />

L I V E<br />

F O R I<br />

9<br />

O F<br />

L<br />

10<br />

W H E<br />

11<br />

N<br />

A<br />

12 13<br />

E<br />

A<br />

14<br />

D E S S E R T<br />

N<br />

15<br />

D E S E R T<br />

14. What’s the joke? (p. 18)<br />

(a) A shipwrecked sailor has survived on a lonely island for many years. (b) One day,<br />

he sees a ship appear on the horizon. (c) A rescue boat soon lands on the beach.<br />

(d) An officer gives the sailor a pile of newspapers and says: (e) “The captain thinks<br />

you should read through these and let us know if you still want to be rescued.”<br />

15. Code breaker (p. 19)<br />

“A pessimist sees the difficulty in every opportunity;<br />

an optimist sees the opportunity in every difficulty.”<br />

Sir Winston Churchill (1874–1965), former British prime minister<br />

A B C D E F G H I J K L M<br />

8 s v 3 j q y 7 w<br />

N O P Q R S T U V W X Y Z<br />

e x b z 5 f n a h<br />

22 <strong>Spotlight</strong> 9|13


COMPETITION!<br />

<strong>Spotlight</strong> is giving away three<br />

copies of Are You Joking? by<br />

Grubbe Media and <strong>Spotlight</strong> — a<br />

game for activating <strong>your</strong> <strong>English</strong><br />

and <strong>your</strong> sense of humour.<br />

For <strong>your</strong> chance to win a game,<br />

look back through the page headings<br />

in this booklet and find all the<br />

letters in blue. Use these letters to<br />

make a word that has to do with<br />

the topic of this booklet:<br />

_____ - ______<br />

To take part, go to www.spotlight-online.de/word-games and put in the<br />

correct answer.<br />

We will draw three winners from the correct entries we receive by<br />

30 September 2013. The winners will be announced on our website,<br />

www.spotlight-online.de<br />

Good luck!<br />

Ja, ich mich damit einverstanden, dass meine Daten von der <strong>Spotlight</strong> Verlag<br />

GmbH erhoben und gespeichert werden dürfen. Die <strong>Spotlight</strong> Verlag GmbH darf<br />

mich per E-Mail über interessante Produkte informieren. Nicht teilnahmeberechtigt<br />

sind Mitarbeiter der <strong>Spotlight</strong> Verlag GmbH und der Grubbe Media<br />

GmbH sowie deren Angehörige. Eine Barauszahlung des Preises ist ausgeschlossen.<br />

Teilnahmeschluss ist der 30.09.2013. Der Rechtsweg ist ausgeschlossen.<br />

9|13 <strong>Spotlight</strong><br />

23


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den Kopf!<br />

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verstehen – und nebenbei die Sprache<br />

lernen. Jeden Monat neu.<br />

4<br />

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zum Preis<br />

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