Programs (PDF) - Japan Society Annual Report 2008â09 1
Programs (PDF) - Japan Society Annual Report 2008â09 1
Programs (PDF) - Japan Society Annual Report 2008â09 1
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<strong>Japan</strong> <strong>Society</strong> <strong>Annual</strong> <strong>Report</strong> 2008–09 1
<strong>Japan</strong> <strong>Society</strong><br />
<strong>Annual</strong> <strong>Report</strong> 2008–09<br />
Contents<br />
Letter from the President 1<br />
Directors & Officers 2<br />
Committees 3<br />
Special Events 4<br />
Corporate Program 6<br />
Policy Projects 11<br />
Fellowships & Exchanges 15<br />
Gallery 17<br />
Performing Arts Program 22<br />
Film Program 25<br />
Lecture <strong>Programs</strong> 28<br />
Education <strong>Programs</strong> 31<br />
Toyota Language Center &<br />
C.V. Starr Library 36<br />
Financial Statement 38<br />
<strong>Japan</strong> <strong>Society</strong> Donors 40<br />
Staff 48<br />
Founded in 1907, <strong>Japan</strong> <strong>Society</strong> is a nonprofit, nonpolitical organization<br />
that brings the people of <strong>Japan</strong> and the United States closer together<br />
through understanding, appreciation and cooperation. <strong>Society</strong> programs<br />
in the arts, business, education and public policy offer opportunities<br />
to experience <strong>Japan</strong>ese culture; to foster sustained and open dialogue<br />
on issues important to the U.S., <strong>Japan</strong> and East Asia; and to improve<br />
access to information on <strong>Japan</strong>.<br />
cover: Awaji Puppet Theater Company © Jack Vartoogian/FrontRowPhotos.<br />
<strong>Japan</strong> <strong>Society</strong> <strong>Annual</strong> <strong>Report</strong> 2008–09 2
Letter from the President<br />
© Ken Levinson.<br />
I became president of <strong>Japan</strong> <strong>Society</strong> on<br />
April 7, 2009. In many ways, this was a natural<br />
transition, as I have been deeply involved<br />
with the <strong>Society</strong> for some years now, first as<br />
a Director of the <strong>Society</strong> during my various<br />
capacities with Mitsubishi International<br />
Corporation and then, until the past spring,<br />
as Ambassador and Consul General of <strong>Japan</strong><br />
in New York. It is an honor and a privilege<br />
to be chosen to lead <strong>Japan</strong> <strong>Society</strong> at the<br />
beginning of its second century.<br />
In these difficult times, the <strong>Society</strong>’s mission<br />
to foster a dynamic and productive mutual<br />
understanding between the people of the<br />
U.S. and <strong>Japan</strong> faces new and unprecedented<br />
economic challenges. The <strong>Society</strong>’s endowment<br />
has been greatly affected by the September<br />
2008 market crash, and income used to support<br />
programming efforts and administrative<br />
costs has been reduced proportionally. Corporate<br />
and foundation gifts, the cornerstone of<br />
our outstanding and ambitious programming,<br />
have been reined in as part of the global belttightening<br />
caused by the recession. Difficult<br />
times demand innovative, perhaps even<br />
radical solutions. First, we must redouble our<br />
efforts at fundraising, from individuals, from<br />
corporations and from foundations. It is critical<br />
to our future that we maintain a healthy and<br />
diverse base of support. At the same time,<br />
cost-cutting and “green” energy-saving<br />
measures have been implemented, our staff<br />
is leaner and we are exploring ways to further<br />
streamline our operations.<br />
<strong>Japan</strong> <strong>Society</strong>'s current programming enjoys<br />
a very good reputation. Our Gallery, Performing<br />
Arts, Film Program, Corporate Program,<br />
U.S.-<strong>Japan</strong> Innovators Network, Lectures and<br />
Education programs, and Language Center are<br />
all outstanding. Future initiatives will broaden<br />
our programming to match ongoing societal<br />
shifts in <strong>Japan</strong>, addressing <strong>Japan</strong>’s profound<br />
influence on the food industry, manga and<br />
anime, and popular music across the world.<br />
Paramount to the <strong>Society</strong>’s continued success<br />
and growth is the need to build younger, more<br />
diverse audiences through programs such as<br />
the spring 2009 <strong>Japan</strong> <strong>Society</strong> Gallery exhibition,<br />
KRAZY! The Delirious World of Anime +<br />
Manga + Video Games and expanded class<br />
offerings at the Toyota Language Center that<br />
build on contemporary <strong>Japan</strong>ese culture. In<br />
April 2010 we’ll take you on a “J-CATION,” a<br />
weekend open house at the <strong>Society</strong> where you<br />
can experience a vacation in <strong>Japan</strong> without<br />
leaving New York City! We hope to welcome<br />
many new visitors and members to our unique<br />
facilities—the first <strong>Japan</strong>ese-designed building<br />
in New York City, completed by architect<br />
Junzo Yoshimura in 1971. For those unable to<br />
attend in person, our greatly expanded online<br />
presence now offers live, interactive webcasts,<br />
archived program videos and web-only<br />
interviews covering hot topics in <strong>Japan</strong>-U.S.<br />
relations. Our talented staff and directors are<br />
busy planning these important new projects,<br />
and many more.<br />
To our Board, foundation, corporate and<br />
individual members, friends and staff, we are<br />
deeply grateful for your support during this<br />
time, and for our future endeavors.<br />
It was with great sadness that <strong>Japan</strong> <strong>Society</strong><br />
learned of the passing of James (Jim) S.<br />
McDonald on September 13, 2009, at the<br />
age of 56. He was Chairman of <strong>Japan</strong> <strong>Society</strong>,<br />
and President and CEO of Rockefeller & Co.,<br />
New York.<br />
Jim, who joined our Board of Directors in 2002<br />
and served as Chairman from 2005, was<br />
instrumental in guiding <strong>Japan</strong> <strong>Society</strong> through<br />
our 100th anniversary celebration in 2007–08.<br />
During his time as Chairman, Jim led <strong>Japan</strong><br />
<strong>Society</strong> through many of our proudest<br />
accomplishments, including our centennial<br />
gala dinner with former President Bill Clinton in<br />
New York in 2007, and our 100th anniversary<br />
gala with Their Majesties The Emperor and<br />
Empress of <strong>Japan</strong> in Tokyo in 2008.<br />
Jim was an extraordinary leader who contributed<br />
greatly to the success of the <strong>Japan</strong><br />
<strong>Society</strong> during his tenure on our Board. He will<br />
be missed terribly by all who had the privilege<br />
to know and work with him over the years.<br />
We extend deep our condolences to Jim’s wife,<br />
Karen, and his children at this difficult time.<br />
Sincerely,<br />
Motoatsu Sakurai<br />
<strong>Japan</strong> <strong>Society</strong> <strong>Annual</strong> <strong>Report</strong> 2008–09 1
Directors & Officers<br />
Directors<br />
Kazushi Ambe<br />
Senior Vice President, Human Resources,<br />
Sony Corporation of America<br />
Steve Bernstein<br />
President, Zenbu Media<br />
Gregory A. Boyko*<br />
Retired Chairman and CEO,<br />
Hartford Life International, Ltd.<br />
Jonathan E. Colby<br />
Managing Director, The Carlyle Group<br />
Henry Cornell*<br />
Managing Director, Goldman, Sachs & Co.<br />
Michael E. Daniels<br />
Senior Vice President, Global Technology<br />
Services, IBM Corporation<br />
Richard A. Drucker<br />
Partner, Davis Polk & Wardwell<br />
Robert E. Fallon<br />
Adjunct Professor, Columbia<br />
Business School<br />
Atsuko Toko Fish<br />
U.S.-<strong>Japan</strong> Cross Cultural<br />
Communication Consultant<br />
Masaaki Fujita<br />
President and CEO, Mitsui & Co.<br />
(U.S.A.), Inc.<br />
Carol Gluck*<br />
George Sansom Professor of History,<br />
Columbia University<br />
Maurice R. Greenberg<br />
Chairman and CEO, C.V. Starr & Co., Inc.<br />
David W. Heleniak*<br />
Senior Advisor, Investment Banking<br />
Division, Morgan Stanley<br />
Nobuhiko Ikura<br />
President and CEO, Nippon Steel<br />
U.S.A., Inc.<br />
Merit E. Janow*<br />
Professor, International Economic<br />
Law & International Affairs,<br />
Columbia University<br />
Robert A. Karr<br />
Principal, Joho Capital, LLC<br />
Shigesuke Kashiwagi<br />
President and CEO, Nomura Holding<br />
America Inc.<br />
Frederick H. Katayama<br />
Anchor, Thomson Reuters<br />
Yoshiaki Kawamata<br />
Senior Managing Executive Officer<br />
and CEO for the Americas, Bank of<br />
Tokyo Mitsubishi UFJ, Ltd.<br />
Iwao Kimura<br />
Senior Vice President, Toyota Motor<br />
North America, Inc.<br />
Jonathan B. Kindred<br />
CEO and Representative Director,<br />
Morgan Stanley <strong>Japan</strong> Holdings Co., Ltd.<br />
Koichi Komatsu<br />
President and CEO, Mitsubishi<br />
International Corporation<br />
Christopher J. LaFleur<br />
Vice Chairman, JPMorgan Securities<br />
<strong>Japan</strong> Co., Ltd.<br />
Richard S. Lanier*<br />
President, Asian Cultural Council<br />
Alan S. MacDonald<br />
Vice Chairman, Citibank, N.A.<br />
Jun Makihara<br />
Chairman, Neoteny Co., Ltd.<br />
Deryck C. Maughan<br />
Member, Kohlberg Kravis Roberts & Co.<br />
James S. McDonald* †<br />
Chairman, <strong>Japan</strong> <strong>Society</strong><br />
President and CEO, Rockefeller & Co., Inc.<br />
Henry A. McKinnell, Jr.**<br />
Chairman, Accordia Global Health<br />
Foundation<br />
Former Chairman of the Board and<br />
CEO, Pfizer Inc<br />
Koichi Mochizuki<br />
President and CEO, Marubeni<br />
America Corporation<br />
Jiro Murase**<br />
Managing Partner, Bingham<br />
McCutchen Murase<br />
Satoru Murase<br />
Partner, Bingham McCutchen Murase<br />
Toby S. Myerson<br />
Partner, Paul, Weiss, Rifkind,<br />
Wharton & Garrison LLP<br />
Shinichi Nishimiya***<br />
Ambassador and Consul General<br />
of <strong>Japan</strong> in New York<br />
Consulate General of <strong>Japan</strong><br />
Peter G. Peterson**<br />
Founder and Chairman, Peter G.<br />
Peterson Foundation<br />
Chairman Emeritus and Co-Founder,<br />
The Blackstone Group<br />
James H. Quigley<br />
Chief Executive Officer, Deloitte<br />
Touche Tohmatsu<br />
James G. Wilders Reed<br />
President and CEO, Mizuho<br />
Securities USA Inc.<br />
Justin A. Rockefeller<br />
Co-Founder, GenerationEngage<br />
Wilbur L. Ross, Jr.<br />
Chairman and CEO, WL Ross & Co. LLC<br />
Motoatsu Sakurai<br />
President, <strong>Japan</strong> <strong>Society</strong><br />
(Ex officio)<br />
Timothy Schilt<br />
Partner, Berens Capital<br />
Michihisa Shinagawa*<br />
President and CEO, Sumitomo<br />
Corporation of America<br />
Masako H. Shinn<br />
Partner, Graphis Inc.<br />
Joshua N. Solomon<br />
Principal, New York City Department<br />
of Education<br />
Michael I. Sovern**<br />
President Emeritus and Chancellor Kent<br />
Professor of Law, Columbia University<br />
Howard Stringer<br />
Chairman, CEO and President,<br />
Sony Corporation<br />
Yoshihisa Suzuki<br />
President and CEO, ITOCHU<br />
International Inc.<br />
Gary M. Talarico<br />
Former Managing Director,<br />
Sun Capital Partners<br />
Paul A. Volcker**<br />
Former Chairman of the Board of<br />
Governors, Federal Reserve System<br />
Officers<br />
James S. McDonald†<br />
Chairman<br />
Motoatsu Sakurai<br />
President<br />
Lisa Bermudez<br />
Vice President Finance & Administration<br />
Daniel A. Rosenblum<br />
Vice President<br />
Director, Corporate & Policy <strong>Programs</strong><br />
Susan J. Onuma<br />
Secretary<br />
Honorary Patrons<br />
H.E. Ichiro Fujisaki<br />
Ambassador of <strong>Japan</strong> to the<br />
United States of America<br />
H.E. Shinichi Nishimiya<br />
Ambassador and Consul General<br />
of <strong>Japan</strong> in New York<br />
H.E. Yukio Takasu<br />
Ambassador, Permanent Representative<br />
of <strong>Japan</strong> to the United Nations<br />
Honorary Directors<br />
Mary Griggs Burke<br />
Tatsuro Goto<br />
Robert S. Ingersoll<br />
William W. Scranton<br />
*Member of the Executive Committee **Life Director ***Honorary Director † Deceased September 13, 2009<br />
As of June 30, 2009<br />
<strong>Japan</strong> <strong>Society</strong> <strong>Annual</strong> <strong>Report</strong> 2008–09 2
Committees<br />
Executive Committee<br />
James S. McDonald † , Chair<br />
Gregory A. Boyko<br />
Henry Cornell<br />
Carol Gluck<br />
David W. Heleniak<br />
Merit E. Janow<br />
Richard S. Lanier<br />
Michihisa Shinagawa<br />
Investment Committee<br />
Henry Cornell, Chair<br />
Shigesuke Kashiwagi<br />
Jonathan B. Kindred<br />
Wilbur L. Ross, Jr.<br />
Gary M. Talarico<br />
Finance Committee<br />
Gregory A. Boyko, Chair<br />
Alan S. MacDonald<br />
Jun Makihara<br />
James H. Quigley<br />
James G. Wilders Reed<br />
Nominating & Corporate<br />
Governance Committee<br />
David W. Heleniak, Chair<br />
Robert E. Fallon<br />
Merit E. Janow<br />
Jun Makihara<br />
Deryck C. Maughan<br />
Yoshihisa Suzuki<br />
Audit Committee<br />
Satoru Murase, Chair<br />
Nobuhiko Ikura<br />
Shigesuke Kashiwagi<br />
Program Committee<br />
Merit E. Janow, Chair<br />
Kazushi Ambe<br />
Masako Shinn<br />
Atsuko Toko Fish<br />
Joshua N. Solomon<br />
Frederick H. Katayama<br />
<strong>Japan</strong> Advisory Committee<br />
Shoichiro Toyoda, Chair<br />
Kensuke Hotta<br />
Kazuo Inamori<br />
Yotaro Kobayashi<br />
Minoru Makihara<br />
Fujio Mitarai<br />
Yoshihiko Miyauchi<br />
Yuzaburo Mogi<br />
Minoru Mori<br />
Ambassador Moriyuki Motono<br />
Minoru Murofushi<br />
Yoshio Nakamura<br />
Takeo Shiina<br />
Shinjiro Shimizu<br />
Seiji Tsutsumi<br />
Jiro Ushio<br />
Goro Watanabe<br />
Ambassador Koji Watanabe<br />
Film Advisory Committee<br />
Donald Richie, Chair<br />
Mary Lea Bandy<br />
Celeste Bartos<br />
Robert Gottlieb<br />
Junji Kitadai<br />
Akira Koike<br />
Keiko I. McDonald<br />
Masayo Okada<br />
Nagisa Oshima<br />
Richard Pena<br />
Daniel Talbot<br />
Performing Arts Advisory<br />
Committee<br />
Margaret Lawrence, Chair<br />
Philip Bither<br />
John Gillespie<br />
David G. Goodman<br />
Stephen Greco<br />
Laurence Kominz<br />
Judy Mitoma<br />
W. Anthony Sheppard<br />
John Weidman<br />
Robert Woodruff<br />
Honorary Members<br />
James Brandon<br />
Karen Brazell<br />
Donald Keene<br />
Thomas Rimer<br />
Ralph Samuelson<br />
Akihiko Senda<br />
U.S.-<strong>Japan</strong> Innovators Network<br />
Board of Advisors<br />
Susan Dentzer<br />
Glen Fukushima<br />
Glenn Hubbard<br />
Kakutaro Kitashiro<br />
Joseph Melillo<br />
Fujio Mitarai<br />
Wilbur L. Ross<br />
Shinjiro Shimizu<br />
Mitsuko Shimomura<br />
Hirotaka Takeuchi<br />
Hiroshi Tsukamoto<br />
Yoshinori Yamaoka<br />
Masakazu Yamazaki<br />
U.S.-<strong>Japan</strong> Innovators Network<br />
Business Advisory Committee<br />
Jack D. Cogen<br />
Aron Cramer<br />
Michael E. Daniels<br />
Michael Kobori<br />
Terrie Lloyd<br />
Oki Matsumoto<br />
Alicia Ogawa<br />
Debra van Opstal<br />
Thierry Porte<br />
James G. Reed<br />
Ann Rutledge<br />
Hiroaki Saito<br />
Ken Shibusawa<br />
Hirotaka Takeuchi<br />
Alan Webber<br />
Keith Yamashita<br />
U.S.-<strong>Japan</strong> Innovators Network<br />
Cultural Advisory Committee<br />
David d’Heilly<br />
Thelma Golden<br />
Yasuki Hamano<br />
Yuko Hasegawa<br />
Minoru Iki<br />
Taneo Kato<br />
Douglas McGray<br />
Dominic Molon<br />
Taeko Nagai<br />
Fumio Nanjo<br />
Shigeaki Saegusa<br />
Ralph Samuelson<br />
Emily Sano<br />
Hiroshi Yanai<br />
U.S.-<strong>Japan</strong> Innovators Network<br />
Social Advisory Committee<br />
Ayako Fujii<br />
Rosanne Haggerty<br />
Keiko Kiyama<br />
Megumu Mizuta<br />
Zenko Oda<br />
Kensuke Onishi<br />
Michael Reich<br />
Yoshinori Yamaoka<br />
Robert E. Fallon<br />
Yoshito Hori<br />
Joichi Ito<br />
Shuhei Kishimoto<br />
As of June 30, 2009<br />
<strong>Japan</strong> <strong>Society</strong> <strong>Annual</strong> <strong>Report</strong> 2008–09 3
Special Events<br />
<strong>Japan</strong> <strong>Society</strong><br />
2009 <strong>Annual</strong> Dinner<br />
1<br />
The 2009 <strong>Annual</strong> Dinner was held on June 15<br />
at the Grand Hyatt New York. Fujio Mitarai,<br />
Chairman, Nippon Keidanren and Chairman<br />
and CEO, Canon Inc., delivered the keynote<br />
address to over 550 guests. Frederick H.<br />
Katayama, anchor, Reuters Television,<br />
served as Master of Ceremonies. Sir Deryck<br />
Maughan, Member, Kolhberg Kravis Roberts<br />
& Co., presented the <strong>Japan</strong> <strong>Society</strong> Award<br />
to The Hon. Peter G. Peterson, Founder and<br />
Chairman, Peter G. Peterson Foundation and<br />
Chairman Emeritus and Co-Founder, The<br />
Blackstone Group. Jake Shimabukuro, the<br />
ukulele virtuoso hailing from Hawaii, amazed<br />
guests with his performance of both original<br />
and classic pieces. The evening concluded as<br />
chef and restaurateur Nobu Matsuhisa was<br />
presented with the <strong>Japan</strong> <strong>Society</strong> Award<br />
by Tim and Nina Zagat, Co-Founders and<br />
Co-Chairs of the Zagat Survey.<br />
2<br />
2 3<br />
4 4<br />
5<br />
6<br />
7<br />
1 Left to right: <strong>Japan</strong><br />
<strong>Society</strong> Chairman James S.<br />
McDonald, President and<br />
CEO, Rockefeller & Co., Inc.;<br />
The Hon. Peter G. Peterson,<br />
Founder and Chairman, Peter<br />
G. Peterson Foundation; Fujio<br />
Mitarai, Chairman, Nippon<br />
Keidanren and Chairman<br />
and CEO, Canon Inc.; chef<br />
Nobu Matsuhisa; and <strong>Japan</strong><br />
<strong>Society</strong> President Motoatsu<br />
Sakurai. © Satoru Ishikawa.<br />
2 Left to right: Chef Nobu<br />
Matsuhisa and Yoko Matsuhisa;<br />
Tim and Nina Zagat,<br />
Co-Founders and Co-Chairs,<br />
Zagat Survey; and Sir Deryck<br />
C. Maughan, Member,<br />
Kolhberg Kravis Roberts &<br />
Co. © Satoru Ishikawa.<br />
3 Fujio Mitarai, Chairman,<br />
Nippon Keidanren and Chairman<br />
and CEO, Canon Inc.,<br />
delivers the keynote address.<br />
© Satoru Ishikawa.<br />
4 The Hon. Peter G. Peterson<br />
(left), Founder and Chairman,<br />
Peter G. Peterson Foundation<br />
receives the 2009 <strong>Japan</strong><br />
<strong>Society</strong> Award from Sir<br />
Deryck C. Maughan (right),<br />
Member, Kolhberg Kravis<br />
Roberts & Co. © Satoru<br />
Ishikawa.<br />
5 Nina and Tim Zagat<br />
(center and right), Co-<br />
Founders and Co-Chairs,<br />
Zagat Survey, present the<br />
2009 <strong>Japan</strong> <strong>Society</strong> Award<br />
to chef and restaurateur<br />
Nobu Matsuhisa (left).<br />
© Satoru Ishikawa.<br />
6 Fujio Mitarai (left),<br />
Chairman, Nippon Keidanren<br />
and Chairman and CEO,<br />
Canon Inc. and The Hon.<br />
Peter G. Peterson (right),<br />
Founder and Chairman,<br />
Peter G. Peterson Foundation.<br />
© Satoru Ishikawa.<br />
7 Ukulele artist<br />
Jake Shimabukuro.<br />
© Satoru Ishikawa.<br />
<strong>Japan</strong> <strong>Society</strong> <strong>Annual</strong> <strong>Report</strong> 2008–09 4
8 A traditional <strong>Japan</strong>ese<br />
lion dancer playfully teases<br />
Mr. Yasunori Yokote,<br />
President and CEO, Mitsui<br />
& Co. (U.S.A.), Inc., and<br />
Mrs. Yokote at the annual<br />
New Year’s celebration.<br />
© Yoko Suzuki.<br />
9 Film directors Michel<br />
Gondry (left) and Leos<br />
Carax (right) at the<br />
New York premiere of<br />
TOKYO! at <strong>Japan</strong> <strong>Society</strong>.<br />
© George Hirose.<br />
10 Friends of <strong>Japan</strong> <strong>Society</strong><br />
Gallery gather at the home<br />
of collector Dr. John C.<br />
Weber to view his collection<br />
of <strong>Japan</strong>ese ceramics.<br />
© Yoko Suzuki.<br />
11 Left to right: Akiko<br />
Kawamata; Yoshiaki Kawamata,<br />
Senior Managing<br />
Executive Officer and CEO<br />
for the Americas, The Bank<br />
of Tokyo-Mitsubishi UFJ,<br />
Ltd.; Alan Gilbert, Music<br />
Director Designate, New<br />
York Philharmonic; and<br />
Nobuhiko Ikura, President<br />
and CEO, Nippon Steel<br />
U.S.A., Inc. at a reception<br />
honoring Mr. Gilbert.<br />
© George Hirose.<br />
12 Participants in the firstever<br />
Cosplay Party, held in<br />
conjunction with the <strong>Japan</strong><br />
<strong>Society</strong> Gallery exhibition<br />
KRAZY! The Delirious World<br />
of Anime + Manga + Video<br />
Games. © George Hirose.<br />
13 Left to right: Motoatsu<br />
Sakurai, President, <strong>Japan</strong><br />
<strong>Society</strong>; Departures director<br />
Yojiro Takita; Nobuko Sakurai;<br />
and Departures lead actor<br />
Masahiro Motoki at a<br />
reception celebrating the<br />
New York premiere of the<br />
Academy Award-winning<br />
film Departures. © Satoru<br />
Ishikawa.<br />
14 Sen So’oku, Next<br />
Grand Tea Master of the<br />
Mushakouji Senke School of<br />
Tea, demonstrates “Modern<br />
Teaism” at a tea gathering.<br />
© Satoru Ishikawa.<br />
9 10<br />
8<br />
11 12<br />
13 14<br />
<strong>Japan</strong> <strong>Society</strong> <strong>Annual</strong> <strong>Report</strong> 2008–09 5
Corporate Program<br />
In September 2008, the Corporate Program season launch<br />
coincided with political upheaval in <strong>Japan</strong>. Yasuo Fukuda,<br />
who had been brought in fewer than 12 months prior to<br />
replace Shinzo Abe, met stiff resistance from opposition<br />
parties who stymied his policy initiatives and appointments.<br />
In replacing Mr. Fukuda, the hawkish Taro Aso raised speculation<br />
of further strain in <strong>Japan</strong>’s relations with its neighbors.<br />
Two other significant factors exacerbated uncertainty in<br />
U.S.-<strong>Japan</strong> relations. One was the pending U.S. presidential<br />
election. The overarching concern, however, was less political<br />
than economic. With recessionary fears already on the rise,<br />
global financial markets were thrown into turmoil in mid-<br />
September when U.S. authorities decided against rescuing<br />
investment bank Lehman Brothers. For the second time in<br />
six months, Wall Street saw another of its vaunted investment<br />
banks collapse, and yet another, Merrill Lynch, sent<br />
into the arms of Bank of America.<br />
Against this backdrop, the Corporate Program examined<br />
the root causes and impact of the financial crisis through<br />
a series of panel discussions, including one featuring<br />
Citi Chief Economist Lewis Alexander and Brad Setser<br />
from the Council on Foreign Relations on the effects of the<br />
spike and subsequent plunge in world commodity prices.<br />
Additionally, we looked at the role of rating agencies in the<br />
crisis and the importance of due diligence for hedge fund<br />
investors. In search of an upside, we hosted two panels to<br />
discuss how swooning share prices in the West presented<br />
M&A opportunities for <strong>Japan</strong>ese firms in banking, and most<br />
conspicuously, in the health care sector. <strong>Japan</strong>’s Ambassador<br />
to the U.S. and the Bank of <strong>Japan</strong> governor offered their<br />
thoughts on ways to remove the burden of toxic assets and<br />
on lessons the U.S. could take from <strong>Japan</strong>’s 1990s banking<br />
crisis. Stephen Schwarzman, Chairman and CEO of The<br />
Blackstone Group, spoke on the global impact of the current<br />
crisis, while PIMCO’s Paul McCulley provided thoughts on<br />
the road beyond the deleveraged global economy.<br />
Barack Obama’s win in November prompted consideration<br />
of his economic and foreign policy initiatives and their effect<br />
on U.S.-<strong>Japan</strong> relations. Chief economists from JPMorgan,<br />
Bank of Tokyo-Mitsubishi UFJ and Nomura joined two<br />
January discussions to explore the effectiveness of Obama’s<br />
announced fiscal and monetary policies in mending the U.S.<br />
economy, as well as the impact these initiatives would have<br />
on Asian markets. <strong>Japan</strong>’s envoy to the United Nations,<br />
Ambassador Yukio Takasu, examined the <strong>Japan</strong>’s evolving<br />
role in the UN and the degree to which the Obama administration<br />
would support <strong>Japan</strong>’s push for an expanded Security<br />
Council that more closely reflects the global political and<br />
economic order in the 21st century.<br />
Finally, we embarked on a multidisciplinary look at innovative<br />
approaches to traditional business. 7-Bank head Takashi<br />
Anzai discussed his unorthodox approach to banking solely<br />
through ATM networks, showing that there can be success<br />
stories even in tough economic times. Creative Commons<br />
CEO Joichi Ito moved from propriety-based business models<br />
to open-source software collaborations as he stressed the<br />
importance of <strong>Japan</strong> keeping pace with this small companyoriented<br />
business environment in order to play a meaningful<br />
role in the new economy.<br />
In September 2008, we began offering live and archived<br />
webcasts of many of our programs. We will continue to<br />
build on this capability in the coming season in addition to<br />
offering select web-only content featuring influential business<br />
people, academics and policy-makers. Next season’s<br />
topics for public programs and web initiatives include the<br />
effectiveness of sweeping regulatory reforms in the postcrisis<br />
financial industry; the outcome of <strong>Japan</strong>’s coming<br />
general election; and an assessment of regional power shifts<br />
marking 50 years since the signing of the U.S.-<strong>Japan</strong> Treaty<br />
of Mutual Cooperation and Security.<br />
As global capital markets scrambled to attract new listings<br />
amidst deteriorating economic conditions and increased<br />
global competition, we invited the heads of NASDAQ OMX,<br />
the Tokyo Stock Exchange and NYSE Euronext to share<br />
their views on reevaluating capital markets regulation. In<br />
addition, we convened a major conference in Tokyo featuring<br />
11 panelists from <strong>Japan</strong>, the U.S., Hong Kong, Singapore and<br />
the UK representing government, industry and academia<br />
to discuss strategies for making <strong>Japan</strong>’s capital markets<br />
more accessible to foreign companies.<br />
<strong>Japan</strong> <strong>Society</strong> <strong>Annual</strong> <strong>Report</strong> 2008–09 6
2008–09 <strong>Programs</strong><br />
Conferences, Panel Discussions,<br />
Seminars & Symposia<br />
Commodities Conundrum: The U.S. & <strong>Japan</strong><br />
Battle a Byproduct of Emerging Market Growth •<br />
25 September<br />
With Lewis Alexander, Chief Economist, Citi;<br />
Brad Setser, Fellow for Geoeconomics, Council<br />
on Foreign Relations; and Hiroyuki Tarumi,<br />
Executive Vice President, Mitsubishi International<br />
Corporation. Jennifer Ablan, Senior Investment<br />
Correspondent, Reuters, Ltd., moderating.<br />
Outlook for the U.S. Economy: Distilling the<br />
Credit Crisis & Lessons from <strong>Japan</strong> • 2 October<br />
With Richard Katz, Editor-in-Chief, The Oriental<br />
Economist <strong>Report</strong>; Christopher Mayer, Senior Vice<br />
Dean and Paul Milstein Professor of Real Estate,<br />
Finance & Economics Division; Research Director,<br />
Paul Milstein Center for Real Estate, Columbia<br />
Business School; and Ann Rutledge, Founding<br />
Principal, R&R Consulting. Vincent Truglia,<br />
Managing Director of Research, NewOak Capital<br />
LLC, moderating.<br />
What’s Wrong with <strong>Japan</strong> Implications for<br />
Tokyo’s Political Dysfunction • 21 October<br />
With Charles Pritchard, President, Korea Economic<br />
Institute; Yuki Tatsumi, Senior Associate,<br />
Henry L. Stimson Center; and Yoshihiro Tsurumi,<br />
Professor of International Business, Zicklin School<br />
of Business, Baruch College, the City University<br />
of New York. Daniel Rosenblum, Vice President,<br />
<strong>Japan</strong> <strong>Society</strong>, moderating.<br />
Digital Social Responsibility: Search for a Sound,<br />
Responsible Information <strong>Society</strong> • 29 October •<br />
Sponsored by Institute for International Socio-<br />
Economic Studies.<br />
With Charla Griffy-Brown, Associate Professor<br />
of Information Systems, Graziadio School of<br />
Business and Management, Pepperdine University;<br />
Jun Kurihara, Senior Fellow, Ash Institute for<br />
Democratic Governance and Innovation, John F.<br />
Kennedy School of Government, Harvard<br />
University; and Harriet Pearson, Vice President,<br />
Regulatory Policy and Chief Privacy Officer, IBM<br />
Corporation. Devin Stewart, Director, Global<br />
Policy Innovations, Carnegie Council for Ethics<br />
in International Affairs, moderating.<br />
Handyman Needed: Incoming Administration<br />
Strategies for a Struggling Economy •<br />
2 1 Ja n ua ry<br />
With Bruce Kasman, Chief Economist and<br />
Global Head of Economic Research, J.P. Morgan,<br />
Inc.; Shiro Katsufuji, Chief Economist, Bank of<br />
Tokyo-Mitsubishi UFJ, Ltd.; and Alex Pollock,<br />
Resident Fellow, American Enterprise Institute.<br />
Jim McTague, Washington Editor, Barron’s,<br />
moderating.<br />
America Has Voted: Impact of New U.S.<br />
President on Asian Markets • 29 January •<br />
Co-organized by Women’s Bond Club; Center on<br />
<strong>Japan</strong>ese Economy and Business, Columbia Business<br />
School; and Nomura Holding America Inc.<br />
With Alicia Ogawa, Director, Program on Alternative<br />
Investments, Center on <strong>Japan</strong>ese Economy<br />
and Business, Columbia Business School; David<br />
Resler, Managing Director and Chief Economist,<br />
Nomura Securities International, Inc.; and Jeffrey<br />
Young, Chief Economist, Platinum Grove Asset<br />
Management. Leslie Norton, Foreign Editor, Asia,<br />
Barron’s, moderating.<br />
Capital Market Competitiveness: Burnishing<br />
Tokyo’s Image in the Face of Global, Asian<br />
Challengers • 12 February • Co-organized by<br />
Harvard Law School’s Program on International<br />
Financial Systems and The University of Tokyo<br />
Graduate School of Economics. In-kind support<br />
provided by Mori Building Co. Ltd. Support<br />
provided by The American Chamber of Commerce<br />
in <strong>Japan</strong>.<br />
Offsite event in Tokyo, <strong>Japan</strong>. With Robert<br />
Feldman, Director of Economic Research Department<br />
and Managing Director, Morgan Stanley<br />
<strong>Japan</strong> Securities Co., Ltd.; Alastair Clark, former<br />
Executive Director of Financial Stability, Bank of<br />
England; Hideki Ito, Director for Financial Markets<br />
Operations, Planning and Coordination Division,<br />
Financial Services Agency; Takatoshi Ito, Professor<br />
at Graduate School of Economics, University<br />
of Tokyo; Anthony Neoh, Former Chairman,<br />
Securities and Futures Commission Hong Kong;<br />
Barrister-at-Law, Anthony Neoh, SC; Atsushi<br />
Saito, President and CEO, Tokyo Stock Exchange<br />
Group, Inc.; Heizo Takenaka, Professor and<br />
Director, Global Security Research Institute, Keio<br />
University; David Shuler, Senior Vice President,<br />
Business Development (Asia), NYSE Euronext,<br />
Inc.; Paul Speltz, President, Kissinger Associates,<br />
Inc.; Kotaro Tamura, Member of the House of<br />
Councilors; Chairman, House of Councilors Committee<br />
on Land Transport ; former Parliamentary<br />
Secretary, Cabinet Office of Economic and Fiscal<br />
Policy; and Frank Wong, Vice Chairman, DBS<br />
Group Holdings & DBS Bank, Singapore (retired<br />
August 2008). Hal Scott, Nomura Professor of<br />
International Financial Systems, Harvard Law<br />
School, moderating.<br />
Hedge Fund Due Diligence in the Global Financial<br />
Crisis Era • 18 March • Support provided by First<br />
Advantage Investigative Services.<br />
With Adam Cohen, Vice President and Senior<br />
Analyst, Citi Global Wealth Management,<br />
Alternative Investment Advisor Research and<br />
Randy Shain, Vice President, First Advantage<br />
Investigative Services; Co-Founder, BackTrack<br />
<strong>Report</strong>s. Mikael A. Johnson, Audit Partner;<br />
Global Lead Partner, Alternative Investments,<br />
KPMG, moderating.<br />
Dining Out: <strong>Japan</strong> Takes its Appetite for M&A<br />
Overseas • 14 April<br />
With Michael Braun, Partner, Morrison & Foerster<br />
LLP; Richard S. Kelly, Jr., Senior Managing Director,<br />
The Bridgeford Group, Inc.; and Nobuhiko Masuto,<br />
Managing Director, GCA Savvian Advisors, LLC.<br />
Herbert Lash, Global Markets Correspondent,<br />
Reuters, moderating.<br />
Handling Major Employment Law Challenges<br />
Sparked by the Economic Downturn • 21 April •<br />
Sponsored by Epstein Becker & Green, P.C.<br />
With Peter Altieri, Member of the Firm, Litigation<br />
and Labor and Employment Practice, Epstein<br />
Becker & Green, P.C.; John Kosciusko, Vice<br />
President, Sales and Marketing, New York Region<br />
Employee Benefits Division, Sumitomo Life Insurance<br />
Agency America, Inc.. and William Milani,<br />
Member of the Firm, Labor and Employment<br />
Practice, Epstein Becker & Green, P.C. Michael<br />
Levine, Member of the Firm; Head of CSR/<br />
Sustainability Practice, Epstein Becker & Green<br />
P.C., presenting and moderating.<br />
Tipping the Scales: The Evolution of Shareholder<br />
Rights in <strong>Japan</strong> • 6 May<br />
With Kenneth Altman, President, The Altman<br />
Group; Sarah Lubman, Director, Brunswick Group<br />
LLC; and Marc Goldstein, RiskMetrics Group<br />
Governance Research Department. Hajime Matsuura,<br />
U.S. Correspondent, NIKKEI, moderating.<br />
Acquisitions of U.S. Pharmaceutical/Health<br />
Care Companies: A Health Regulatory Focus •<br />
21 May<br />
With Scott Minars, Partner, Merger & Acquisition<br />
Services, Deloitte & Touche LLP and Lynn Shapiro<br />
Snyder, Member of the Firm; Co-Chair, Health<br />
Care Fraud Practice Group; Chair, Third Party<br />
Payment Practice Group, Epstein Becker & Green<br />
P.C. Michael Levine, Member of the Firm; Head<br />
of CSR/Sustainability Practice, Epstein Becker &<br />
Green P.C., moderating.<br />
Corporate Lectures<br />
The Meaning of Life: A Message of Encouragement<br />
to Face these Difficult Times with<br />
Positivity & Bravery • 1 October • Co-organized<br />
by Seiwajuku New York.<br />
With Kazuo Inamori, founder and Chairman<br />
Emeritus, Kyocera Corporation; Honorary<br />
Advisor, KDDI Corporation.<br />
The Politics of International Solidarity •<br />
11 November • Co-organized by United<br />
Nations Forum.<br />
With Jean-Marc Coicaud, Director, United<br />
Nations University Office at the UN in New York<br />
(UNU-ONY). Kazuo Tase, Chief, Human Security<br />
Unit, Office for the Coordination of Humanitarian<br />
Affairs, United Nations, presiding.<br />
<strong>Japan</strong> <strong>Society</strong> <strong>Annual</strong> <strong>Report</strong> 2008–09 7
Lessons Learned: Charting a Way Out of the<br />
Current Economic Crisis • 17 November<br />
With His Excellency Ichiro Fujisaki, Ambassador<br />
Extraordinary and Plenipotentiary of <strong>Japan</strong> to<br />
the United States of America. Gregory Boyko,<br />
Chairman, Hartford Life Insurance, K.K.; Director,<br />
<strong>Japan</strong> <strong>Society</strong>, presiding.<br />
Creative Commons & the Sharing Economy •<br />
20 November • Support provided by Creative<br />
Commons and Nixon Peabody LLP.<br />
With Joichi Ito, Chief Executive Officer, Creative<br />
Commons; Co-Founder and Director, Digital Garage;<br />
Founder and CEO, Neoteny Co., Ltd. Laurin Mills,<br />
D.C. Office Managing Partner; Member of the firm’s<br />
Intellectual Property Department; and Founder and<br />
Editor of the firm’s NP 2.0 website, Nixon Peabody<br />
LLP, presiding.<br />
<strong>Japan</strong>’s Bid for Security Council Reform & its Role<br />
in the United Nations • 23 June<br />
With His Excellency Yukio Takasu, Ambassador<br />
Extraordinary & Plenipotentiary, Permanent Mission<br />
of <strong>Japan</strong> to the United Nations. Michael Green,<br />
Senior Adviser and <strong>Japan</strong> Chair, Center for Strategic<br />
and International Studies; Associate Professor,<br />
Georgetown University, presiding.<br />
Corporate Luncheons<br />
Citi <strong>Japan</strong> CEO Offers Insights into <strong>Japan</strong>’s<br />
Financial Services Transformation in the Face<br />
of Volatile Global Markets • 16 October<br />
With Douglas L. Peterson Representative Director<br />
and CEO, Citigroup <strong>Japan</strong> Holdings; Chairman, President<br />
and CEO, Nikko Cordial Corporation. James S.<br />
McDonald, President and CEO Rockefeller & Co.,<br />
Inc; Chairman, <strong>Japan</strong> <strong>Society</strong>, presiding.<br />
The Paradox of Deleveraging • 20 March<br />
With Paul McCulley, Managing Director, PIMCO.<br />
Sir Deryck Maughan, Partner, Kohlberg Kravis<br />
Roberts & Co.; Chairman, KKR <strong>Japan</strong>; Director,<br />
<strong>Japan</strong> <strong>Society</strong>, presiding.<br />
The Way Out of Economic & Financial Crisis:<br />
Lessons & Actions • 23 April • Co-organized by<br />
The Institute of International Bankers.<br />
With Masaaki Shirakawa, Governor, Bank of <strong>Japan</strong>.<br />
William R. Rhodes, Chairman and President,<br />
Citibank; Senior Vice Chairman, Citi, presiding.<br />
TSE’s Saito Offers Strategies to Challenge Global<br />
Competition • 28 May<br />
With Atsushi Saito, President and CEO; Tokyo<br />
Stock Exchange Group, Inc. Shigesuke Kashiwagi,<br />
President and CEO, Nomura Holding America Inc.;<br />
Director, <strong>Japan</strong> <strong>Society</strong>, presiding.<br />
<strong>Japan</strong>: From Kamikaze Capitalism to Smartpower<br />
Dynamism • 29 May<br />
With Jesper Koll, President and CEO; Tantallon<br />
Research <strong>Japan</strong> KK. Alicia Ogawa, Adjunct Associate<br />
Professor, Columbia University School of International<br />
Affairs; Senior Advisor, Center on <strong>Japan</strong>ese Economy<br />
and Business, Columbia Business School, presiding.<br />
NYSE Euronext CEO Duncan Niederauer Examines<br />
the Future of Capital Markets • 9 June<br />
With Duncan Niederauer, Chief Executive Officer<br />
and Director, NYSE Euronext. James S. McDonald,<br />
President and CEO Rockefeller & Co., Inc; Chairman,<br />
<strong>Japan</strong> <strong>Society</strong>, presiding.<br />
<strong>Japan</strong> <strong>Society</strong> wishes to thank the following<br />
corporations for their generous support of the<br />
Corporate Program:<br />
Global Leaders:<br />
Citigroup Inc.<br />
Continental Airlines<br />
Deloitte & Touche, LLP<br />
Mizuho Securities USA<br />
Toyota Motor North America, Inc.<br />
Corporate Partners:<br />
Mitsui & Co. (U.S.A.), Inc.<br />
WL Ross & Co. LLC<br />
Additional support: The American Chamber of<br />
Commerce in <strong>Japan</strong>; Center on <strong>Japan</strong>ese Economy<br />
and Business, Columbia Business School; Creative<br />
Commons; Epstein Becker & Green, P.C.; First<br />
Advantage Investigative Services; Harvard Law<br />
School’s Program on International Financial Systems;<br />
Institute for International Socio-Economic Studies;<br />
The Institute of International Bankers; Mori Building<br />
Co. Ltd.; Nixon Peabody LLP; Nomura Holding<br />
America Inc.; Pillsbury Winthrop Shaw Pittman LLP;<br />
Seiwajuku New York; United Nations Forum; The<br />
University of Tokyo Graduate School of Economics;<br />
Women’s Bond Club.<br />
<strong>Japan</strong> <strong>Society</strong> would also like to thank Yoko Makino<br />
for her generous support of the Corporate Program.<br />
Seven Bank: Amidst Turmoil, a Publicly-Traded<br />
Success Story in Banking • 19 November<br />
With Takashi Anzai, President, Seven Bank Ltd.<br />
James Reed, President and CEO, Mizuho Securities<br />
USA Inc., presiding.<br />
The Future of Global Capital Markets •<br />
2 December<br />
With Magnus Bocker, President, NASDAQ OMX.<br />
Merit Janow, Professor in the Practice of International<br />
Economic Law and International Affairs,<br />
School of International and Public Affairs, Columbia<br />
University; Chairwoman, Board of Directors, The<br />
NASDAQ Stock Market LLC; Director, <strong>Japan</strong> <strong>Society</strong>,<br />
presiding.<br />
The Global Impact of the Financial Crisis •<br />
10 March<br />
With Stephen Schwarzman, Chairman and CEO,<br />
The Blackstone Group. Jeffrey Shafer, Vice Chairman,<br />
Global Banking; Senior Asia Pacific Representative<br />
in New York, Citi, presiding.<br />
<strong>Japan</strong> <strong>Society</strong> <strong>Annual</strong> <strong>Report</strong> 2008–09 8
1<br />
5<br />
2<br />
6<br />
3<br />
4<br />
1 Masaaki Shirakawa (right),<br />
Governor, Bank of <strong>Japan</strong>,<br />
shares lunch with Yoshiaki<br />
Kawamata, Senior Managing<br />
Executive Officer and CEO for<br />
the Americas, Bank of Tokyo<br />
Mitsubishi UFJ, Ltd.; Director,<br />
<strong>Japan</strong> <strong>Society</strong>, prior to the governor’s<br />
address on the current<br />
global economic crisis and<br />
lessons that can be taken from<br />
<strong>Japan</strong>’s recent experience.<br />
© Ken Levinson.<br />
2 Heizo Takenaka (center with<br />
mic), Professor and Director,<br />
Global Security Research<br />
Institute, Keio University, is<br />
joined by 10 other speakers<br />
from the U.S., <strong>Japan</strong>, Singapore,<br />
Hong Kong and the UK<br />
to discuss ways to boost the<br />
competitiveness of Tokyo’s<br />
capital markets at a Socratic<br />
dialogue hosted in Tokyo.<br />
© Academyhills.<br />
3 Before his luncheon talk on<br />
the future of capital markets,<br />
Duncan Niederauer (right),<br />
Chief Executive Officer and<br />
Director, NYSE Euronext<br />
is joined by NYSE Euronext<br />
Director; Rockefeller & Co.,<br />
Inc. President and CEO; and<br />
<strong>Japan</strong> <strong>Society</strong> Chairman<br />
James McDonald. © Ken<br />
Levinson.<br />
4 Stephen Schwarzman,<br />
Chairman and Chief Executive<br />
Officer, The Blackstone Group,<br />
offers his thoughts on the<br />
global impact of the financial<br />
crisis and the signs he looks<br />
for that will point to a recovery.<br />
© Ken Levinson.<br />
5 Atsushi Saito (lower left),<br />
President and Chief Executive<br />
Officer, Tokyo Stock Exchange<br />
Group, Inc., engages (clockwise<br />
from Mr. Saito) James<br />
Reed, President and Chief<br />
Executive Officer, Mizuho<br />
Securities USA Inc.; Director,<br />
<strong>Japan</strong> <strong>Society</strong>; David Heleniak,<br />
Vice Chairman, Morgan<br />
Stanley; Director, <strong>Japan</strong><br />
<strong>Society</strong>; and program presider<br />
Shigesuke Kashiwagi, President<br />
and CEO, Nomura Holding<br />
America Inc.; Director, <strong>Japan</strong><br />
<strong>Society</strong>, before his address on<br />
TSE’s strategy for challenging<br />
global competition. © Ken<br />
Levinson.<br />
6 His Excellency Yukio Takasu,<br />
Ambassador Extraordinary &<br />
Plenipotentiary, Permanent<br />
Mission of <strong>Japan</strong> to the United<br />
Nations, fields questions<br />
following his remarks about<br />
United Nations Security<br />
Council reform measures.<br />
At his right is Michael Green,<br />
Senior Adviser and <strong>Japan</strong><br />
Chair, Center for Strategic and<br />
International Studies; Associate<br />
Professor, Georgetown<br />
University. © Ken Levinson.<br />
<strong>Japan</strong> <strong>Society</strong> <strong>Annual</strong> <strong>Report</strong> 2008–09 9
7<br />
10<br />
8<br />
9<br />
11<br />
7 Presider Deryck Maughan<br />
(right), Partner, Kohlberg Kravis<br />
Roberts & Co.; Chairman, KKR<br />
<strong>Japan</strong>; Director, <strong>Japan</strong> <strong>Society</strong>,<br />
opens the audience Q&A session<br />
following remarks by Paul<br />
MCCulley, Managing Director,<br />
Pacific Investment Management<br />
Company (PIMCO), on the<br />
deleveraged global economy.<br />
© Ken Levinson.<br />
8 (L–R) Lewis Alexander,<br />
Chief Economist, Citi; Hiroyuki<br />
Tarumi, Executive Vice President,<br />
Mitsubishi International<br />
Corporation Brad Setser, Fellow<br />
for Geoeconomics, Council on<br />
Foreign Relations and moderator<br />
Jennifer Ablan, Senior<br />
Investment Correspondent,<br />
Reuters, LLC join in a lively<br />
debate on the causes and effects<br />
of rapidly fluctuating commodities<br />
prices. © Ken Levinson.<br />
9 (L–R) Michael Braun, Partner,<br />
Morrison & Foerster LLP;<br />
Richard S. Kelly, Jr., Senior<br />
Managing Director, The<br />
Bridgeford Group, Inc.;<br />
Nobuhiko Masuto, Managing<br />
Director, GCA Savvian Advisors,<br />
LLC; and moderator Herbert<br />
Lash, Global Markets Correspondent,<br />
Reuters, discuss the<br />
phenomenon of increased outin<br />
M7A activity by <strong>Japan</strong>ese<br />
firms during the economic<br />
downturn. © Ken Levinson.<br />
10 Presider James Reed (left),<br />
President and CEO, Mizuho<br />
Securities USA Inc.; Director,<br />
<strong>Japan</strong> <strong>Society</strong>, enjoys lunch with<br />
Takashi Anzai, President, Seven<br />
Bank Ltd., before Mr. Anzai’s<br />
talk on the success of his firm’s<br />
banking model, which relies<br />
almost exclusively thousands<br />
of networked ATMs located in<br />
convenience stores throughout<br />
<strong>Japan</strong>. © Ken Levinson.<br />
11 Joichi Ito, Chief Executive<br />
Officer, Creative Commons;<br />
Co-Founder and Director, Digital<br />
Garage; Founder and Chief Executive<br />
Officer, Neoteny Co., Ltd.,<br />
discusses Creative Commons and<br />
the business model for the sharing<br />
economy. © Ken Levinson.<br />
<strong>Japan</strong> <strong>Society</strong> <strong>Annual</strong> <strong>Report</strong> 2008–09 10
Policy Projects<br />
The U.S.-<strong>Japan</strong> Innovators Network (IN), co-organized with<br />
The <strong>Japan</strong> Foundation Center for Global Partnership, is<br />
a “place” where creative and innovative people from the<br />
U.S. and <strong>Japan</strong> and cutting-edge ideas come together<br />
for thoughtful dialogue, new ways to think about tough<br />
problems and collaboration. Through private retreats, public<br />
symposia and exchange programs, IN works to connect<br />
people and ideas, provides avenues for collaboration and<br />
helps catalyze positive change. IN has also expanded its<br />
web-related activities, including a blog, Twitter, webcasts,<br />
and video on YouTube and the <strong>Society</strong>’s website.<br />
IN has been active in <strong>Japan</strong> this year, beginning with a<br />
public program featuring Rosanne Haggerty, President of<br />
Common Ground Community, who spoke at a well-attended<br />
public symposium on social entrepreneurship in September.<br />
Aspiring and established young social entrepreneurs<br />
attended this sold-out event, which was co-sponsored by<br />
Entrepreneurial Training for Innovative Communities (ETIC),<br />
Shinsei Bank and the Institute for Strategic Leadership (ISL).<br />
In addition to the public symposium, other opportunities<br />
were arranged so that young social entrepreneurs could<br />
meet with Rosanne in more intimate settings.<br />
In February, IN co-organized an exchange program and<br />
public symposium called Social Design: Design + Community<br />
+ Social Impact, with the <strong>Japan</strong> Industrial Design Promotion<br />
Organization in Tokyo. Max Schorr, co-founder and Community<br />
Director, GOOD Magazine; Casey Caplowe, co-founder<br />
and Creative Director, GOOD Magazine, and Valerie Casey,<br />
Leader of the Digital Design Experience at IDEO and Founder,<br />
the Designers Accord, traveled to <strong>Japan</strong> to explore the role<br />
of design in sustainability. At a panel discussion held as part<br />
of the program’s public symposium, they were joined by<br />
Masaaki Ikeda, Creative Director, Tokyo Changemakers and<br />
Eco Plaza, as well as Kazufumi Nagai, Art Director, Hakuhodo<br />
Design and Soichi Ueda, Producer, Spaceport.<br />
In April, members of a team of professionals and social<br />
activists involved in Learning from Disaster: Miyakejima & New<br />
Orleans finally made it to Tokyo after the exchange program<br />
was postponed in September due to Hurricane Gustav.<br />
Joining participants from the first exchange that brought<br />
eight <strong>Japan</strong>ese to New Orleans a year earlier, participants<br />
continued their discussions on the problems they faced,<br />
the knowledge, skills, and experiences gained, evacuation<br />
and recovery plans, and shared ideas on how to improve<br />
response operations. A large and well-attended public symposium<br />
was held at Meiji University. A smaller group of four<br />
participated in a special trip to Miyakejima organized by the<br />
City of Miyake and the mayor, Hiroyasu Hirano, to see first<br />
hand the devastation of the 2000 volcano eruption.<br />
In New York, IN organized three events highlighting the<br />
recent publication of books by IN members. In October,<br />
“Dan Pink’s Adventures in Manga,” featured Daniel Pink,<br />
author of The Adventures of Johnny Bunko: the Last Career<br />
Guide You’ll Ever Need (also available in <strong>Japan</strong>ese) and his<br />
decision to write the first American business book in manga<br />
format. April brought Alan Webber, co-founder of Fast<br />
Company Magazine for “Rules of Thumb—A Global Guide<br />
to Thriving (Not Just Surviving) in Turbulent Times,” which<br />
focused on his new book, Rules of Thumb: 52 Truths for Winning<br />
at Business Without Losing Your Self. The book should be<br />
coming out in <strong>Japan</strong>ese soon. And in May, Jacqueline<br />
Novogratz, founder and President of Acumen Fund, spoke<br />
about her new book, The Blue Sweater, at a program called<br />
“The Blue Sweater with Jacqueline Novogratz.”<br />
Building on a program that took place in Kyoto in November<br />
of 2008, IN organized the “Machiya Preservation Project,”<br />
which consisted of workshops and a forum in New York for<br />
civic organizations we worked with in Kyoto. These civic<br />
organizations, led by machiya owner Fusae Kojima, and<br />
supported by such luminaries as Kengo Kuma, Architect &<br />
Principal, Kengo Kuma Associates, fear that the loss of the<br />
machiya, traditional wood row houses, will alter the fabric of<br />
Kyoto and end a centuries-old cultural heritage. As part of<br />
this project, Ms. Kojima and her group of pioneering <strong>Japan</strong>ese<br />
preservationists traveled to New York to learn from the<br />
American preservation experience in an effort to deepen<br />
and broaden Kyoto’s historic preservation efforts.<br />
Looking ahead into the next year, IN will facilitate an exchange<br />
to the U.S. of young <strong>Japan</strong>ese social entrepreneurs from<br />
regions outside of Tokyo; continue our exploration of design<br />
and community; look for meaningful ways to highlight the<br />
work of the members of IN; and much, much more.<br />
<strong>Japan</strong> <strong>Society</strong> <strong>Annual</strong> <strong>Report</strong> 2008–09 11
2008–09 <strong>Programs</strong><br />
Retreats & Site Visits<br />
Machiya Preservation Project Workshops •<br />
3–5 November • Co-organized with Kyoto City<br />
Center for Community Collaboration.<br />
With Ruth Abram, Founder, Lower East Side<br />
Tenement Museum; Lisa Ackerman, Executive<br />
Vice President, World Monuments Fund; Michael<br />
Adlerstein, FAIA, Assistant Secretary General,<br />
Executive Director, Capital Master Plan, UN;<br />
Simeon Bankoff, Executive Director, Historic<br />
Districts Council; Adele Chatfield-Taylor, President,<br />
the American Academy in Rome; Kazumori<br />
Kaneshiro, President, Zero Corporation; Wendy<br />
Nicholas, Director, the National Trust Northeast<br />
Regional Office; Hiroshi Okubo, Vice Chairman,<br />
<strong>Japan</strong> Kanji Aptitude Testing Foundation;<br />
Takahiko Otani, Professor, Department of Architecture,<br />
Mukogawa Women’s University; President,<br />
Kyomachiya Revitalization Study Group; Kenzo<br />
Teramoto, Deputy Director, Kyoto Center for<br />
Community Collaboration; Frank E. Sanchis, Senior<br />
Vice President, The Municipal Art <strong>Society</strong> of New<br />
York; and Anne H. Van Ingen, Director, Architecture,<br />
Planning and Design Program and Capital<br />
Projects, New York State Council on the Arts.<br />
Exchange <strong>Programs</strong><br />
Tokyo Exchange: Design & Sustainability •<br />
5–9 February • Co-organized with The <strong>Japan</strong><br />
Foundation Center for Global Partnership<br />
and <strong>Japan</strong> Industrial Design Promotion<br />
Organization (JIDPO).<br />
Offsite event in Tokyo, <strong>Japan</strong>. With Max Schorr,<br />
Co-Founder and Community Director, GOOD<br />
Magazine; Casey Caplowe, Co-Founder and<br />
Creative Director, GOOD Magazine; and Valerie<br />
Casey, Leader of the Digital Design Experience,<br />
IDEO and the Founder of The Designers Accord.<br />
New York Exchange: Design & Sustainability •<br />
9–13 March • Co-organized with The <strong>Japan</strong><br />
Foundation Center for Global Partnership.<br />
With Shiji Yajima, Director, Program Development,<br />
<strong>Japan</strong> Industrial Design Promotion Organization<br />
(JIDPO).<br />
Learning from Disaster: Miyakejima &<br />
New Orleans, Part 2 • 15–22 April •<br />
Co-organized with Institute for Urban<br />
Governance, Meiji University.<br />
Offsite event in Tokyo, <strong>Japan</strong>. With Yasushi<br />
Aoyama, Professor, Graduate School of Governance<br />
Studies, Meiji University and former Vice<br />
Governor of Tokyo; Hiroshi Amemiya, Founder<br />
and CEO, Corporate Citizenship <strong>Japan</strong> Limited;<br />
Edward Blakely, Executive Director, Office of<br />
Development and Recovery Administration, City<br />
of New Orleans; Yukio Endo, Chairperson, <strong>Japan</strong><br />
Trade Union Confederation, Tokyo Local (Rengo<br />
Tokyo); Shawn Escoffery, Deputy Director, New<br />
Orleans Neighborhood Development Collaborative;<br />
Rosanne Haggerty, Founder and CEO, Common<br />
Ground Community; Sukeyasu Hirano, Mayor,<br />
Miyake Village; Juzo Inose, Managing Director,<br />
Tokyo Consumer’s Co-Operative Union; Martha<br />
J. Kegel, Executive Director, UNITY; Vien The<br />
Nguyen, Pastor, Mary Queen of Viet Mam<br />
Church; M. von Nkosi, Loaned Executive, Office<br />
of Recovery & Development Administration, City<br />
of New Orleans; Richard McCarthy, Founder and<br />
Executive Director, marketumbella.org; Kathy<br />
Riedlinger, CEO, Lusher Charter School; Kouichiro<br />
Sakaue, Director, Miyakejima Volunteer Center;<br />
Kazuyuki Sasaki, Research Fellow, Research Center<br />
for Crisis and Contingency Management, Meiji<br />
University; and Yasuo Uehara, Director General,<br />
Tokyo Volunteer Network for Disaster Relief.<br />
Public <strong>Programs</strong><br />
Lessons from a Social Entrepreneur—Using<br />
Business Methods to Solve Homelessness &<br />
Revitalize Communities • 12 September •<br />
Co-organized with Shinsei Bank, Institute for<br />
Strategic Leadership (ISL) and Entrepreneurial<br />
Training for Innovative Communities (ETIC).<br />
Offsite event in Tokyo, <strong>Japan</strong>. With Rosanne<br />
Haggerty, Founder and President of Common<br />
Ground Community.<br />
Dan Pink’s Adventures in Manga • 6 October •<br />
With Daniel Pink, <strong>Japan</strong> <strong>Society</strong> Media Fellow<br />
and author of The Adventures of Johnny Bunko:<br />
The Last Career Guide You’ll Ever Need.<br />
A City Under Siege: Saving Kyoto’s Machiya<br />
from Destruction • 5 November • Co-organized<br />
with Kyoto City Center for Community Collaboration.<br />
With Ruth Abram, Founder, Lower Eastside<br />
Tenement Museum; Fusae Kojima, machiya<br />
owner, President and Executive Director,<br />
Kyomachiya Revitalization Study Group; Kengo<br />
Kuma, Architect and Principal, Kengo Kuma<br />
Associates; Limbon, Professor, Ritsumeikan<br />
University; and Hiroshi Mimura, President, Kyoto<br />
City Center for Community Collaboration.<br />
Social Design Design + Community + Social<br />
Impact. The Latest from GOOD Magazine &<br />
IDEO • 8 February • Co-organized with The<br />
<strong>Japan</strong> Foundation Center for Global Partnership<br />
and the <strong>Japan</strong> Industrial Design Promotion<br />
Organization (JIDPO).<br />
Offsite event in Tokyo, <strong>Japan</strong>. With Max Schorr,<br />
Co-Founder and Community Director, GOOD<br />
Magazine; Casey Caplowe, Co-Founder and<br />
Creative Director, GOOD Magazine; Valerie<br />
Casey, Leader, Digital Design Experience, IDEO<br />
and Founder of The Designers Accord; Masaaki<br />
Ikeda, Creative Director, Tokyo Changemaker<br />
and Eco Plaza; Soichi Ueda, Producer, Spaceport;<br />
and Kazufumi Nagai, Art Director, HAKUHODO<br />
DESIGN.<br />
Learning from Disaster: Miyakejima &<br />
New Orleans • 18 April • Co-organized with<br />
Institute for Urban Governance, Meiji University.<br />
Offsite event in Tokyo, <strong>Japan</strong>. With Yasushi<br />
Aoyama, Professor, Graduate School of Governance<br />
Studies, Meiji University and former Vice Governor<br />
of Tokyo; Edward Blakely, Executive Director,<br />
Office of Development and Recovery Administration,<br />
City of New Orleans; Shawn Escoffery,<br />
Deputy Director, New Orleans Neighborhood<br />
Development Collaborative; Rosanne Haggerty,<br />
Founder and CEO, Common Ground Community;<br />
Martha J. Kegel, Executive Director, UNITY; Vien<br />
The Nguyen, Pastor, Mary Queen of Viet Mam<br />
Church; M. von Nkosi, Loaned Executive, Office<br />
of Recovery & Development Administration, City<br />
of New Orleans; Richard McCarthy, Founder and<br />
Executive Director, marketumbella.org; and Kathy<br />
Riedlinger, CEO, Lusher Charter School.<br />
Rules of Thumb—A Global Guide to Thriving<br />
(Not Just Surviving) in Turbulent Times •<br />
22 April • With Alan Webber, Co-Founder of<br />
Fast Company Magazine and author of Rules<br />
of Thumb: 52 Truths for Winning at Business without<br />
Losing Yourself. Polly LaBarre, author of Mavericks<br />
at Work: Why the Most Original Minds in Business<br />
Win, moderating.<br />
The Blue Sweater: Bridging the Gap Between<br />
Rich and Poor in an Interconnected World •<br />
12 May<br />
With Jacqueline Novogratz, CEO, the Acumen<br />
Fund and author of The Blue Sweater: Bridging the<br />
Gap Between Rich and Poor in an Interconnected<br />
World. Justin Rockefeller, Co-Founder, GenerationEngage;<br />
Director, <strong>Japan</strong> <strong>Society</strong>, moderating.<br />
The U.S.-<strong>Japan</strong> Innovators Network was<br />
co-organized and generously supported by The<br />
<strong>Japan</strong> Foundation Center for Global Partnership.<br />
Additional support was provided by Jack and<br />
Susy Wadsworth, R&R Consulting, Inc., and<br />
Justin A. Rockefeller.<br />
International transportation was supported by<br />
Continental Airlines and All Nippon Airways, Ltd.<br />
The Network was also made possible in part by<br />
<strong>Japan</strong> <strong>Society</strong>’s endowment for policy projects.<br />
Learning from Disaster: Miyakejima &<br />
New Orleans was generously funded by The<br />
Ford Foundation.<br />
Additional support was provided by <strong>Japan</strong> Trade<br />
Union Confederation, Tokyo Local (Rengo Tokyo),<br />
Tokyo Consumers’ Co-operative Union, and<br />
Meiji University, Research Center for Crisis<br />
and Contingency Management.<br />
<strong>Japan</strong> <strong>Society</strong> <strong>Annual</strong> <strong>Report</strong> 2008–09 12
2<br />
3<br />
1<br />
1 Alan Webber, co-founder<br />
of Fast Company Magazine<br />
and author of Rules of<br />
Thumb: 52 Truths for<br />
Winning at Business without<br />
Losing Yourself, at the<br />
booksigning following his<br />
lecture. © Satoru Ishikawa.<br />
2 Jacqueline Novogratz,<br />
CEO of the Acumen Fund<br />
and author of The Blue<br />
Sweater: Bridging the Gap<br />
Between Rich and Poor in<br />
an Interconnected World,<br />
reacts to a question from<br />
the audience. To her<br />
right is moderator Justin<br />
Rockefeller, Co-Founder,<br />
GenerationEngage and<br />
<strong>Japan</strong> <strong>Society</strong> Board<br />
member. © George Hirose.<br />
3 Casey Caplowe,<br />
Co-founder and Creative<br />
Director, GOOD Magazine<br />
and Max Schorr, Co-founder<br />
and Community Director,<br />
GOOD Magazine, participate<br />
in a panel discussion<br />
about the designer’s<br />
mission today at Social<br />
Design, Design + Community<br />
+ Social Impact: The Latest<br />
from GOOD Magazine &<br />
IDEO, an IN event in Tokyo.<br />
4 At the IN conference<br />
A City Under Siege: Saving<br />
Kyoto’s Machiya from<br />
Destruction, Fusae Kojima,<br />
machiya owner, President<br />
and Executive Director of<br />
Kyomachiya Revitalization<br />
Study Group, responds to a<br />
question from the audience<br />
as Hiroshi Mimura (center),<br />
President, Kyoto City Center<br />
for Community Collaboration<br />
and Kengo Kuma (right),<br />
Architect and Principal,<br />
Kengo Kuma Associates<br />
look on. © Satoru Ishikawa.<br />
5 Participants in Learning<br />
from Disaster: Miyakejima &<br />
New Orleans meet with staff<br />
and members of Kaze no<br />
Ue (House of Wind), the<br />
Miyake Village mayor and<br />
other municipal officials<br />
during a trip to Miyakejima.<br />
© Kazuyuki Sasaki.<br />
4<br />
5<br />
<strong>Japan</strong> <strong>Society</strong> <strong>Annual</strong> <strong>Report</strong> 2008–09 13
6 Valerie Casey, Leader<br />
of the Digital Design<br />
Experience, IDEO and the<br />
Founder of The Designers<br />
Accord, speaks about<br />
design thinking at Social<br />
Design Design + Community<br />
+ Social Impact: The Latest<br />
from GOOD Magazine<br />
& IDEO.<br />
7 Yasushi Aoyama, Professor,<br />
Graduate School of<br />
Governance Studies, Meiji<br />
University and former Vice<br />
Governor of Tokyo, leads a<br />
group from New Orleans<br />
on a site visit in Sumida<br />
Ward, Tokyo.<br />
6<br />
8 Daniel Pink speaks about<br />
his new book The Adventures<br />
of Johnny Bunko: The Last<br />
Career Guide You’ll Ever<br />
Need. © George Hirose.<br />
7<br />
8<br />
<strong>Japan</strong> <strong>Society</strong> <strong>Annual</strong> <strong>Report</strong> 2008–09 14
Fellowships & Exchanges<br />
The U.S.-<strong>Japan</strong> Media Fellows Program is in its 11th year of<br />
sending established American journalists to <strong>Japan</strong>. Working<br />
closely with the Foreign Press Center and <strong>Japan</strong> <strong>Society</strong>, our<br />
Fellows play a key role in developing their own individually<br />
tailored six-week programs. The fellowship enables journalists<br />
to research a topic of their choice in an effort to help<br />
them better understand the U.S.-<strong>Japan</strong> relationship. During<br />
the 2008–09 fiscal year, two Fellows completed their<br />
fellowships and an alternate, Liza Mundy, Staff Writer,<br />
Washington Post Magazine, was selected.<br />
Barry Lynn, freelance journalist and Senior Fellow, New<br />
America Foundation, went to <strong>Japan</strong> from July 1–August 12,<br />
where he researched <strong>Japan</strong>’s industrial security policy in<br />
light of the changing global market economy climate, with<br />
a focus on the automobile industry and food quality and<br />
safety. His time in <strong>Japan</strong> was used to research material for<br />
a chapter on <strong>Japan</strong> in his book, The Illusion of Choice. He met<br />
with many government officials, corporate executives, think<br />
tank scholars and journalists, and visited sites including<br />
an auto part factory in Niigata and a quarantine station<br />
in Yokohama.<br />
The past year saw the participation of several Fellows in<br />
other <strong>Japan</strong> <strong>Society</strong> programs. Most recently, Dana Goodyear<br />
participated in a public panel discussion on May 5,<br />
2009 entitled “Lovesick <strong>Japan</strong>: Stories of Intimacy from<br />
Courts to Keitai (Cell Phone) Novels,” which enabled her<br />
to speak about the research she conducted on cell phone<br />
novels during her fellowship. Two former <strong>Japan</strong> <strong>Society</strong><br />
Fellows, Alan Webber, co-founder of Fast Company Magazine,<br />
and Daniel Pink, author of The Adventures of Johnny Bunko:<br />
the Last Career Guide You’ll Ever Need, spoke about their new<br />
books as part of programs organized through the <strong>Society</strong>’s<br />
U.S.-<strong>Japan</strong> Innovators Network, in April 2009 and October<br />
2008 respectively. Rosanne Haggerty, founder and President,<br />
Common Ground Community, participated in the second<br />
exchange program, Learning from Disaster: Miyakejima &<br />
New Orleans, which took place in Tokyo in April 2009. On<br />
February 4, Mark Halperin, Editor-at-Large, Time Magazine,<br />
participated in a panel discussion titled “The U.S. & East<br />
Asia Under the Obama Administration.”<br />
While in <strong>Japan</strong> from September 10–October 22, Dana<br />
Goodyear, a Staff Writer for The New Yorker magazine,<br />
interviewed writers and publishers of cell phone novels,<br />
as well as academics and others who follow the genre.<br />
Her research led to an article on cell phone novels called<br />
I Novels, published in the December 22 & 29, 2008 issue<br />
of The New Yorker. While in <strong>Japan</strong>, she visited the city of<br />
Obama, which was celebrating its connection to the yet to<br />
be American president and the company that produced the<br />
eyeglasses that vice presidential nominee Sarah Palin wore<br />
during her campaign. This resulted in a New Yorker “Talk of<br />
the Town” piece in the October 20, 2008 issue. More on<br />
her time in <strong>Japan</strong> is also available on her blog.<br />
<strong>Japan</strong> <strong>Society</strong> <strong>Annual</strong> <strong>Report</strong> 2008–09 15
2008–09 <strong>Programs</strong><br />
2<br />
1<br />
3<br />
Fellowship Residency: 2007–08 United States-<br />
<strong>Japan</strong> Foundation Media Fellows Program<br />
1 July–12 August<br />
Barry Lynn, freelance journalist and Senior Fellow,<br />
New America Foundation.<br />
Fellowship Residency: 2007–08 United States-<br />
<strong>Japan</strong> Foundation Media Fellows Program<br />
10 September–22 October<br />
Dana Goodyear, Staff Writer, The New Yorker.<br />
The United States-<strong>Japan</strong> Media Fellows Program<br />
was generously supported by the United States-<br />
<strong>Japan</strong> Foundation. Additional assistance was<br />
provided by the Foreign Press Center <strong>Japan</strong>.<br />
Transportation assistance was provided by<br />
<strong>Japan</strong> Airlines.<br />
1 Dana Goodyear visited<br />
Obama City in Fukui Prefecture<br />
and wrote a piece for The<br />
New Yorker’s “Talk of the<br />
Town.” Photo courtesy of<br />
Dana Goodyear.<br />
2 2007–08 U.S.-<strong>Japan</strong><br />
Media Fellow Dana Goodyear<br />
over looking Tokyo. © Dana<br />
Goodyear.<br />
3 Barry Lynn, 2007–08 U.S.-<br />
<strong>Japan</strong> Media Fellow, with his<br />
wife and two sons at Kinkakuji<br />
in Kyoto. Photo courtesy of<br />
Barry Lynn.<br />
<strong>Japan</strong> <strong>Society</strong> <strong>Annual</strong> <strong>Report</strong> 2008–09 16
<strong>Japan</strong> <strong>Society</strong> Gallery<br />
Undaunted by a 40 percent budget reduction, last season<br />
<strong>Japan</strong> <strong>Society</strong> Gallery presented not two but three shows,<br />
starting with the first in a series of summer exhibits looking<br />
at unexpected subjects and non-traditional media. Tapestry<br />
in Architecture: Creating Human Spaces (July 10–August 14,<br />
2008), co-organized with the National Association of<br />
<strong>Japan</strong>-American Societies, featured textile artist Mitsuko<br />
Asakura’s intricately woven works designed to complement<br />
architectural interiors.<br />
New Bamboo: Contemporary <strong>Japan</strong>ese Masters (October 4,<br />
2008–January 11, 2009), was the first-ever show focusing<br />
on the use of bamboo as a sculptural medium, with 93 works<br />
by 23 innovators ranging in age from 32 to 78. “It’s hard not<br />
to feel a deep reverence for the sheer genius and dedication<br />
behind the work,” wrote Christine Kaminsky in American<br />
Craft, while the Associated Press’s Ann Levin praised the<br />
artists’ “...impressive...technical accomplishment, invention,<br />
and genius.” The exhibition drew nearly 9,000 visitors and<br />
enjoyed significant financial support from American collectors<br />
who play a vital role in sustaining <strong>Japan</strong>ese artists working<br />
in bamboo. Despite a very difficult economic environment,<br />
membership of the Friends of the Gallery—a key group of<br />
benefactors—actually increased from 2008 to 2009.<br />
With nearly 17,000 visitors, our spring 2009 exhibition<br />
KRAZY! The Delirious World of Anime + Manga + Video Games<br />
(March 13–June 14, 2009) was the second most successful<br />
in <strong>Japan</strong> <strong>Society</strong>’s history, contributing to a 60 percent<br />
year-on-year increase in Gallery attendance. Thanks to its<br />
unusual selection and the dynamic installation by hot Tokyo<br />
architects Atelier Bow-Wow, KRAZY!, originally organized<br />
by the Vancouver Art Gallery, attracted an almost universally<br />
positive critical reaction which continued until the exhibition’s<br />
closing fortnight. “Aficionados may have seen it all before,<br />
but for newbs, the exhibit is likely to dazzle,” enthused The<br />
Village Voice, and Evan Minto of about.com typified web<br />
comment when he wrote of “...an astounding variety of works<br />
[that] provided a nice balance between the fun, irreverent<br />
style of pop culture and the more literate, serious tone of art<br />
criticism.” Boosted by a sell-out Cosplay Contest enjoyed<br />
by over 400 participants, KRAZY! broadened the appeal of<br />
the Gallery and brought an entirely new demographic into<br />
<strong>Japan</strong> <strong>Society</strong> for the very first time.<br />
In addition to the exhibitions, the Gallery co-organized, with<br />
the <strong>Japan</strong> Foundation, a symposium entitled <strong>Japan</strong>ese Art in<br />
America: Building the Next Generation. Held at <strong>Japan</strong> <strong>Society</strong><br />
on March 16, the one-day event gathered leading curators,<br />
academics, dealers and collectors from all over the U.S., along<br />
with senior officials from <strong>Japan</strong>, for an in-depth discussion<br />
on ways of working together to ensure that <strong>Japan</strong>ese art<br />
makes a greater contribution to American culture.<br />
Our program for 2009–10 has already kicked off with<br />
Buriki: <strong>Japan</strong>ese Tin Toys from the Golden Age of the American<br />
Automobile (July 9–August 16, 2009), an exhibit of 1950s<br />
miniature vehicles from the Yoku Tanaka collection, hailed<br />
as “terrific retro fun” (Time Out New York Kids), “an utterly<br />
fascinating exhibition” (artnet.com), and “a delightful exhibition”<br />
(Wall Street Journal). With the aim of providing a mix<br />
of shows that both appeals to our traditional support base<br />
and underlines connections between earlier <strong>Japan</strong>ese art<br />
and the present day, we continue in the fall with Serizawa:<br />
Master of <strong>Japan</strong>ese Textile Design, celebrating a great<br />
20th-century artist-craftsman, and next year we present<br />
Graphic Heroes, Mythic Monsters: <strong>Japan</strong>ese Prints by Utagawa<br />
Kuniyoshi from the Arthur R. Miller Collection. The show was<br />
last season’s surprise hit at London’s Royal Academy, with<br />
local critics pointing out the resonances between the 19thcentury<br />
artist’s frenziedly energetic designs and today’s<br />
manga. We feel confident that it will do just as well in<br />
New York next spring.<br />
Installation<br />
view, KRAZY!<br />
The Manga<br />
room with,<br />
from right to<br />
left: Takashi<br />
Okazaki,<br />
Afro Samurai<br />
(1994–2008);<br />
Junko Mizuno,<br />
Pure Trance<br />
(1996–98).<br />
Center: the<br />
Manga Pod,<br />
designed by<br />
exhibition<br />
architects Atelier<br />
Bow-Wow.<br />
© Richard P.<br />
Goodbody.<br />
<strong>Japan</strong> <strong>Society</strong> <strong>Annual</strong> <strong>Report</strong> 2008–09 17
2008–09 <strong>Programs</strong><br />
Tapestry in Architecture:<br />
Creating Human Spaces<br />
Organized in celebration of the 30th anniversary<br />
of the National Association of <strong>Japan</strong>-America<br />
Societies (NAJAS).<br />
This exhibition was made possible by Canon Inc. This<br />
exhibition was also supported by The Tokyo Club.<br />
Additional funding was provided by Kajima Corporation,<br />
Takenaka Corporation, and Shimizu Corporation.<br />
Media sponsorship was provided by WNYC and<br />
Louise Blouin Media. Transportation assistance at<br />
<strong>Japan</strong> <strong>Society</strong> was provided by <strong>Japan</strong> Airlines.<br />
Exhibitions at <strong>Japan</strong> <strong>Society</strong> are also made possible<br />
in part by the Lila Wallace-Reader’s Digest Endowment<br />
Fund and the Friends of the Gallery. Installations<br />
at <strong>Japan</strong> <strong>Society</strong> Gallery are supported by<br />
a generous gift from Henry Cornell. <strong>Japan</strong> <strong>Society</strong><br />
also wishes to thank The W.L.S. Spencer Foundation<br />
for its catalogue support.<br />
Opening Night Preview & Reception<br />
9 July<br />
Exhibition<br />
10 July–14 August<br />
An exhibition featuring the work of textile artist<br />
Mitsuko Asakura, showcasing 12 large-scale<br />
hanging pieces as well as photographs of installed<br />
tapestries and a video essay depicting the creation<br />
process. Several pieces were originally commissioned<br />
for specific locations in <strong>Japan</strong>, including<br />
Hie Shrine in Tokyo, Pfizer Global Research and<br />
Development in Nagoya, and Resona Bank in<br />
Osaka. Because these pieces are integral components<br />
of the buildings where they now hang,<br />
Asakura painstakingly created exact copies for<br />
the exhibition, which premiered at <strong>Japan</strong> <strong>Society</strong><br />
before traveling to Harvard University’s Reischauer<br />
Institute of <strong>Japan</strong>ese Studies, Cambridge, Mass.<br />
(September 15–November 14, 2008), the Morikami<br />
Museum and Gardens, Delray Beach, Fla.<br />
(December 16, 2008–February 22, 2009), and the<br />
American Institute of Architects Headquarters<br />
Gallery, Washington, D.C. (March 12–June 26, 2009).<br />
The daughter of an artist and dyer, Mitsuko<br />
Asakura was born and raised in Kyoto, the former<br />
capital of <strong>Japan</strong>. Growing up helping her father in<br />
his dyeing workshop and surrounded by the traditional<br />
craft artists of Kyoto, Asakura developed<br />
a passion for weaving. Deeply immersed in the<br />
traditional textile culture of <strong>Japan</strong>, she created<br />
her own original style of textile art by mixing<br />
traditional fiber dyeing with experimental shapes.<br />
Asakura’s tapestries are notable for their sensitive<br />
use of color and unusual forms. All of her<br />
dyes are handmade, often featuring a combination<br />
of natural ingredients sourced in the nature<br />
surrounding Kyoto, along with cutting-edge<br />
chemical substances. The interplay of the natural<br />
and man-made materials in the dye creates vibrant<br />
and subtle colors that distinguish her work.<br />
New Bamboo: Contemporary<br />
<strong>Japan</strong>ese Masters<br />
This exhibition was supported by the Mary<br />
Livingston Griggs and Mary Griggs Burke<br />
Foundation, Diane and Arthur Abbey, the Arete<br />
Foundation, the Cotsen Foundation for Academic<br />
Research, Edward and Anne Studzinski, Chris A.<br />
Wachenheim, The <strong>Japan</strong> Foundation, TAI Gallery,<br />
Martha Stewart Living Omnimedia, Inc., and<br />
the Leadership Committee for New Bamboo:<br />
Contemporary <strong>Japan</strong>ese Masters.<br />
Additional support was provided by the New York<br />
City Department of Cultural Affairs and the<br />
New York State Council on the Arts, a State agency.<br />
Media sponsorship was provided by WNYC and<br />
Louise Blouin Media. Transportation assistance<br />
was provided by <strong>Japan</strong> Airlines.<br />
Exhibitions at <strong>Japan</strong> <strong>Society</strong> are also made possible<br />
in part by the Lila Wallace-Reader’s Digest Endowment<br />
Fund and the Friends of the Gallery. Installations<br />
at <strong>Japan</strong> <strong>Society</strong> Gallery are supported by<br />
a generous gift from Henry Cornell. <strong>Japan</strong> <strong>Society</strong><br />
also wishes to thank The W.L.S. Spencer Foundation<br />
for its catalogue support.<br />
Opening Night Preview<br />
1 October<br />
Members’ Opening<br />
3 October<br />
Exhibition<br />
4 October–11 January<br />
This was the first ever exhibition, inside or outside<br />
<strong>Japan</strong>, to focus exclusively on non-functional<br />
bamboo works of art, featuring 23 innovators<br />
who fully exploit the tension between traditional<br />
skills and new forms of expression. Ranging from<br />
ethereal, computer-designed filigrees, through<br />
dramatic wall pieces to angry-looking, dirtencrusted<br />
tangles and anthropomorphic, sexually<br />
charged sculptures, the 93 works on display<br />
demonstrated awesome technique, meticulous<br />
attention to detail and extraordinary creativity.<br />
In contrast to other recent bamboo exhibitions in<br />
the United States, New Bamboo was devoted to<br />
living artists and sculptural work, and celebrated<br />
<strong>Japan</strong>ese bamboo’s emergence as an international<br />
phenomenon. Offering a comprehensive<br />
overview of a new wave of artists, it showed<br />
how they have reached beyond the established<br />
boundaries of their chosen medium, abandoning<br />
traditional functionality in favor of a purely<br />
sculptural approach while creating masterpieces<br />
that are frequently even more technically accomplished<br />
than works of the previous generation.<br />
In their conscious creation of a novel sense of<br />
“<strong>Japan</strong>-ness,” often informed by an awareness of<br />
international trends in sculpture and installation<br />
art, the works exhibited offered not only aesthetic<br />
delight but also a new expression of the <strong>Japan</strong>ese<br />
experience of hybridized modernity.<br />
Featured Artists<br />
Fujitsuka Shōsei (b. 1949) Ōiso, Kanagawa Prefecture<br />
Honda Shōryū (b. 1951) Beppu, Ōita Prefecture<br />
Honma Hideaki (b. 1959) Sado Island, Niigata<br />
Prefecture<br />
Honma Kazuaki (b. 1930) Niigata, Niigata Prefecture<br />
Ikeda Iwao (b. 1940) Musashino, Tokyo Metropolis<br />
Kawana Tetsunori (b. 1945) Tokyo Metropolis and<br />
Union City, New Jersey<br />
Kawashima Shigeo (b. 1958) Sagamigahara,<br />
Kanagawa Prefecture<br />
Matsumoto Hafū (b. 1952) Tateyama, Chiba<br />
Prefecture<br />
Mimura Chikuhō (b. 1973) Beppu, Ōita Prefecture<br />
Morigami Jin (b. 1955) Beppu, Ōita Prefecture<br />
Nagakura Ken’ichi (b. 1952) Shizuoka,<br />
Shizuoka Prefecture<br />
Nakatomi Hajime (b. 1974) Beppu, Ōita Prefecture<br />
Ōki Toshie (b. 1976) Tatebayashi, Gunma Prefecture<br />
Shōno Tokuzō (b. 1942) Ōita, Ōita Prefecture<br />
Stephen Talasnik (b. 1954) New York City, New York<br />
Tanabe Mitsuko (b. 1944) Sakai, Osaka Prefecture<br />
Tanabe Shōchiku III (b. 1973) Sakai, Osaka Prefecture<br />
Torii Ippō (b. 1930) Nishio, Aichi Prefecture<br />
Uematsu Chikuyū (b. 1947) Atsugi, Kanagawa<br />
Prefecture<br />
Ueno Masao (b. 1949) Kamogawa, Chiba Prefecture<br />
Yako Hōdō (b. 1940) Fukaya, Saitama Prefecture<br />
Yamaguchi Ryūun (b. 1940) Ōita, Ōita Prefecture<br />
Yonezawa Jirō (b. 1956) Saiki, Ōita Prefecture<br />
Exhibition-Related Events<br />
Gagaku Revolution: New Sounds of<br />
Ancient Bamboo<br />
10 October<br />
See p. 23 for complete program details.<br />
Konnichiwa Friends Family Tours<br />
New Bamboo: Contemporary <strong>Japan</strong>ese Masters<br />
1 1 O c to b e r , 1 5 N ov e m b e r , 1 3 D e c e m b e r &<br />
10 January<br />
See p. 33 for complete program details.<br />
Art Cart: New Bamboo: Contemporary<br />
<strong>Japan</strong>ese Masters<br />
19 October<br />
See p. 32 for complete program details.<br />
<strong>Japan</strong> <strong>Society</strong> <strong>Annual</strong> <strong>Report</strong> 2008–09 18
Robert Coffland on Collecting Bamboo Art<br />
in America<br />
28 October<br />
See p. 29 for complete program details.<br />
Contemporary Art, Ancient Materials:<br />
A Conversation with Tanabe Shōchiku<br />
6 November<br />
See p. 29 for complete program details.<br />
<strong>Japan</strong>ese Bamboo in the Art Classroom:<br />
A Hands-On Workshop<br />
9 November<br />
See p. 32 for complete program details.<br />
Responding to New Bamboo: <strong>Japan</strong>ese<br />
Contemporary Masters<br />
14 November<br />
See p. 33 for complete program details.<br />
Lecture programs for New Bamboo: Contemporary<br />
<strong>Japan</strong>ese Masters were assisted by The<br />
Metropolitan Center for Far Eastern Art Studies.<br />
KRAZY! The Delirious World of Anime<br />
+ Manga + Video Games<br />
This exhibition was organized by the Vancouver<br />
Art Gallery.<br />
Transportation assistance was provided by <strong>Japan</strong><br />
Airlines. Media sponsorship was provided by WNYC<br />
and Louise Blouin Media. English-language manga<br />
for the Manga Pod were supplied by VIZ Media.<br />
Exhibitions at <strong>Japan</strong> <strong>Society</strong> are also made possible<br />
in part by the Lila Wallace-Reader’s Digest Endowment<br />
Fund and the Friends of the Gallery. Installations<br />
at <strong>Japan</strong> <strong>Society</strong> Gallery are supported by<br />
a generous gift from Henry Cornell. <strong>Japan</strong> <strong>Society</strong><br />
also wishes to thank The W.L.S. Spencer Foundation<br />
for its catalogue support.<br />
Opening Night Preview<br />
11 March<br />
Members’ Opening<br />
12 March<br />
Exhibition<br />
13 March–14 June<br />
Curator: Bruce Grenville, Senior Curator,<br />
Vancouver Art Gallery<br />
Co-Curators: Kiyoshi Kusumi and Toshiya Ueno<br />
(Anime and Manga); Will Wright (Video Games)<br />
Exhibition Design: Atelier Bow-Wow<br />
KRAZY! celebrated <strong>Japan</strong>’s extraordinary<br />
contributions to contemporary popular culture—<br />
manga, anime and video games steeped in arresting<br />
imagery which is understood and appreciated<br />
with unmatched sophistication and passion.<br />
Originally conceived by Vancouver Art Gallery as<br />
an international overview, KRAZY! was presented<br />
at <strong>Japan</strong> <strong>Society</strong> in a specially edited version<br />
focused on <strong>Japan</strong>’s unique role as a purveyor of<br />
new forms of creativity that, for many younger<br />
Americans, define their idea of what “<strong>Japan</strong>” is.<br />
Deliberately omitting world-famous founding<br />
fathers and superstars such as Osamu Tezuka<br />
and Hayao Miyazaki, the curators of KRAZY!’s<br />
<strong>Japan</strong>ese component concentrated on developments<br />
from the late 1980s onwards, opening the<br />
door to a younger generation of artists who intentionally<br />
work across a wide variety of fields—<br />
manga, anime, illustration, music—and offering<br />
an insight into the shared purpose and interdependence<br />
of these diverse forms. To tell this story<br />
they gathered together original sketches, concept<br />
drawings, production drawings, digital images,<br />
models, sculptures, books, films and video games<br />
that revealed an extraordinary history of production,<br />
one that is poised to redefine the scope of<br />
visual culture in the 21st century.<br />
Featured Artists & Works<br />
Manga<br />
Hisashi Eguchi, Stop!! Hibari-kun! 1981–83<br />
Mamoru Nagano, The Five Star Stories, 1986–<br />
Taiyo Matsumoto, Tekkon Kinkrito (Black and<br />
White), 1993–94<br />
Junko Mizuno, Pure Trance, 1996–98<br />
Takashi Okazaki, Afro Samurai, 1994–2008<br />
Moyoco Anno, Sakuran, 2001–03<br />
Video Games<br />
Toru Iwatani, Pac-Man, 1980<br />
Shigeru Miyamoto, Super Mario World, 1990<br />
Shigeru Miyamoto, The Legend of Zelda: The Wind<br />
Waker, 2002<br />
Anime<br />
Ichiro Itano, Super Dimension Fortress Macross,<br />
1982–83<br />
Katsuhiro Otomo, Akira, 1988<br />
Mamoru Oshii, Patlabor 2: The Movie, 1993<br />
Masaaki Yuasa, Mind Game, 2004<br />
Makoto Shinkai, The Place Promised in Our Early<br />
Days, 2004<br />
Satoshi Kon, Paprika, 2006<br />
Soundtracks<br />
Yoko Kanno, Cowboy Bebop, 1998; Ghost in the<br />
Shell: Stand Alone Complex, 2002; and Wolf’s<br />
Rain, 2003<br />
Anime Film Screenings<br />
The anime films featured in KRAZY! were shown<br />
full-length in the <strong>Japan</strong> <strong>Society</strong> auditorium on<br />
most Fridays, Saturdays and Sundays throughout<br />
the run of the exhibition. The films shown were:<br />
Katsuhiro Otomo, Akira (1988); Masaaki Yuasa,<br />
Mind Game (2004); Satoshi Kon, Paprika (2006);<br />
Mamoru Oshii, Patlabor 2: The Movie (1993); Makoto<br />
Shinkai, The Place Promised in Our Early Days<br />
(2004); and Ichiro Itano, Super Dimension Fortress<br />
Macross: Episodes 9 and 27 (1982–83).<br />
Exhibition-Related Events<br />
Talking KRAZY! <strong>Japan</strong>’s Evolving Pop Culture<br />
12 March<br />
See p. 29 for complete program details.<br />
Konnichiwa Friends Family Tours<br />
KRAZY!<br />
14 March, 11 April 11, 9 May & 13 June<br />
See p. 33 for complete program details.<br />
KRAZY! Cosplay Party<br />
28 March<br />
In conjunction with KRAZY!, <strong>Japan</strong> <strong>Society</strong> held<br />
its first-ever cosplay event for local anime and<br />
manga fans with classic film screenings, competitions<br />
and genre-related prizes. This sell-out event<br />
was attended by more than 400 fans and the<br />
main competition was won by Scout Isensee in<br />
the role of Ciel Phantomhive from Kuroshitsuji.<br />
Art Cart: KRAZY! The Delirious World of<br />
Anime + Manga + Video Games<br />
29 March<br />
See p. 33 for complete program details.<br />
Get KRAZY!<br />
15 April<br />
See p. 32 for complete program details.<br />
Responding to KRAZY! The Delirious World of<br />
Anime + Manga + Video Games<br />
19 may<br />
See p. 33 for complete program details.<br />
<strong>Japan</strong> <strong>Society</strong> <strong>Annual</strong> <strong>Report</strong> 2008–09 19
1<br />
6<br />
2<br />
3<br />
7<br />
4<br />
5<br />
1 Opening preview and<br />
reception for KRAZY!<br />
The “Anime Garden,”<br />
showing excerpts from<br />
animated films, from<br />
right to left: Katsuhiro<br />
Otomo, Akira (1988);<br />
Makoto Shinkai, The<br />
Place Promised in Our<br />
Early Days (2004); Ichiro<br />
Itano, Super Dimension<br />
Fortress Macross (1982–<br />
84); Satoshi Kon, Paprika<br />
(2006). © Alan Klein.<br />
2 Opening reception<br />
for preview and installation<br />
view, KRAZY!<br />
The Video Game room,<br />
with Toru Iwatani, Pac-<br />
Man (1980); Shigeru<br />
Miyamoto, Super Mario<br />
World (1990); Pac-Man<br />
chairs designed by<br />
exhibition architects<br />
Atelier Bow-Wow.<br />
© Alan Klein.<br />
3 Yuichi Yokoyama,<br />
New Engineering: Dress<br />
up 1 [pages 54 and 55,<br />
final drawing], 2004.<br />
Ink on paper. Collection<br />
of the artist. Published<br />
by East Press, Tokyo<br />
and Picture Box, Inc.,<br />
Brooklyn © Yuichi<br />
Yokoyama.<br />
4 Installation view,<br />
KRAZY! The Manga<br />
room with, from right<br />
to left: Moyoco Anno,<br />
Sakuran (2001–03);<br />
Takashi Okazaki, Afro<br />
Samurai (1994–2008);<br />
the Manga Pod,<br />
designed by exhibition<br />
architects Atelier Bow-<br />
Wow. © Alan Klein.<br />
5 Installation view,<br />
KRAZY! Inside the<br />
Manga Pod, designed<br />
by exhibition architects<br />
Atelier Bow-Wow.<br />
© Alan Klein.<br />
6 Installation view,<br />
New Bamboo. Works<br />
by Honda Shōryū<br />
(foreground platform);<br />
Ōki Toshie (right<br />
background); Nagakura<br />
Ken’ichi (left background).<br />
© Richard P.<br />
Goodbody.<br />
7 Installation view,<br />
New Bamboo. Works<br />
by Yako Hōdō (right<br />
and center foreground);<br />
Torii Ippō<br />
(left foreground);<br />
Honma Hideaki (far<br />
room, center and left);<br />
Honma Kazuaki (back<br />
wall). © Richard P.<br />
Goodbody.<br />
<strong>Japan</strong> <strong>Society</strong> <strong>Annual</strong> <strong>Report</strong> 2008–09 20
8 Yamaguchi Ryūun,<br />
White Wave (2006),<br />
madake bamboo and<br />
rattan. Elayne and<br />
Walter Wentz Collection.<br />
© Susan Einstein,<br />
Los Angeles.<br />
9 Uematsu Chikuyū,<br />
Wind Pattern (2002),<br />
kurochiku bamboo,<br />
wood, wire, lacquer<br />
and clay powder. Clark<br />
Center for <strong>Japan</strong>ese<br />
Art and Culture.<br />
© Susan Einstein,<br />
Los Angeles.<br />
10 Installation view,<br />
KRAZY! The Manga<br />
room with, from right<br />
to left foreground:<br />
Taiyo Matsumoto,<br />
Tekkon Kinkreet (Black<br />
& White) (1993–94);<br />
Mamoru Nagano, The<br />
Five Star Stories (1986);<br />
Hisashi Eguchi, Stop!!<br />
Hibari-kun! (1981–83).<br />
Background left:<br />
Junko Mizuno, Pure<br />
Trance (1996–98);<br />
background center: the<br />
Manga Pod, designed<br />
by exhibition architects<br />
Atelier Bow-Wow.<br />
© Alan Klein.<br />
11 Installation view,<br />
KRAZY! The “Anime<br />
Garden,” showing excerpts<br />
from animated<br />
films, from right to left:<br />
Makoto Shinkai, The<br />
Place Promised in Our<br />
Early Days (2004);<br />
Ichiro Itano, Super<br />
Dimension Fortress<br />
Macross (1982–84);<br />
Satoshi Kon, Paprika<br />
(2006). © Alan Klein.<br />
12 Mitsuko Asakura,<br />
Continuum and<br />
Difference II (detail)<br />
(1998), silk, linen,<br />
cotton, and gold leaf.<br />
From the exhibition<br />
Tapestry in Architecture.<br />
Photo courtesy of<br />
the artist.<br />
8<br />
11<br />
9<br />
2<br />
10 12<br />
<strong>Japan</strong> <strong>Society</strong> <strong>Annual</strong> <strong>Report</strong> 2008–09 21
Performing Arts<br />
<strong>Japan</strong> <strong>Society</strong>’s Performing Arts Program hailed innovation<br />
and experimentation in the arts with the year-long season<br />
theme Beyond Boundaries: Genre-Bending Mavericks. Whether<br />
melding new technologies with age-old performance<br />
techniques, marrying the classical with the ultra-modern,<br />
or weaving text into dance and the fabric of space itself,<br />
there is much to discover beyond boundaries. This year<br />
marked a celebration of the <strong>Japan</strong>ese artists whose works<br />
have reached beyond conventional categorizations to blur<br />
the boundaries of genre and define parameters on their own<br />
terms, offering unparalleled surprises as well as true artistry.<br />
Performances included the U.S. debut of ARICA Performance<br />
Company’s poignant piece on labor, Kiosk; Gagaku Revolution:<br />
New Sounds of Ancient Bamboo, featuring world premiere<br />
performances of <strong>Japan</strong> <strong>Society</strong>-commissioned compositions<br />
from trailblazing American composers—Ken Ueno, Carlos<br />
Sanchez-Gutierrez and Gene Coleman—written for and<br />
performed by traditional <strong>Japan</strong>ese bamboo instrumentalists;<br />
true, the high-technology dance performance from Takayuki<br />
Fujimoto and Takao Kawaguchi of dumbtype with dancer/<br />
choreographer Tsuyoshi Shirai; and as the fourth installment<br />
of the Tzadik Music Label Series curated by John Zorn, Tribute<br />
to Teiji Ito, honoring one of the fathers of New York’s downtown<br />
experimental music scene, featuring Guy Klucevsek<br />
and Steve Gorn.<br />
Following the 12th <strong>Annual</strong> Contemporary Dance Showcase,<br />
which featured a world premiere from butoh great Ko<br />
Murobushi for his company Ko & Edge Co., a solo from Yoko<br />
Higashino with improv-composer Toshio Kajiwara, and the<br />
award-winning duet Air Conditioner from chelfitsch Theater<br />
Company as well as Jang Eun Jung Dance Company from<br />
Korea and Taiwan’s Wind Dance Theatre, <strong>Japan</strong> <strong>Society</strong><br />
organized and produced two ambitious seven-city North<br />
American tours. The first was the U.S. debut tour for the<br />
internationally acclaimed chelfitsch Theater Company and<br />
its award-winning production of Five Days in March, and the<br />
second, Awaji Puppet Theater Company—the company’s<br />
first appearance in the U.S. in 12 years. The season culminated<br />
with Hiroaki Umeda, a solo dance performer who designs<br />
his own lights, sound and video for his performances. In conjunction<br />
with these performances, the <strong>Society</strong> also pre sented<br />
an Evening with Basil Twist, the award-winning puppet artist,<br />
who discussed the influence of <strong>Japan</strong>ese puppetry on his work;<br />
and Gagaku Workshops for Composers, hands-on opportunities<br />
for music professionals to work with three unique bamboo<br />
instruments used in traditional <strong>Japan</strong>ese music.<br />
For the fall 2009 season <strong>Japan</strong> <strong>Society</strong> will take a European<br />
twist with <strong>Japan</strong> Transatlantic: Tokio-Berlin. This season will<br />
focus on <strong>Japan</strong>-themed performances that were developed<br />
outside of <strong>Japan</strong> by artists based in Berlin. From post-butoh<br />
dance, a multi-sensory theater piece tracking the story of<br />
Sony, to a world premiere dance-visual art work inspired by<br />
kawaii culture, the resulting works are truly an international<br />
hybrid, with unique reflection on their <strong>Japan</strong>ese roots.<br />
1<br />
2<br />
1 Tomoko<br />
Ando in ARICA<br />
Performance<br />
Company’s<br />
one-woman<br />
show, Kiosk. ©<br />
Tom DiMauro.<br />
2 Awaji Puppet<br />
Theater Company<br />
in the classical<br />
dance piece<br />
Ebisu-Mai (Dance<br />
of the Fisherman<br />
God). © Jack<br />
Vartoogian/<br />
FrontRowPhotos.<br />
<strong>Japan</strong> <strong>Society</strong> <strong>Annual</strong> <strong>Report</strong> 2008–09 22
2008–09 <strong>Programs</strong><br />
Performances<br />
u.s. debut<br />
ARICA Performance Company<br />
Kiosk<br />
18–20 September<br />
These performances were supported by the Agency<br />
for Cultural Affairs, Government of <strong>Japan</strong>.<br />
Known for its Beckettian absurdity and stark<br />
aesthetic, ARICA Performance Company presented<br />
its highly conceptual and visually arresting<br />
one-woman show, following a day in the life of a<br />
woman working in a humble train station kiosk.<br />
world premiere commissions<br />
Gagaku Revolution: New Sounds of<br />
Ancient Bamboo<br />
1 0 O c to b e r<br />
New compositions by Ken Ueno, Carlos Sanchez-<br />
Gutierrez, and Gene Coleman were commissioned<br />
by <strong>Japan</strong> <strong>Society</strong> and supported by the Jebediah<br />
Foundation: New Music Commissions. This<br />
program was funded in part through Meet The<br />
Composer’s MetLife Creative Connections program.<br />
The otherworldly sounds of ancient <strong>Japan</strong>ese<br />
instruments, each made of bamboo and used in<br />
medieval <strong>Japan</strong>ese gagaku (the oldest form of<br />
ensemble orchestra music, developed in the<br />
8th century) were played by Ko Ishikawa (sho),<br />
Hitomi Nakamura (hichiriki) and Takeshi Sasamoto<br />
(ryuteki), in an evening featuring works from the<br />
classical gagaku repertory as well as contemporary<br />
compositions by Yoshiko Kanda, Mamoru Fujieda<br />
and the <strong>Society</strong>’s world premiere commissions<br />
from three American composers: Ken Ueno,<br />
Carlos Sanchez-Gutierrez and Gene Coleman.<br />
true<br />
Takayuki Fujimoto (dumb type) µ Takao<br />
Kawaguchi (dumb type) µ Tsuyoshi Shirai<br />
1 3 –1 5 N ov e m b e r<br />
These performances were supported by the<br />
Metropolitan Government of Tokyo, Toyota Motor<br />
Corporation, and the Asahi Beer Arts Foundation.<br />
This spectacular collision of dance and technology<br />
was created by an extraordinary collaboration<br />
between three remarkable artists: lighting designer<br />
Takayuki Fujimoto; performer Takao Kawaguchi<br />
from the internationally acclaimed multimedia<br />
performance company dumb type; and Tsuyoshi<br />
Shirai, choreographer/dancer/video artist and<br />
winner at the 2006 Toyota Choreography Awards.<br />
Tzadik Music Label Series IV: Tribute to Teiji Ito<br />
Featuring Guy Klucevsek & Steve Gorn<br />
12 December<br />
This program was presented in association<br />
with Tzadik.<br />
The late <strong>Japan</strong>ese American composer Teiji Ito<br />
(1935–82) was known as the founding composer<br />
of the experimental new music scene and for his<br />
scores for the avant-garde films by his former<br />
wife, Maya Deren. The fourth in the Tzadik Music<br />
Label series curated by John Zorn, this was the<br />
first ever large-scale tribute to the music of Ito, in<br />
an evening honoring his music for theater, film and<br />
3<br />
dance, studied, arranged and performed by Guy<br />
Klucevsek and Steve Gorn and their ensembles.<br />
12th <strong>Annual</strong> Contemporary Dance Showcase<br />
Phase 2: <strong>Japan</strong> + East Asia<br />
9 & 1 0 Ja n ua ry<br />
These performances were supported by the<br />
Ministry of Culture, Sports and Tourism, Republic<br />
of Korea; Korea Arts Management Service; Korean<br />
Cultural Service, NY; Council for Cultural Affairs,<br />
ROC Taiwan; and the Taipei Cultural Center of<br />
TECO in New York.<br />
This annual favorite displayed the most cuttingedge<br />
dance from <strong>Japan</strong>, Taiwan and Korea.<br />
Highlights included a world premiere from butoh<br />
great Ko Murobushi for his company Ko & Edge<br />
Co.; chelfitsch Theater Company’s dance-theater<br />
duet Air Conditioner; and the violent and striking<br />
solo by Yoko Higashino with electric guitar improviser<br />
Toshio Kajiwara. The evening also featured<br />
Jang Eun Jung Dance Company from Korea with<br />
their subtle yet provocative Several Questions<br />
and Taiwan’s Wind Dance Theatre, led by former<br />
principal dancer and rehearsal director of Cloud<br />
Gate Dance Theatre, Wu I-Fang.<br />
u.s. debut<br />
chelfitsch theater company<br />
Five Days in March<br />
Written & directed by Toshiki Okada<br />
5 –7 F e b r ua ry<br />
The seven-city North American tour of chelfitsch<br />
Theater Company was organized and produced by<br />
<strong>Japan</strong> <strong>Society</strong> and was supported by the Agency for<br />
Cultural Affairs, Government of <strong>Japan</strong>; The <strong>Japan</strong><br />
Foundation through the Performing Arts JAPAN<br />
Program; and The Saison Foundation for the <strong>Japan</strong><br />
<strong>Society</strong>’s <strong>Japan</strong>ese Theater NOW initiative.<br />
Characterized by seemingly insubstantial narrative<br />
accompanied by exaggerated fidgeting gestures-turned-choreography,<br />
the ground-breaking<br />
and modern works of chelfitsch Theater Company<br />
have made them the most talked-about company<br />
in <strong>Japan</strong>, recognized as the voice of generation Y.<br />
The North American tour gave touring partners<br />
nationwide to present their audiences a window<br />
into youth culture in <strong>Japan</strong>. This Kishida Kunio<br />
Drama Award-winning play by Toshiki Okada<br />
takes place in the days before the U.S. began its<br />
war against Iraq in March 2003, when two <strong>Japan</strong>ese<br />
urban hipsters meet at a post-rock show and<br />
get swept up into a five-night stand.<br />
3 Steve Gorn (second from<br />
right) and the Watermill<br />
Ensemble performing at<br />
Tzadik Label Music Series IV:<br />
Tribute to Teiji Ito. © Tom<br />
DiMauro.<br />
4<br />
4 Tsuyoshi Shirai in true,<br />
created in collaboration with<br />
Takayuki Fujimoto and Takao<br />
Kawaguchi. © Tom DiMauro.<br />
<strong>Japan</strong> <strong>Society</strong> <strong>Annual</strong> <strong>Report</strong> 2008–09 23
Awaji Puppet Theater Company<br />
With live chanting & shamisen music<br />
accompaniment<br />
5 –7 M a r c h<br />
The seven-city North American tour of Awaji<br />
Puppet Theater Company was organized and<br />
produced by <strong>Japan</strong> <strong>Society</strong>, New York, in partnership<br />
with the City of Los Angeles Department of<br />
Cultural Affairs, and was supported by the Agency<br />
for Cultural Affairs, Government of <strong>Japan</strong>; The<br />
<strong>Japan</strong> Foundation through the Performing Arts<br />
JAPAN program; The Jim Henson Foundation; and<br />
Awaji Ningyo Shibai Support Group.<br />
For the first time in 12 years, Awaji Puppet<br />
Theater Company, designated an Intangible Folk<br />
Asset by the <strong>Japan</strong>ese government, returned to<br />
New York with a stunning all-traditional program<br />
including Ebisu-Mai, Hidaka-gawa Iriaizakura,<br />
based on the famous folktale of a lovelorn woman<br />
and her transformation into a serpent, and an<br />
episode from the traditional drama Tsubosaka<br />
Reigen-ki about the double suicide of a blind<br />
masseuse and his wife. All 15 performances in<br />
seven venues of the tour were sold out, reaching<br />
over 3,000 theatergoers nationwide.<br />
Hiroaki Umeda: Solo Dance, Light,<br />
Sound & Video<br />
14–16 May<br />
In a program consisting of a New York premiere<br />
and a U.S. premiere, Umeda’s extraordinary<br />
butoh/street dance-inspired choreography<br />
appeared within an environment of dramatic<br />
lighting, flashing cyber-imagery, electronic<br />
beats and crackling digital soundscapes that<br />
he designed himself.<br />
Workshops, Lectures & Related Events<br />
Gagaku Workshop for Composers<br />
8 O c to b e r<br />
Presented in association with the Columbia<br />
University Gagaku Initiative and the Institute<br />
for Medieval <strong>Japan</strong>ese Studies.<br />
Gagaku Salon Concert<br />
8 O c to b e r<br />
Presented in conjunction with the <strong>Japan</strong> <strong>Society</strong><br />
Gallery exhibition New Bamboo: Contemporary<br />
Masters.<br />
An Evening with Conductor Alan Gilbert<br />
27 October<br />
Presented in conjunction with the Metropolitan<br />
Opera’s new production, Dr. Atomic.<br />
See p. 29 for complete program details.<br />
frank l. ellsworth performing arts<br />
lecture series<br />
Inside the Mind of Basil Twist<br />
3 March<br />
Presented as a related event of Awaji Puppet<br />
Theater Company.<br />
Major support for <strong>Japan</strong> <strong>Society</strong> 2008–09<br />
Performing Arts <strong>Programs</strong> was provided by the<br />
Lila Wallace-Reader’s Digest Endowment Fund;<br />
The Starr Foundation; the New York City Department<br />
of Cultural Affairs; and the Endowment for<br />
the Performing Arts, established with leadership<br />
gifts from the Doris Duke Charitable Foundation,<br />
The Globus Family, Kyocera Corporation, The Starr<br />
Foundation, and Toyota Motor Corporation.<br />
Additional support was provided by The Globus<br />
Family, Dr. John K. Gillespie, The Fan Fox and Leslie<br />
R. Samuels Foundation, Inc., The Peter Jay Sharp<br />
Foundation and the New York State Council on the<br />
Arts, a State agency.<br />
Transportation assistance was provided by<br />
All Nippon Airways, Ltd.<br />
Plasma display was provided by Pioneer<br />
Electronics (USA) Inc.<br />
5<br />
5 Solo choreographer/<br />
dancer Yoko Higashino<br />
in E/G: Ego/Geometria,<br />
at the Contemporary<br />
Dance Showcase: <strong>Japan</strong><br />
+ East Asia. © Tom<br />
DiMauro.<br />
6<br />
6 chelfitsch Theater<br />
Company in the awardwinning<br />
production<br />
Five Days in March,<br />
written and directed<br />
by Toshiki Okada.<br />
© Tom DiMauro.<br />
<strong>Japan</strong> <strong>Society</strong> <strong>Annual</strong> <strong>Report</strong> 2008–09 24
Film Program<br />
Throughout 2008–09 the Film Program screened a wide<br />
range of films from <strong>Japan</strong>, from long-time favorites through<br />
independent film milestones to current blockbusters and<br />
art-house hits. More than a dozen films were presented<br />
with live subtitle projections, in an ongoing effort to present<br />
rare yet important films and to use the best prints available.<br />
Commemorating 40 years of Tora-san, the world’s longest<br />
running film series, director Yoji Yamada hand-selected<br />
eight of the best episodes for our Monthly Classics series<br />
Best of Tora-San. The launch screening of Best of Tora-San<br />
in October was followed by a special live Q&A with Yoji<br />
Yamada in Tokyo at the studio of Keio University’s Research<br />
Institute for Digital Media and Content, presented at <strong>Japan</strong><br />
<strong>Society</strong> via high-speed digital network.<br />
In February, the Globus Film Series introduced the Art Theatre<br />
Guild, <strong>Japan</strong>’s independent filmmaking phenomenon, by<br />
highlighting 12 art house films from the 1960s and early<br />
’70s. Titled Shinjuku Ecstasy: Independent Films from the Art<br />
Theatre Guild of <strong>Japan</strong>, the series was curated by eminent<br />
<strong>Japan</strong>ese film scholar Roland Domenig, based in Vienna and<br />
film historian Go Hirasawa, based in Tokyo.<br />
For the third consecutive summer, JAPAN CUTS: Festival of<br />
New <strong>Japan</strong>ese Film brought a sizable slice of <strong>Japan</strong>’s contemporary<br />
film scene to New York City. JAPAN CUTS featured<br />
27 screenings of 18 feature films, one panel discussion and<br />
10 guest filmmakers. Nearly 4,000 people visited <strong>Japan</strong><br />
<strong>Society</strong> to attend JAPAN CUTS over the course of 12 days.<br />
The Film Program also presented special events with internationally<br />
acclaimed directors, including Michel Gondry and<br />
Leos Carax in the NY premiere of the omnibus film Tokyo!<br />
and Takashi Miike, who gave a lecture on his filmmaking<br />
career. In celebration of the NY premieres at Tribeca Film<br />
Festival, the <strong>Society</strong> hosted a reception for director Yojiro<br />
Takita (Academy Award-winning Departures), director<br />
Hirokazu Kore-eda (Still Walking), and actor Masahiro<br />
Motoki (Departures), generously underwritten by The<br />
Globus Family.<br />
Double Suicide, part of<br />
the Globus Film Series,<br />
Shinjuku Ecstasy: Independent<br />
Films from the Art<br />
Theatre Guild of <strong>Japan</strong>.<br />
© 1969 Hyogensha/ATG.<br />
<strong>Japan</strong> <strong>Society</strong> <strong>Annual</strong> <strong>Report</strong> 2008–09 25
2008–09 <strong>Programs</strong><br />
Film Series<br />
monthly classics<br />
Best of Tora-san<br />
17 October–22 May<br />
This series was supported by the New York State<br />
Council on the Arts, a State agency.<br />
Celebrating the 40th anniversary of the first<br />
Tora-san film, Tora-san writer/director Yoji Yamada<br />
hand-picked the top eight films for this long-lasting,<br />
popular series chronicling the life of an unruly<br />
salesman traveling through <strong>Japan</strong>.<br />
Tora-san, Our Lovable Tramp (Episode 1, 1969)<br />
Tora-san’s Love Call (Episode 8, 1971)<br />
Tora-san’s Dear Old Home (Episode 9, 1972)<br />
Tora-san’s Dream-Come-True (Episode 10, 1972)<br />
Tora-san Meets the Songstress Again<br />
(Episode 15, 1975)<br />
Hearts and Flowers for Tora-san (Episode 29, 1982)<br />
Tora-san Goes Religious (Episode 32, 1983)<br />
Tora-san, My Uncle (Episode 42, 1989)<br />
globus film series<br />
Shinjuku Ecstasy: Independent Films<br />
from the Art Theatre Guild of <strong>Japan</strong><br />
18 February–1 March<br />
This series was supported by The Globus Family.<br />
Additional support was provided by the New York<br />
State Council on the Arts, a State agency.<br />
Founded in 1961, the Art Theater Guild (ATG)<br />
played a decisive role in the development of<br />
art-house films in <strong>Japan</strong> as a film distributor and<br />
production company. This 12-film series curated<br />
by Roland Domenig and Go Hirasawa focused on<br />
the first decade of ATG and the Shinjuku Bunka,<br />
ATG’s flagship theater.<br />
Throw Away Your Books, Let’s Go into the Street<br />
(Shuji Terayama, 1971)<br />
Funeral Parade of Roses (Toshio Matsumoto, 1969)<br />
Death by Hanging (Nagisa Oshima, 1968)<br />
Silence Has No Wings (Kazuo Kuroki, 1966)<br />
Eros plus Massacre (Kiju Yoshida, 1970)<br />
The Inferno of First Love (Susumu Hani, 1968)<br />
Double Suicide (Masahiro Shinoda, 1969)<br />
This Transient Life (Akio Jissoji, 1970)<br />
A Man Vanishes (Shohei Imamura, 1967)<br />
Crazy Love (Michio Okabe, 1968)<br />
Pitfall (Hiroshi Teshigahara, 1962)<br />
Ecstasy of the Angels (Koji Wakamatsu, 1972)<br />
JAPAN CUTS:<br />
Festival of New <strong>Japan</strong>ese Film<br />
30 June–12 July<br />
This series was funded by grants from The <strong>Japan</strong><br />
Foundation and the New York State Council on<br />
the Arts, a State agency. Additional support was<br />
provided by Sapporo USA, Inc. and UNIQLO, USA,<br />
Inc. Media sponsorship was provided by WNYC.<br />
Media support was provided by The Village Voice.<br />
Transportation assistance was provided by <strong>Japan</strong><br />
Airlines. In-kind support was courtesy of Sapporo<br />
USA, Inc., Sakagura and Pacific International<br />
Liquor, Inc.<br />
For the third consecutive summer, the only<br />
large-scale annual <strong>Japan</strong>ese film festival in North<br />
America brought 18 feature film premieres from<br />
<strong>Japan</strong>’s contemporary film scene to New York<br />
City, presenting New Yorkers with a first look<br />
at <strong>Japan</strong>’s blockbusters and cinematic landmarks<br />
from cutting-edge independents to highly<br />
innovative animations. Starred (*) films were<br />
co-presented with the New York Asian Film<br />
Festival from July 1–5.<br />
20th Century Boys: Chapter One* (Yukihiko<br />
Tsutsumi, 2008) NY Premiere<br />
20th Century Boys: Chapter Two—The Last Hope*<br />
(Yukihiko Tsutsumi, 2008) NY Premiere<br />
Achilles and the Tortoise (Takeshi Kitano, 2008)<br />
NY Premiere<br />
Ain’t No Tomorrows (Yuki Tanada, 2008)<br />
North American Premiere<br />
All Around Us* (Ryosuke Hashiguchi, 2008)<br />
NY Premiere<br />
Be Sure to Share* (Sion Sono, 2009)<br />
World Premiere<br />
Buy a Suit (Jun Ichikawa, 2008) U.S. Premiere<br />
Confessions of a Dog (Gen Takahashi, 2008)<br />
International Premiere<br />
Crime or Punishment! (Keralino Sandorovich,<br />
2008) International Premiere<br />
Cyborg She (Kwak Jae Yong, 2008) NY Premiere<br />
Fish Story* (Yoshihiro Nakamura, 2009) North<br />
American Premiere<br />
Halfway (Eriko Kitagawa, 2009) International<br />
Premiere<br />
Love Exposure* (Sion Sono, 2008) NY Premiere<br />
The Magic Hour* (Koki Mitani, 2008)<br />
NY Premiere<br />
Non-ko (Kazuyoshi Kumakiri, 2008) NY Premiere<br />
Pride* (Shusuke Kaneko, 2009) North American<br />
Premiere<br />
UrumaDelvi Collected Shorts (UrumaDelvi)<br />
Vacation* (Hajime Kadoi, 2008) NY Premiere<br />
Special Screenings & Events<br />
Sneak Preview<br />
Cherry Blossoms<br />
13 January<br />
Co-presented with the Goethe-Institut New York<br />
and Strand Releasing.<br />
Lecture<br />
From Gore to Westerns: An Incisive Afternoon<br />
with Director Takashi Miike<br />
7 February<br />
Presented in association with Subway Cinema.<br />
Hotel accommodations were provided by The<br />
Kitano New York.<br />
Sneak Preview<br />
TOKYO!<br />
2 March<br />
Co-presented with Liberation Entertainment.<br />
Sneak Preview<br />
Tokyo Sonata<br />
10 March<br />
Co-presented with Regent Releasing.<br />
Reception celebrating the NY premieres of<br />
Departures and Still Walking<br />
29 April<br />
Co-presented with The Globus Family in association<br />
with Regent Releasing/Here Media and IFC Films.<br />
<strong>Japan</strong> <strong>Society</strong> 2008–09 Film <strong>Programs</strong> were<br />
generously supported by the Lila Wallace-Reader’s<br />
Digest Endowment Fund. Additional support<br />
was provided by The Globus Family, Yoshiko and<br />
Tim Schilt, David S. Howe, Dr. Tatsuji Namba,<br />
Joshua S. Levine and Nozomi Terao.<br />
Panel Discussion<br />
How to Make a Film in <strong>Japan</strong> & Beyond<br />
9 July<br />
<strong>Japan</strong> <strong>Society</strong> <strong>Annual</strong> <strong>Report</strong> 2008–09 26
1 Tora-san, Our Lovable<br />
Tramp, part of Monthly<br />
Classics: Best of Tora-san.<br />
© Shochiku Co., Ltd.<br />
2 Crime or Punishment!,<br />
part of JAPAN CUTS:<br />
Festival of New <strong>Japan</strong>ese<br />
Film. © 2008 “Crime or<br />
Punishment!” Production<br />
Committee.<br />
3 Guests at the Exposure<br />
Party following the screening<br />
of Love Exposure, part<br />
of JAPAN CUTS: Festival<br />
of New <strong>Japan</strong>ese Film.<br />
© David Hou.<br />
4 Love Exposure, part of<br />
JAPAN CUTS: Festival<br />
of New <strong>Japan</strong>ese Film.<br />
© 2008 “Love Exposure”<br />
Film Partners.<br />
5 Director Kazuyoshi<br />
Kumakiri (left) and<br />
producer Keiko Kusakabe<br />
(right) at the Q&A after<br />
the screening of Non-ko,<br />
part of JAPAN CUTS:<br />
Festival of New <strong>Japan</strong>ese<br />
Film. © Mike Nogami.<br />
1<br />
2<br />
4<br />
3<br />
5<br />
<strong>Japan</strong> <strong>Society</strong> <strong>Annual</strong> <strong>Report</strong> 2008–09 27
Lecture <strong>Programs</strong><br />
From the latest trends in <strong>Japan</strong>ese puzzlemaking to an<br />
analysis of the Obama administration’s impact on East<br />
Asia, our 2008–09 season presented lectures and panel<br />
discussions on the most vital issues and trends in <strong>Japan</strong>ese<br />
culture and society. We continue to offer podcasts and<br />
webcasts of select programs, providing access to an international<br />
audience. Particularly popular were events where<br />
we brought influential <strong>Japan</strong>ese and Americans together<br />
for an exchange of ideas, including a discussion between<br />
Pulitzer Prize-winner Steve Reich and <strong>Japan</strong>ese composer<br />
Nobukazu Takemura, who spoke about the intersections<br />
between their music, illustrating the truly global nature<br />
of 21st-century arts. Within the field of classical music,<br />
Alan Gilbert, Music Director Designate of the New York<br />
Philharmonic and half-<strong>Japan</strong>ese himself, discussed his life,<br />
music and role conducting Doctor Atomic, the opera about<br />
the creation of the atomic bomb.<br />
Moving from the high arts to mass culture, Maki Kaji, the<br />
godfather of Sudoku, and Will Shortz, crossword puzzle<br />
editor for The New York Times, offered an entertaining and<br />
informative discussion of the trends and themes driving<br />
the popularity of puzzlemaking around the world today.<br />
Addressing the key role that <strong>Japan</strong>ese arts and ideas play<br />
on the global stage, the <strong>Society</strong> hosted some of the most<br />
significant artists in contemporary <strong>Japan</strong>—director Takashi<br />
Miike spoke about his films to a sold-out audience and<br />
visual artist Tadanori Yokoo, whose creations include some<br />
of the most iconic art of recent years, talked about his art<br />
as well as his interactions with some of the most influential<br />
artists of the late 20th century. Kazuko Shiraishi, who has<br />
been described as the Allen Ginsberg of <strong>Japan</strong>, captivated<br />
her audience with a dynamic poetry reading in collaboration<br />
with jazz trumpeter Itaru Oki.<br />
Continuing the <strong>Society</strong>’s tradition of dynamic programming<br />
related to architecture, internationally renowned architects<br />
César Pelli and Paul Tange came together to consider what<br />
is causing the transition from the modernist mantra of<br />
“form follows function” to the fanciful forms of architecture<br />
today. Our longstanding Authors on Asia series presented<br />
audiences with the latest scholarship about <strong>Japan</strong>, from<br />
Ian Buruma’s discussion of the life of Shirley Yamaguchi<br />
to Reiko Kinoshita’s exploration of the globalization of the<br />
Kumon Method of teaching. A series of lectures related<br />
to each <strong>Japan</strong> <strong>Society</strong> Gallery exhibition addressed key<br />
intellectual themes and explored issues raised by the art<br />
beyond the context of the exhibitions themselves. Among<br />
the highlights was a discussion between Tanabe Shochiku III<br />
and Stephen Talasnik on using ancient materials to create<br />
contemporary art, followed by a live demonstration of creating<br />
bamboo art by Tanabe Shochiku III.<br />
Lecture <strong>Programs</strong> also hosted events that addressed important<br />
changes in the world of <strong>Japan</strong>ese policy and society.<br />
Leading journalists Mark Halperin, John Bussey and Howard<br />
French analyzed the likely impact of the Obama administration<br />
on East Asia. University of Michigan Law Professor<br />
Mark West and New Yorker Staff Writer and <strong>Japan</strong> <strong>Society</strong><br />
Media Fellow Dana Goodyear considered the intersection<br />
of love, law and technology in <strong>Japan</strong> in their discussion of<br />
“Lovesick <strong>Japan</strong>: Stories of Intimacy from Courts to Keitai<br />
(Cell Phone) Novels.”<br />
Our upcoming season will continue to present a balance of<br />
lecture programs on both <strong>Japan</strong>ese culture and <strong>Japan</strong>ese<br />
social policy. Highlights include a series on Green <strong>Japan</strong>, an<br />
analysis of the major nations’ positions on climate change,<br />
a discussion forum for leading artists and thinkers, and<br />
a look at the next generation of green automobiles. We’ll<br />
also feature programs on topics from <strong>Japan</strong>ese food to a<br />
demonstration of <strong>Japan</strong>ese swordsmanship in what is sure<br />
to be an innovative and exciting year.<br />
So’oku Sen,<br />
Mushakoji<br />
Senke’s next<br />
grand tea<br />
master, demonstrates<br />
the<br />
tea ceremony<br />
to moderator<br />
Ellis Avery<br />
(left) at a<br />
program titled<br />
“Sen So’oku:<br />
Tea Life.” ©<br />
George Hirose.<br />
<strong>Japan</strong> <strong>Society</strong> <strong>Annual</strong> <strong>Report</strong> 2008–09 28
2008–09 <strong>Programs</strong><br />
Lecture Series<br />
Authors on Asia<br />
The China Lover: The Life of Shirley Yamaguchi/<br />
Ri Koran<br />
16 October<br />
With Ian Buruma, Henry R. Luce Professor of<br />
Democracy, Human Rights and Journalism,<br />
Bard College. Tom Vick, Film Programmer, Freer<br />
and Sackler Galleries, Smithsonian Institution,<br />
moderating.<br />
My Floating Mother, City: An Evening<br />
with Kazuko Shiraishi<br />
30 January<br />
With Karuko Shiraishi, poet and Itaru Oki, jazz<br />
trumpeter. Forrest Gander, Professor of English<br />
and Comparative Literature, Brown University,<br />
moderating.<br />
New Yorker/Nihonjin: Contemporary<br />
Cross-Cultural Dialogue Series<br />
Steve Reich & Nobukazu Takemura<br />
19 March<br />
With Steve Reich, composer and Nobukazu<br />
Takemura, musician. John Schaefer, host and<br />
producer, WNYC’s New Sounds, moderating.<br />
Architects Forum<br />
Form Follows Fancy in New Architecture<br />
23 April<br />
With César Pelli, Senior Principal, Pelli Clark Pelli<br />
Architects and Paul Noritaka Tange, President,<br />
Tange Associates. Geeta Mehta, Associate<br />
Professor of Architecture, Temple University,<br />
<strong>Japan</strong> Campus, Visiting Professor, Columbia<br />
University, moderating.<br />
General Lectures<br />
Revolutionize the Maestro: New Ways<br />
of Craftsmanship<br />
11 September<br />
Co-sponsored by the Kyoto Institute of Technology.<br />
With Makiko Tada, kumihimo artist; Hiroyuki<br />
Hamada, Professor of Advanced Fibro-Science,<br />
Kyoto Institute of Technology. Joe Earle, Vice<br />
President and Director <strong>Japan</strong> <strong>Society</strong> Gallery,<br />
moderating.<br />
An Evening with Tadanori Yokoo<br />
12 September<br />
Supported by Friedman Benda Gallery.<br />
With Tadanori Yokoo, artist and designer.<br />
Eric C. Shiner, Milton Fine Curator, Andy Warhol<br />
Museum, moderating.<br />
<strong>Japan</strong>’s About-Face<br />
24 September<br />
With Micah Fink, founder, Common Good Productions<br />
and Richard J. Samuels, Ford International<br />
Professor of Political Science and Director, Center<br />
for International Studies, MIT.<br />
Puzzling the World: Sudoku & Crosswords<br />
23 October<br />
With Will Shortz, Crossword Puzzle Editor, The<br />
New York Times; Maki Kaji, godfather of Sudoku<br />
and President, Nikoli Company. Liane Hansen,<br />
Host, Weekend Edition Sunday, NPR, moderating.<br />
An Evening with Conductor Alan Gilbert<br />
27 October<br />
With Alan Gilbert, Music Director designate, the<br />
New York Philharmonic and Eric Owens, opera<br />
singer. W. Anthony Sheppard, Professor of Music,<br />
Williams College, moderating.<br />
Robert Coffland on Collecting Bamboo Art<br />
in America<br />
28 October<br />
With Robert Coffland, <strong>Japan</strong>ese bamboo art<br />
dealer and Joe Earle, Vice President and Director,<br />
<strong>Japan</strong> <strong>Society</strong> Gallery.<br />
Contemporary Art, Ancient Materials:<br />
A Conversation with Tanabe Shochiku III<br />
6 November<br />
With Tanabe Shochiku III, artist and Stephen<br />
Talasnik, artist. Joe Earle, Vice President and<br />
Director, <strong>Japan</strong> <strong>Society</strong> Gallery, moderating.<br />
The U.S. & East Asia Under the<br />
Obama Administration<br />
4 February<br />
With Mark Halperin, Editor-at-Large and Senior<br />
Policy Analyst, Time Magazine; John Bussey,<br />
Washington Bureau Chief, The Wall Street Journal;<br />
and Howard French, Associate Professor of<br />
Journalism, Columbia University. Aaron L. Friedberg,<br />
Professor of Politics, Princeton University,<br />
moderating.<br />
From Gore to Westerns: An Incisive Afternoon<br />
with Director Takashi Miike<br />
February 7<br />
With Takashi Miike, film director. Marc Walkow,<br />
member, Subway Cinema and Co-Director,<br />
New York Asian Film Festival, moderating.<br />
Sen So’oku: Tea Life<br />
10 February<br />
With Sen So’oku, 14th grand tea master,<br />
Mushakoji Senke School of Tea. Ellis Avery,<br />
author of The Teahouse Fire, moderating.<br />
Learning for Life: The Kumon Way<br />
26 February<br />
Co-sponsored by the International House of <strong>Japan</strong>.<br />
With Reiko Kinoshita, author. Robert Fish,<br />
Director, Education and Lecture <strong>Programs</strong>,<br />
<strong>Japan</strong> <strong>Society</strong>, moderating.<br />
Talking KRAZY! <strong>Japan</strong>’s Evolving Pop Culture<br />
12 March<br />
With Bruce Grenville, Senior Curator, Vancouver<br />
Art Gallery; Toshiya Ueno, Professor of Sociology,<br />
Wako University; and Roland Kelts, Lecturer,<br />
University of Tokyo. Joe Earle, Vice President and<br />
Director, <strong>Japan</strong> <strong>Society</strong> Gallery, moderating.<br />
<strong>Japan</strong>ese Art in America: Building the<br />
Next Generation<br />
16 March<br />
Co-sponsored by The <strong>Japan</strong> Foundation.<br />
With Hideki Hayashida, Director, the National<br />
Art Center, Tokyo and former Commissioner for<br />
Cultural Affairs, Agency for Cultural Affairs, <strong>Japan</strong>;<br />
Joe Earle, Vice President and Director, <strong>Japan</strong><br />
<strong>Society</strong> Gallery; Yukio Lippit, Harris K. Weston<br />
Associate Professor of the Humanities, Harvard<br />
University; and Willard Clark, Founder, Clark<br />
Center for <strong>Japan</strong>ese Art and Culture. Richard J.<br />
Wood, President, <strong>Japan</strong> <strong>Society</strong>, moderating.<br />
KRAZY! Chiptune Music<br />
4 May<br />
With Marcin Ramocki, filmmaker and Jeremiah<br />
Johnson, chiptune musician. Ed Halter, art critic<br />
and curator, moderating.<br />
Lovesick <strong>Japan</strong>: Stories of Intimacy from<br />
Courts to Keitai (Cell Phone) Novels<br />
5 May<br />
With Dana Goodyear, Staff Writer, The New Yorker<br />
and <strong>Japan</strong> <strong>Society</strong> Media Fellow, and Mark West,<br />
Nippon Life Professor of <strong>Japan</strong>ese Law, University<br />
of Michigan. Kenji Yoshino, The Chief Justice Earl<br />
Warren Professor of Constitutional Law, New York<br />
University, moderating.<br />
Historical and Natural Tourism:<br />
Rediscovering Lost <strong>Japan</strong><br />
11 May<br />
With Alex Kerr, author. Robert Fish, Director,<br />
Education and Lecture <strong>Programs</strong>, <strong>Japan</strong> <strong>Society</strong>,<br />
moderating.<br />
<strong>Annual</strong> Sake Tasting: Without Koji,<br />
There is No Sake<br />
19 May<br />
Co-sponsored by the Sake Export Association.<br />
With John Gauntner, sake expert and a founding<br />
member of the Sake Export Association.<br />
Arts and Culture Lecture <strong>Programs</strong> were made<br />
possible by funding from the Lila Wallace-Readers’s<br />
Digest Endowment Fund.<br />
Additional support was provided by Chris A.<br />
Wachenheim, the Sandy Heck Lecture Fund,<br />
and Ms. Hiroko Onoyama.<br />
<strong>Japan</strong> <strong>Society</strong> <strong>Annual</strong> <strong>Report</strong> 2008–09 29
1<br />
4<br />
2<br />
3<br />
5<br />
1 Architects César Pelli and<br />
Paul Tange discuss the current<br />
state of “Form Follows Function”<br />
and what its future holds. ©<br />
Satoru Ishikawa.<br />
2 2009 Pulitzer Prize winner<br />
Steve Reich and Nobukazu<br />
Takemura discuss emerging<br />
trends in contemporary classical<br />
music as part of a panel with<br />
John Schaefer. © George Hirose.<br />
3 Sudoku godfather Maki Kaji<br />
(left), New York Times puzzle<br />
editor Will Shortz (middle) and<br />
Liane Hansen, Host, Weekend<br />
Edition Sunday, NPR (right)<br />
talk about the popularity of<br />
puzzles throughout the world.<br />
© Ryohei Yamamoto.<br />
4 New York Philharmonic<br />
music director designate Alan<br />
Gilbert talks with opera singer<br />
Eric Owens about Gilbert’s<br />
Met Opera debut of Doctor<br />
Atomic. © George Hirose.<br />
5 Director Takashi Miike<br />
answers questions from<br />
the audience about what<br />
inspires his film making.<br />
© George Hirose.<br />
<strong>Japan</strong> <strong>Society</strong> <strong>Annual</strong> <strong>Report</strong> 2008–09 30
Education <strong>Programs</strong><br />
Education <strong>Programs</strong> bring <strong>Japan</strong> to American classrooms<br />
and children. During 2008–09, teachers and students<br />
enhanced their knowledge about <strong>Japan</strong> through a variety of<br />
programs, including a three-week study tour to <strong>Japan</strong>, a series<br />
of professional development workshops, weekend programs<br />
for children, and the rapid growth of our interactive website<br />
for educators, About <strong>Japan</strong>: A Teacher’s Resource.<br />
The year began with the 2008 Educators Study Tour to <strong>Japan</strong>,<br />
as 10 New York area educators enhanced their ability to<br />
teach about <strong>Japan</strong> through a behind-the-scenes journey to<br />
<strong>Japan</strong>. Highlights included site visits to multiple schools, a<br />
homestay in Obu City, Aichi-Prefecture, a meeting with<br />
Sasaki Masahiro in Hiroshima, as well as visits to numerous<br />
cultural and historic sites. Upon returning to the United<br />
States, each educator created a teaching unit, many of which<br />
are being shared with a wider audience on About <strong>Japan</strong>.<br />
As a direct outcome of the Study Tour, <strong>Japan</strong> <strong>Society</strong> formed<br />
a School Partner Alliance with The New York City Museum<br />
School and The Manhattan East School for Arts and<br />
Academics. In the upcoming year, we are excited to work<br />
with Manhattan East faculty as they create new lessons<br />
about <strong>Japan</strong> in the sixth grade curriculum. 2009–10 looks to<br />
be a very <strong>Japan</strong>-centered year at The NYC Museum School,<br />
as they initiate an electronic exchange program with the<br />
Keio Girls Senior High School in Tokyo,<br />
About <strong>Japan</strong>: A Teachers Resource (aboutjapan.japansociety.<br />
org) represents <strong>Japan</strong> <strong>Society</strong>’s effort to reach schools<br />
nationwide with resources ranging from lesson plans about<br />
utilizing popular culture to teach about postwar <strong>Japan</strong> to<br />
videos in which leading experts explain the impact of the<br />
global economic crisis on <strong>Japan</strong>. Over 175,000 people<br />
visited the site this past year.<br />
Our professional development workshops help improve<br />
teaching about <strong>Japan</strong> in K–12 schools as well as creating<br />
new teaching materials. Thirty-hour workshops included<br />
Using Popular Culture to Teach about <strong>Japan</strong>, which attracted<br />
participants from as far-away as Philadelphia. A series of<br />
shorter workshops included a practicum on using bamboo<br />
art in the classroom by leading <strong>Japan</strong>ese bamboo artist<br />
Tanabe Shochiku III. 2009–10 courses will include From<br />
Terrorism to the Death Penalty: Using <strong>Japan</strong> to teach about<br />
Hot Button Issues, along with presentations by leading policy<br />
makers such as Satoru Shinomiya, an architect of <strong>Japan</strong>’s<br />
newly implemented jury system.<br />
In cooperation with The Gohan <strong>Society</strong> and The Astor<br />
Center, NYC high school students worked with leading chefs<br />
in the New York area to learn about <strong>Japan</strong> and its cuisine in<br />
our two-week summer immersion program, Washoku 101,<br />
led by Noriyuki Kobayashi, which concluded with a celebratory<br />
banquet. Numerous one-day programs were offered<br />
throughout the school year, including a hands-on gagaku<br />
workshop with the renowned company Reigaku-sha,<br />
presented in cooperation with Midori & Friends.<br />
Working in consort with all of <strong>Japan</strong> <strong>Society</strong>’s programs,<br />
Education <strong>Programs</strong> play an important role in helping the<br />
many exciting activities at the <strong>Society</strong> reach a younger and<br />
broader audience. The Corporate Program, Digital Media<br />
and Education <strong>Programs</strong> all worked together to produce<br />
high quality, annotated excerpts of videos of Corporate<br />
programs on About <strong>Japan</strong> and to bring leading thinkers<br />
about policy and economics to American students. We<br />
look forward to a significant expansion of this program<br />
in 2009–10.<br />
2008–09 featured a rich array of Gallery-related educational<br />
programming, highlighted by Tanabe Shochiku III, who led<br />
a workshop for students in the Responding to New Bamboo:<br />
Contemporary Masters program. KRAZY! The Delirious World<br />
of Anime + Manga + Video Games featured extensive programming<br />
for young audiences, including Get KRAZY! for<br />
teens, a guided discussion of the exhibition followed by an<br />
animation workshop held at Sony Wonder Technology Lab.<br />
Throughout the year, Education <strong>Programs</strong> ran public<br />
programs for children and families that allowed children to<br />
learn about and experience <strong>Japan</strong>ese culture. Family program<br />
highlights included an interactive theater performance<br />
celebrating Children’s Day, led by Theatre Arts <strong>Japan</strong>-Kids-,<br />
and two story-telling events, co-hosted by Kinokuniya<br />
Bookstore in New York, as well as Art Cart programs, in<br />
which small groups of children received an intimate, handson<br />
introduction to the <strong>Japan</strong>ese arts. The 2009–10 season<br />
looks to be equally exciting on all fronts.<br />
<strong>Japan</strong> <strong>Society</strong> <strong>Annual</strong> <strong>Report</strong> 2008–09 31
2008–09 <strong>Programs</strong><br />
<strong>Programs</strong> For Educators<br />
Educators’ Study Tour<br />
2008 Educators’ Study Tour to <strong>Japan</strong><br />
for Middle and High School Educators &<br />
School Administrators<br />
29 June–19 July<br />
With Robert Fish, Director, Education & Lectures<br />
<strong>Programs</strong>, <strong>Japan</strong> <strong>Society</strong> and Kazuko Minamoto,<br />
Deputy Director, Education & Family <strong>Programs</strong>,<br />
<strong>Japan</strong> <strong>Society</strong>.<br />
30-Hour In-House Courses for Educators<br />
From Anime to Pokémon: Using Pop Culture<br />
to Teach About <strong>Japan</strong><br />
18–22 August<br />
In cooperation with the New York City Department<br />
of Education.<br />
With Antonia Levi, Portland State University;<br />
E. Taylor Atkins, Northern Illinois University; and<br />
Aaron Gerow, Yale University.<br />
Karate to Tea: A Hands-On Approach<br />
to Teaching <strong>Japan</strong><br />
17–21 February<br />
In cooperation with the New York City Department<br />
of Education.<br />
With Robert Fish, <strong>Japan</strong> <strong>Society</strong>; Tara McGowan;<br />
H. Paul Varley, University of Hawaii, Emeritus;<br />
Yoshiro Terazono, Urasenke Chanoyu Center;<br />
George Solt, New York University; Noriyuki<br />
Kobayashi, MEGU Midtown; Kazuko Minamoto,<br />
<strong>Japan</strong> <strong>Society</strong>; Gay Merrill Gross; William Kelly,<br />
Yale University; and Joseph Suozzi, University of<br />
Bridgeport.<br />
Early <strong>Japan</strong>ese History: From Ethnogenesis<br />
through Medieval Times<br />
15 & 22 March, 5 & 26 April, 31 May<br />
With Michael Como, Columbia University;<br />
H. Paul Varley, University of Hawaii, Emeritus;<br />
Masako Inkyo, calligrapher; Thomas Hare,<br />
Princeton University; and Nicole Fabricand-<br />
Person, Lafayette College.<br />
One-Day <strong>Programs</strong> for Educators<br />
From Romance to Robots: Using <strong>Japan</strong>ese<br />
Short Stories in the Classroom<br />
20 & 27 October<br />
With Christopher Hill, Yale University.<br />
<strong>Japan</strong>ese Bamboo in the Art Classroom:<br />
A Hands-On Workshop<br />
9 November<br />
With Tanabe Shochiku III, bamboo artist and<br />
David Morss, Dean of Students, Columbia<br />
Grammar and Preparatory School.<br />
<strong>Programs</strong> For Students<br />
Summer Immersion Workshop<br />
for High School Students<br />
<strong>Japan</strong>ese Cuisine 101: Washoku<br />
4–8 & 11–16 August<br />
Co-sponsored with The Gohan <strong>Society</strong> and in<br />
cooperation with The Astor Center, New York City.<br />
With Satori Kawano, Founder and President, The<br />
Gohan <strong>Society</strong>; Noriyuki Kobayashi, Chef, MEGU<br />
Midtown; Tadashi Ono, Executive Chef, MATSURI;<br />
Reverend Nobuyo Otagaki, International Shinto<br />
Foundation; Hatsuko Otsuka and Miki Takahashi,<br />
dessert chefs; Yukari Pratt, Chef and Administrative<br />
Coordinator, Uoriki Fresh; Stefen Ramirez,<br />
Tea Dealers; Pablo Sandoval, Chief Soba Chef,<br />
SOBAYA; Taeko Takigami, Executive Director, The<br />
Gohan <strong>Society</strong>; Yoshihiro Terazono, Urasenke<br />
Chanoyu Center; and Makoto Yamauchi, Director,<br />
Agriculture and Fisheries, JETRO.<br />
One-Day Workshops for Students<br />
Gagaku Musical Instrument Workshop<br />
for Invited Music Students<br />
8 October<br />
Offered in collaboration with Midori and Friends.<br />
With Reigaku-sha.<br />
Tea Demonstration for Students with<br />
Tea Master Sen So’Oku<br />
9 December<br />
With Sen So’Oku, tea master, Mushakoji-Senke.<br />
Awaji Puppet Theater Workshop for Students<br />
6 March<br />
With Awaji Puppet Theater Troupe.<br />
Get KRAZY!<br />
15 April<br />
With Sony Wonder Technology Lab.<br />
With Suzanne de Vegh, Program Officer,<br />
Education & Lecture <strong>Programs</strong>, <strong>Japan</strong> <strong>Society</strong>.<br />
<strong>Programs</strong> For Families<br />
<strong>Japan</strong>’s <strong>Annual</strong> Festivities<br />
<strong>Japan</strong>’s Star Festival—Legend & Customs:<br />
Tanabata<br />
6 July<br />
With Theatre Arts <strong>Japan</strong>-KIDS-, dir. Eriko Ogawa.<br />
Celebratory Rituals for Children: Shichigosan<br />
(7-5-3) Ceremony<br />
25 & 26 October<br />
In cooperation with the International Shinto<br />
Foundation.<br />
With members of the International Shinto<br />
Foundation.<br />
Meet <strong>Japan</strong>’s Mystical Folktale Creatures &<br />
Ghosts through Kamishibai Storytelling<br />
1 November<br />
In cooperation with Kinokuniya Bookstore.<br />
Offsite event at Kinokuniya Bookstore. With<br />
Nadine Grisar, kamishibai storyteller and<br />
New York Children’s Cultural Association.<br />
New Year’s Day Celebration: Oshogatsu<br />
25 January<br />
Featuring booths led by over 40 performers, artists,<br />
specialists, educators and volunteer students from<br />
Keio Academy of New York and Columbia Grammar<br />
and Preparatory School.<br />
Doll Festival (Girls’ Day): Hinamatsuri<br />
1 March<br />
With Masayo Ishigure, koto performer and Keiko<br />
Sawaguchi, educator, NYC Public School.<br />
Celebrating <strong>Japan</strong>’s Children’s Day through<br />
Performance & Crafts-Making: Kodomo no hi<br />
3 May<br />
With Theatre Arts <strong>Japan</strong>-KIDS-, dir. Eriko Ogawa.<br />
Art Cart <strong>Programs</strong><br />
Art Cart: New Bamboo: Contemporary<br />
<strong>Japan</strong>ese Masters<br />
1 9 O c to b e r<br />
In cooperation with <strong>Japan</strong> <strong>Society</strong> Gallery.<br />
With Suzanne de Vegh, <strong>Japan</strong> <strong>Society</strong>; and arts<br />
educators Petra Pankow and Peter Sebeckis.<br />
Art Cart: Flowers & Festivities<br />
in <strong>Japan</strong>ese Culture<br />
16 November<br />
In collaboration with New York Botanical Garden.<br />
With Peter Sebeckis, arts educator.<br />
<strong>Japan</strong> <strong>Society</strong> <strong>Annual</strong> <strong>Report</strong> 2008–09 32
Art Cart: KRAZY! The Delirious World of<br />
Anime + Manga + Video Games<br />
29 March<br />
With Suzanne de Vegh, <strong>Japan</strong> <strong>Society</strong>.<br />
Art Cart: Tea Ceremony for Children<br />
17 May<br />
With Sen So’Oku, tea master, Mushakoji-Senke;<br />
and Suzanne de Vegh, <strong>Japan</strong> <strong>Society</strong>.<br />
Special Family <strong>Programs</strong><br />
Sadako & 1,000 Cranes Storytelling &<br />
Origami Crane Making<br />
10 August<br />
In cooperation with Kinokuniya Bookstore.<br />
Offsite event at Kinokuniya Bookstore.<br />
With Fumiko & Friends, NY Children Cultural<br />
Association; and Teri Gindi, Professional<br />
Performing Arts School.<br />
openhousenewyork (OHNY) at <strong>Japan</strong> <strong>Society</strong><br />
4 & 5 October<br />
In cooperation with <strong>Japan</strong> <strong>Society</strong> Gallery.<br />
Open House New York Kids! at <strong>Japan</strong> <strong>Society</strong><br />
4 October<br />
In cooperation with Center for Architecture<br />
Foundation.<br />
With Peter Sebeckis, arts educator.<br />
Awaji Puppet Theater Family Matinee<br />
7 March<br />
With Awaji Puppet Theater Troupe.<br />
Film Screening & Anime Antics Family Program<br />
14 June<br />
With Suzanne de Vegh, <strong>Japan</strong> <strong>Society</strong>.<br />
Gallery Lessons & Gallery-Related<br />
<strong>Programs</strong><br />
Docent Tours for Gallery Visitors<br />
New Bamboo: <strong>Japan</strong>ese Contemporary Masters<br />
4 October–11 January<br />
In cooperation with <strong>Japan</strong> <strong>Society</strong> Gallery.<br />
With members of the <strong>Japan</strong> <strong>Society</strong> Docent<br />
Corps.<br />
KRAZY! The Delirious World of Anime +<br />
Manga + Video Games<br />
13 March–14 June<br />
In cooperation with <strong>Japan</strong> <strong>Society</strong> Gallery.<br />
With members of the <strong>Japan</strong> <strong>Society</strong> Docent<br />
Corps.<br />
Adult & University Group Tours<br />
Tapestry in Architecture: Creating Human Spaces<br />
10 July–14 August<br />
In cooperation with <strong>Japan</strong> <strong>Society</strong> Gallery.<br />
With Suzanne de Vegh, <strong>Japan</strong> <strong>Society</strong>.<br />
New Bamboo: <strong>Japan</strong>ese Contemporary Masters<br />
4 October–11 January<br />
In cooperation with <strong>Japan</strong> <strong>Society</strong> Gallery.<br />
With Suzanne de Vegh, <strong>Japan</strong> <strong>Society</strong>.<br />
KRAZY! The Delirious World of Anime +<br />
Manga + Video Games<br />
13 March–14 June<br />
In cooperation with <strong>Japan</strong> <strong>Society</strong> Gallery.<br />
With Suzanne de Vegh, <strong>Japan</strong> <strong>Society</strong>.<br />
Gallery Lessons Pre-K–Grade 12<br />
Tapestry in Architecture: Creating Human Spaces<br />
10 July–14 August<br />
In cooperation with <strong>Japan</strong> <strong>Society</strong> Gallery.<br />
With Suzanne de Vegh, <strong>Japan</strong> <strong>Society</strong>.<br />
New Bamboo: <strong>Japan</strong>ese Contemporary Masters<br />
4 October–11 January<br />
In cooperation with <strong>Japan</strong> <strong>Society</strong> Gallery.<br />
With Suzanne de Vegh, <strong>Japan</strong> <strong>Society</strong>.<br />
KRAZY! The Delirious World of Anime +<br />
Manga + Video Games<br />
13 March–14 June<br />
In cooperation with <strong>Japan</strong> <strong>Society</strong> Gallery.<br />
With Suzanne de Vegh, <strong>Japan</strong> <strong>Society</strong>.<br />
Responding To... Series<br />
Responding to New Bamboo: <strong>Japan</strong>ese<br />
Contemporary Masters<br />
14 November<br />
In cooperation with <strong>Japan</strong> <strong>Society</strong> Gallery.<br />
With Tanabe Shochiku III, bamboo master.<br />
Responding to KRAZY! The Delirious World of<br />
Anime + Manga + Video Games<br />
May 19<br />
In cooperation with <strong>Japan</strong> <strong>Society</strong> Gallery.<br />
With Suzanne de Vegh, <strong>Japan</strong> <strong>Society</strong> and Sony<br />
Wonder Technology Lab.<br />
Konnichiwa Friends Family Tours<br />
New Bamboo: Contemporary <strong>Japan</strong>ese Masters<br />
1 1 O c to b e r , 1 5 N ov e m b e r , 1 3 D e c e m b e r &<br />
10 January<br />
In cooperation with <strong>Japan</strong> <strong>Society</strong> Gallery.<br />
With Petra Pankow, arts educator.<br />
KRAZY! The Delirious World of Anime +<br />
Manga + Video Games<br />
14 March, 11 April, 9 May & 13 June<br />
In cooperation with <strong>Japan</strong> <strong>Society</strong> Gallery.<br />
With Petra Pankow and Yoko Ohashi,<br />
arts educators.<br />
Education <strong>Programs</strong> were made possible by<br />
generous funding from The Freeman Foundation.<br />
Additional support was provided by The<br />
Norinchukin Foundation, Inc., Lesley Nan Haberman,<br />
Joshua N. Solomon, Ms. Hiroko Onoyama,<br />
Joshua S. Levine, and Nozomi Terao.<br />
Family <strong>Programs</strong> were supported by the New York<br />
City Department of Cultural Affairs.<br />
About <strong>Japan</strong>: A Teachers’ Resource was<br />
supported by The <strong>Japan</strong> Foundation Center for<br />
Global Partnership.<br />
Transportation assistance for the 2008 Educators’<br />
Study Tour to <strong>Japan</strong> was provided by <strong>Japan</strong> Airlines.<br />
The Art Carts for New Bamboo: Contemporary<br />
<strong>Japan</strong>ese Masters and KRAZY! The Delirious<br />
World of Anime + Manga + Video Games were<br />
supported by the Milton and Sally Avery Arts<br />
Foundation.<br />
<strong>Japan</strong> <strong>Society</strong> <strong>Annual</strong> <strong>Report</strong> 2008–09 33
1<br />
4<br />
5<br />
2<br />
1 K–12 educators learn ways to<br />
use bamboo in the art classroom<br />
in this one-day workshop<br />
led by bamboo artist Tanabe<br />
Shochiku III. © George Hirose.<br />
2 A family celebrates<br />
Shichigosan (7-5-3), a Shinto<br />
ritual to ensure the health and<br />
happiness of children ages 3, 5<br />
and 7. © George Hirose.<br />
3 Study Tour educators<br />
participate in a geometry class<br />
in Kyocho Elementary School<br />
in Obu-city, <strong>Japan</strong>. © <strong>Japan</strong><br />
<strong>Society</strong> staff.<br />
4 Noriyuki Kobayashi, a chef<br />
at Megu Restaurant, leads<br />
hands-on sessions about<br />
<strong>Japan</strong>ese cuisine in the student<br />
Summer Immersion Workshop.<br />
© <strong>Japan</strong> <strong>Society</strong> staff.<br />
5 Children enjoy kamishibai<br />
storytelling, songs and dances<br />
in this program introducing<br />
mythical <strong>Japan</strong>ese folktale<br />
creatures and ghosts held at<br />
Kinokuniya Bookstore in New<br />
York. © George Hirose.<br />
3<br />
<strong>Japan</strong> <strong>Society</strong> <strong>Annual</strong> <strong>Report</strong> 2008–09 34
6<br />
9<br />
7<br />
10<br />
8<br />
6 Educators’ Study Tour<br />
participants have lunch with<br />
kindergarten children at Araike<br />
Nursery School in Obu-city,<br />
<strong>Japan</strong>. © JS staff.<br />
7 K–6 educators learn about<br />
and participate in activities<br />
ranging from tea ceremony<br />
to martial arts to <strong>Japan</strong>ese<br />
cooking in a 30-hour professional<br />
development course.<br />
© Satoru Ishikawa.<br />
8 Educators’ Study Tour<br />
participants interact with high<br />
school students during their<br />
visit to <strong>Japan</strong>. © JS staff.<br />
9 Students from School<br />
Partner Alliance schools<br />
participate in a hands-on<br />
workshop with the Awaji<br />
Puppet Theater troupe.<br />
© George Hirose.<br />
10 Children and student<br />
booth-leaders from Keio<br />
Academy and Columbia<br />
Grammar and Preparatory<br />
School enjoy traditional New<br />
Year’s activities including<br />
fukuwarai (funny face game)<br />
at Oshogatsu, <strong>Japan</strong>’s New<br />
Year’s Day Celebration.<br />
© George Hirose.<br />
11 Families pose after participating<br />
in Shichigosan (7-5-3)<br />
Ceremony. © George Hirose.<br />
11<br />
<strong>Japan</strong> <strong>Society</strong> <strong>Annual</strong> <strong>Report</strong> 2008–09 35
Toyota Language Center<br />
The <strong>Society</strong>’s <strong>Japan</strong>ese language education program, which<br />
began in 1972 with just a single class, has grown into one<br />
of the largest and most respected in the nation. Today, the<br />
Toyota Language Center offers 12 comprehensive levels of<br />
<strong>Japan</strong>ese, as well as a variety of specialized courses and<br />
workshops including shodo (<strong>Japan</strong>ese calligraphy), ensuring<br />
that there is a class for any level of <strong>Japan</strong>ese student. In<br />
addition, the Center caters to native <strong>Japan</strong>ese speakers by<br />
providing three levels of English conversation (ESL) classes<br />
and a <strong>Japan</strong>ese Language Teacher Training Program at the<br />
beginning and intermediate levels.<br />
C.V. Starr Library<br />
The C.V. Starr Library houses approximately 14,000 volumes,<br />
in addition to a language library and an impressive rare<br />
book collection. Its holdings include a comprehensive<br />
collection of books (primarily in English) on <strong>Japan</strong>ese art,<br />
history, culture, society, politics, economics, religion and<br />
many other subjects. An ideal place for research on <strong>Japan</strong><br />
and <strong>Japan</strong>-U.S. relations, the library has also become one<br />
of the favorite attractions of <strong>Japan</strong> <strong>Society</strong> visitors.<br />
Shodo II student. © Satoru Ishikawa.<br />
2008–09 Language Classes<br />
Mini-Workshops: Learn to Read Hiragana &<br />
Katakana<br />
25, 26 September<br />
21, 22 January<br />
28, 29 May<br />
Enables beginning students to master efficiently<br />
the reading of hiragana and katakana.<br />
<strong>Japan</strong>ese Language Courses<br />
29 September–12 December<br />
26 January–3 April<br />
1 June–14 August<br />
Twelve levels of <strong>Japan</strong>ese, from beginning to<br />
advanced.<br />
English Conversation Courses<br />
2 October–9 December<br />
3 February–7 April<br />
5 May–23 June<br />
9 July–27 August<br />
Three levels of English as a Second Language<br />
(ESL) in 30- or 38-hour sessions.<br />
Kanji I, II, III<br />
29 September–12 December<br />
26 January–3 April<br />
1 June–14 August<br />
Designed to enable those proficient in <strong>Japan</strong>ese to<br />
read <strong>Japan</strong>ese newspapers with ease.<br />
Economics & Business:<br />
Advanced Reading Course I<br />
30 September–9 December<br />
27 January–31 March<br />
2 June–11 August<br />
Guides advanced language students in reading the<br />
Nihon Keizai Shimbun and the <strong>Japan</strong>ese versions of<br />
Newsweek and Forbes, and also covers important<br />
business customs.<br />
Intensive <strong>Japan</strong>ese Weekend Courses<br />
8, 9, 15 & 16 November<br />
7, 8, 14 & 15 March<br />
13, 14, 20 & 21 June<br />
Total immersion for people who plan to travel or<br />
move to <strong>Japan</strong> or for students unable to attend<br />
regular weekday classes.<br />
Intensive Practical <strong>Japan</strong>ese: Business & Culture<br />
27 April–27 May<br />
Helps students master the fundamentals of<br />
<strong>Japan</strong>ese conversation, with special emphasis on<br />
business and social occasions.<br />
<strong>Japan</strong>ese Language Teacher Training Program<br />
23 April–26 May<br />
Teaches essential classroom teaching skills to<br />
native and fluent speakers of <strong>Japan</strong>ese who have<br />
had little or no formal training in the teaching of<br />
<strong>Japan</strong>ese as a second language.<br />
<strong>Japan</strong>ese Language Teacher Training<br />
Follow-Up Program<br />
7 October–9 December<br />
A continuation of the teacher training program,<br />
providing the skills necessary to teach <strong>Japan</strong>ese at<br />
the intermediate level.<br />
Shodo Workshops I, II, III , IV &<br />
Advanced Course<br />
29 September–12 December<br />
26 January–6 April<br />
20 April–29 June<br />
13 July–21 September<br />
A hands-on workshop on the techniques of shodo,<br />
a calligraphic art form that uses a brush and<br />
charcoal ink on paper, wood plaques and fabric.<br />
Weekend Shodo<br />
5 October–2 November<br />
29 March–26 April<br />
10 May–7 June<br />
19 July–16 August<br />
A hands-on workshop on the techniques of shodo<br />
on Sundays, offered because of the demand for<br />
these popular courses.<br />
<strong>Japan</strong> <strong>Society</strong> <strong>Annual</strong> <strong>Report</strong> 2008–09 36
1<br />
2 5<br />
1 Instructor Yuko<br />
Aizawa and her students.<br />
© Satoru Ishikawa.<br />
2 Level 5 <strong>Japan</strong>ese students<br />
at the Toyota Language<br />
Center. © Satoru Ishikawa.<br />
3 Instructor Masako Inkyo<br />
works one-on-one with<br />
a Shodo II student.<br />
© Satoru Ishikawa.<br />
3<br />
4 Instructor Mami Miyashita.<br />
© Satoru Ishikawa.<br />
5 <strong>Japan</strong>ese level 7 students.<br />
© Satoru Ishikawa.<br />
4<br />
<strong>Japan</strong> <strong>Society</strong> <strong>Annual</strong> <strong>Report</strong> 2008–09 37