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<strong>Japan</strong> <strong>Society</strong> <strong>Annual</strong> <strong>Report</strong> 2008–09 1


<strong>Japan</strong> <strong>Society</strong><br />

<strong>Annual</strong> <strong>Report</strong> 2008–09<br />

Contents<br />

Letter from the President 1<br />

Directors & Officers 2<br />

Committees 3<br />

Special Events 4<br />

Corporate Program 6<br />

Policy Projects 11<br />

Fellowships & Exchanges 15<br />

Gallery 17<br />

Performing Arts Program 22<br />

Film Program 25<br />

Lecture <strong>Programs</strong> 28<br />

Education <strong>Programs</strong> 31<br />

Toyota Language Center &<br />

C.V. Starr Library 36<br />

Financial Statement 38<br />

<strong>Japan</strong> <strong>Society</strong> Donors 40<br />

Staff 48<br />

Founded in 1907, <strong>Japan</strong> <strong>Society</strong> is a nonprofit, nonpolitical organization<br />

that brings the people of <strong>Japan</strong> and the United States closer together<br />

through understanding, appreciation and cooperation. <strong>Society</strong> programs<br />

in the arts, business, education and public policy offer opportunities<br />

to experience <strong>Japan</strong>ese culture; to foster sustained and open dialogue<br />

on issues important to the U.S., <strong>Japan</strong> and East Asia; and to improve<br />

access to information on <strong>Japan</strong>.<br />

cover: Awaji Puppet Theater Company © Jack Vartoogian/FrontRowPhotos.<br />

<strong>Japan</strong> <strong>Society</strong> <strong>Annual</strong> <strong>Report</strong> 2008–09 2


Letter from the President<br />

© Ken Levinson.<br />

I became president of <strong>Japan</strong> <strong>Society</strong> on<br />

April 7, 2009. In many ways, this was a natural<br />

transition, as I have been deeply involved<br />

with the <strong>Society</strong> for some years now, first as<br />

a Director of the <strong>Society</strong> during my various<br />

capacities with Mitsubishi International<br />

Corporation and then, until the past spring,<br />

as Ambassador and Consul General of <strong>Japan</strong><br />

in New York. It is an honor and a privilege<br />

to be chosen to lead <strong>Japan</strong> <strong>Society</strong> at the<br />

beginning of its second century.<br />

In these difficult times, the <strong>Society</strong>’s mission<br />

to foster a dynamic and productive mutual<br />

understanding between the people of the<br />

U.S. and <strong>Japan</strong> faces new and unprecedented<br />

economic challenges. The <strong>Society</strong>’s endowment<br />

has been greatly affected by the September<br />

2008 market crash, and income used to support<br />

programming efforts and administrative<br />

costs has been reduced proportionally. Corporate<br />

and foundation gifts, the cornerstone of<br />

our outstanding and ambitious programming,<br />

have been reined in as part of the global belttightening<br />

caused by the recession. Difficult<br />

times demand innovative, perhaps even<br />

radical solutions. First, we must redouble our<br />

efforts at fundraising, from individuals, from<br />

corporations and from foundations. It is critical<br />

to our future that we maintain a healthy and<br />

diverse base of support. At the same time,<br />

cost-cutting and “green” energy-saving<br />

measures have been implemented, our staff<br />

is leaner and we are exploring ways to further<br />

streamline our operations.<br />

<strong>Japan</strong> <strong>Society</strong>'s current programming enjoys<br />

a very good reputation. Our Gallery, Performing<br />

Arts, Film Program, Corporate Program,<br />

U.S.-<strong>Japan</strong> Innovators Network, Lectures and<br />

Education programs, and Language Center are<br />

all outstanding. Future initiatives will broaden<br />

our programming to match ongoing societal<br />

shifts in <strong>Japan</strong>, addressing <strong>Japan</strong>’s profound<br />

influence on the food industry, manga and<br />

anime, and popular music across the world.<br />

Paramount to the <strong>Society</strong>’s continued success<br />

and growth is the need to build younger, more<br />

diverse audiences through programs such as<br />

the spring 2009 <strong>Japan</strong> <strong>Society</strong> Gallery exhibition,<br />

KRAZY! The Delirious World of Anime +<br />

Manga + Video Games and expanded class<br />

offerings at the Toyota Language Center that<br />

build on contemporary <strong>Japan</strong>ese culture. In<br />

April 2010 we’ll take you on a “J-CATION,” a<br />

weekend open house at the <strong>Society</strong> where you<br />

can experience a vacation in <strong>Japan</strong> without<br />

leaving New York City! We hope to welcome<br />

many new visitors and members to our unique<br />

facilities—the first <strong>Japan</strong>ese-designed building<br />

in New York City, completed by architect<br />

Junzo Yoshimura in 1971. For those unable to<br />

attend in person, our greatly expanded online<br />

presence now offers live, interactive webcasts,<br />

archived program videos and web-only<br />

interviews covering hot topics in <strong>Japan</strong>-U.S.<br />

relations. Our talented staff and directors are<br />

busy planning these important new projects,<br />

and many more.<br />

To our Board, foundation, corporate and<br />

individual members, friends and staff, we are<br />

deeply grateful for your support during this<br />

time, and for our future endeavors.<br />

It was with great sadness that <strong>Japan</strong> <strong>Society</strong><br />

learned of the passing of James (Jim) S.<br />

McDonald on September 13, 2009, at the<br />

age of 56. He was Chairman of <strong>Japan</strong> <strong>Society</strong>,<br />

and President and CEO of Rockefeller & Co.,<br />

New York.<br />

Jim, who joined our Board of Directors in 2002<br />

and served as Chairman from 2005, was<br />

instrumental in guiding <strong>Japan</strong> <strong>Society</strong> through<br />

our 100th anniversary celebration in 2007–08.<br />

During his time as Chairman, Jim led <strong>Japan</strong><br />

<strong>Society</strong> through many of our proudest<br />

accomplishments, including our centennial<br />

gala dinner with former President Bill Clinton in<br />

New York in 2007, and our 100th anniversary<br />

gala with Their Majesties The Emperor and<br />

Empress of <strong>Japan</strong> in Tokyo in 2008.<br />

Jim was an extraordinary leader who contributed<br />

greatly to the success of the <strong>Japan</strong><br />

<strong>Society</strong> during his tenure on our Board. He will<br />

be missed terribly by all who had the privilege<br />

to know and work with him over the years.<br />

We extend deep our condolences to Jim’s wife,<br />

Karen, and his children at this difficult time.<br />

Sincerely,<br />

Motoatsu Sakurai<br />

<strong>Japan</strong> <strong>Society</strong> <strong>Annual</strong> <strong>Report</strong> 2008–09 1


Directors & Officers<br />

Directors<br />

Kazushi Ambe<br />

Senior Vice President, Human Resources,<br />

Sony Corporation of America<br />

Steve Bernstein<br />

President, Zenbu Media<br />

Gregory A. Boyko*<br />

Retired Chairman and CEO,<br />

Hartford Life International, Ltd.<br />

Jonathan E. Colby<br />

Managing Director, The Carlyle Group<br />

Henry Cornell*<br />

Managing Director, Goldman, Sachs & Co.<br />

Michael E. Daniels<br />

Senior Vice President, Global Technology<br />

Services, IBM Corporation<br />

Richard A. Drucker<br />

Partner, Davis Polk & Wardwell<br />

Robert E. Fallon<br />

Adjunct Professor, Columbia<br />

Business School<br />

Atsuko Toko Fish<br />

U.S.-<strong>Japan</strong> Cross Cultural<br />

Communication Consultant<br />

Masaaki Fujita<br />

President and CEO, Mitsui & Co.<br />

(U.S.A.), Inc.<br />

Carol Gluck*<br />

George Sansom Professor of History,<br />

Columbia University<br />

Maurice R. Greenberg<br />

Chairman and CEO, C.V. Starr & Co., Inc.<br />

David W. Heleniak*<br />

Senior Advisor, Investment Banking<br />

Division, Morgan Stanley<br />

Nobuhiko Ikura<br />

President and CEO, Nippon Steel<br />

U.S.A., Inc.<br />

Merit E. Janow*<br />

Professor, International Economic<br />

Law & International Affairs,<br />

Columbia University<br />

Robert A. Karr<br />

Principal, Joho Capital, LLC<br />

Shigesuke Kashiwagi<br />

President and CEO, Nomura Holding<br />

America Inc.<br />

Frederick H. Katayama<br />

Anchor, Thomson Reuters<br />

Yoshiaki Kawamata<br />

Senior Managing Executive Officer<br />

and CEO for the Americas, Bank of<br />

Tokyo Mitsubishi UFJ, Ltd.<br />

Iwao Kimura<br />

Senior Vice President, Toyota Motor<br />

North America, Inc.<br />

Jonathan B. Kindred<br />

CEO and Representative Director,<br />

Morgan Stanley <strong>Japan</strong> Holdings Co., Ltd.<br />

Koichi Komatsu<br />

President and CEO, Mitsubishi<br />

International Corporation<br />

Christopher J. LaFleur<br />

Vice Chairman, JPMorgan Securities<br />

<strong>Japan</strong> Co., Ltd.<br />

Richard S. Lanier*<br />

President, Asian Cultural Council<br />

Alan S. MacDonald<br />

Vice Chairman, Citibank, N.A.<br />

Jun Makihara<br />

Chairman, Neoteny Co., Ltd.<br />

Deryck C. Maughan<br />

Member, Kohlberg Kravis Roberts & Co.<br />

James S. McDonald* †<br />

Chairman, <strong>Japan</strong> <strong>Society</strong><br />

President and CEO, Rockefeller & Co., Inc.<br />

Henry A. McKinnell, Jr.**<br />

Chairman, Accordia Global Health<br />

Foundation<br />

Former Chairman of the Board and<br />

CEO, Pfizer Inc<br />

Koichi Mochizuki<br />

President and CEO, Marubeni<br />

America Corporation<br />

Jiro Murase**<br />

Managing Partner, Bingham<br />

McCutchen Murase<br />

Satoru Murase<br />

Partner, Bingham McCutchen Murase<br />

Toby S. Myerson<br />

Partner, Paul, Weiss, Rifkind,<br />

Wharton & Garrison LLP<br />

Shinichi Nishimiya***<br />

Ambassador and Consul General<br />

of <strong>Japan</strong> in New York<br />

Consulate General of <strong>Japan</strong><br />

Peter G. Peterson**<br />

Founder and Chairman, Peter G.<br />

Peterson Foundation<br />

Chairman Emeritus and Co-Founder,<br />

The Blackstone Group<br />

James H. Quigley<br />

Chief Executive Officer, Deloitte<br />

Touche Tohmatsu<br />

James G. Wilders Reed<br />

President and CEO, Mizuho<br />

Securities USA Inc.<br />

Justin A. Rockefeller<br />

Co-Founder, GenerationEngage<br />

Wilbur L. Ross, Jr.<br />

Chairman and CEO, WL Ross & Co. LLC<br />

Motoatsu Sakurai<br />

President, <strong>Japan</strong> <strong>Society</strong><br />

(Ex officio)<br />

Timothy Schilt<br />

Partner, Berens Capital<br />

Michihisa Shinagawa*<br />

President and CEO, Sumitomo<br />

Corporation of America<br />

Masako H. Shinn<br />

Partner, Graphis Inc.<br />

Joshua N. Solomon<br />

Principal, New York City Department<br />

of Education<br />

Michael I. Sovern**<br />

President Emeritus and Chancellor Kent<br />

Professor of Law, Columbia University<br />

Howard Stringer<br />

Chairman, CEO and President,<br />

Sony Corporation<br />

Yoshihisa Suzuki<br />

President and CEO, ITOCHU<br />

International Inc.<br />

Gary M. Talarico<br />

Former Managing Director,<br />

Sun Capital Partners<br />

Paul A. Volcker**<br />

Former Chairman of the Board of<br />

Governors, Federal Reserve System<br />

Officers<br />

James S. McDonald†<br />

Chairman<br />

Motoatsu Sakurai<br />

President<br />

Lisa Bermudez<br />

Vice President Finance & Administration<br />

Daniel A. Rosenblum<br />

Vice President<br />

Director, Corporate & Policy <strong>Programs</strong><br />

Susan J. Onuma<br />

Secretary<br />

Honorary Patrons<br />

H.E. Ichiro Fujisaki<br />

Ambassador of <strong>Japan</strong> to the<br />

United States of America<br />

H.E. Shinichi Nishimiya<br />

Ambassador and Consul General<br />

of <strong>Japan</strong> in New York<br />

H.E. Yukio Takasu<br />

Ambassador, Permanent Representative<br />

of <strong>Japan</strong> to the United Nations<br />

Honorary Directors<br />

Mary Griggs Burke<br />

Tatsuro Goto<br />

Robert S. Ingersoll<br />

William W. Scranton<br />

*Member of the Executive Committee **Life Director ***Honorary Director † Deceased September 13, 2009<br />

As of June 30, 2009<br />

<strong>Japan</strong> <strong>Society</strong> <strong>Annual</strong> <strong>Report</strong> 2008–09 2


Committees<br />

Executive Committee<br />

James S. McDonald † , Chair<br />

Gregory A. Boyko<br />

Henry Cornell<br />

Carol Gluck<br />

David W. Heleniak<br />

Merit E. Janow<br />

Richard S. Lanier<br />

Michihisa Shinagawa<br />

Investment Committee<br />

Henry Cornell, Chair<br />

Shigesuke Kashiwagi<br />

Jonathan B. Kindred<br />

Wilbur L. Ross, Jr.<br />

Gary M. Talarico<br />

Finance Committee<br />

Gregory A. Boyko, Chair<br />

Alan S. MacDonald<br />

Jun Makihara<br />

James H. Quigley<br />

James G. Wilders Reed<br />

Nominating & Corporate<br />

Governance Committee<br />

David W. Heleniak, Chair<br />

Robert E. Fallon<br />

Merit E. Janow<br />

Jun Makihara<br />

Deryck C. Maughan<br />

Yoshihisa Suzuki<br />

Audit Committee<br />

Satoru Murase, Chair<br />

Nobuhiko Ikura<br />

Shigesuke Kashiwagi<br />

Program Committee<br />

Merit E. Janow, Chair<br />

Kazushi Ambe<br />

Masako Shinn<br />

Atsuko Toko Fish<br />

Joshua N. Solomon<br />

Frederick H. Katayama<br />

<strong>Japan</strong> Advisory Committee<br />

Shoichiro Toyoda, Chair<br />

Kensuke Hotta<br />

Kazuo Inamori<br />

Yotaro Kobayashi<br />

Minoru Makihara<br />

Fujio Mitarai<br />

Yoshihiko Miyauchi<br />

Yuzaburo Mogi<br />

Minoru Mori<br />

Ambassador Moriyuki Motono<br />

Minoru Murofushi<br />

Yoshio Nakamura<br />

Takeo Shiina<br />

Shinjiro Shimizu<br />

Seiji Tsutsumi<br />

Jiro Ushio<br />

Goro Watanabe<br />

Ambassador Koji Watanabe<br />

Film Advisory Committee<br />

Donald Richie, Chair<br />

Mary Lea Bandy<br />

Celeste Bartos<br />

Robert Gottlieb<br />

Junji Kitadai<br />

Akira Koike<br />

Keiko I. McDonald<br />

Masayo Okada<br />

Nagisa Oshima<br />

Richard Pena<br />

Daniel Talbot<br />

Performing Arts Advisory<br />

Committee<br />

Margaret Lawrence, Chair<br />

Philip Bither<br />

John Gillespie<br />

David G. Goodman<br />

Stephen Greco<br />

Laurence Kominz<br />

Judy Mitoma<br />

W. Anthony Sheppard<br />

John Weidman<br />

Robert Woodruff<br />

Honorary Members<br />

James Brandon<br />

Karen Brazell<br />

Donald Keene<br />

Thomas Rimer<br />

Ralph Samuelson<br />

Akihiko Senda<br />

U.S.-<strong>Japan</strong> Innovators Network<br />

Board of Advisors<br />

Susan Dentzer<br />

Glen Fukushima<br />

Glenn Hubbard<br />

Kakutaro Kitashiro<br />

Joseph Melillo<br />

Fujio Mitarai<br />

Wilbur L. Ross<br />

Shinjiro Shimizu<br />

Mitsuko Shimomura<br />

Hirotaka Takeuchi<br />

Hiroshi Tsukamoto<br />

Yoshinori Yamaoka<br />

Masakazu Yamazaki<br />

U.S.-<strong>Japan</strong> Innovators Network<br />

Business Advisory Committee<br />

Jack D. Cogen<br />

Aron Cramer<br />

Michael E. Daniels<br />

Michael Kobori<br />

Terrie Lloyd<br />

Oki Matsumoto<br />

Alicia Ogawa<br />

Debra van Opstal<br />

Thierry Porte<br />

James G. Reed<br />

Ann Rutledge<br />

Hiroaki Saito<br />

Ken Shibusawa<br />

Hirotaka Takeuchi<br />

Alan Webber<br />

Keith Yamashita<br />

U.S.-<strong>Japan</strong> Innovators Network<br />

Cultural Advisory Committee<br />

David d’Heilly<br />

Thelma Golden<br />

Yasuki Hamano<br />

Yuko Hasegawa<br />

Minoru Iki<br />

Taneo Kato<br />

Douglas McGray<br />

Dominic Molon<br />

Taeko Nagai<br />

Fumio Nanjo<br />

Shigeaki Saegusa<br />

Ralph Samuelson<br />

Emily Sano<br />

Hiroshi Yanai<br />

U.S.-<strong>Japan</strong> Innovators Network<br />

Social Advisory Committee<br />

Ayako Fujii<br />

Rosanne Haggerty<br />

Keiko Kiyama<br />

Megumu Mizuta<br />

Zenko Oda<br />

Kensuke Onishi<br />

Michael Reich<br />

Yoshinori Yamaoka<br />

Robert E. Fallon<br />

Yoshito Hori<br />

Joichi Ito<br />

Shuhei Kishimoto<br />

As of June 30, 2009<br />

<strong>Japan</strong> <strong>Society</strong> <strong>Annual</strong> <strong>Report</strong> 2008–09 3


Special Events<br />

<strong>Japan</strong> <strong>Society</strong><br />

2009 <strong>Annual</strong> Dinner<br />

1<br />

The 2009 <strong>Annual</strong> Dinner was held on June 15<br />

at the Grand Hyatt New York. Fujio Mitarai,<br />

Chairman, Nippon Keidanren and Chairman<br />

and CEO, Canon Inc., delivered the keynote<br />

address to over 550 guests. Frederick H.<br />

Katayama, anchor, Reuters Television,<br />

served as Master of Ceremonies. Sir Deryck<br />

Maughan, Member, Kolhberg Kravis Roberts<br />

& Co., presented the <strong>Japan</strong> <strong>Society</strong> Award<br />

to The Hon. Peter G. Peterson, Founder and<br />

Chairman, Peter G. Peterson Foundation and<br />

Chairman Emeritus and Co-Founder, The<br />

Blackstone Group. Jake Shimabukuro, the<br />

ukulele virtuoso hailing from Hawaii, amazed<br />

guests with his performance of both original<br />

and classic pieces. The evening concluded as<br />

chef and restaurateur Nobu Matsuhisa was<br />

presented with the <strong>Japan</strong> <strong>Society</strong> Award<br />

by Tim and Nina Zagat, Co-Founders and<br />

Co-Chairs of the Zagat Survey.<br />

2<br />

2 3<br />

4 4<br />

5<br />

6<br />

7<br />

1 Left to right: <strong>Japan</strong><br />

<strong>Society</strong> Chairman James S.<br />

McDonald, President and<br />

CEO, Rockefeller & Co., Inc.;<br />

The Hon. Peter G. Peterson,<br />

Founder and Chairman, Peter<br />

G. Peterson Foundation; Fujio<br />

Mitarai, Chairman, Nippon<br />

Keidanren and Chairman<br />

and CEO, Canon Inc.; chef<br />

Nobu Matsuhisa; and <strong>Japan</strong><br />

<strong>Society</strong> President Motoatsu<br />

Sakurai. © Satoru Ishikawa.<br />

2 Left to right: Chef Nobu<br />

Matsuhisa and Yoko Matsuhisa;<br />

Tim and Nina Zagat,<br />

Co-Founders and Co-Chairs,<br />

Zagat Survey; and Sir Deryck<br />

C. Maughan, Member,<br />

Kolhberg Kravis Roberts &<br />

Co. © Satoru Ishikawa.<br />

3 Fujio Mitarai, Chairman,<br />

Nippon Keidanren and Chairman<br />

and CEO, Canon Inc.,<br />

delivers the keynote address.<br />

© Satoru Ishikawa.<br />

4 The Hon. Peter G. Peterson<br />

(left), Founder and Chairman,<br />

Peter G. Peterson Foundation<br />

receives the 2009 <strong>Japan</strong><br />

<strong>Society</strong> Award from Sir<br />

Deryck C. Maughan (right),<br />

Member, Kolhberg Kravis<br />

Roberts & Co. © Satoru<br />

Ishikawa.<br />

5 Nina and Tim Zagat<br />

(center and right), Co-<br />

Founders and Co-Chairs,<br />

Zagat Survey, present the<br />

2009 <strong>Japan</strong> <strong>Society</strong> Award<br />

to chef and restaurateur<br />

Nobu Matsuhisa (left).<br />

© Satoru Ishikawa.<br />

6 Fujio Mitarai (left),<br />

Chairman, Nippon Keidanren<br />

and Chairman and CEO,<br />

Canon Inc. and The Hon.<br />

Peter G. Peterson (right),<br />

Founder and Chairman,<br />

Peter G. Peterson Foundation.<br />

© Satoru Ishikawa.<br />

7 Ukulele artist<br />

Jake Shimabukuro.<br />

© Satoru Ishikawa.<br />

<strong>Japan</strong> <strong>Society</strong> <strong>Annual</strong> <strong>Report</strong> 2008–09 4


8 A traditional <strong>Japan</strong>ese<br />

lion dancer playfully teases<br />

Mr. Yasunori Yokote,<br />

President and CEO, Mitsui<br />

& Co. (U.S.A.), Inc., and<br />

Mrs. Yokote at the annual<br />

New Year’s celebration.<br />

© Yoko Suzuki.<br />

9 Film directors Michel<br />

Gondry (left) and Leos<br />

Carax (right) at the<br />

New York premiere of<br />

TOKYO! at <strong>Japan</strong> <strong>Society</strong>.<br />

© George Hirose.<br />

10 Friends of <strong>Japan</strong> <strong>Society</strong><br />

Gallery gather at the home<br />

of collector Dr. John C.<br />

Weber to view his collection<br />

of <strong>Japan</strong>ese ceramics.<br />

© Yoko Suzuki.<br />

11 Left to right: Akiko<br />

Kawamata; Yoshiaki Kawamata,<br />

Senior Managing<br />

Executive Officer and CEO<br />

for the Americas, The Bank<br />

of Tokyo-Mitsubishi UFJ,<br />

Ltd.; Alan Gilbert, Music<br />

Director Designate, New<br />

York Philharmonic; and<br />

Nobuhiko Ikura, President<br />

and CEO, Nippon Steel<br />

U.S.A., Inc. at a reception<br />

honoring Mr. Gilbert.<br />

© George Hirose.<br />

12 Participants in the firstever<br />

Cosplay Party, held in<br />

conjunction with the <strong>Japan</strong><br />

<strong>Society</strong> Gallery exhibition<br />

KRAZY! The Delirious World<br />

of Anime + Manga + Video<br />

Games. © George Hirose.<br />

13 Left to right: Motoatsu<br />

Sakurai, President, <strong>Japan</strong><br />

<strong>Society</strong>; Departures director<br />

Yojiro Takita; Nobuko Sakurai;<br />

and Departures lead actor<br />

Masahiro Motoki at a<br />

reception celebrating the<br />

New York premiere of the<br />

Academy Award-winning<br />

film Departures. © Satoru<br />

Ishikawa.<br />

14 Sen So’oku, Next<br />

Grand Tea Master of the<br />

Mushakouji Senke School of<br />

Tea, demonstrates “Modern<br />

Teaism” at a tea gathering.<br />

© Satoru Ishikawa.<br />

9 10<br />

8<br />

11 12<br />

13 14<br />

<strong>Japan</strong> <strong>Society</strong> <strong>Annual</strong> <strong>Report</strong> 2008–09 5


Corporate Program<br />

In September 2008, the Corporate Program season launch<br />

coincided with political upheaval in <strong>Japan</strong>. Yasuo Fukuda,<br />

who had been brought in fewer than 12 months prior to<br />

replace Shinzo Abe, met stiff resistance from opposition<br />

parties who stymied his policy initiatives and appointments.<br />

In replacing Mr. Fukuda, the hawkish Taro Aso raised speculation<br />

of further strain in <strong>Japan</strong>’s relations with its neighbors.<br />

Two other significant factors exacerbated uncertainty in<br />

U.S.-<strong>Japan</strong> relations. One was the pending U.S. presidential<br />

election. The overarching concern, however, was less political<br />

than economic. With recessionary fears already on the rise,<br />

global financial markets were thrown into turmoil in mid-<br />

September when U.S. authorities decided against rescuing<br />

investment bank Lehman Brothers. For the second time in<br />

six months, Wall Street saw another of its vaunted investment<br />

banks collapse, and yet another, Merrill Lynch, sent<br />

into the arms of Bank of America.<br />

Against this backdrop, the Corporate Program examined<br />

the root causes and impact of the financial crisis through<br />

a series of panel discussions, including one featuring<br />

Citi Chief Economist Lewis Alexander and Brad Setser<br />

from the Council on Foreign Relations on the effects of the<br />

spike and subsequent plunge in world commodity prices.<br />

Additionally, we looked at the role of rating agencies in the<br />

crisis and the importance of due diligence for hedge fund<br />

investors. In search of an upside, we hosted two panels to<br />

discuss how swooning share prices in the West presented<br />

M&A opportunities for <strong>Japan</strong>ese firms in banking, and most<br />

conspicuously, in the health care sector. <strong>Japan</strong>’s Ambassador<br />

to the U.S. and the Bank of <strong>Japan</strong> governor offered their<br />

thoughts on ways to remove the burden of toxic assets and<br />

on lessons the U.S. could take from <strong>Japan</strong>’s 1990s banking<br />

crisis. Stephen Schwarzman, Chairman and CEO of The<br />

Blackstone Group, spoke on the global impact of the current<br />

crisis, while PIMCO’s Paul McCulley provided thoughts on<br />

the road beyond the deleveraged global economy.<br />

Barack Obama’s win in November prompted consideration<br />

of his economic and foreign policy initiatives and their effect<br />

on U.S.-<strong>Japan</strong> relations. Chief economists from JPMorgan,<br />

Bank of Tokyo-Mitsubishi UFJ and Nomura joined two<br />

January discussions to explore the effectiveness of Obama’s<br />

announced fiscal and monetary policies in mending the U.S.<br />

economy, as well as the impact these initiatives would have<br />

on Asian markets. <strong>Japan</strong>’s envoy to the United Nations,<br />

Ambassador Yukio Takasu, examined the <strong>Japan</strong>’s evolving<br />

role in the UN and the degree to which the Obama administration<br />

would support <strong>Japan</strong>’s push for an expanded Security<br />

Council that more closely reflects the global political and<br />

economic order in the 21st century.<br />

Finally, we embarked on a multidisciplinary look at innovative<br />

approaches to traditional business. 7-Bank head Takashi<br />

Anzai discussed his unorthodox approach to banking solely<br />

through ATM networks, showing that there can be success<br />

stories even in tough economic times. Creative Commons<br />

CEO Joichi Ito moved from propriety-based business models<br />

to open-source software collaborations as he stressed the<br />

importance of <strong>Japan</strong> keeping pace with this small companyoriented<br />

business environment in order to play a meaningful<br />

role in the new economy.<br />

In September 2008, we began offering live and archived<br />

webcasts of many of our programs. We will continue to<br />

build on this capability in the coming season in addition to<br />

offering select web-only content featuring influential business<br />

people, academics and policy-makers. Next season’s<br />

topics for public programs and web initiatives include the<br />

effectiveness of sweeping regulatory reforms in the postcrisis<br />

financial industry; the outcome of <strong>Japan</strong>’s coming<br />

general election; and an assessment of regional power shifts<br />

marking 50 years since the signing of the U.S.-<strong>Japan</strong> Treaty<br />

of Mutual Cooperation and Security.<br />

As global capital markets scrambled to attract new listings<br />

amidst deteriorating economic conditions and increased<br />

global competition, we invited the heads of NASDAQ OMX,<br />

the Tokyo Stock Exchange and NYSE Euronext to share<br />

their views on reevaluating capital markets regulation. In<br />

addition, we convened a major conference in Tokyo featuring<br />

11 panelists from <strong>Japan</strong>, the U.S., Hong Kong, Singapore and<br />

the UK representing government, industry and academia<br />

to discuss strategies for making <strong>Japan</strong>’s capital markets<br />

more accessible to foreign companies.<br />

<strong>Japan</strong> <strong>Society</strong> <strong>Annual</strong> <strong>Report</strong> 2008–09 6


2008–09 <strong>Programs</strong><br />

Conferences, Panel Discussions,<br />

Seminars & Symposia<br />

Commodities Conundrum: The U.S. & <strong>Japan</strong><br />

Battle a Byproduct of Emerging Market Growth •<br />

25 September<br />

With Lewis Alexander, Chief Economist, Citi;<br />

Brad Setser, Fellow for Geoeconomics, Council<br />

on Foreign Relations; and Hiroyuki Tarumi,<br />

Executive Vice President, Mitsubishi International<br />

Corporation. Jennifer Ablan, Senior Investment<br />

Correspondent, Reuters, Ltd., moderating.<br />

Outlook for the U.S. Economy: Distilling the<br />

Credit Crisis & Lessons from <strong>Japan</strong> • 2 October<br />

With Richard Katz, Editor-in-Chief, The Oriental<br />

Economist <strong>Report</strong>; Christopher Mayer, Senior Vice<br />

Dean and Paul Milstein Professor of Real Estate,<br />

Finance & Economics Division; Research Director,<br />

Paul Milstein Center for Real Estate, Columbia<br />

Business School; and Ann Rutledge, Founding<br />

Principal, R&R Consulting. Vincent Truglia,<br />

Managing Director of Research, NewOak Capital<br />

LLC, moderating.<br />

What’s Wrong with <strong>Japan</strong> Implications for<br />

Tokyo’s Political Dysfunction • 21 October<br />

With Charles Pritchard, President, Korea Economic<br />

Institute; Yuki Tatsumi, Senior Associate,<br />

Henry L. Stimson Center; and Yoshihiro Tsurumi,<br />

Professor of International Business, Zicklin School<br />

of Business, Baruch College, the City University<br />

of New York. Daniel Rosenblum, Vice President,<br />

<strong>Japan</strong> <strong>Society</strong>, moderating.<br />

Digital Social Responsibility: Search for a Sound,<br />

Responsible Information <strong>Society</strong> • 29 October •<br />

Sponsored by Institute for International Socio-<br />

Economic Studies.<br />

With Charla Griffy-Brown, Associate Professor<br />

of Information Systems, Graziadio School of<br />

Business and Management, Pepperdine University;<br />

Jun Kurihara, Senior Fellow, Ash Institute for<br />

Democratic Governance and Innovation, John F.<br />

Kennedy School of Government, Harvard<br />

University; and Harriet Pearson, Vice President,<br />

Regulatory Policy and Chief Privacy Officer, IBM<br />

Corporation. Devin Stewart, Director, Global<br />

Policy Innovations, Carnegie Council for Ethics<br />

in International Affairs, moderating.<br />

Handyman Needed: Incoming Administration<br />

Strategies for a Struggling Economy •<br />

2 1 Ja n ua ry<br />

With Bruce Kasman, Chief Economist and<br />

Global Head of Economic Research, J.P. Morgan,<br />

Inc.; Shiro Katsufuji, Chief Economist, Bank of<br />

Tokyo-Mitsubishi UFJ, Ltd.; and Alex Pollock,<br />

Resident Fellow, American Enterprise Institute.<br />

Jim McTague, Washington Editor, Barron’s,<br />

moderating.<br />

America Has Voted: Impact of New U.S.<br />

President on Asian Markets • 29 January •<br />

Co-organized by Women’s Bond Club; Center on<br />

<strong>Japan</strong>ese Economy and Business, Columbia Business<br />

School; and Nomura Holding America Inc.<br />

With Alicia Ogawa, Director, Program on Alternative<br />

Investments, Center on <strong>Japan</strong>ese Economy<br />

and Business, Columbia Business School; David<br />

Resler, Managing Director and Chief Economist,<br />

Nomura Securities International, Inc.; and Jeffrey<br />

Young, Chief Economist, Platinum Grove Asset<br />

Management. Leslie Norton, Foreign Editor, Asia,<br />

Barron’s, moderating.<br />

Capital Market Competitiveness: Burnishing<br />

Tokyo’s Image in the Face of Global, Asian<br />

Challengers • 12 February • Co-organized by<br />

Harvard Law School’s Program on International<br />

Financial Systems and The University of Tokyo<br />

Graduate School of Economics. In-kind support<br />

provided by Mori Building Co. Ltd. Support<br />

provided by The American Chamber of Commerce<br />

in <strong>Japan</strong>.<br />

Offsite event in Tokyo, <strong>Japan</strong>. With Robert<br />

Feldman, Director of Economic Research Department<br />

and Managing Director, Morgan Stanley<br />

<strong>Japan</strong> Securities Co., Ltd.; Alastair Clark, former<br />

Executive Director of Financial Stability, Bank of<br />

England; Hideki Ito, Director for Financial Markets<br />

Operations, Planning and Coordination Division,<br />

Financial Services Agency; Takatoshi Ito, Professor<br />

at Graduate School of Economics, University<br />

of Tokyo; Anthony Neoh, Former Chairman,<br />

Securities and Futures Commission Hong Kong;<br />

Barrister-at-Law, Anthony Neoh, SC; Atsushi<br />

Saito, President and CEO, Tokyo Stock Exchange<br />

Group, Inc.; Heizo Takenaka, Professor and<br />

Director, Global Security Research Institute, Keio<br />

University; David Shuler, Senior Vice President,<br />

Business Development (Asia), NYSE Euronext,<br />

Inc.; Paul Speltz, President, Kissinger Associates,<br />

Inc.; Kotaro Tamura, Member of the House of<br />

Councilors; Chairman, House of Councilors Committee<br />

on Land Transport ; former Parliamentary<br />

Secretary, Cabinet Office of Economic and Fiscal<br />

Policy; and Frank Wong, Vice Chairman, DBS<br />

Group Holdings & DBS Bank, Singapore (retired<br />

August 2008). Hal Scott, Nomura Professor of<br />

International Financial Systems, Harvard Law<br />

School, moderating.<br />

Hedge Fund Due Diligence in the Global Financial<br />

Crisis Era • 18 March • Support provided by First<br />

Advantage Investigative Services.<br />

With Adam Cohen, Vice President and Senior<br />

Analyst, Citi Global Wealth Management,<br />

Alternative Investment Advisor Research and<br />

Randy Shain, Vice President, First Advantage<br />

Investigative Services; Co-Founder, BackTrack<br />

<strong>Report</strong>s. Mikael A. Johnson, Audit Partner;<br />

Global Lead Partner, Alternative Investments,<br />

KPMG, moderating.<br />

Dining Out: <strong>Japan</strong> Takes its Appetite for M&A<br />

Overseas • 14 April<br />

With Michael Braun, Partner, Morrison & Foerster<br />

LLP; Richard S. Kelly, Jr., Senior Managing Director,<br />

The Bridgeford Group, Inc.; and Nobuhiko Masuto,<br />

Managing Director, GCA Savvian Advisors, LLC.<br />

Herbert Lash, Global Markets Correspondent,<br />

Reuters, moderating.<br />

Handling Major Employment Law Challenges<br />

Sparked by the Economic Downturn • 21 April •<br />

Sponsored by Epstein Becker & Green, P.C.<br />

With Peter Altieri, Member of the Firm, Litigation<br />

and Labor and Employment Practice, Epstein<br />

Becker & Green, P.C.; John Kosciusko, Vice<br />

President, Sales and Marketing, New York Region<br />

Employee Benefits Division, Sumitomo Life Insurance<br />

Agency America, Inc.. and William Milani,<br />

Member of the Firm, Labor and Employment<br />

Practice, Epstein Becker & Green, P.C. Michael<br />

Levine, Member of the Firm; Head of CSR/<br />

Sustainability Practice, Epstein Becker & Green<br />

P.C., presenting and moderating.<br />

Tipping the Scales: The Evolution of Shareholder<br />

Rights in <strong>Japan</strong> • 6 May<br />

With Kenneth Altman, President, The Altman<br />

Group; Sarah Lubman, Director, Brunswick Group<br />

LLC; and Marc Goldstein, RiskMetrics Group<br />

Governance Research Department. Hajime Matsuura,<br />

U.S. Correspondent, NIKKEI, moderating.<br />

Acquisitions of U.S. Pharmaceutical/Health<br />

Care Companies: A Health Regulatory Focus •<br />

21 May<br />

With Scott Minars, Partner, Merger & Acquisition<br />

Services, Deloitte & Touche LLP and Lynn Shapiro<br />

Snyder, Member of the Firm; Co-Chair, Health<br />

Care Fraud Practice Group; Chair, Third Party<br />

Payment Practice Group, Epstein Becker & Green<br />

P.C. Michael Levine, Member of the Firm; Head<br />

of CSR/Sustainability Practice, Epstein Becker &<br />

Green P.C., moderating.<br />

Corporate Lectures<br />

The Meaning of Life: A Message of Encouragement<br />

to Face these Difficult Times with<br />

Positivity & Bravery • 1 October • Co-organized<br />

by Seiwajuku New York.<br />

With Kazuo Inamori, founder and Chairman<br />

Emeritus, Kyocera Corporation; Honorary<br />

Advisor, KDDI Corporation.<br />

The Politics of International Solidarity •<br />

11 November • Co-organized by United<br />

Nations Forum.<br />

With Jean-Marc Coicaud, Director, United<br />

Nations University Office at the UN in New York<br />

(UNU-ONY). Kazuo Tase, Chief, Human Security<br />

Unit, Office for the Coordination of Humanitarian<br />

Affairs, United Nations, presiding.<br />

<strong>Japan</strong> <strong>Society</strong> <strong>Annual</strong> <strong>Report</strong> 2008–09 7


Lessons Learned: Charting a Way Out of the<br />

Current Economic Crisis • 17 November<br />

With His Excellency Ichiro Fujisaki, Ambassador<br />

Extraordinary and Plenipotentiary of <strong>Japan</strong> to<br />

the United States of America. Gregory Boyko,<br />

Chairman, Hartford Life Insurance, K.K.; Director,<br />

<strong>Japan</strong> <strong>Society</strong>, presiding.<br />

Creative Commons & the Sharing Economy •<br />

20 November • Support provided by Creative<br />

Commons and Nixon Peabody LLP.<br />

With Joichi Ito, Chief Executive Officer, Creative<br />

Commons; Co-Founder and Director, Digital Garage;<br />

Founder and CEO, Neoteny Co., Ltd. Laurin Mills,<br />

D.C. Office Managing Partner; Member of the firm’s<br />

Intellectual Property Department; and Founder and<br />

Editor of the firm’s NP 2.0 website, Nixon Peabody<br />

LLP, presiding.<br />

<strong>Japan</strong>’s Bid for Security Council Reform & its Role<br />

in the United Nations • 23 June<br />

With His Excellency Yukio Takasu, Ambassador<br />

Extraordinary & Plenipotentiary, Permanent Mission<br />

of <strong>Japan</strong> to the United Nations. Michael Green,<br />

Senior Adviser and <strong>Japan</strong> Chair, Center for Strategic<br />

and International Studies; Associate Professor,<br />

Georgetown University, presiding.<br />

Corporate Luncheons<br />

Citi <strong>Japan</strong> CEO Offers Insights into <strong>Japan</strong>’s<br />

Financial Services Transformation in the Face<br />

of Volatile Global Markets • 16 October<br />

With Douglas L. Peterson Representative Director<br />

and CEO, Citigroup <strong>Japan</strong> Holdings; Chairman, President<br />

and CEO, Nikko Cordial Corporation. James S.<br />

McDonald, President and CEO Rockefeller & Co.,<br />

Inc; Chairman, <strong>Japan</strong> <strong>Society</strong>, presiding.<br />

The Paradox of Deleveraging • 20 March<br />

With Paul McCulley, Managing Director, PIMCO.<br />

Sir Deryck Maughan, Partner, Kohlberg Kravis<br />

Roberts & Co.; Chairman, KKR <strong>Japan</strong>; Director,<br />

<strong>Japan</strong> <strong>Society</strong>, presiding.<br />

The Way Out of Economic & Financial Crisis:<br />

Lessons & Actions • 23 April • Co-organized by<br />

The Institute of International Bankers.<br />

With Masaaki Shirakawa, Governor, Bank of <strong>Japan</strong>.<br />

William R. Rhodes, Chairman and President,<br />

Citibank; Senior Vice Chairman, Citi, presiding.<br />

TSE’s Saito Offers Strategies to Challenge Global<br />

Competition • 28 May<br />

With Atsushi Saito, President and CEO; Tokyo<br />

Stock Exchange Group, Inc. Shigesuke Kashiwagi,<br />

President and CEO, Nomura Holding America Inc.;<br />

Director, <strong>Japan</strong> <strong>Society</strong>, presiding.<br />

<strong>Japan</strong>: From Kamikaze Capitalism to Smartpower<br />

Dynamism • 29 May<br />

With Jesper Koll, President and CEO; Tantallon<br />

Research <strong>Japan</strong> KK. Alicia Ogawa, Adjunct Associate<br />

Professor, Columbia University School of International<br />

Affairs; Senior Advisor, Center on <strong>Japan</strong>ese Economy<br />

and Business, Columbia Business School, presiding.<br />

NYSE Euronext CEO Duncan Niederauer Examines<br />

the Future of Capital Markets • 9 June<br />

With Duncan Niederauer, Chief Executive Officer<br />

and Director, NYSE Euronext. James S. McDonald,<br />

President and CEO Rockefeller & Co., Inc; Chairman,<br />

<strong>Japan</strong> <strong>Society</strong>, presiding.<br />

<strong>Japan</strong> <strong>Society</strong> wishes to thank the following<br />

corporations for their generous support of the<br />

Corporate Program:<br />

Global Leaders:<br />

Citigroup Inc.<br />

Continental Airlines<br />

Deloitte & Touche, LLP<br />

Mizuho Securities USA<br />

Toyota Motor North America, Inc.<br />

Corporate Partners:<br />

Mitsui & Co. (U.S.A.), Inc.<br />

WL Ross & Co. LLC<br />

Additional support: The American Chamber of<br />

Commerce in <strong>Japan</strong>; Center on <strong>Japan</strong>ese Economy<br />

and Business, Columbia Business School; Creative<br />

Commons; Epstein Becker & Green, P.C.; First<br />

Advantage Investigative Services; Harvard Law<br />

School’s Program on International Financial Systems;<br />

Institute for International Socio-Economic Studies;<br />

The Institute of International Bankers; Mori Building<br />

Co. Ltd.; Nixon Peabody LLP; Nomura Holding<br />

America Inc.; Pillsbury Winthrop Shaw Pittman LLP;<br />

Seiwajuku New York; United Nations Forum; The<br />

University of Tokyo Graduate School of Economics;<br />

Women’s Bond Club.<br />

<strong>Japan</strong> <strong>Society</strong> would also like to thank Yoko Makino<br />

for her generous support of the Corporate Program.<br />

Seven Bank: Amidst Turmoil, a Publicly-Traded<br />

Success Story in Banking • 19 November<br />

With Takashi Anzai, President, Seven Bank Ltd.<br />

James Reed, President and CEO, Mizuho Securities<br />

USA Inc., presiding.<br />

The Future of Global Capital Markets •<br />

2 December<br />

With Magnus Bocker, President, NASDAQ OMX.<br />

Merit Janow, Professor in the Practice of International<br />

Economic Law and International Affairs,<br />

School of International and Public Affairs, Columbia<br />

University; Chairwoman, Board of Directors, The<br />

NASDAQ Stock Market LLC; Director, <strong>Japan</strong> <strong>Society</strong>,<br />

presiding.<br />

The Global Impact of the Financial Crisis •<br />

10 March<br />

With Stephen Schwarzman, Chairman and CEO,<br />

The Blackstone Group. Jeffrey Shafer, Vice Chairman,<br />

Global Banking; Senior Asia Pacific Representative<br />

in New York, Citi, presiding.<br />

<strong>Japan</strong> <strong>Society</strong> <strong>Annual</strong> <strong>Report</strong> 2008–09 8


1<br />

5<br />

2<br />

6<br />

3<br />

4<br />

1 Masaaki Shirakawa (right),<br />

Governor, Bank of <strong>Japan</strong>,<br />

shares lunch with Yoshiaki<br />

Kawamata, Senior Managing<br />

Executive Officer and CEO for<br />

the Americas, Bank of Tokyo<br />

Mitsubishi UFJ, Ltd.; Director,<br />

<strong>Japan</strong> <strong>Society</strong>, prior to the governor’s<br />

address on the current<br />

global economic crisis and<br />

lessons that can be taken from<br />

<strong>Japan</strong>’s recent experience.<br />

© Ken Levinson.<br />

2 Heizo Takenaka (center with<br />

mic), Professor and Director,<br />

Global Security Research<br />

Institute, Keio University, is<br />

joined by 10 other speakers<br />

from the U.S., <strong>Japan</strong>, Singapore,<br />

Hong Kong and the UK<br />

to discuss ways to boost the<br />

competitiveness of Tokyo’s<br />

capital markets at a Socratic<br />

dialogue hosted in Tokyo.<br />

© Academyhills.<br />

3 Before his luncheon talk on<br />

the future of capital markets,<br />

Duncan Niederauer (right),<br />

Chief Executive Officer and<br />

Director, NYSE Euronext<br />

is joined by NYSE Euronext<br />

Director; Rockefeller & Co.,<br />

Inc. President and CEO; and<br />

<strong>Japan</strong> <strong>Society</strong> Chairman<br />

James McDonald. © Ken<br />

Levinson.<br />

4 Stephen Schwarzman,<br />

Chairman and Chief Executive<br />

Officer, The Blackstone Group,<br />

offers his thoughts on the<br />

global impact of the financial<br />

crisis and the signs he looks<br />

for that will point to a recovery.<br />

© Ken Levinson.<br />

5 Atsushi Saito (lower left),<br />

President and Chief Executive<br />

Officer, Tokyo Stock Exchange<br />

Group, Inc., engages (clockwise<br />

from Mr. Saito) James<br />

Reed, President and Chief<br />

Executive Officer, Mizuho<br />

Securities USA Inc.; Director,<br />

<strong>Japan</strong> <strong>Society</strong>; David Heleniak,<br />

Vice Chairman, Morgan<br />

Stanley; Director, <strong>Japan</strong><br />

<strong>Society</strong>; and program presider<br />

Shigesuke Kashiwagi, President<br />

and CEO, Nomura Holding<br />

America Inc.; Director, <strong>Japan</strong><br />

<strong>Society</strong>, before his address on<br />

TSE’s strategy for challenging<br />

global competition. © Ken<br />

Levinson.<br />

6 His Excellency Yukio Takasu,<br />

Ambassador Extraordinary &<br />

Plenipotentiary, Permanent<br />

Mission of <strong>Japan</strong> to the United<br />

Nations, fields questions<br />

following his remarks about<br />

United Nations Security<br />

Council reform measures.<br />

At his right is Michael Green,<br />

Senior Adviser and <strong>Japan</strong><br />

Chair, Center for Strategic and<br />

International Studies; Associate<br />

Professor, Georgetown<br />

University. © Ken Levinson.<br />

<strong>Japan</strong> <strong>Society</strong> <strong>Annual</strong> <strong>Report</strong> 2008–09 9


7<br />

10<br />

8<br />

9<br />

11<br />

7 Presider Deryck Maughan<br />

(right), Partner, Kohlberg Kravis<br />

Roberts & Co.; Chairman, KKR<br />

<strong>Japan</strong>; Director, <strong>Japan</strong> <strong>Society</strong>,<br />

opens the audience Q&A session<br />

following remarks by Paul<br />

MCCulley, Managing Director,<br />

Pacific Investment Management<br />

Company (PIMCO), on the<br />

deleveraged global economy.<br />

© Ken Levinson.<br />

8 (L–R) Lewis Alexander,<br />

Chief Economist, Citi; Hiroyuki<br />

Tarumi, Executive Vice President,<br />

Mitsubishi International<br />

Corporation Brad Setser, Fellow<br />

for Geoeconomics, Council on<br />

Foreign Relations and moderator<br />

Jennifer Ablan, Senior<br />

Investment Correspondent,<br />

Reuters, LLC join in a lively<br />

debate on the causes and effects<br />

of rapidly fluctuating commodities<br />

prices. © Ken Levinson.<br />

9 (L–R) Michael Braun, Partner,<br />

Morrison & Foerster LLP;<br />

Richard S. Kelly, Jr., Senior<br />

Managing Director, The<br />

Bridgeford Group, Inc.;<br />

Nobuhiko Masuto, Managing<br />

Director, GCA Savvian Advisors,<br />

LLC; and moderator Herbert<br />

Lash, Global Markets Correspondent,<br />

Reuters, discuss the<br />

phenomenon of increased outin<br />

M7A activity by <strong>Japan</strong>ese<br />

firms during the economic<br />

downturn. © Ken Levinson.<br />

10 Presider James Reed (left),<br />

President and CEO, Mizuho<br />

Securities USA Inc.; Director,<br />

<strong>Japan</strong> <strong>Society</strong>, enjoys lunch with<br />

Takashi Anzai, President, Seven<br />

Bank Ltd., before Mr. Anzai’s<br />

talk on the success of his firm’s<br />

banking model, which relies<br />

almost exclusively thousands<br />

of networked ATMs located in<br />

convenience stores throughout<br />

<strong>Japan</strong>. © Ken Levinson.<br />

11 Joichi Ito, Chief Executive<br />

Officer, Creative Commons;<br />

Co-Founder and Director, Digital<br />

Garage; Founder and Chief Executive<br />

Officer, Neoteny Co., Ltd.,<br />

discusses Creative Commons and<br />

the business model for the sharing<br />

economy. © Ken Levinson.<br />

<strong>Japan</strong> <strong>Society</strong> <strong>Annual</strong> <strong>Report</strong> 2008–09 10


Policy Projects<br />

The U.S.-<strong>Japan</strong> Innovators Network (IN), co-organized with<br />

The <strong>Japan</strong> Foundation Center for Global Partnership, is<br />

a “place” where creative and innovative people from the<br />

U.S. and <strong>Japan</strong> and cutting-edge ideas come together<br />

for thoughtful dialogue, new ways to think about tough<br />

problems and collaboration. Through private retreats, public<br />

symposia and exchange programs, IN works to connect<br />

people and ideas, provides avenues for collaboration and<br />

helps catalyze positive change. IN has also expanded its<br />

web-related activities, including a blog, Twitter, webcasts,<br />

and video on YouTube and the <strong>Society</strong>’s website.<br />

IN has been active in <strong>Japan</strong> this year, beginning with a<br />

public program featuring Rosanne Haggerty, President of<br />

Common Ground Community, who spoke at a well-attended<br />

public symposium on social entrepreneurship in September.<br />

Aspiring and established young social entrepreneurs<br />

attended this sold-out event, which was co-sponsored by<br />

Entrepreneurial Training for Innovative Communities (ETIC),<br />

Shinsei Bank and the Institute for Strategic Leadership (ISL).<br />

In addition to the public symposium, other opportunities<br />

were arranged so that young social entrepreneurs could<br />

meet with Rosanne in more intimate settings.<br />

In February, IN co-organized an exchange program and<br />

public symposium called Social Design: Design + Community<br />

+ Social Impact, with the <strong>Japan</strong> Industrial Design Promotion<br />

Organization in Tokyo. Max Schorr, co-founder and Community<br />

Director, GOOD Magazine; Casey Caplowe, co-founder<br />

and Creative Director, GOOD Magazine, and Valerie Casey,<br />

Leader of the Digital Design Experience at IDEO and Founder,<br />

the Designers Accord, traveled to <strong>Japan</strong> to explore the role<br />

of design in sustainability. At a panel discussion held as part<br />

of the program’s public symposium, they were joined by<br />

Masaaki Ikeda, Creative Director, Tokyo Changemakers and<br />

Eco Plaza, as well as Kazufumi Nagai, Art Director, Hakuhodo<br />

Design and Soichi Ueda, Producer, Spaceport.<br />

In April, members of a team of professionals and social<br />

activists involved in Learning from Disaster: Miyakejima & New<br />

Orleans finally made it to Tokyo after the exchange program<br />

was postponed in September due to Hurricane Gustav.<br />

Joining participants from the first exchange that brought<br />

eight <strong>Japan</strong>ese to New Orleans a year earlier, participants<br />

continued their discussions on the problems they faced,<br />

the knowledge, skills, and experiences gained, evacuation<br />

and recovery plans, and shared ideas on how to improve<br />

response operations. A large and well-attended public symposium<br />

was held at Meiji University. A smaller group of four<br />

participated in a special trip to Miyakejima organized by the<br />

City of Miyake and the mayor, Hiroyasu Hirano, to see first<br />

hand the devastation of the 2000 volcano eruption.<br />

In New York, IN organized three events highlighting the<br />

recent publication of books by IN members. In October,<br />

“Dan Pink’s Adventures in Manga,” featured Daniel Pink,<br />

author of The Adventures of Johnny Bunko: the Last Career<br />

Guide You’ll Ever Need (also available in <strong>Japan</strong>ese) and his<br />

decision to write the first American business book in manga<br />

format. April brought Alan Webber, co-founder of Fast<br />

Company Magazine for “Rules of Thumb—A Global Guide<br />

to Thriving (Not Just Surviving) in Turbulent Times,” which<br />

focused on his new book, Rules of Thumb: 52 Truths for Winning<br />

at Business Without Losing Your Self. The book should be<br />

coming out in <strong>Japan</strong>ese soon. And in May, Jacqueline<br />

Novogratz, founder and President of Acumen Fund, spoke<br />

about her new book, The Blue Sweater, at a program called<br />

“The Blue Sweater with Jacqueline Novogratz.”<br />

Building on a program that took place in Kyoto in November<br />

of 2008, IN organized the “Machiya Preservation Project,”<br />

which consisted of workshops and a forum in New York for<br />

civic organizations we worked with in Kyoto. These civic<br />

organizations, led by machiya owner Fusae Kojima, and<br />

supported by such luminaries as Kengo Kuma, Architect &<br />

Principal, Kengo Kuma Associates, fear that the loss of the<br />

machiya, traditional wood row houses, will alter the fabric of<br />

Kyoto and end a centuries-old cultural heritage. As part of<br />

this project, Ms. Kojima and her group of pioneering <strong>Japan</strong>ese<br />

preservationists traveled to New York to learn from the<br />

American preservation experience in an effort to deepen<br />

and broaden Kyoto’s historic preservation efforts.<br />

Looking ahead into the next year, IN will facilitate an exchange<br />

to the U.S. of young <strong>Japan</strong>ese social entrepreneurs from<br />

regions outside of Tokyo; continue our exploration of design<br />

and community; look for meaningful ways to highlight the<br />

work of the members of IN; and much, much more.<br />

<strong>Japan</strong> <strong>Society</strong> <strong>Annual</strong> <strong>Report</strong> 2008–09 11


2008–09 <strong>Programs</strong><br />

Retreats & Site Visits<br />

Machiya Preservation Project Workshops •<br />

3–5 November • Co-organized with Kyoto City<br />

Center for Community Collaboration.<br />

With Ruth Abram, Founder, Lower East Side<br />

Tenement Museum; Lisa Ackerman, Executive<br />

Vice President, World Monuments Fund; Michael<br />

Adlerstein, FAIA, Assistant Secretary General,<br />

Executive Director, Capital Master Plan, UN;<br />

Simeon Bankoff, Executive Director, Historic<br />

Districts Council; Adele Chatfield-Taylor, President,<br />

the American Academy in Rome; Kazumori<br />

Kaneshiro, President, Zero Corporation; Wendy<br />

Nicholas, Director, the National Trust Northeast<br />

Regional Office; Hiroshi Okubo, Vice Chairman,<br />

<strong>Japan</strong> Kanji Aptitude Testing Foundation;<br />

Takahiko Otani, Professor, Department of Architecture,<br />

Mukogawa Women’s University; President,<br />

Kyomachiya Revitalization Study Group; Kenzo<br />

Teramoto, Deputy Director, Kyoto Center for<br />

Community Collaboration; Frank E. Sanchis, Senior<br />

Vice President, The Municipal Art <strong>Society</strong> of New<br />

York; and Anne H. Van Ingen, Director, Architecture,<br />

Planning and Design Program and Capital<br />

Projects, New York State Council on the Arts.<br />

Exchange <strong>Programs</strong><br />

Tokyo Exchange: Design & Sustainability •<br />

5–9 February • Co-organized with The <strong>Japan</strong><br />

Foundation Center for Global Partnership<br />

and <strong>Japan</strong> Industrial Design Promotion<br />

Organization (JIDPO).<br />

Offsite event in Tokyo, <strong>Japan</strong>. With Max Schorr,<br />

Co-Founder and Community Director, GOOD<br />

Magazine; Casey Caplowe, Co-Founder and<br />

Creative Director, GOOD Magazine; and Valerie<br />

Casey, Leader of the Digital Design Experience,<br />

IDEO and the Founder of The Designers Accord.<br />

New York Exchange: Design & Sustainability •<br />

9–13 March • Co-organized with The <strong>Japan</strong><br />

Foundation Center for Global Partnership.<br />

With Shiji Yajima, Director, Program Development,<br />

<strong>Japan</strong> Industrial Design Promotion Organization<br />

(JIDPO).<br />

Learning from Disaster: Miyakejima &<br />

New Orleans, Part 2 • 15–22 April •<br />

Co-organized with Institute for Urban<br />

Governance, Meiji University.<br />

Offsite event in Tokyo, <strong>Japan</strong>. With Yasushi<br />

Aoyama, Professor, Graduate School of Governance<br />

Studies, Meiji University and former Vice<br />

Governor of Tokyo; Hiroshi Amemiya, Founder<br />

and CEO, Corporate Citizenship <strong>Japan</strong> Limited;<br />

Edward Blakely, Executive Director, Office of<br />

Development and Recovery Administration, City<br />

of New Orleans; Yukio Endo, Chairperson, <strong>Japan</strong><br />

Trade Union Confederation, Tokyo Local (Rengo<br />

Tokyo); Shawn Escoffery, Deputy Director, New<br />

Orleans Neighborhood Development Collaborative;<br />

Rosanne Haggerty, Founder and CEO, Common<br />

Ground Community; Sukeyasu Hirano, Mayor,<br />

Miyake Village; Juzo Inose, Managing Director,<br />

Tokyo Consumer’s Co-Operative Union; Martha<br />

J. Kegel, Executive Director, UNITY; Vien The<br />

Nguyen, Pastor, Mary Queen of Viet Mam<br />

Church; M. von Nkosi, Loaned Executive, Office<br />

of Recovery & Development Administration, City<br />

of New Orleans; Richard McCarthy, Founder and<br />

Executive Director, marketumbella.org; Kathy<br />

Riedlinger, CEO, Lusher Charter School; Kouichiro<br />

Sakaue, Director, Miyakejima Volunteer Center;<br />

Kazuyuki Sasaki, Research Fellow, Research Center<br />

for Crisis and Contingency Management, Meiji<br />

University; and Yasuo Uehara, Director General,<br />

Tokyo Volunteer Network for Disaster Relief.<br />

Public <strong>Programs</strong><br />

Lessons from a Social Entrepreneur—Using<br />

Business Methods to Solve Homelessness &<br />

Revitalize Communities • 12 September •<br />

Co-organized with Shinsei Bank, Institute for<br />

Strategic Leadership (ISL) and Entrepreneurial<br />

Training for Innovative Communities (ETIC).<br />

Offsite event in Tokyo, <strong>Japan</strong>. With Rosanne<br />

Haggerty, Founder and President of Common<br />

Ground Community.<br />

Dan Pink’s Adventures in Manga • 6 October •<br />

With Daniel Pink, <strong>Japan</strong> <strong>Society</strong> Media Fellow<br />

and author of The Adventures of Johnny Bunko:<br />

The Last Career Guide You’ll Ever Need.<br />

A City Under Siege: Saving Kyoto’s Machiya<br />

from Destruction • 5 November • Co-organized<br />

with Kyoto City Center for Community Collaboration.<br />

With Ruth Abram, Founder, Lower Eastside<br />

Tenement Museum; Fusae Kojima, machiya<br />

owner, President and Executive Director,<br />

Kyomachiya Revitalization Study Group; Kengo<br />

Kuma, Architect and Principal, Kengo Kuma<br />

Associates; Limbon, Professor, Ritsumeikan<br />

University; and Hiroshi Mimura, President, Kyoto<br />

City Center for Community Collaboration.<br />

Social Design Design + Community + Social<br />

Impact. The Latest from GOOD Magazine &<br />

IDEO • 8 February • Co-organized with The<br />

<strong>Japan</strong> Foundation Center for Global Partnership<br />

and the <strong>Japan</strong> Industrial Design Promotion<br />

Organization (JIDPO).<br />

Offsite event in Tokyo, <strong>Japan</strong>. With Max Schorr,<br />

Co-Founder and Community Director, GOOD<br />

Magazine; Casey Caplowe, Co-Founder and<br />

Creative Director, GOOD Magazine; Valerie<br />

Casey, Leader, Digital Design Experience, IDEO<br />

and Founder of The Designers Accord; Masaaki<br />

Ikeda, Creative Director, Tokyo Changemaker<br />

and Eco Plaza; Soichi Ueda, Producer, Spaceport;<br />

and Kazufumi Nagai, Art Director, HAKUHODO<br />

DESIGN.<br />

Learning from Disaster: Miyakejima &<br />

New Orleans • 18 April • Co-organized with<br />

Institute for Urban Governance, Meiji University.<br />

Offsite event in Tokyo, <strong>Japan</strong>. With Yasushi<br />

Aoyama, Professor, Graduate School of Governance<br />

Studies, Meiji University and former Vice Governor<br />

of Tokyo; Edward Blakely, Executive Director,<br />

Office of Development and Recovery Administration,<br />

City of New Orleans; Shawn Escoffery,<br />

Deputy Director, New Orleans Neighborhood<br />

Development Collaborative; Rosanne Haggerty,<br />

Founder and CEO, Common Ground Community;<br />

Martha J. Kegel, Executive Director, UNITY; Vien<br />

The Nguyen, Pastor, Mary Queen of Viet Mam<br />

Church; M. von Nkosi, Loaned Executive, Office<br />

of Recovery & Development Administration, City<br />

of New Orleans; Richard McCarthy, Founder and<br />

Executive Director, marketumbella.org; and Kathy<br />

Riedlinger, CEO, Lusher Charter School.<br />

Rules of Thumb—A Global Guide to Thriving<br />

(Not Just Surviving) in Turbulent Times •<br />

22 April • With Alan Webber, Co-Founder of<br />

Fast Company Magazine and author of Rules<br />

of Thumb: 52 Truths for Winning at Business without<br />

Losing Yourself. Polly LaBarre, author of Mavericks<br />

at Work: Why the Most Original Minds in Business<br />

Win, moderating.<br />

The Blue Sweater: Bridging the Gap Between<br />

Rich and Poor in an Interconnected World •<br />

12 May<br />

With Jacqueline Novogratz, CEO, the Acumen<br />

Fund and author of The Blue Sweater: Bridging the<br />

Gap Between Rich and Poor in an Interconnected<br />

World. Justin Rockefeller, Co-Founder, GenerationEngage;<br />

Director, <strong>Japan</strong> <strong>Society</strong>, moderating.<br />

The U.S.-<strong>Japan</strong> Innovators Network was<br />

co-organized and generously supported by The<br />

<strong>Japan</strong> Foundation Center for Global Partnership.<br />

Additional support was provided by Jack and<br />

Susy Wadsworth, R&R Consulting, Inc., and<br />

Justin A. Rockefeller.<br />

International transportation was supported by<br />

Continental Airlines and All Nippon Airways, Ltd.<br />

The Network was also made possible in part by<br />

<strong>Japan</strong> <strong>Society</strong>’s endowment for policy projects.<br />

Learning from Disaster: Miyakejima &<br />

New Orleans was generously funded by The<br />

Ford Foundation.<br />

Additional support was provided by <strong>Japan</strong> Trade<br />

Union Confederation, Tokyo Local (Rengo Tokyo),<br />

Tokyo Consumers’ Co-operative Union, and<br />

Meiji University, Research Center for Crisis<br />

and Contingency Management.<br />

<strong>Japan</strong> <strong>Society</strong> <strong>Annual</strong> <strong>Report</strong> 2008–09 12


2<br />

3<br />

1<br />

1 Alan Webber, co-founder<br />

of Fast Company Magazine<br />

and author of Rules of<br />

Thumb: 52 Truths for<br />

Winning at Business without<br />

Losing Yourself, at the<br />

booksigning following his<br />

lecture. © Satoru Ishikawa.<br />

2 Jacqueline Novogratz,<br />

CEO of the Acumen Fund<br />

and author of The Blue<br />

Sweater: Bridging the Gap<br />

Between Rich and Poor in<br />

an Interconnected World,<br />

reacts to a question from<br />

the audience. To her<br />

right is moderator Justin<br />

Rockefeller, Co-Founder,<br />

GenerationEngage and<br />

<strong>Japan</strong> <strong>Society</strong> Board<br />

member. © George Hirose.<br />

3 Casey Caplowe,<br />

Co-founder and Creative<br />

Director, GOOD Magazine<br />

and Max Schorr, Co-founder<br />

and Community Director,<br />

GOOD Magazine, participate<br />

in a panel discussion<br />

about the designer’s<br />

mission today at Social<br />

Design, Design + Community<br />

+ Social Impact: The Latest<br />

from GOOD Magazine &<br />

IDEO, an IN event in Tokyo.<br />

4 At the IN conference<br />

A City Under Siege: Saving<br />

Kyoto’s Machiya from<br />

Destruction, Fusae Kojima,<br />

machiya owner, President<br />

and Executive Director of<br />

Kyomachiya Revitalization<br />

Study Group, responds to a<br />

question from the audience<br />

as Hiroshi Mimura (center),<br />

President, Kyoto City Center<br />

for Community Collaboration<br />

and Kengo Kuma (right),<br />

Architect and Principal,<br />

Kengo Kuma Associates<br />

look on. © Satoru Ishikawa.<br />

5 Participants in Learning<br />

from Disaster: Miyakejima &<br />

New Orleans meet with staff<br />

and members of Kaze no<br />

Ue (House of Wind), the<br />

Miyake Village mayor and<br />

other municipal officials<br />

during a trip to Miyakejima.<br />

© Kazuyuki Sasaki.<br />

4<br />

5<br />

<strong>Japan</strong> <strong>Society</strong> <strong>Annual</strong> <strong>Report</strong> 2008–09 13


6 Valerie Casey, Leader<br />

of the Digital Design<br />

Experience, IDEO and the<br />

Founder of The Designers<br />

Accord, speaks about<br />

design thinking at Social<br />

Design Design + Community<br />

+ Social Impact: The Latest<br />

from GOOD Magazine<br />

& IDEO.<br />

7 Yasushi Aoyama, Professor,<br />

Graduate School of<br />

Governance Studies, Meiji<br />

University and former Vice<br />

Governor of Tokyo, leads a<br />

group from New Orleans<br />

on a site visit in Sumida<br />

Ward, Tokyo.<br />

6<br />

8 Daniel Pink speaks about<br />

his new book The Adventures<br />

of Johnny Bunko: The Last<br />

Career Guide You’ll Ever<br />

Need. © George Hirose.<br />

7<br />

8<br />

<strong>Japan</strong> <strong>Society</strong> <strong>Annual</strong> <strong>Report</strong> 2008–09 14


Fellowships & Exchanges<br />

The U.S.-<strong>Japan</strong> Media Fellows Program is in its 11th year of<br />

sending established American journalists to <strong>Japan</strong>. Working<br />

closely with the Foreign Press Center and <strong>Japan</strong> <strong>Society</strong>, our<br />

Fellows play a key role in developing their own individually<br />

tailored six-week programs. The fellowship enables journalists<br />

to research a topic of their choice in an effort to help<br />

them better understand the U.S.-<strong>Japan</strong> relationship. During<br />

the 2008–09 fiscal year, two Fellows completed their<br />

fellowships and an alternate, Liza Mundy, Staff Writer,<br />

Washington Post Magazine, was selected.<br />

Barry Lynn, freelance journalist and Senior Fellow, New<br />

America Foundation, went to <strong>Japan</strong> from July 1–August 12,<br />

where he researched <strong>Japan</strong>’s industrial security policy in<br />

light of the changing global market economy climate, with<br />

a focus on the automobile industry and food quality and<br />

safety. His time in <strong>Japan</strong> was used to research material for<br />

a chapter on <strong>Japan</strong> in his book, The Illusion of Choice. He met<br />

with many government officials, corporate executives, think<br />

tank scholars and journalists, and visited sites including<br />

an auto part factory in Niigata and a quarantine station<br />

in Yokohama.<br />

The past year saw the participation of several Fellows in<br />

other <strong>Japan</strong> <strong>Society</strong> programs. Most recently, Dana Goodyear<br />

participated in a public panel discussion on May 5,<br />

2009 entitled “Lovesick <strong>Japan</strong>: Stories of Intimacy from<br />

Courts to Keitai (Cell Phone) Novels,” which enabled her<br />

to speak about the research she conducted on cell phone<br />

novels during her fellowship. Two former <strong>Japan</strong> <strong>Society</strong><br />

Fellows, Alan Webber, co-founder of Fast Company Magazine,<br />

and Daniel Pink, author of The Adventures of Johnny Bunko:<br />

the Last Career Guide You’ll Ever Need, spoke about their new<br />

books as part of programs organized through the <strong>Society</strong>’s<br />

U.S.-<strong>Japan</strong> Innovators Network, in April 2009 and October<br />

2008 respectively. Rosanne Haggerty, founder and President,<br />

Common Ground Community, participated in the second<br />

exchange program, Learning from Disaster: Miyakejima &<br />

New Orleans, which took place in Tokyo in April 2009. On<br />

February 4, Mark Halperin, Editor-at-Large, Time Magazine,<br />

participated in a panel discussion titled “The U.S. & East<br />

Asia Under the Obama Administration.”<br />

While in <strong>Japan</strong> from September 10–October 22, Dana<br />

Goodyear, a Staff Writer for The New Yorker magazine,<br />

interviewed writers and publishers of cell phone novels,<br />

as well as academics and others who follow the genre.<br />

Her research led to an article on cell phone novels called<br />

I Novels, published in the December 22 & 29, 2008 issue<br />

of The New Yorker. While in <strong>Japan</strong>, she visited the city of<br />

Obama, which was celebrating its connection to the yet to<br />

be American president and the company that produced the<br />

eyeglasses that vice presidential nominee Sarah Palin wore<br />

during her campaign. This resulted in a New Yorker “Talk of<br />

the Town” piece in the October 20, 2008 issue. More on<br />

her time in <strong>Japan</strong> is also available on her blog.<br />

<strong>Japan</strong> <strong>Society</strong> <strong>Annual</strong> <strong>Report</strong> 2008–09 15


2008–09 <strong>Programs</strong><br />

2<br />

1<br />

3<br />

Fellowship Residency: 2007–08 United States-<br />

<strong>Japan</strong> Foundation Media Fellows Program<br />

1 July–12 August<br />

Barry Lynn, freelance journalist and Senior Fellow,<br />

New America Foundation.<br />

Fellowship Residency: 2007–08 United States-<br />

<strong>Japan</strong> Foundation Media Fellows Program<br />

10 September–22 October<br />

Dana Goodyear, Staff Writer, The New Yorker.<br />

The United States-<strong>Japan</strong> Media Fellows Program<br />

was generously supported by the United States-<br />

<strong>Japan</strong> Foundation. Additional assistance was<br />

provided by the Foreign Press Center <strong>Japan</strong>.<br />

Transportation assistance was provided by<br />

<strong>Japan</strong> Airlines.<br />

1 Dana Goodyear visited<br />

Obama City in Fukui Prefecture<br />

and wrote a piece for The<br />

New Yorker’s “Talk of the<br />

Town.” Photo courtesy of<br />

Dana Goodyear.<br />

2 2007–08 U.S.-<strong>Japan</strong><br />

Media Fellow Dana Goodyear<br />

over looking Tokyo. © Dana<br />

Goodyear.<br />

3 Barry Lynn, 2007–08 U.S.-<br />

<strong>Japan</strong> Media Fellow, with his<br />

wife and two sons at Kinkakuji<br />

in Kyoto. Photo courtesy of<br />

Barry Lynn.<br />

<strong>Japan</strong> <strong>Society</strong> <strong>Annual</strong> <strong>Report</strong> 2008–09 16


<strong>Japan</strong> <strong>Society</strong> Gallery<br />

Undaunted by a 40 percent budget reduction, last season<br />

<strong>Japan</strong> <strong>Society</strong> Gallery presented not two but three shows,<br />

starting with the first in a series of summer exhibits looking<br />

at unexpected subjects and non-traditional media. Tapestry<br />

in Architecture: Creating Human Spaces (July 10–August 14,<br />

2008), co-organized with the National Association of<br />

<strong>Japan</strong>-American Societies, featured textile artist Mitsuko<br />

Asakura’s intricately woven works designed to complement<br />

architectural interiors.<br />

New Bamboo: Contemporary <strong>Japan</strong>ese Masters (October 4,<br />

2008–January 11, 2009), was the first-ever show focusing<br />

on the use of bamboo as a sculptural medium, with 93 works<br />

by 23 innovators ranging in age from 32 to 78. “It’s hard not<br />

to feel a deep reverence for the sheer genius and dedication<br />

behind the work,” wrote Christine Kaminsky in American<br />

Craft, while the Associated Press’s Ann Levin praised the<br />

artists’ “...impressive...technical accomplishment, invention,<br />

and genius.” The exhibition drew nearly 9,000 visitors and<br />

enjoyed significant financial support from American collectors<br />

who play a vital role in sustaining <strong>Japan</strong>ese artists working<br />

in bamboo. Despite a very difficult economic environment,<br />

membership of the Friends of the Gallery—a key group of<br />

benefactors—actually increased from 2008 to 2009.<br />

With nearly 17,000 visitors, our spring 2009 exhibition<br />

KRAZY! The Delirious World of Anime + Manga + Video Games<br />

(March 13–June 14, 2009) was the second most successful<br />

in <strong>Japan</strong> <strong>Society</strong>’s history, contributing to a 60 percent<br />

year-on-year increase in Gallery attendance. Thanks to its<br />

unusual selection and the dynamic installation by hot Tokyo<br />

architects Atelier Bow-Wow, KRAZY!, originally organized<br />

by the Vancouver Art Gallery, attracted an almost universally<br />

positive critical reaction which continued until the exhibition’s<br />

closing fortnight. “Aficionados may have seen it all before,<br />

but for newbs, the exhibit is likely to dazzle,” enthused The<br />

Village Voice, and Evan Minto of about.com typified web<br />

comment when he wrote of “...an astounding variety of works<br />

[that] provided a nice balance between the fun, irreverent<br />

style of pop culture and the more literate, serious tone of art<br />

criticism.” Boosted by a sell-out Cosplay Contest enjoyed<br />

by over 400 participants, KRAZY! broadened the appeal of<br />

the Gallery and brought an entirely new demographic into<br />

<strong>Japan</strong> <strong>Society</strong> for the very first time.<br />

In addition to the exhibitions, the Gallery co-organized, with<br />

the <strong>Japan</strong> Foundation, a symposium entitled <strong>Japan</strong>ese Art in<br />

America: Building the Next Generation. Held at <strong>Japan</strong> <strong>Society</strong><br />

on March 16, the one-day event gathered leading curators,<br />

academics, dealers and collectors from all over the U.S., along<br />

with senior officials from <strong>Japan</strong>, for an in-depth discussion<br />

on ways of working together to ensure that <strong>Japan</strong>ese art<br />

makes a greater contribution to American culture.<br />

Our program for 2009–10 has already kicked off with<br />

Buriki: <strong>Japan</strong>ese Tin Toys from the Golden Age of the American<br />

Automobile (July 9–August 16, 2009), an exhibit of 1950s<br />

miniature vehicles from the Yoku Tanaka collection, hailed<br />

as “terrific retro fun” (Time Out New York Kids), “an utterly<br />

fascinating exhibition” (artnet.com), and “a delightful exhibition”<br />

(Wall Street Journal). With the aim of providing a mix<br />

of shows that both appeals to our traditional support base<br />

and underlines connections between earlier <strong>Japan</strong>ese art<br />

and the present day, we continue in the fall with Serizawa:<br />

Master of <strong>Japan</strong>ese Textile Design, celebrating a great<br />

20th-century artist-craftsman, and next year we present<br />

Graphic Heroes, Mythic Monsters: <strong>Japan</strong>ese Prints by Utagawa<br />

Kuniyoshi from the Arthur R. Miller Collection. The show was<br />

last season’s surprise hit at London’s Royal Academy, with<br />

local critics pointing out the resonances between the 19thcentury<br />

artist’s frenziedly energetic designs and today’s<br />

manga. We feel confident that it will do just as well in<br />

New York next spring.<br />

Installation<br />

view, KRAZY!<br />

The Manga<br />

room with,<br />

from right to<br />

left: Takashi<br />

Okazaki,<br />

Afro Samurai<br />

(1994–2008);<br />

Junko Mizuno,<br />

Pure Trance<br />

(1996–98).<br />

Center: the<br />

Manga Pod,<br />

designed by<br />

exhibition<br />

architects Atelier<br />

Bow-Wow.<br />

© Richard P.<br />

Goodbody.<br />

<strong>Japan</strong> <strong>Society</strong> <strong>Annual</strong> <strong>Report</strong> 2008–09 17


2008–09 <strong>Programs</strong><br />

Tapestry in Architecture:<br />

Creating Human Spaces<br />

Organized in celebration of the 30th anniversary<br />

of the National Association of <strong>Japan</strong>-America<br />

Societies (NAJAS).<br />

This exhibition was made possible by Canon Inc. This<br />

exhibition was also supported by The Tokyo Club.<br />

Additional funding was provided by Kajima Corporation,<br />

Takenaka Corporation, and Shimizu Corporation.<br />

Media sponsorship was provided by WNYC and<br />

Louise Blouin Media. Transportation assistance at<br />

<strong>Japan</strong> <strong>Society</strong> was provided by <strong>Japan</strong> Airlines.<br />

Exhibitions at <strong>Japan</strong> <strong>Society</strong> are also made possible<br />

in part by the Lila Wallace-Reader’s Digest Endowment<br />

Fund and the Friends of the Gallery. Installations<br />

at <strong>Japan</strong> <strong>Society</strong> Gallery are supported by<br />

a generous gift from Henry Cornell. <strong>Japan</strong> <strong>Society</strong><br />

also wishes to thank The W.L.S. Spencer Foundation<br />

for its catalogue support.<br />

Opening Night Preview & Reception<br />

9 July<br />

Exhibition<br />

10 July–14 August<br />

An exhibition featuring the work of textile artist<br />

Mitsuko Asakura, showcasing 12 large-scale<br />

hanging pieces as well as photographs of installed<br />

tapestries and a video essay depicting the creation<br />

process. Several pieces were originally commissioned<br />

for specific locations in <strong>Japan</strong>, including<br />

Hie Shrine in Tokyo, Pfizer Global Research and<br />

Development in Nagoya, and Resona Bank in<br />

Osaka. Because these pieces are integral components<br />

of the buildings where they now hang,<br />

Asakura painstakingly created exact copies for<br />

the exhibition, which premiered at <strong>Japan</strong> <strong>Society</strong><br />

before traveling to Harvard University’s Reischauer<br />

Institute of <strong>Japan</strong>ese Studies, Cambridge, Mass.<br />

(September 15–November 14, 2008), the Morikami<br />

Museum and Gardens, Delray Beach, Fla.<br />

(December 16, 2008–February 22, 2009), and the<br />

American Institute of Architects Headquarters<br />

Gallery, Washington, D.C. (March 12–June 26, 2009).<br />

The daughter of an artist and dyer, Mitsuko<br />

Asakura was born and raised in Kyoto, the former<br />

capital of <strong>Japan</strong>. Growing up helping her father in<br />

his dyeing workshop and surrounded by the traditional<br />

craft artists of Kyoto, Asakura developed<br />

a passion for weaving. Deeply immersed in the<br />

traditional textile culture of <strong>Japan</strong>, she created<br />

her own original style of textile art by mixing<br />

traditional fiber dyeing with experimental shapes.<br />

Asakura’s tapestries are notable for their sensitive<br />

use of color and unusual forms. All of her<br />

dyes are handmade, often featuring a combination<br />

of natural ingredients sourced in the nature<br />

surrounding Kyoto, along with cutting-edge<br />

chemical substances. The interplay of the natural<br />

and man-made materials in the dye creates vibrant<br />

and subtle colors that distinguish her work.<br />

New Bamboo: Contemporary<br />

<strong>Japan</strong>ese Masters<br />

This exhibition was supported by the Mary<br />

Livingston Griggs and Mary Griggs Burke<br />

Foundation, Diane and Arthur Abbey, the Arete<br />

Foundation, the Cotsen Foundation for Academic<br />

Research, Edward and Anne Studzinski, Chris A.<br />

Wachenheim, The <strong>Japan</strong> Foundation, TAI Gallery,<br />

Martha Stewart Living Omnimedia, Inc., and<br />

the Leadership Committee for New Bamboo:<br />

Contemporary <strong>Japan</strong>ese Masters.<br />

Additional support was provided by the New York<br />

City Department of Cultural Affairs and the<br />

New York State Council on the Arts, a State agency.<br />

Media sponsorship was provided by WNYC and<br />

Louise Blouin Media. Transportation assistance<br />

was provided by <strong>Japan</strong> Airlines.<br />

Exhibitions at <strong>Japan</strong> <strong>Society</strong> are also made possible<br />

in part by the Lila Wallace-Reader’s Digest Endowment<br />

Fund and the Friends of the Gallery. Installations<br />

at <strong>Japan</strong> <strong>Society</strong> Gallery are supported by<br />

a generous gift from Henry Cornell. <strong>Japan</strong> <strong>Society</strong><br />

also wishes to thank The W.L.S. Spencer Foundation<br />

for its catalogue support.<br />

Opening Night Preview<br />

1 October<br />

Members’ Opening<br />

3 October<br />

Exhibition<br />

4 October–11 January<br />

This was the first ever exhibition, inside or outside<br />

<strong>Japan</strong>, to focus exclusively on non-functional<br />

bamboo works of art, featuring 23 innovators<br />

who fully exploit the tension between traditional<br />

skills and new forms of expression. Ranging from<br />

ethereal, computer-designed filigrees, through<br />

dramatic wall pieces to angry-looking, dirtencrusted<br />

tangles and anthropomorphic, sexually<br />

charged sculptures, the 93 works on display<br />

demonstrated awesome technique, meticulous<br />

attention to detail and extraordinary creativity.<br />

In contrast to other recent bamboo exhibitions in<br />

the United States, New Bamboo was devoted to<br />

living artists and sculptural work, and celebrated<br />

<strong>Japan</strong>ese bamboo’s emergence as an international<br />

phenomenon. Offering a comprehensive<br />

overview of a new wave of artists, it showed<br />

how they have reached beyond the established<br />

boundaries of their chosen medium, abandoning<br />

traditional functionality in favor of a purely<br />

sculptural approach while creating masterpieces<br />

that are frequently even more technically accomplished<br />

than works of the previous generation.<br />

In their conscious creation of a novel sense of<br />

“<strong>Japan</strong>-ness,” often informed by an awareness of<br />

international trends in sculpture and installation<br />

art, the works exhibited offered not only aesthetic<br />

delight but also a new expression of the <strong>Japan</strong>ese<br />

experience of hybridized modernity.<br />

Featured Artists<br />

Fujitsuka Shōsei (b. 1949) Ōiso, Kanagawa Prefecture<br />

Honda Shōryū (b. 1951) Beppu, Ōita Prefecture<br />

Honma Hideaki (b. 1959) Sado Island, Niigata<br />

Prefecture<br />

Honma Kazuaki (b. 1930) Niigata, Niigata Prefecture<br />

Ikeda Iwao (b. 1940) Musashino, Tokyo Metropolis<br />

Kawana Tetsunori (b. 1945) Tokyo Metropolis and<br />

Union City, New Jersey<br />

Kawashima Shigeo (b. 1958) Sagamigahara,<br />

Kanagawa Prefecture<br />

Matsumoto Hafū (b. 1952) Tateyama, Chiba<br />

Prefecture<br />

Mimura Chikuhō (b. 1973) Beppu, Ōita Prefecture<br />

Morigami Jin (b. 1955) Beppu, Ōita Prefecture<br />

Nagakura Ken’ichi (b. 1952) Shizuoka,<br />

Shizuoka Prefecture<br />

Nakatomi Hajime (b. 1974) Beppu, Ōita Prefecture<br />

Ōki Toshie (b. 1976) Tatebayashi, Gunma Prefecture<br />

Shōno Tokuzō (b. 1942) Ōita, Ōita Prefecture<br />

Stephen Talasnik (b. 1954) New York City, New York<br />

Tanabe Mitsuko (b. 1944) Sakai, Osaka Prefecture<br />

Tanabe Shōchiku III (b. 1973) Sakai, Osaka Prefecture<br />

Torii Ippō (b. 1930) Nishio, Aichi Prefecture<br />

Uematsu Chikuyū (b. 1947) Atsugi, Kanagawa<br />

Prefecture<br />

Ueno Masao (b. 1949) Kamogawa, Chiba Prefecture<br />

Yako Hōdō (b. 1940) Fukaya, Saitama Prefecture<br />

Yamaguchi Ryūun (b. 1940) Ōita, Ōita Prefecture<br />

Yonezawa Jirō (b. 1956) Saiki, Ōita Prefecture<br />

Exhibition-Related Events<br />

Gagaku Revolution: New Sounds of<br />

Ancient Bamboo<br />

10 October<br />

See p. 23 for complete program details.<br />

Konnichiwa Friends Family Tours<br />

New Bamboo: Contemporary <strong>Japan</strong>ese Masters<br />

1 1 O c to b e r , 1 5 N ov e m b e r , 1 3 D e c e m b e r &<br />

10 January<br />

See p. 33 for complete program details.<br />

Art Cart: New Bamboo: Contemporary<br />

<strong>Japan</strong>ese Masters<br />

19 October<br />

See p. 32 for complete program details.<br />

<strong>Japan</strong> <strong>Society</strong> <strong>Annual</strong> <strong>Report</strong> 2008–09 18


Robert Coffland on Collecting Bamboo Art<br />

in America<br />

28 October<br />

See p. 29 for complete program details.<br />

Contemporary Art, Ancient Materials:<br />

A Conversation with Tanabe Shōchiku<br />

6 November<br />

See p. 29 for complete program details.<br />

<strong>Japan</strong>ese Bamboo in the Art Classroom:<br />

A Hands-On Workshop<br />

9 November<br />

See p. 32 for complete program details.<br />

Responding to New Bamboo: <strong>Japan</strong>ese<br />

Contemporary Masters<br />

14 November<br />

See p. 33 for complete program details.<br />

Lecture programs for New Bamboo: Contemporary<br />

<strong>Japan</strong>ese Masters were assisted by The<br />

Metropolitan Center for Far Eastern Art Studies.<br />

KRAZY! The Delirious World of Anime<br />

+ Manga + Video Games<br />

This exhibition was organized by the Vancouver<br />

Art Gallery.<br />

Transportation assistance was provided by <strong>Japan</strong><br />

Airlines. Media sponsorship was provided by WNYC<br />

and Louise Blouin Media. English-language manga<br />

for the Manga Pod were supplied by VIZ Media.<br />

Exhibitions at <strong>Japan</strong> <strong>Society</strong> are also made possible<br />

in part by the Lila Wallace-Reader’s Digest Endowment<br />

Fund and the Friends of the Gallery. Installations<br />

at <strong>Japan</strong> <strong>Society</strong> Gallery are supported by<br />

a generous gift from Henry Cornell. <strong>Japan</strong> <strong>Society</strong><br />

also wishes to thank The W.L.S. Spencer Foundation<br />

for its catalogue support.<br />

Opening Night Preview<br />

11 March<br />

Members’ Opening<br />

12 March<br />

Exhibition<br />

13 March–14 June<br />

Curator: Bruce Grenville, Senior Curator,<br />

Vancouver Art Gallery<br />

Co-Curators: Kiyoshi Kusumi and Toshiya Ueno<br />

(Anime and Manga); Will Wright (Video Games)<br />

Exhibition Design: Atelier Bow-Wow<br />

KRAZY! celebrated <strong>Japan</strong>’s extraordinary<br />

contributions to contemporary popular culture—<br />

manga, anime and video games steeped in arresting<br />

imagery which is understood and appreciated<br />

with unmatched sophistication and passion.<br />

Originally conceived by Vancouver Art Gallery as<br />

an international overview, KRAZY! was presented<br />

at <strong>Japan</strong> <strong>Society</strong> in a specially edited version<br />

focused on <strong>Japan</strong>’s unique role as a purveyor of<br />

new forms of creativity that, for many younger<br />

Americans, define their idea of what “<strong>Japan</strong>” is.<br />

Deliberately omitting world-famous founding<br />

fathers and superstars such as Osamu Tezuka<br />

and Hayao Miyazaki, the curators of KRAZY!’s<br />

<strong>Japan</strong>ese component concentrated on developments<br />

from the late 1980s onwards, opening the<br />

door to a younger generation of artists who intentionally<br />

work across a wide variety of fields—<br />

manga, anime, illustration, music—and offering<br />

an insight into the shared purpose and interdependence<br />

of these diverse forms. To tell this story<br />

they gathered together original sketches, concept<br />

drawings, production drawings, digital images,<br />

models, sculptures, books, films and video games<br />

that revealed an extraordinary history of production,<br />

one that is poised to redefine the scope of<br />

visual culture in the 21st century.<br />

Featured Artists & Works<br />

Manga<br />

Hisashi Eguchi, Stop!! Hibari-kun! 1981–83<br />

Mamoru Nagano, The Five Star Stories, 1986–<br />

Taiyo Matsumoto, Tekkon Kinkrito (Black and<br />

White), 1993–94<br />

Junko Mizuno, Pure Trance, 1996–98<br />

Takashi Okazaki, Afro Samurai, 1994–2008<br />

Moyoco Anno, Sakuran, 2001–03<br />

Video Games<br />

Toru Iwatani, Pac-Man, 1980<br />

Shigeru Miyamoto, Super Mario World, 1990<br />

Shigeru Miyamoto, The Legend of Zelda: The Wind<br />

Waker, 2002<br />

Anime<br />

Ichiro Itano, Super Dimension Fortress Macross,<br />

1982–83<br />

Katsuhiro Otomo, Akira, 1988<br />

Mamoru Oshii, Patlabor 2: The Movie, 1993<br />

Masaaki Yuasa, Mind Game, 2004<br />

Makoto Shinkai, The Place Promised in Our Early<br />

Days, 2004<br />

Satoshi Kon, Paprika, 2006<br />

Soundtracks<br />

Yoko Kanno, Cowboy Bebop, 1998; Ghost in the<br />

Shell: Stand Alone Complex, 2002; and Wolf’s<br />

Rain, 2003<br />

Anime Film Screenings<br />

The anime films featured in KRAZY! were shown<br />

full-length in the <strong>Japan</strong> <strong>Society</strong> auditorium on<br />

most Fridays, Saturdays and Sundays throughout<br />

the run of the exhibition. The films shown were:<br />

Katsuhiro Otomo, Akira (1988); Masaaki Yuasa,<br />

Mind Game (2004); Satoshi Kon, Paprika (2006);<br />

Mamoru Oshii, Patlabor 2: The Movie (1993); Makoto<br />

Shinkai, The Place Promised in Our Early Days<br />

(2004); and Ichiro Itano, Super Dimension Fortress<br />

Macross: Episodes 9 and 27 (1982–83).<br />

Exhibition-Related Events<br />

Talking KRAZY! <strong>Japan</strong>’s Evolving Pop Culture<br />

12 March<br />

See p. 29 for complete program details.<br />

Konnichiwa Friends Family Tours<br />

KRAZY!<br />

14 March, 11 April 11, 9 May & 13 June<br />

See p. 33 for complete program details.<br />

KRAZY! Cosplay Party<br />

28 March<br />

In conjunction with KRAZY!, <strong>Japan</strong> <strong>Society</strong> held<br />

its first-ever cosplay event for local anime and<br />

manga fans with classic film screenings, competitions<br />

and genre-related prizes. This sell-out event<br />

was attended by more than 400 fans and the<br />

main competition was won by Scout Isensee in<br />

the role of Ciel Phantomhive from Kuroshitsuji.<br />

Art Cart: KRAZY! The Delirious World of<br />

Anime + Manga + Video Games<br />

29 March<br />

See p. 33 for complete program details.<br />

Get KRAZY!<br />

15 April<br />

See p. 32 for complete program details.<br />

Responding to KRAZY! The Delirious World of<br />

Anime + Manga + Video Games<br />

19 may<br />

See p. 33 for complete program details.<br />

<strong>Japan</strong> <strong>Society</strong> <strong>Annual</strong> <strong>Report</strong> 2008–09 19


1<br />

6<br />

2<br />

3<br />

7<br />

4<br />

5<br />

1 Opening preview and<br />

reception for KRAZY!<br />

The “Anime Garden,”<br />

showing excerpts from<br />

animated films, from<br />

right to left: Katsuhiro<br />

Otomo, Akira (1988);<br />

Makoto Shinkai, The<br />

Place Promised in Our<br />

Early Days (2004); Ichiro<br />

Itano, Super Dimension<br />

Fortress Macross (1982–<br />

84); Satoshi Kon, Paprika<br />

(2006). © Alan Klein.<br />

2 Opening reception<br />

for preview and installation<br />

view, KRAZY!<br />

The Video Game room,<br />

with Toru Iwatani, Pac-<br />

Man (1980); Shigeru<br />

Miyamoto, Super Mario<br />

World (1990); Pac-Man<br />

chairs designed by<br />

exhibition architects<br />

Atelier Bow-Wow.<br />

© Alan Klein.<br />

3 Yuichi Yokoyama,<br />

New Engineering: Dress<br />

up 1 [pages 54 and 55,<br />

final drawing], 2004.<br />

Ink on paper. Collection<br />

of the artist. Published<br />

by East Press, Tokyo<br />

and Picture Box, Inc.,<br />

Brooklyn © Yuichi<br />

Yokoyama.<br />

4 Installation view,<br />

KRAZY! The Manga<br />

room with, from right<br />

to left: Moyoco Anno,<br />

Sakuran (2001–03);<br />

Takashi Okazaki, Afro<br />

Samurai (1994–2008);<br />

the Manga Pod,<br />

designed by exhibition<br />

architects Atelier Bow-<br />

Wow. © Alan Klein.<br />

5 Installation view,<br />

KRAZY! Inside the<br />

Manga Pod, designed<br />

by exhibition architects<br />

Atelier Bow-Wow.<br />

© Alan Klein.<br />

6 Installation view,<br />

New Bamboo. Works<br />

by Honda Shōryū<br />

(foreground platform);<br />

Ōki Toshie (right<br />

background); Nagakura<br />

Ken’ichi (left background).<br />

© Richard P.<br />

Goodbody.<br />

7 Installation view,<br />

New Bamboo. Works<br />

by Yako Hōdō (right<br />

and center foreground);<br />

Torii Ippō<br />

(left foreground);<br />

Honma Hideaki (far<br />

room, center and left);<br />

Honma Kazuaki (back<br />

wall). © Richard P.<br />

Goodbody.<br />

<strong>Japan</strong> <strong>Society</strong> <strong>Annual</strong> <strong>Report</strong> 2008–09 20


8 Yamaguchi Ryūun,<br />

White Wave (2006),<br />

madake bamboo and<br />

rattan. Elayne and<br />

Walter Wentz Collection.<br />

© Susan Einstein,<br />

Los Angeles.<br />

9 Uematsu Chikuyū,<br />

Wind Pattern (2002),<br />

kurochiku bamboo,<br />

wood, wire, lacquer<br />

and clay powder. Clark<br />

Center for <strong>Japan</strong>ese<br />

Art and Culture.<br />

© Susan Einstein,<br />

Los Angeles.<br />

10 Installation view,<br />

KRAZY! The Manga<br />

room with, from right<br />

to left foreground:<br />

Taiyo Matsumoto,<br />

Tekkon Kinkreet (Black<br />

& White) (1993–94);<br />

Mamoru Nagano, The<br />

Five Star Stories (1986);<br />

Hisashi Eguchi, Stop!!<br />

Hibari-kun! (1981–83).<br />

Background left:<br />

Junko Mizuno, Pure<br />

Trance (1996–98);<br />

background center: the<br />

Manga Pod, designed<br />

by exhibition architects<br />

Atelier Bow-Wow.<br />

© Alan Klein.<br />

11 Installation view,<br />

KRAZY! The “Anime<br />

Garden,” showing excerpts<br />

from animated<br />

films, from right to left:<br />

Makoto Shinkai, The<br />

Place Promised in Our<br />

Early Days (2004);<br />

Ichiro Itano, Super<br />

Dimension Fortress<br />

Macross (1982–84);<br />

Satoshi Kon, Paprika<br />

(2006). © Alan Klein.<br />

12 Mitsuko Asakura,<br />

Continuum and<br />

Difference II (detail)<br />

(1998), silk, linen,<br />

cotton, and gold leaf.<br />

From the exhibition<br />

Tapestry in Architecture.<br />

Photo courtesy of<br />

the artist.<br />

8<br />

11<br />

9<br />

2<br />

10 12<br />

<strong>Japan</strong> <strong>Society</strong> <strong>Annual</strong> <strong>Report</strong> 2008–09 21


Performing Arts<br />

<strong>Japan</strong> <strong>Society</strong>’s Performing Arts Program hailed innovation<br />

and experimentation in the arts with the year-long season<br />

theme Beyond Boundaries: Genre-Bending Mavericks. Whether<br />

melding new technologies with age-old performance<br />

techniques, marrying the classical with the ultra-modern,<br />

or weaving text into dance and the fabric of space itself,<br />

there is much to discover beyond boundaries. This year<br />

marked a celebration of the <strong>Japan</strong>ese artists whose works<br />

have reached beyond conventional categorizations to blur<br />

the boundaries of genre and define parameters on their own<br />

terms, offering unparalleled surprises as well as true artistry.<br />

Performances included the U.S. debut of ARICA Performance<br />

Company’s poignant piece on labor, Kiosk; Gagaku Revolution:<br />

New Sounds of Ancient Bamboo, featuring world premiere<br />

performances of <strong>Japan</strong> <strong>Society</strong>-commissioned compositions<br />

from trailblazing American composers—Ken Ueno, Carlos<br />

Sanchez-Gutierrez and Gene Coleman—written for and<br />

performed by traditional <strong>Japan</strong>ese bamboo instrumentalists;<br />

true, the high-technology dance performance from Takayuki<br />

Fujimoto and Takao Kawaguchi of dumbtype with dancer/<br />

choreographer Tsuyoshi Shirai; and as the fourth installment<br />

of the Tzadik Music Label Series curated by John Zorn, Tribute<br />

to Teiji Ito, honoring one of the fathers of New York’s downtown<br />

experimental music scene, featuring Guy Klucevsek<br />

and Steve Gorn.<br />

Following the 12th <strong>Annual</strong> Contemporary Dance Showcase,<br />

which featured a world premiere from butoh great Ko<br />

Murobushi for his company Ko & Edge Co., a solo from Yoko<br />

Higashino with improv-composer Toshio Kajiwara, and the<br />

award-winning duet Air Conditioner from chelfitsch Theater<br />

Company as well as Jang Eun Jung Dance Company from<br />

Korea and Taiwan’s Wind Dance Theatre, <strong>Japan</strong> <strong>Society</strong><br />

organized and produced two ambitious seven-city North<br />

American tours. The first was the U.S. debut tour for the<br />

internationally acclaimed chelfitsch Theater Company and<br />

its award-winning production of Five Days in March, and the<br />

second, Awaji Puppet Theater Company—the company’s<br />

first appearance in the U.S. in 12 years. The season culminated<br />

with Hiroaki Umeda, a solo dance performer who designs<br />

his own lights, sound and video for his performances. In conjunction<br />

with these performances, the <strong>Society</strong> also pre sented<br />

an Evening with Basil Twist, the award-winning puppet artist,<br />

who discussed the influence of <strong>Japan</strong>ese puppetry on his work;<br />

and Gagaku Workshops for Composers, hands-on opportunities<br />

for music professionals to work with three unique bamboo<br />

instruments used in traditional <strong>Japan</strong>ese music.<br />

For the fall 2009 season <strong>Japan</strong> <strong>Society</strong> will take a European<br />

twist with <strong>Japan</strong> Transatlantic: Tokio-Berlin. This season will<br />

focus on <strong>Japan</strong>-themed performances that were developed<br />

outside of <strong>Japan</strong> by artists based in Berlin. From post-butoh<br />

dance, a multi-sensory theater piece tracking the story of<br />

Sony, to a world premiere dance-visual art work inspired by<br />

kawaii culture, the resulting works are truly an international<br />

hybrid, with unique reflection on their <strong>Japan</strong>ese roots.<br />

1<br />

2<br />

1 Tomoko<br />

Ando in ARICA<br />

Performance<br />

Company’s<br />

one-woman<br />

show, Kiosk. ©<br />

Tom DiMauro.<br />

2 Awaji Puppet<br />

Theater Company<br />

in the classical<br />

dance piece<br />

Ebisu-Mai (Dance<br />

of the Fisherman<br />

God). © Jack<br />

Vartoogian/<br />

FrontRowPhotos.<br />

<strong>Japan</strong> <strong>Society</strong> <strong>Annual</strong> <strong>Report</strong> 2008–09 22


2008–09 <strong>Programs</strong><br />

Performances<br />

u.s. debut<br />

ARICA Performance Company<br />

Kiosk<br />

18–20 September<br />

These performances were supported by the Agency<br />

for Cultural Affairs, Government of <strong>Japan</strong>.<br />

Known for its Beckettian absurdity and stark<br />

aesthetic, ARICA Performance Company presented<br />

its highly conceptual and visually arresting<br />

one-woman show, following a day in the life of a<br />

woman working in a humble train station kiosk.<br />

world premiere commissions<br />

Gagaku Revolution: New Sounds of<br />

Ancient Bamboo<br />

1 0 O c to b e r<br />

New compositions by Ken Ueno, Carlos Sanchez-<br />

Gutierrez, and Gene Coleman were commissioned<br />

by <strong>Japan</strong> <strong>Society</strong> and supported by the Jebediah<br />

Foundation: New Music Commissions. This<br />

program was funded in part through Meet The<br />

Composer’s MetLife Creative Connections program.<br />

The otherworldly sounds of ancient <strong>Japan</strong>ese<br />

instruments, each made of bamboo and used in<br />

medieval <strong>Japan</strong>ese gagaku (the oldest form of<br />

ensemble orchestra music, developed in the<br />

8th century) were played by Ko Ishikawa (sho),<br />

Hitomi Nakamura (hichiriki) and Takeshi Sasamoto<br />

(ryuteki), in an evening featuring works from the<br />

classical gagaku repertory as well as contemporary<br />

compositions by Yoshiko Kanda, Mamoru Fujieda<br />

and the <strong>Society</strong>’s world premiere commissions<br />

from three American composers: Ken Ueno,<br />

Carlos Sanchez-Gutierrez and Gene Coleman.<br />

true<br />

Takayuki Fujimoto (dumb type) µ Takao<br />

Kawaguchi (dumb type) µ Tsuyoshi Shirai<br />

1 3 –1 5 N ov e m b e r<br />

These performances were supported by the<br />

Metropolitan Government of Tokyo, Toyota Motor<br />

Corporation, and the Asahi Beer Arts Foundation.<br />

This spectacular collision of dance and technology<br />

was created by an extraordinary collaboration<br />

between three remarkable artists: lighting designer<br />

Takayuki Fujimoto; performer Takao Kawaguchi<br />

from the internationally acclaimed multimedia<br />

performance company dumb type; and Tsuyoshi<br />

Shirai, choreographer/dancer/video artist and<br />

winner at the 2006 Toyota Choreography Awards.<br />

Tzadik Music Label Series IV: Tribute to Teiji Ito<br />

Featuring Guy Klucevsek & Steve Gorn<br />

12 December<br />

This program was presented in association<br />

with Tzadik.<br />

The late <strong>Japan</strong>ese American composer Teiji Ito<br />

(1935–82) was known as the founding composer<br />

of the experimental new music scene and for his<br />

scores for the avant-garde films by his former<br />

wife, Maya Deren. The fourth in the Tzadik Music<br />

Label series curated by John Zorn, this was the<br />

first ever large-scale tribute to the music of Ito, in<br />

an evening honoring his music for theater, film and<br />

3<br />

dance, studied, arranged and performed by Guy<br />

Klucevsek and Steve Gorn and their ensembles.<br />

12th <strong>Annual</strong> Contemporary Dance Showcase<br />

Phase 2: <strong>Japan</strong> + East Asia<br />

9 & 1 0 Ja n ua ry<br />

These performances were supported by the<br />

Ministry of Culture, Sports and Tourism, Republic<br />

of Korea; Korea Arts Management Service; Korean<br />

Cultural Service, NY; Council for Cultural Affairs,<br />

ROC Taiwan; and the Taipei Cultural Center of<br />

TECO in New York.<br />

This annual favorite displayed the most cuttingedge<br />

dance from <strong>Japan</strong>, Taiwan and Korea.<br />

Highlights included a world premiere from butoh<br />

great Ko Murobushi for his company Ko & Edge<br />

Co.; chelfitsch Theater Company’s dance-theater<br />

duet Air Conditioner; and the violent and striking<br />

solo by Yoko Higashino with electric guitar improviser<br />

Toshio Kajiwara. The evening also featured<br />

Jang Eun Jung Dance Company from Korea with<br />

their subtle yet provocative Several Questions<br />

and Taiwan’s Wind Dance Theatre, led by former<br />

principal dancer and rehearsal director of Cloud<br />

Gate Dance Theatre, Wu I-Fang.<br />

u.s. debut<br />

chelfitsch theater company<br />

Five Days in March<br />

Written & directed by Toshiki Okada<br />

5 –7 F e b r ua ry<br />

The seven-city North American tour of chelfitsch<br />

Theater Company was organized and produced by<br />

<strong>Japan</strong> <strong>Society</strong> and was supported by the Agency for<br />

Cultural Affairs, Government of <strong>Japan</strong>; The <strong>Japan</strong><br />

Foundation through the Performing Arts JAPAN<br />

Program; and The Saison Foundation for the <strong>Japan</strong><br />

<strong>Society</strong>’s <strong>Japan</strong>ese Theater NOW initiative.<br />

Characterized by seemingly insubstantial narrative<br />

accompanied by exaggerated fidgeting gestures-turned-choreography,<br />

the ground-breaking<br />

and modern works of chelfitsch Theater Company<br />

have made them the most talked-about company<br />

in <strong>Japan</strong>, recognized as the voice of generation Y.<br />

The North American tour gave touring partners<br />

nationwide to present their audiences a window<br />

into youth culture in <strong>Japan</strong>. This Kishida Kunio<br />

Drama Award-winning play by Toshiki Okada<br />

takes place in the days before the U.S. began its<br />

war against Iraq in March 2003, when two <strong>Japan</strong>ese<br />

urban hipsters meet at a post-rock show and<br />

get swept up into a five-night stand.<br />

3 Steve Gorn (second from<br />

right) and the Watermill<br />

Ensemble performing at<br />

Tzadik Label Music Series IV:<br />

Tribute to Teiji Ito. © Tom<br />

DiMauro.<br />

4<br />

4 Tsuyoshi Shirai in true,<br />

created in collaboration with<br />

Takayuki Fujimoto and Takao<br />

Kawaguchi. © Tom DiMauro.<br />

<strong>Japan</strong> <strong>Society</strong> <strong>Annual</strong> <strong>Report</strong> 2008–09 23


Awaji Puppet Theater Company<br />

With live chanting & shamisen music<br />

accompaniment<br />

5 –7 M a r c h<br />

The seven-city North American tour of Awaji<br />

Puppet Theater Company was organized and<br />

produced by <strong>Japan</strong> <strong>Society</strong>, New York, in partnership<br />

with the City of Los Angeles Department of<br />

Cultural Affairs, and was supported by the Agency<br />

for Cultural Affairs, Government of <strong>Japan</strong>; The<br />

<strong>Japan</strong> Foundation through the Performing Arts<br />

JAPAN program; The Jim Henson Foundation; and<br />

Awaji Ningyo Shibai Support Group.<br />

For the first time in 12 years, Awaji Puppet<br />

Theater Company, designated an Intangible Folk<br />

Asset by the <strong>Japan</strong>ese government, returned to<br />

New York with a stunning all-traditional program<br />

including Ebisu-Mai, Hidaka-gawa Iriaizakura,<br />

based on the famous folktale of a lovelorn woman<br />

and her transformation into a serpent, and an<br />

episode from the traditional drama Tsubosaka<br />

Reigen-ki about the double suicide of a blind<br />

masseuse and his wife. All 15 performances in<br />

seven venues of the tour were sold out, reaching<br />

over 3,000 theatergoers nationwide.<br />

Hiroaki Umeda: Solo Dance, Light,<br />

Sound & Video<br />

14–16 May<br />

In a program consisting of a New York premiere<br />

and a U.S. premiere, Umeda’s extraordinary<br />

butoh/street dance-inspired choreography<br />

appeared within an environment of dramatic<br />

lighting, flashing cyber-imagery, electronic<br />

beats and crackling digital soundscapes that<br />

he designed himself.<br />

Workshops, Lectures & Related Events<br />

Gagaku Workshop for Composers<br />

8 O c to b e r<br />

Presented in association with the Columbia<br />

University Gagaku Initiative and the Institute<br />

for Medieval <strong>Japan</strong>ese Studies.<br />

Gagaku Salon Concert<br />

8 O c to b e r<br />

Presented in conjunction with the <strong>Japan</strong> <strong>Society</strong><br />

Gallery exhibition New Bamboo: Contemporary<br />

Masters.<br />

An Evening with Conductor Alan Gilbert<br />

27 October<br />

Presented in conjunction with the Metropolitan<br />

Opera’s new production, Dr. Atomic.<br />

See p. 29 for complete program details.<br />

frank l. ellsworth performing arts<br />

lecture series<br />

Inside the Mind of Basil Twist<br />

3 March<br />

Presented as a related event of Awaji Puppet<br />

Theater Company.<br />

Major support for <strong>Japan</strong> <strong>Society</strong> 2008–09<br />

Performing Arts <strong>Programs</strong> was provided by the<br />

Lila Wallace-Reader’s Digest Endowment Fund;<br />

The Starr Foundation; the New York City Department<br />

of Cultural Affairs; and the Endowment for<br />

the Performing Arts, established with leadership<br />

gifts from the Doris Duke Charitable Foundation,<br />

The Globus Family, Kyocera Corporation, The Starr<br />

Foundation, and Toyota Motor Corporation.<br />

Additional support was provided by The Globus<br />

Family, Dr. John K. Gillespie, The Fan Fox and Leslie<br />

R. Samuels Foundation, Inc., The Peter Jay Sharp<br />

Foundation and the New York State Council on the<br />

Arts, a State agency.<br />

Transportation assistance was provided by<br />

All Nippon Airways, Ltd.<br />

Plasma display was provided by Pioneer<br />

Electronics (USA) Inc.<br />

5<br />

5 Solo choreographer/<br />

dancer Yoko Higashino<br />

in E/G: Ego/Geometria,<br />

at the Contemporary<br />

Dance Showcase: <strong>Japan</strong><br />

+ East Asia. © Tom<br />

DiMauro.<br />

6<br />

6 chelfitsch Theater<br />

Company in the awardwinning<br />

production<br />

Five Days in March,<br />

written and directed<br />

by Toshiki Okada.<br />

© Tom DiMauro.<br />

<strong>Japan</strong> <strong>Society</strong> <strong>Annual</strong> <strong>Report</strong> 2008–09 24


Film Program<br />

Throughout 2008–09 the Film Program screened a wide<br />

range of films from <strong>Japan</strong>, from long-time favorites through<br />

independent film milestones to current blockbusters and<br />

art-house hits. More than a dozen films were presented<br />

with live subtitle projections, in an ongoing effort to present<br />

rare yet important films and to use the best prints available.<br />

Commemorating 40 years of Tora-san, the world’s longest<br />

running film series, director Yoji Yamada hand-selected<br />

eight of the best episodes for our Monthly Classics series<br />

Best of Tora-San. The launch screening of Best of Tora-San<br />

in October was followed by a special live Q&A with Yoji<br />

Yamada in Tokyo at the studio of Keio University’s Research<br />

Institute for Digital Media and Content, presented at <strong>Japan</strong><br />

<strong>Society</strong> via high-speed digital network.<br />

In February, the Globus Film Series introduced the Art Theatre<br />

Guild, <strong>Japan</strong>’s independent filmmaking phenomenon, by<br />

highlighting 12 art house films from the 1960s and early<br />

’70s. Titled Shinjuku Ecstasy: Independent Films from the Art<br />

Theatre Guild of <strong>Japan</strong>, the series was curated by eminent<br />

<strong>Japan</strong>ese film scholar Roland Domenig, based in Vienna and<br />

film historian Go Hirasawa, based in Tokyo.<br />

For the third consecutive summer, JAPAN CUTS: Festival of<br />

New <strong>Japan</strong>ese Film brought a sizable slice of <strong>Japan</strong>’s contemporary<br />

film scene to New York City. JAPAN CUTS featured<br />

27 screenings of 18 feature films, one panel discussion and<br />

10 guest filmmakers. Nearly 4,000 people visited <strong>Japan</strong><br />

<strong>Society</strong> to attend JAPAN CUTS over the course of 12 days.<br />

The Film Program also presented special events with internationally<br />

acclaimed directors, including Michel Gondry and<br />

Leos Carax in the NY premiere of the omnibus film Tokyo!<br />

and Takashi Miike, who gave a lecture on his filmmaking<br />

career. In celebration of the NY premieres at Tribeca Film<br />

Festival, the <strong>Society</strong> hosted a reception for director Yojiro<br />

Takita (Academy Award-winning Departures), director<br />

Hirokazu Kore-eda (Still Walking), and actor Masahiro<br />

Motoki (Departures), generously underwritten by The<br />

Globus Family.<br />

Double Suicide, part of<br />

the Globus Film Series,<br />

Shinjuku Ecstasy: Independent<br />

Films from the Art<br />

Theatre Guild of <strong>Japan</strong>.<br />

© 1969 Hyogensha/ATG.<br />

<strong>Japan</strong> <strong>Society</strong> <strong>Annual</strong> <strong>Report</strong> 2008–09 25


2008–09 <strong>Programs</strong><br />

Film Series<br />

monthly classics<br />

Best of Tora-san<br />

17 October–22 May<br />

This series was supported by the New York State<br />

Council on the Arts, a State agency.<br />

Celebrating the 40th anniversary of the first<br />

Tora-san film, Tora-san writer/director Yoji Yamada<br />

hand-picked the top eight films for this long-lasting,<br />

popular series chronicling the life of an unruly<br />

salesman traveling through <strong>Japan</strong>.<br />

Tora-san, Our Lovable Tramp (Episode 1, 1969)<br />

Tora-san’s Love Call (Episode 8, 1971)<br />

Tora-san’s Dear Old Home (Episode 9, 1972)<br />

Tora-san’s Dream-Come-True (Episode 10, 1972)<br />

Tora-san Meets the Songstress Again<br />

(Episode 15, 1975)<br />

Hearts and Flowers for Tora-san (Episode 29, 1982)<br />

Tora-san Goes Religious (Episode 32, 1983)<br />

Tora-san, My Uncle (Episode 42, 1989)<br />

globus film series<br />

Shinjuku Ecstasy: Independent Films<br />

from the Art Theatre Guild of <strong>Japan</strong><br />

18 February–1 March<br />

This series was supported by The Globus Family.<br />

Additional support was provided by the New York<br />

State Council on the Arts, a State agency.<br />

Founded in 1961, the Art Theater Guild (ATG)<br />

played a decisive role in the development of<br />

art-house films in <strong>Japan</strong> as a film distributor and<br />

production company. This 12-film series curated<br />

by Roland Domenig and Go Hirasawa focused on<br />

the first decade of ATG and the Shinjuku Bunka,<br />

ATG’s flagship theater.<br />

Throw Away Your Books, Let’s Go into the Street<br />

(Shuji Terayama, 1971)<br />

Funeral Parade of Roses (Toshio Matsumoto, 1969)<br />

Death by Hanging (Nagisa Oshima, 1968)<br />

Silence Has No Wings (Kazuo Kuroki, 1966)<br />

Eros plus Massacre (Kiju Yoshida, 1970)<br />

The Inferno of First Love (Susumu Hani, 1968)<br />

Double Suicide (Masahiro Shinoda, 1969)<br />

This Transient Life (Akio Jissoji, 1970)<br />

A Man Vanishes (Shohei Imamura, 1967)<br />

Crazy Love (Michio Okabe, 1968)<br />

Pitfall (Hiroshi Teshigahara, 1962)<br />

Ecstasy of the Angels (Koji Wakamatsu, 1972)<br />

JAPAN CUTS:<br />

Festival of New <strong>Japan</strong>ese Film<br />

30 June–12 July<br />

This series was funded by grants from The <strong>Japan</strong><br />

Foundation and the New York State Council on<br />

the Arts, a State agency. Additional support was<br />

provided by Sapporo USA, Inc. and UNIQLO, USA,<br />

Inc. Media sponsorship was provided by WNYC.<br />

Media support was provided by The Village Voice.<br />

Transportation assistance was provided by <strong>Japan</strong><br />

Airlines. In-kind support was courtesy of Sapporo<br />

USA, Inc., Sakagura and Pacific International<br />

Liquor, Inc.<br />

For the third consecutive summer, the only<br />

large-scale annual <strong>Japan</strong>ese film festival in North<br />

America brought 18 feature film premieres from<br />

<strong>Japan</strong>’s contemporary film scene to New York<br />

City, presenting New Yorkers with a first look<br />

at <strong>Japan</strong>’s blockbusters and cinematic landmarks<br />

from cutting-edge independents to highly<br />

innovative animations. Starred (*) films were<br />

co-presented with the New York Asian Film<br />

Festival from July 1–5.<br />

20th Century Boys: Chapter One* (Yukihiko<br />

Tsutsumi, 2008) NY Premiere<br />

20th Century Boys: Chapter Two—The Last Hope*<br />

(Yukihiko Tsutsumi, 2008) NY Premiere<br />

Achilles and the Tortoise (Takeshi Kitano, 2008)<br />

NY Premiere<br />

Ain’t No Tomorrows (Yuki Tanada, 2008)<br />

North American Premiere<br />

All Around Us* (Ryosuke Hashiguchi, 2008)<br />

NY Premiere<br />

Be Sure to Share* (Sion Sono, 2009)<br />

World Premiere<br />

Buy a Suit (Jun Ichikawa, 2008) U.S. Premiere<br />

Confessions of a Dog (Gen Takahashi, 2008)<br />

International Premiere<br />

Crime or Punishment! (Keralino Sandorovich,<br />

2008) International Premiere<br />

Cyborg She (Kwak Jae Yong, 2008) NY Premiere<br />

Fish Story* (Yoshihiro Nakamura, 2009) North<br />

American Premiere<br />

Halfway (Eriko Kitagawa, 2009) International<br />

Premiere<br />

Love Exposure* (Sion Sono, 2008) NY Premiere<br />

The Magic Hour* (Koki Mitani, 2008)<br />

NY Premiere<br />

Non-ko (Kazuyoshi Kumakiri, 2008) NY Premiere<br />

Pride* (Shusuke Kaneko, 2009) North American<br />

Premiere<br />

UrumaDelvi Collected Shorts (UrumaDelvi)<br />

Vacation* (Hajime Kadoi, 2008) NY Premiere<br />

Special Screenings & Events<br />

Sneak Preview<br />

Cherry Blossoms<br />

13 January<br />

Co-presented with the Goethe-Institut New York<br />

and Strand Releasing.<br />

Lecture<br />

From Gore to Westerns: An Incisive Afternoon<br />

with Director Takashi Miike<br />

7 February<br />

Presented in association with Subway Cinema.<br />

Hotel accommodations were provided by The<br />

Kitano New York.<br />

Sneak Preview<br />

TOKYO!<br />

2 March<br />

Co-presented with Liberation Entertainment.<br />

Sneak Preview<br />

Tokyo Sonata<br />

10 March<br />

Co-presented with Regent Releasing.<br />

Reception celebrating the NY premieres of<br />

Departures and Still Walking<br />

29 April<br />

Co-presented with The Globus Family in association<br />

with Regent Releasing/Here Media and IFC Films.<br />

<strong>Japan</strong> <strong>Society</strong> 2008–09 Film <strong>Programs</strong> were<br />

generously supported by the Lila Wallace-Reader’s<br />

Digest Endowment Fund. Additional support<br />

was provided by The Globus Family, Yoshiko and<br />

Tim Schilt, David S. Howe, Dr. Tatsuji Namba,<br />

Joshua S. Levine and Nozomi Terao.<br />

Panel Discussion<br />

How to Make a Film in <strong>Japan</strong> & Beyond<br />

9 July<br />

<strong>Japan</strong> <strong>Society</strong> <strong>Annual</strong> <strong>Report</strong> 2008–09 26


1 Tora-san, Our Lovable<br />

Tramp, part of Monthly<br />

Classics: Best of Tora-san.<br />

© Shochiku Co., Ltd.<br />

2 Crime or Punishment!,<br />

part of JAPAN CUTS:<br />

Festival of New <strong>Japan</strong>ese<br />

Film. © 2008 “Crime or<br />

Punishment!” Production<br />

Committee.<br />

3 Guests at the Exposure<br />

Party following the screening<br />

of Love Exposure, part<br />

of JAPAN CUTS: Festival<br />

of New <strong>Japan</strong>ese Film.<br />

© David Hou.<br />

4 Love Exposure, part of<br />

JAPAN CUTS: Festival<br />

of New <strong>Japan</strong>ese Film.<br />

© 2008 “Love Exposure”<br />

Film Partners.<br />

5 Director Kazuyoshi<br />

Kumakiri (left) and<br />

producer Keiko Kusakabe<br />

(right) at the Q&A after<br />

the screening of Non-ko,<br />

part of JAPAN CUTS:<br />

Festival of New <strong>Japan</strong>ese<br />

Film. © Mike Nogami.<br />

1<br />

2<br />

4<br />

3<br />

5<br />

<strong>Japan</strong> <strong>Society</strong> <strong>Annual</strong> <strong>Report</strong> 2008–09 27


Lecture <strong>Programs</strong><br />

From the latest trends in <strong>Japan</strong>ese puzzlemaking to an<br />

analysis of the Obama administration’s impact on East<br />

Asia, our 2008–09 season presented lectures and panel<br />

discussions on the most vital issues and trends in <strong>Japan</strong>ese<br />

culture and society. We continue to offer podcasts and<br />

webcasts of select programs, providing access to an international<br />

audience. Particularly popular were events where<br />

we brought influential <strong>Japan</strong>ese and Americans together<br />

for an exchange of ideas, including a discussion between<br />

Pulitzer Prize-winner Steve Reich and <strong>Japan</strong>ese composer<br />

Nobukazu Takemura, who spoke about the intersections<br />

between their music, illustrating the truly global nature<br />

of 21st-century arts. Within the field of classical music,<br />

Alan Gilbert, Music Director Designate of the New York<br />

Philharmonic and half-<strong>Japan</strong>ese himself, discussed his life,<br />

music and role conducting Doctor Atomic, the opera about<br />

the creation of the atomic bomb.<br />

Moving from the high arts to mass culture, Maki Kaji, the<br />

godfather of Sudoku, and Will Shortz, crossword puzzle<br />

editor for The New York Times, offered an entertaining and<br />

informative discussion of the trends and themes driving<br />

the popularity of puzzlemaking around the world today.<br />

Addressing the key role that <strong>Japan</strong>ese arts and ideas play<br />

on the global stage, the <strong>Society</strong> hosted some of the most<br />

significant artists in contemporary <strong>Japan</strong>—director Takashi<br />

Miike spoke about his films to a sold-out audience and<br />

visual artist Tadanori Yokoo, whose creations include some<br />

of the most iconic art of recent years, talked about his art<br />

as well as his interactions with some of the most influential<br />

artists of the late 20th century. Kazuko Shiraishi, who has<br />

been described as the Allen Ginsberg of <strong>Japan</strong>, captivated<br />

her audience with a dynamic poetry reading in collaboration<br />

with jazz trumpeter Itaru Oki.<br />

Continuing the <strong>Society</strong>’s tradition of dynamic programming<br />

related to architecture, internationally renowned architects<br />

César Pelli and Paul Tange came together to consider what<br />

is causing the transition from the modernist mantra of<br />

“form follows function” to the fanciful forms of architecture<br />

today. Our longstanding Authors on Asia series presented<br />

audiences with the latest scholarship about <strong>Japan</strong>, from<br />

Ian Buruma’s discussion of the life of Shirley Yamaguchi<br />

to Reiko Kinoshita’s exploration of the globalization of the<br />

Kumon Method of teaching. A series of lectures related<br />

to each <strong>Japan</strong> <strong>Society</strong> Gallery exhibition addressed key<br />

intellectual themes and explored issues raised by the art<br />

beyond the context of the exhibitions themselves. Among<br />

the highlights was a discussion between Tanabe Shochiku III<br />

and Stephen Talasnik on using ancient materials to create<br />

contemporary art, followed by a live demonstration of creating<br />

bamboo art by Tanabe Shochiku III.<br />

Lecture <strong>Programs</strong> also hosted events that addressed important<br />

changes in the world of <strong>Japan</strong>ese policy and society.<br />

Leading journalists Mark Halperin, John Bussey and Howard<br />

French analyzed the likely impact of the Obama administration<br />

on East Asia. University of Michigan Law Professor<br />

Mark West and New Yorker Staff Writer and <strong>Japan</strong> <strong>Society</strong><br />

Media Fellow Dana Goodyear considered the intersection<br />

of love, law and technology in <strong>Japan</strong> in their discussion of<br />

“Lovesick <strong>Japan</strong>: Stories of Intimacy from Courts to Keitai<br />

(Cell Phone) Novels.”<br />

Our upcoming season will continue to present a balance of<br />

lecture programs on both <strong>Japan</strong>ese culture and <strong>Japan</strong>ese<br />

social policy. Highlights include a series on Green <strong>Japan</strong>, an<br />

analysis of the major nations’ positions on climate change,<br />

a discussion forum for leading artists and thinkers, and<br />

a look at the next generation of green automobiles. We’ll<br />

also feature programs on topics from <strong>Japan</strong>ese food to a<br />

demonstration of <strong>Japan</strong>ese swordsmanship in what is sure<br />

to be an innovative and exciting year.<br />

So’oku Sen,<br />

Mushakoji<br />

Senke’s next<br />

grand tea<br />

master, demonstrates<br />

the<br />

tea ceremony<br />

to moderator<br />

Ellis Avery<br />

(left) at a<br />

program titled<br />

“Sen So’oku:<br />

Tea Life.” ©<br />

George Hirose.<br />

<strong>Japan</strong> <strong>Society</strong> <strong>Annual</strong> <strong>Report</strong> 2008–09 28


2008–09 <strong>Programs</strong><br />

Lecture Series<br />

Authors on Asia<br />

The China Lover: The Life of Shirley Yamaguchi/<br />

Ri Koran<br />

16 October<br />

With Ian Buruma, Henry R. Luce Professor of<br />

Democracy, Human Rights and Journalism,<br />

Bard College. Tom Vick, Film Programmer, Freer<br />

and Sackler Galleries, Smithsonian Institution,<br />

moderating.<br />

My Floating Mother, City: An Evening<br />

with Kazuko Shiraishi<br />

30 January<br />

With Karuko Shiraishi, poet and Itaru Oki, jazz<br />

trumpeter. Forrest Gander, Professor of English<br />

and Comparative Literature, Brown University,<br />

moderating.<br />

New Yorker/Nihonjin: Contemporary<br />

Cross-Cultural Dialogue Series<br />

Steve Reich & Nobukazu Takemura<br />

19 March<br />

With Steve Reich, composer and Nobukazu<br />

Takemura, musician. John Schaefer, host and<br />

producer, WNYC’s New Sounds, moderating.<br />

Architects Forum<br />

Form Follows Fancy in New Architecture<br />

23 April<br />

With César Pelli, Senior Principal, Pelli Clark Pelli<br />

Architects and Paul Noritaka Tange, President,<br />

Tange Associates. Geeta Mehta, Associate<br />

Professor of Architecture, Temple University,<br />

<strong>Japan</strong> Campus, Visiting Professor, Columbia<br />

University, moderating.<br />

General Lectures<br />

Revolutionize the Maestro: New Ways<br />

of Craftsmanship<br />

11 September<br />

Co-sponsored by the Kyoto Institute of Technology.<br />

With Makiko Tada, kumihimo artist; Hiroyuki<br />

Hamada, Professor of Advanced Fibro-Science,<br />

Kyoto Institute of Technology. Joe Earle, Vice<br />

President and Director <strong>Japan</strong> <strong>Society</strong> Gallery,<br />

moderating.<br />

An Evening with Tadanori Yokoo<br />

12 September<br />

Supported by Friedman Benda Gallery.<br />

With Tadanori Yokoo, artist and designer.<br />

Eric C. Shiner, Milton Fine Curator, Andy Warhol<br />

Museum, moderating.<br />

<strong>Japan</strong>’s About-Face<br />

24 September<br />

With Micah Fink, founder, Common Good Productions<br />

and Richard J. Samuels, Ford International<br />

Professor of Political Science and Director, Center<br />

for International Studies, MIT.<br />

Puzzling the World: Sudoku & Crosswords<br />

23 October<br />

With Will Shortz, Crossword Puzzle Editor, The<br />

New York Times; Maki Kaji, godfather of Sudoku<br />

and President, Nikoli Company. Liane Hansen,<br />

Host, Weekend Edition Sunday, NPR, moderating.<br />

An Evening with Conductor Alan Gilbert<br />

27 October<br />

With Alan Gilbert, Music Director designate, the<br />

New York Philharmonic and Eric Owens, opera<br />

singer. W. Anthony Sheppard, Professor of Music,<br />

Williams College, moderating.<br />

Robert Coffland on Collecting Bamboo Art<br />

in America<br />

28 October<br />

With Robert Coffland, <strong>Japan</strong>ese bamboo art<br />

dealer and Joe Earle, Vice President and Director,<br />

<strong>Japan</strong> <strong>Society</strong> Gallery.<br />

Contemporary Art, Ancient Materials:<br />

A Conversation with Tanabe Shochiku III<br />

6 November<br />

With Tanabe Shochiku III, artist and Stephen<br />

Talasnik, artist. Joe Earle, Vice President and<br />

Director, <strong>Japan</strong> <strong>Society</strong> Gallery, moderating.<br />

The U.S. & East Asia Under the<br />

Obama Administration<br />

4 February<br />

With Mark Halperin, Editor-at-Large and Senior<br />

Policy Analyst, Time Magazine; John Bussey,<br />

Washington Bureau Chief, The Wall Street Journal;<br />

and Howard French, Associate Professor of<br />

Journalism, Columbia University. Aaron L. Friedberg,<br />

Professor of Politics, Princeton University,<br />

moderating.<br />

From Gore to Westerns: An Incisive Afternoon<br />

with Director Takashi Miike<br />

February 7<br />

With Takashi Miike, film director. Marc Walkow,<br />

member, Subway Cinema and Co-Director,<br />

New York Asian Film Festival, moderating.<br />

Sen So’oku: Tea Life<br />

10 February<br />

With Sen So’oku, 14th grand tea master,<br />

Mushakoji Senke School of Tea. Ellis Avery,<br />

author of The Teahouse Fire, moderating.<br />

Learning for Life: The Kumon Way<br />

26 February<br />

Co-sponsored by the International House of <strong>Japan</strong>.<br />

With Reiko Kinoshita, author. Robert Fish,<br />

Director, Education and Lecture <strong>Programs</strong>,<br />

<strong>Japan</strong> <strong>Society</strong>, moderating.<br />

Talking KRAZY! <strong>Japan</strong>’s Evolving Pop Culture<br />

12 March<br />

With Bruce Grenville, Senior Curator, Vancouver<br />

Art Gallery; Toshiya Ueno, Professor of Sociology,<br />

Wako University; and Roland Kelts, Lecturer,<br />

University of Tokyo. Joe Earle, Vice President and<br />

Director, <strong>Japan</strong> <strong>Society</strong> Gallery, moderating.<br />

<strong>Japan</strong>ese Art in America: Building the<br />

Next Generation<br />

16 March<br />

Co-sponsored by The <strong>Japan</strong> Foundation.<br />

With Hideki Hayashida, Director, the National<br />

Art Center, Tokyo and former Commissioner for<br />

Cultural Affairs, Agency for Cultural Affairs, <strong>Japan</strong>;<br />

Joe Earle, Vice President and Director, <strong>Japan</strong><br />

<strong>Society</strong> Gallery; Yukio Lippit, Harris K. Weston<br />

Associate Professor of the Humanities, Harvard<br />

University; and Willard Clark, Founder, Clark<br />

Center for <strong>Japan</strong>ese Art and Culture. Richard J.<br />

Wood, President, <strong>Japan</strong> <strong>Society</strong>, moderating.<br />

KRAZY! Chiptune Music<br />

4 May<br />

With Marcin Ramocki, filmmaker and Jeremiah<br />

Johnson, chiptune musician. Ed Halter, art critic<br />

and curator, moderating.<br />

Lovesick <strong>Japan</strong>: Stories of Intimacy from<br />

Courts to Keitai (Cell Phone) Novels<br />

5 May<br />

With Dana Goodyear, Staff Writer, The New Yorker<br />

and <strong>Japan</strong> <strong>Society</strong> Media Fellow, and Mark West,<br />

Nippon Life Professor of <strong>Japan</strong>ese Law, University<br />

of Michigan. Kenji Yoshino, The Chief Justice Earl<br />

Warren Professor of Constitutional Law, New York<br />

University, moderating.<br />

Historical and Natural Tourism:<br />

Rediscovering Lost <strong>Japan</strong><br />

11 May<br />

With Alex Kerr, author. Robert Fish, Director,<br />

Education and Lecture <strong>Programs</strong>, <strong>Japan</strong> <strong>Society</strong>,<br />

moderating.<br />

<strong>Annual</strong> Sake Tasting: Without Koji,<br />

There is No Sake<br />

19 May<br />

Co-sponsored by the Sake Export Association.<br />

With John Gauntner, sake expert and a founding<br />

member of the Sake Export Association.<br />

Arts and Culture Lecture <strong>Programs</strong> were made<br />

possible by funding from the Lila Wallace-Readers’s<br />

Digest Endowment Fund.<br />

Additional support was provided by Chris A.<br />

Wachenheim, the Sandy Heck Lecture Fund,<br />

and Ms. Hiroko Onoyama.<br />

<strong>Japan</strong> <strong>Society</strong> <strong>Annual</strong> <strong>Report</strong> 2008–09 29


1<br />

4<br />

2<br />

3<br />

5<br />

1 Architects César Pelli and<br />

Paul Tange discuss the current<br />

state of “Form Follows Function”<br />

and what its future holds. ©<br />

Satoru Ishikawa.<br />

2 2009 Pulitzer Prize winner<br />

Steve Reich and Nobukazu<br />

Takemura discuss emerging<br />

trends in contemporary classical<br />

music as part of a panel with<br />

John Schaefer. © George Hirose.<br />

3 Sudoku godfather Maki Kaji<br />

(left), New York Times puzzle<br />

editor Will Shortz (middle) and<br />

Liane Hansen, Host, Weekend<br />

Edition Sunday, NPR (right)<br />

talk about the popularity of<br />

puzzles throughout the world.<br />

© Ryohei Yamamoto.<br />

4 New York Philharmonic<br />

music director designate Alan<br />

Gilbert talks with opera singer<br />

Eric Owens about Gilbert’s<br />

Met Opera debut of Doctor<br />

Atomic. © George Hirose.<br />

5 Director Takashi Miike<br />

answers questions from<br />

the audience about what<br />

inspires his film making.<br />

© George Hirose.<br />

<strong>Japan</strong> <strong>Society</strong> <strong>Annual</strong> <strong>Report</strong> 2008–09 30


Education <strong>Programs</strong><br />

Education <strong>Programs</strong> bring <strong>Japan</strong> to American classrooms<br />

and children. During 2008–09, teachers and students<br />

enhanced their knowledge about <strong>Japan</strong> through a variety of<br />

programs, including a three-week study tour to <strong>Japan</strong>, a series<br />

of professional development workshops, weekend programs<br />

for children, and the rapid growth of our interactive website<br />

for educators, About <strong>Japan</strong>: A Teacher’s Resource.<br />

The year began with the 2008 Educators Study Tour to <strong>Japan</strong>,<br />

as 10 New York area educators enhanced their ability to<br />

teach about <strong>Japan</strong> through a behind-the-scenes journey to<br />

<strong>Japan</strong>. Highlights included site visits to multiple schools, a<br />

homestay in Obu City, Aichi-Prefecture, a meeting with<br />

Sasaki Masahiro in Hiroshima, as well as visits to numerous<br />

cultural and historic sites. Upon returning to the United<br />

States, each educator created a teaching unit, many of which<br />

are being shared with a wider audience on About <strong>Japan</strong>.<br />

As a direct outcome of the Study Tour, <strong>Japan</strong> <strong>Society</strong> formed<br />

a School Partner Alliance with The New York City Museum<br />

School and The Manhattan East School for Arts and<br />

Academics. In the upcoming year, we are excited to work<br />

with Manhattan East faculty as they create new lessons<br />

about <strong>Japan</strong> in the sixth grade curriculum. 2009–10 looks to<br />

be a very <strong>Japan</strong>-centered year at The NYC Museum School,<br />

as they initiate an electronic exchange program with the<br />

Keio Girls Senior High School in Tokyo,<br />

About <strong>Japan</strong>: A Teachers Resource (aboutjapan.japansociety.<br />

org) represents <strong>Japan</strong> <strong>Society</strong>’s effort to reach schools<br />

nationwide with resources ranging from lesson plans about<br />

utilizing popular culture to teach about postwar <strong>Japan</strong> to<br />

videos in which leading experts explain the impact of the<br />

global economic crisis on <strong>Japan</strong>. Over 175,000 people<br />

visited the site this past year.<br />

Our professional development workshops help improve<br />

teaching about <strong>Japan</strong> in K–12 schools as well as creating<br />

new teaching materials. Thirty-hour workshops included<br />

Using Popular Culture to Teach about <strong>Japan</strong>, which attracted<br />

participants from as far-away as Philadelphia. A series of<br />

shorter workshops included a practicum on using bamboo<br />

art in the classroom by leading <strong>Japan</strong>ese bamboo artist<br />

Tanabe Shochiku III. 2009–10 courses will include From<br />

Terrorism to the Death Penalty: Using <strong>Japan</strong> to teach about<br />

Hot Button Issues, along with presentations by leading policy<br />

makers such as Satoru Shinomiya, an architect of <strong>Japan</strong>’s<br />

newly implemented jury system.<br />

In cooperation with The Gohan <strong>Society</strong> and The Astor<br />

Center, NYC high school students worked with leading chefs<br />

in the New York area to learn about <strong>Japan</strong> and its cuisine in<br />

our two-week summer immersion program, Washoku 101,<br />

led by Noriyuki Kobayashi, which concluded with a celebratory<br />

banquet. Numerous one-day programs were offered<br />

throughout the school year, including a hands-on gagaku<br />

workshop with the renowned company Reigaku-sha,<br />

presented in cooperation with Midori & Friends.<br />

Working in consort with all of <strong>Japan</strong> <strong>Society</strong>’s programs,<br />

Education <strong>Programs</strong> play an important role in helping the<br />

many exciting activities at the <strong>Society</strong> reach a younger and<br />

broader audience. The Corporate Program, Digital Media<br />

and Education <strong>Programs</strong> all worked together to produce<br />

high quality, annotated excerpts of videos of Corporate<br />

programs on About <strong>Japan</strong> and to bring leading thinkers<br />

about policy and economics to American students. We<br />

look forward to a significant expansion of this program<br />

in 2009–10.<br />

2008–09 featured a rich array of Gallery-related educational<br />

programming, highlighted by Tanabe Shochiku III, who led<br />

a workshop for students in the Responding to New Bamboo:<br />

Contemporary Masters program. KRAZY! The Delirious World<br />

of Anime + Manga + Video Games featured extensive programming<br />

for young audiences, including Get KRAZY! for<br />

teens, a guided discussion of the exhibition followed by an<br />

animation workshop held at Sony Wonder Technology Lab.<br />

Throughout the year, Education <strong>Programs</strong> ran public<br />

programs for children and families that allowed children to<br />

learn about and experience <strong>Japan</strong>ese culture. Family program<br />

highlights included an interactive theater performance<br />

celebrating Children’s Day, led by Theatre Arts <strong>Japan</strong>-Kids-,<br />

and two story-telling events, co-hosted by Kinokuniya<br />

Bookstore in New York, as well as Art Cart programs, in<br />

which small groups of children received an intimate, handson<br />

introduction to the <strong>Japan</strong>ese arts. The 2009–10 season<br />

looks to be equally exciting on all fronts.<br />

<strong>Japan</strong> <strong>Society</strong> <strong>Annual</strong> <strong>Report</strong> 2008–09 31


2008–09 <strong>Programs</strong><br />

<strong>Programs</strong> For Educators<br />

Educators’ Study Tour<br />

2008 Educators’ Study Tour to <strong>Japan</strong><br />

for Middle and High School Educators &<br />

School Administrators<br />

29 June–19 July<br />

With Robert Fish, Director, Education & Lectures<br />

<strong>Programs</strong>, <strong>Japan</strong> <strong>Society</strong> and Kazuko Minamoto,<br />

Deputy Director, Education & Family <strong>Programs</strong>,<br />

<strong>Japan</strong> <strong>Society</strong>.<br />

30-Hour In-House Courses for Educators<br />

From Anime to Pokémon: Using Pop Culture<br />

to Teach About <strong>Japan</strong><br />

18–22 August<br />

In cooperation with the New York City Department<br />

of Education.<br />

With Antonia Levi, Portland State University;<br />

E. Taylor Atkins, Northern Illinois University; and<br />

Aaron Gerow, Yale University.<br />

Karate to Tea: A Hands-On Approach<br />

to Teaching <strong>Japan</strong><br />

17–21 February<br />

In cooperation with the New York City Department<br />

of Education.<br />

With Robert Fish, <strong>Japan</strong> <strong>Society</strong>; Tara McGowan;<br />

H. Paul Varley, University of Hawaii, Emeritus;<br />

Yoshiro Terazono, Urasenke Chanoyu Center;<br />

George Solt, New York University; Noriyuki<br />

Kobayashi, MEGU Midtown; Kazuko Minamoto,<br />

<strong>Japan</strong> <strong>Society</strong>; Gay Merrill Gross; William Kelly,<br />

Yale University; and Joseph Suozzi, University of<br />

Bridgeport.<br />

Early <strong>Japan</strong>ese History: From Ethnogenesis<br />

through Medieval Times<br />

15 & 22 March, 5 & 26 April, 31 May<br />

With Michael Como, Columbia University;<br />

H. Paul Varley, University of Hawaii, Emeritus;<br />

Masako Inkyo, calligrapher; Thomas Hare,<br />

Princeton University; and Nicole Fabricand-<br />

Person, Lafayette College.<br />

One-Day <strong>Programs</strong> for Educators<br />

From Romance to Robots: Using <strong>Japan</strong>ese<br />

Short Stories in the Classroom<br />

20 & 27 October<br />

With Christopher Hill, Yale University.<br />

<strong>Japan</strong>ese Bamboo in the Art Classroom:<br />

A Hands-On Workshop<br />

9 November<br />

With Tanabe Shochiku III, bamboo artist and<br />

David Morss, Dean of Students, Columbia<br />

Grammar and Preparatory School.<br />

<strong>Programs</strong> For Students<br />

Summer Immersion Workshop<br />

for High School Students<br />

<strong>Japan</strong>ese Cuisine 101: Washoku<br />

4–8 & 11–16 August<br />

Co-sponsored with The Gohan <strong>Society</strong> and in<br />

cooperation with The Astor Center, New York City.<br />

With Satori Kawano, Founder and President, The<br />

Gohan <strong>Society</strong>; Noriyuki Kobayashi, Chef, MEGU<br />

Midtown; Tadashi Ono, Executive Chef, MATSURI;<br />

Reverend Nobuyo Otagaki, International Shinto<br />

Foundation; Hatsuko Otsuka and Miki Takahashi,<br />

dessert chefs; Yukari Pratt, Chef and Administrative<br />

Coordinator, Uoriki Fresh; Stefen Ramirez,<br />

Tea Dealers; Pablo Sandoval, Chief Soba Chef,<br />

SOBAYA; Taeko Takigami, Executive Director, The<br />

Gohan <strong>Society</strong>; Yoshihiro Terazono, Urasenke<br />

Chanoyu Center; and Makoto Yamauchi, Director,<br />

Agriculture and Fisheries, JETRO.<br />

One-Day Workshops for Students<br />

Gagaku Musical Instrument Workshop<br />

for Invited Music Students<br />

8 October<br />

Offered in collaboration with Midori and Friends.<br />

With Reigaku-sha.<br />

Tea Demonstration for Students with<br />

Tea Master Sen So’Oku<br />

9 December<br />

With Sen So’Oku, tea master, Mushakoji-Senke.<br />

Awaji Puppet Theater Workshop for Students<br />

6 March<br />

With Awaji Puppet Theater Troupe.<br />

Get KRAZY!<br />

15 April<br />

With Sony Wonder Technology Lab.<br />

With Suzanne de Vegh, Program Officer,<br />

Education & Lecture <strong>Programs</strong>, <strong>Japan</strong> <strong>Society</strong>.<br />

<strong>Programs</strong> For Families<br />

<strong>Japan</strong>’s <strong>Annual</strong> Festivities<br />

<strong>Japan</strong>’s Star Festival—Legend & Customs:<br />

Tanabata<br />

6 July<br />

With Theatre Arts <strong>Japan</strong>-KIDS-, dir. Eriko Ogawa.<br />

Celebratory Rituals for Children: Shichigosan<br />

(7-5-3) Ceremony<br />

25 & 26 October<br />

In cooperation with the International Shinto<br />

Foundation.<br />

With members of the International Shinto<br />

Foundation.<br />

Meet <strong>Japan</strong>’s Mystical Folktale Creatures &<br />

Ghosts through Kamishibai Storytelling<br />

1 November<br />

In cooperation with Kinokuniya Bookstore.<br />

Offsite event at Kinokuniya Bookstore. With<br />

Nadine Grisar, kamishibai storyteller and<br />

New York Children’s Cultural Association.<br />

New Year’s Day Celebration: Oshogatsu<br />

25 January<br />

Featuring booths led by over 40 performers, artists,<br />

specialists, educators and volunteer students from<br />

Keio Academy of New York and Columbia Grammar<br />

and Preparatory School.<br />

Doll Festival (Girls’ Day): Hinamatsuri<br />

1 March<br />

With Masayo Ishigure, koto performer and Keiko<br />

Sawaguchi, educator, NYC Public School.<br />

Celebrating <strong>Japan</strong>’s Children’s Day through<br />

Performance & Crafts-Making: Kodomo no hi<br />

3 May<br />

With Theatre Arts <strong>Japan</strong>-KIDS-, dir. Eriko Ogawa.<br />

Art Cart <strong>Programs</strong><br />

Art Cart: New Bamboo: Contemporary<br />

<strong>Japan</strong>ese Masters<br />

1 9 O c to b e r<br />

In cooperation with <strong>Japan</strong> <strong>Society</strong> Gallery.<br />

With Suzanne de Vegh, <strong>Japan</strong> <strong>Society</strong>; and arts<br />

educators Petra Pankow and Peter Sebeckis.<br />

Art Cart: Flowers & Festivities<br />

in <strong>Japan</strong>ese Culture<br />

16 November<br />

In collaboration with New York Botanical Garden.<br />

With Peter Sebeckis, arts educator.<br />

<strong>Japan</strong> <strong>Society</strong> <strong>Annual</strong> <strong>Report</strong> 2008–09 32


Art Cart: KRAZY! The Delirious World of<br />

Anime + Manga + Video Games<br />

29 March<br />

With Suzanne de Vegh, <strong>Japan</strong> <strong>Society</strong>.<br />

Art Cart: Tea Ceremony for Children<br />

17 May<br />

With Sen So’Oku, tea master, Mushakoji-Senke;<br />

and Suzanne de Vegh, <strong>Japan</strong> <strong>Society</strong>.<br />

Special Family <strong>Programs</strong><br />

Sadako & 1,000 Cranes Storytelling &<br />

Origami Crane Making<br />

10 August<br />

In cooperation with Kinokuniya Bookstore.<br />

Offsite event at Kinokuniya Bookstore.<br />

With Fumiko & Friends, NY Children Cultural<br />

Association; and Teri Gindi, Professional<br />

Performing Arts School.<br />

openhousenewyork (OHNY) at <strong>Japan</strong> <strong>Society</strong><br />

4 & 5 October<br />

In cooperation with <strong>Japan</strong> <strong>Society</strong> Gallery.<br />

Open House New York Kids! at <strong>Japan</strong> <strong>Society</strong><br />

4 October<br />

In cooperation with Center for Architecture<br />

Foundation.<br />

With Peter Sebeckis, arts educator.<br />

Awaji Puppet Theater Family Matinee<br />

7 March<br />

With Awaji Puppet Theater Troupe.<br />

Film Screening & Anime Antics Family Program<br />

14 June<br />

With Suzanne de Vegh, <strong>Japan</strong> <strong>Society</strong>.<br />

Gallery Lessons & Gallery-Related<br />

<strong>Programs</strong><br />

Docent Tours for Gallery Visitors<br />

New Bamboo: <strong>Japan</strong>ese Contemporary Masters<br />

4 October–11 January<br />

In cooperation with <strong>Japan</strong> <strong>Society</strong> Gallery.<br />

With members of the <strong>Japan</strong> <strong>Society</strong> Docent<br />

Corps.<br />

KRAZY! The Delirious World of Anime +<br />

Manga + Video Games<br />

13 March–14 June<br />

In cooperation with <strong>Japan</strong> <strong>Society</strong> Gallery.<br />

With members of the <strong>Japan</strong> <strong>Society</strong> Docent<br />

Corps.<br />

Adult & University Group Tours<br />

Tapestry in Architecture: Creating Human Spaces<br />

10 July–14 August<br />

In cooperation with <strong>Japan</strong> <strong>Society</strong> Gallery.<br />

With Suzanne de Vegh, <strong>Japan</strong> <strong>Society</strong>.<br />

New Bamboo: <strong>Japan</strong>ese Contemporary Masters<br />

4 October–11 January<br />

In cooperation with <strong>Japan</strong> <strong>Society</strong> Gallery.<br />

With Suzanne de Vegh, <strong>Japan</strong> <strong>Society</strong>.<br />

KRAZY! The Delirious World of Anime +<br />

Manga + Video Games<br />

13 March–14 June<br />

In cooperation with <strong>Japan</strong> <strong>Society</strong> Gallery.<br />

With Suzanne de Vegh, <strong>Japan</strong> <strong>Society</strong>.<br />

Gallery Lessons Pre-K–Grade 12<br />

Tapestry in Architecture: Creating Human Spaces<br />

10 July–14 August<br />

In cooperation with <strong>Japan</strong> <strong>Society</strong> Gallery.<br />

With Suzanne de Vegh, <strong>Japan</strong> <strong>Society</strong>.<br />

New Bamboo: <strong>Japan</strong>ese Contemporary Masters<br />

4 October–11 January<br />

In cooperation with <strong>Japan</strong> <strong>Society</strong> Gallery.<br />

With Suzanne de Vegh, <strong>Japan</strong> <strong>Society</strong>.<br />

KRAZY! The Delirious World of Anime +<br />

Manga + Video Games<br />

13 March–14 June<br />

In cooperation with <strong>Japan</strong> <strong>Society</strong> Gallery.<br />

With Suzanne de Vegh, <strong>Japan</strong> <strong>Society</strong>.<br />

Responding To... Series<br />

Responding to New Bamboo: <strong>Japan</strong>ese<br />

Contemporary Masters<br />

14 November<br />

In cooperation with <strong>Japan</strong> <strong>Society</strong> Gallery.<br />

With Tanabe Shochiku III, bamboo master.<br />

Responding to KRAZY! The Delirious World of<br />

Anime + Manga + Video Games<br />

May 19<br />

In cooperation with <strong>Japan</strong> <strong>Society</strong> Gallery.<br />

With Suzanne de Vegh, <strong>Japan</strong> <strong>Society</strong> and Sony<br />

Wonder Technology Lab.<br />

Konnichiwa Friends Family Tours<br />

New Bamboo: Contemporary <strong>Japan</strong>ese Masters<br />

1 1 O c to b e r , 1 5 N ov e m b e r , 1 3 D e c e m b e r &<br />

10 January<br />

In cooperation with <strong>Japan</strong> <strong>Society</strong> Gallery.<br />

With Petra Pankow, arts educator.<br />

KRAZY! The Delirious World of Anime +<br />

Manga + Video Games<br />

14 March, 11 April, 9 May & 13 June<br />

In cooperation with <strong>Japan</strong> <strong>Society</strong> Gallery.<br />

With Petra Pankow and Yoko Ohashi,<br />

arts educators.<br />

Education <strong>Programs</strong> were made possible by<br />

generous funding from The Freeman Foundation.<br />

Additional support was provided by The<br />

Norinchukin Foundation, Inc., Lesley Nan Haberman,<br />

Joshua N. Solomon, Ms. Hiroko Onoyama,<br />

Joshua S. Levine, and Nozomi Terao.<br />

Family <strong>Programs</strong> were supported by the New York<br />

City Department of Cultural Affairs.<br />

About <strong>Japan</strong>: A Teachers’ Resource was<br />

supported by The <strong>Japan</strong> Foundation Center for<br />

Global Partnership.<br />

Transportation assistance for the 2008 Educators’<br />

Study Tour to <strong>Japan</strong> was provided by <strong>Japan</strong> Airlines.<br />

The Art Carts for New Bamboo: Contemporary<br />

<strong>Japan</strong>ese Masters and KRAZY! The Delirious<br />

World of Anime + Manga + Video Games were<br />

supported by the Milton and Sally Avery Arts<br />

Foundation.<br />

<strong>Japan</strong> <strong>Society</strong> <strong>Annual</strong> <strong>Report</strong> 2008–09 33


1<br />

4<br />

5<br />

2<br />

1 K–12 educators learn ways to<br />

use bamboo in the art classroom<br />

in this one-day workshop<br />

led by bamboo artist Tanabe<br />

Shochiku III. © George Hirose.<br />

2 A family celebrates<br />

Shichigosan (7-5-3), a Shinto<br />

ritual to ensure the health and<br />

happiness of children ages 3, 5<br />

and 7. © George Hirose.<br />

3 Study Tour educators<br />

participate in a geometry class<br />

in Kyocho Elementary School<br />

in Obu-city, <strong>Japan</strong>. © <strong>Japan</strong><br />

<strong>Society</strong> staff.<br />

4 Noriyuki Kobayashi, a chef<br />

at Megu Restaurant, leads<br />

hands-on sessions about<br />

<strong>Japan</strong>ese cuisine in the student<br />

Summer Immersion Workshop.<br />

© <strong>Japan</strong> <strong>Society</strong> staff.<br />

5 Children enjoy kamishibai<br />

storytelling, songs and dances<br />

in this program introducing<br />

mythical <strong>Japan</strong>ese folktale<br />

creatures and ghosts held at<br />

Kinokuniya Bookstore in New<br />

York. © George Hirose.<br />

3<br />

<strong>Japan</strong> <strong>Society</strong> <strong>Annual</strong> <strong>Report</strong> 2008–09 34


6<br />

9<br />

7<br />

10<br />

8<br />

6 Educators’ Study Tour<br />

participants have lunch with<br />

kindergarten children at Araike<br />

Nursery School in Obu-city,<br />

<strong>Japan</strong>. © JS staff.<br />

7 K–6 educators learn about<br />

and participate in activities<br />

ranging from tea ceremony<br />

to martial arts to <strong>Japan</strong>ese<br />

cooking in a 30-hour professional<br />

development course.<br />

© Satoru Ishikawa.<br />

8 Educators’ Study Tour<br />

participants interact with high<br />

school students during their<br />

visit to <strong>Japan</strong>. © JS staff.<br />

9 Students from School<br />

Partner Alliance schools<br />

participate in a hands-on<br />

workshop with the Awaji<br />

Puppet Theater troupe.<br />

© George Hirose.<br />

10 Children and student<br />

booth-leaders from Keio<br />

Academy and Columbia<br />

Grammar and Preparatory<br />

School enjoy traditional New<br />

Year’s activities including<br />

fukuwarai (funny face game)<br />

at Oshogatsu, <strong>Japan</strong>’s New<br />

Year’s Day Celebration.<br />

© George Hirose.<br />

11 Families pose after participating<br />

in Shichigosan (7-5-3)<br />

Ceremony. © George Hirose.<br />

11<br />

<strong>Japan</strong> <strong>Society</strong> <strong>Annual</strong> <strong>Report</strong> 2008–09 35


Toyota Language Center<br />

The <strong>Society</strong>’s <strong>Japan</strong>ese language education program, which<br />

began in 1972 with just a single class, has grown into one<br />

of the largest and most respected in the nation. Today, the<br />

Toyota Language Center offers 12 comprehensive levels of<br />

<strong>Japan</strong>ese, as well as a variety of specialized courses and<br />

workshops including shodo (<strong>Japan</strong>ese calligraphy), ensuring<br />

that there is a class for any level of <strong>Japan</strong>ese student. In<br />

addition, the Center caters to native <strong>Japan</strong>ese speakers by<br />

providing three levels of English conversation (ESL) classes<br />

and a <strong>Japan</strong>ese Language Teacher Training Program at the<br />

beginning and intermediate levels.<br />

C.V. Starr Library<br />

The C.V. Starr Library houses approximately 14,000 volumes,<br />

in addition to a language library and an impressive rare<br />

book collection. Its holdings include a comprehensive<br />

collection of books (primarily in English) on <strong>Japan</strong>ese art,<br />

history, culture, society, politics, economics, religion and<br />

many other subjects. An ideal place for research on <strong>Japan</strong><br />

and <strong>Japan</strong>-U.S. relations, the library has also become one<br />

of the favorite attractions of <strong>Japan</strong> <strong>Society</strong> visitors.<br />

Shodo II student. © Satoru Ishikawa.<br />

2008–09 Language Classes<br />

Mini-Workshops: Learn to Read Hiragana &<br />

Katakana<br />

25, 26 September<br />

21, 22 January<br />

28, 29 May<br />

Enables beginning students to master efficiently<br />

the reading of hiragana and katakana.<br />

<strong>Japan</strong>ese Language Courses<br />

29 September–12 December<br />

26 January–3 April<br />

1 June–14 August<br />

Twelve levels of <strong>Japan</strong>ese, from beginning to<br />

advanced.<br />

English Conversation Courses<br />

2 October–9 December<br />

3 February–7 April<br />

5 May–23 June<br />

9 July–27 August<br />

Three levels of English as a Second Language<br />

(ESL) in 30- or 38-hour sessions.<br />

Kanji I, II, III<br />

29 September–12 December<br />

26 January–3 April<br />

1 June–14 August<br />

Designed to enable those proficient in <strong>Japan</strong>ese to<br />

read <strong>Japan</strong>ese newspapers with ease.<br />

Economics & Business:<br />

Advanced Reading Course I<br />

30 September–9 December<br />

27 January–31 March<br />

2 June–11 August<br />

Guides advanced language students in reading the<br />

Nihon Keizai Shimbun and the <strong>Japan</strong>ese versions of<br />

Newsweek and Forbes, and also covers important<br />

business customs.<br />

Intensive <strong>Japan</strong>ese Weekend Courses<br />

8, 9, 15 & 16 November<br />

7, 8, 14 & 15 March<br />

13, 14, 20 & 21 June<br />

Total immersion for people who plan to travel or<br />

move to <strong>Japan</strong> or for students unable to attend<br />

regular weekday classes.<br />

Intensive Practical <strong>Japan</strong>ese: Business & Culture<br />

27 April–27 May<br />

Helps students master the fundamentals of<br />

<strong>Japan</strong>ese conversation, with special emphasis on<br />

business and social occasions.<br />

<strong>Japan</strong>ese Language Teacher Training Program<br />

23 April–26 May<br />

Teaches essential classroom teaching skills to<br />

native and fluent speakers of <strong>Japan</strong>ese who have<br />

had little or no formal training in the teaching of<br />

<strong>Japan</strong>ese as a second language.<br />

<strong>Japan</strong>ese Language Teacher Training<br />

Follow-Up Program<br />

7 October–9 December<br />

A continuation of the teacher training program,<br />

providing the skills necessary to teach <strong>Japan</strong>ese at<br />

the intermediate level.<br />

Shodo Workshops I, II, III , IV &<br />

Advanced Course<br />

29 September–12 December<br />

26 January–6 April<br />

20 April–29 June<br />

13 July–21 September<br />

A hands-on workshop on the techniques of shodo,<br />

a calligraphic art form that uses a brush and<br />

charcoal ink on paper, wood plaques and fabric.<br />

Weekend Shodo<br />

5 October–2 November<br />

29 March–26 April<br />

10 May–7 June<br />

19 July–16 August<br />

A hands-on workshop on the techniques of shodo<br />

on Sundays, offered because of the demand for<br />

these popular courses.<br />

<strong>Japan</strong> <strong>Society</strong> <strong>Annual</strong> <strong>Report</strong> 2008–09 36


1<br />

2 5<br />

1 Instructor Yuko<br />

Aizawa and her students.<br />

© Satoru Ishikawa.<br />

2 Level 5 <strong>Japan</strong>ese students<br />

at the Toyota Language<br />

Center. © Satoru Ishikawa.<br />

3 Instructor Masako Inkyo<br />

works one-on-one with<br />

a Shodo II student.<br />

© Satoru Ishikawa.<br />

3<br />

4 Instructor Mami Miyashita.<br />

© Satoru Ishikawa.<br />

5 <strong>Japan</strong>ese level 7 students.<br />

© Satoru Ishikawa.<br />

4<br />

<strong>Japan</strong> <strong>Society</strong> <strong>Annual</strong> <strong>Report</strong> 2008–09 37

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