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Outline<br />

CHAPTER 19<br />

INFORMATION SYSTEMS<br />

APPROACH TO ORGANIZATIONS<br />

I. Introduction.<br />

A. Karl Weick focuses on the process of organizing rather than the structure of<br />

organizations.<br />

B. He equates organizing with information processing.<br />

C. His model of organizing describes how people make sense out of confusing verbal<br />

inputs.<br />

II. Organizing: making sense out of equivocal information.<br />

A. Uncertainty denotes a lack of information.<br />

B. Equivocality refers to situations where at least two interpretations are equally valid.<br />

C. When information is equivocal, people need a context or framework to help them<br />

sort through the data.<br />

D. Face-to-face interaction is crucial when an organization faces equivocal information.<br />

III. Sensemaking in a loosely coupled system.<br />

A. Universities are loosely coupled, which is to their advantage.<br />

B. Requisite variety is the degree of complexity and diversity an organization needs to<br />

match the level of equivocality of the data it processes.<br />

C. Since universities handle complex information they will fail at sensemaking unless<br />

they are loosely coupled.<br />

D. Weick prefers biological over mechanical models of organization.<br />

E. The basic unit of interconnectedness is the double interact.<br />

1. It consists of three elements—act, response, and adjustment.<br />

2. Its importance is why Weick focuses more on relationships within an<br />

organization than on an individual’s talent or performance.<br />

F. The university illustrates double interacts in a loosely coupled system.<br />

1. Individual departments and units on campus are not closely connected.<br />

2. Loose coupling allows the university to absorb shocks, scandals, and stupidity.<br />

IV. Organize to survive in a changing environment<br />

A. Weick applies Darwin’s survival-of-the-fittest theory to organizations.<br />

B. The ultimate goal of an organization is survival.<br />

C. Some people organize in a way better adapted to survive than do others.<br />

D. Unlike animals, organizations can change when their members alter their behavior.<br />

V. The three-stage process of social-cultural evolution.<br />

A. Social-cultural evolution is a three-stage process: enactment, selection, retention.<br />

B. Enactment: don’t just sit there; do something.<br />

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1. Organizations have open boundaries with the outside environment, which they<br />

partially create through their activity.<br />

2. The failure to act is the cause of most organizational ineffectiveness.<br />

3. Weick believes that action is a precondition for sensemaking.<br />

4. Language is action, which is why organizations need to have many meetings.<br />

C. Selection: retrospective sensemaking.<br />

1. Selection is aided by two tools—rules and cycles.<br />

2. Rules—stock responses that have served well in the past and have become<br />

standard operating procedure—are effective when equivocality is low, but fail to<br />

clarify situations when many conflicting interpretations are possible.<br />

3. The act-response-adjustment cycle of the double interact is more effective in<br />

situations of high equivocality.<br />

4. As cycles increase to handle complex data, reliance on rules decreases.<br />

5. Two studies confirm Weick’s hypotheses about rules and cycles.<br />

D. Retention: treat memory as a pest.<br />

1. Retention is the way organizations remember.<br />

2. Too much retention creates a network of rules that reduces the flexibility<br />

necessary to respond to complex information.<br />

3. However, some degree of collective memory is necessary to provide stability for<br />

the organization.<br />

4. Weick seeks an ongoing tension between stability and innovation—managers<br />

should not overemphasize past experience.<br />

5. Organizations fail because they lose flexibility by relying too much on the past.<br />

VI. Critique: the strengths and weaknesses of metaphor.<br />

A. Weick makes his theory interesting with provocative metaphors, vivid examples, and<br />

startling statements.<br />

B. His sociocultural application of Darwin’s theory shares the advantages and<br />

disadvantages of all metaphors.<br />

1. The metaphor vivifies and explains a difficult concept.<br />

2. Unfortunately, it becomes ideology if taken too far, justifying cutthroat capitalism<br />

or quashing all conflict.<br />

C. Some managers criticize Weick’s quick-draw managerial approach.<br />

D. Nonetheless, he defends the position that any strategic plan is better than inaction.<br />

Key Names and Terms<br />

Karl Weick<br />

A professor of organizational behavior and psychology at the University of Michigan and<br />

champion of the information systems approach to organizations.<br />

Organizing<br />

A way to make sense out of equivocal information.<br />

Uncertainty<br />

A lack of information that requires one to seek more facts.<br />

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Equivocality<br />

Situations where people face the choice of two or more alternative interpretations, each<br />

of which could reasonably account for what’s going on.<br />

Requisite Variety<br />

The degree of complexity and diversity an organization needs to match the level of<br />

ambiguity of the data it processes.<br />

Loose Coupling<br />

A characteristic of some systems in which causal inference is difficult because relations<br />

are mediated, intermittent, dampened, and delayed; typically, different parts of the<br />

system have a widespread yet marginal effect on each other.<br />

Tight Coupling<br />

An organizational system in which the feedback loops of the double interacts of one<br />

part of the system are tightly connected with those of other parts of the system.<br />

Double Interact<br />

A communication cycle that consists of act, response, and adjustment.<br />

Charles Darwin<br />

A nineteenth-century biologist whose theory of evolution serves as a metaphor for<br />

Weick’s systems approach to organizations.<br />

Enactment<br />

Proactive communication in which members of an organization invent their<br />

environment rather than merely discover it; action that is a precondition for<br />

sensemaking.<br />

Open-System Theory<br />

For organizations, the environment is as much an output as it is an input.<br />

Selection<br />

The interpretation of actions already taken; retrospective sensemaking.<br />

Rules<br />

Stock responses that have served well in the past and have become standard operating<br />

procedure. They are effective when equivocality is low.<br />

Cycles<br />

Double interacts best employed in situations of high equivocality.<br />

Retention<br />

The way organizations remember.<br />

Principal Changes<br />

Previously <strong>Chapter</strong> 18, this chapter has been edited for clarity and precision. In<br />

addition, the Second Look section has been updated. Otherwise, it remains essentially the<br />

same.<br />

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Suggestions for Discussion<br />

Weick’s theory as innovative and provocative<br />

When discussing Weick’s work with your class, it’s very important to emphasize the bold<br />

iconoclasm with which he writes about organizations. Weick’s unorthodox, revolutionary<br />

pronouncements and innovative, artful metaphors are as captivating as they are controversial.<br />

To reinforce this point, you may wish to read or summarize the delightful music analogy Weick<br />

marshals in his artful article, “Organizing Improvisation: 20 Years of Organizing,” which Griffin<br />

includes in his Second Look section. Share with your students his daring approach to<br />

improvising. Weick’s “Act, then think!” approach creates a wonderful counterpart to the<br />

methodic rationality of the functional perspective. If you teach these two chapters back to<br />

back, in fact, make the most of the differences. Integrative Essay Question #30, below,<br />

provides a vehicle for such comparisons.<br />

In an interview on Bravo’s “Inside the Actor’s Studio,” Mike Meyers describes how<br />

important it is to keep writing despite feeling uninspired or experiencing writer’s block. He<br />

states that it is better to write poorly and revise it later than to not write at all. He tells a story<br />

of Bill Murray’s writing days for the comedian Gilda Radnor. When uninspired moments arose,<br />

Bill would write his stuff and then write, “and then Gilda does something funny.” It strikes us<br />

that Mike’s comments mirror Weick’s “Act, then think!”<br />

Interpretivism in contrast to scientific certainty<br />

Integrative Essay Question #29 below seeks to explore the connection Griffin<br />

establishes between Weick’s approach to sensemaking and the basic tenets of information<br />

and uncertainty reduction theories. Like Shannon and Weaver and Berger, Weick is concerned<br />

with the ways in which people gather and process information in order to reduce<br />

uncertainty/equivocality. Unlike these more empirical researchers, though, Weick is less<br />

concerned with scientific precision. He avoids both the simple elegance of Shannon and<br />

Weaver’s model and the axiomatic rigor of Berger’s theory. In fact, Weick’s view of<br />

organizational communication is intentionally amorphous; by focusing on the act of organizing<br />

rather than the structure of organization, he leaves behind the concrete for the abstract.<br />

Weick’s belief in the efficacy of action demonstrates a Jamesian faith that transcends<br />

scientific certainty. There is a humanist’s flair to his work—characterized by a fondness for<br />

paradox, an urge to challenge intuition, to doubt, and to exercise skepticism, a willingness to<br />

forego certainty, and an interpretive agility—that distinguishes him from his more scientifically<br />

minded colleagues.<br />

In addition, his interest in the ongoing tension between stability and innovation gives<br />

his work a dialectical feel reminiscent of Baxter and Montgomery’s approach to interpersonal<br />

relationships (see Integrative Essay Question #32 below). It should not come as a surprise,<br />

thus, that in the concluding chapter of A First Look at Communication Theory, Griffin places<br />

Weick in the fourth category of his theoretical continuum, far to the right of Shannon and<br />

Weaver and Berger, who are firmly located in the first category. In the privacy of our own<br />

study—with only you watching—we might position Weick in the middle position of the<br />

continuum, but we entirely agree with Griffin that significant theoretical distance exists<br />

between Weick and the strict empirical camp.<br />

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Tightly and loosely coupled organizations<br />

In the textbook under Questions to Sharpen Your Focus, question #3 features an<br />

element of the systems approach that Griffin is not able to discuss in detail during the<br />

chapter—the tightly coupled organization. Essay Question #22 below, which further probes the<br />

potential advantages of tight coupling, may serve as a useful follow-up question in this<br />

discussion. It is important, it seems to us, for students to see that tight coupling can—<br />

depending on the particular features of the organization in question—be an invaluable<br />

structuring principle. For example, many organizations that specialize in routinized, yet<br />

intricately interrelated and highly time-sensitive transactions and procedures require the<br />

coordination created by tight coupling.<br />

Essay Question #21 below takes up the potential disadvantages of loose coupling.<br />

What happens, for example, when a university is criticized or threatened financially by an<br />

outside source such as a legislative body or governing board? Although the president of the<br />

institution will offer his or her official response, the school as a whole lacks the organizational<br />

coherence to respond with one voice and action. Thus, it may appear weak and ineffectual in<br />

the eyes of outsiders. This may be one reason many universities receive so much flak these<br />

days. A tightly coupled corporation, however, may be able to respond more decisively and<br />

uniformly to criticism from beyond its walls, thus giving the appearance of control, discipline,<br />

and direction.<br />

Connections to adaptive structuration<br />

Based on the layout of the textbook, it is likely that you will teach Poole’s adaptive<br />

structuration and Weick’s information systems theories back to back. We suggest you<br />

capitalize on the opportunity as the theories bear a considerable resemblance to each other.<br />

For both theorists, reality, whether in a small group or an organization, is a dynamic<br />

occurrence—people create reality as they experience it. To do so, people sometimes fall back<br />

into existing patterns and at other times they seem to “make it up as they go along.” Poole and<br />

Weick incorporate this changeability into their theories, and in doing so can explain either<br />

when things remain status quo or go in a new direction, a strength of each theory. You might<br />

want to discuss with your students other areas of overlap such as the enactment-selection-<br />

retention cycle’s link to the duality of structures. Finally, ask your students to speculate on<br />

what rules and resources help us to organize. Integrative essay question #33 below picks up<br />

on this theme.<br />

Weick in small businesses<br />

On occasion, we have encountered students who are frustrated with Weick’s<br />

counterintuitive claims based on either their own or their parents’ experience as a small<br />

business owner. We have found it very interesting to engage students in a discussion about<br />

what effects Weick’s suggestions would have on the local, family business. Does it make good,<br />

responsible business sense to do something and figure it out later? With the encroachment of<br />

big business and corporate establishment on Main Street America, would a failing<br />

businessperson do better by identifying options and weighing them carefully before acting or<br />

by making a bold, yet uncertain step forward? For Weick, these actions may not be<br />

contradictory as the assembling of new information and developing a plan of action serves to<br />

reduce uncertainty and equivocality. Taking no action and ignoring one’s eroding business is a<br />

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fatal flaw in organizations according to Weick, but is it fair to say that a business owner’s act<br />

may be to gather information upon which to get a response and to adjust?<br />

Continuing with the theme of small or local businesses, you may want to discuss with<br />

your students the comfort of familiarity. Weick argues that organizations would do better to<br />

shed the known in favor of the innovative (286), but for some businesses sameness may be its<br />

greatest asset. Like going into an old five-and-dime store that has everything or a restaurant<br />

that hasn’t updated the interior in 20 years, people are drawn to places that are “just like I<br />

remember it.” If there is a local establishment near your school that falls into this category, you<br />

might consider asking your students how Weick’s ideas about retention might alter this local<br />

institution.<br />

A trick question<br />

Essay Question #28 below may be a bit of a trick. The best answer to this either/or<br />

query is that it constitutes a false dilemma. As Griffin tells us, “Symbolic interaction is action.<br />

Whenever managers say something, they are actually creating a new environment rather than<br />

merely describing a situation” (284). Thus, the most successful response should begin by<br />

setting the questioner straight.<br />

Sample Application Log<br />

Brian<br />

Each person employed by media production services, myself included, is carefully trained on<br />

how to run sound in Edman Chapel. Often, we are given specific instructions about what<br />

microphones to set up where so that everything is set long before the client shows up.<br />

Sometimes when the client arrives they have changed their mind about how they want things<br />

set up. When the scenario is cut and dried as to what we can and cannot do, we tend to rely on<br />

past rules. More often than not, the situation requires a judgment call; in this case we look to<br />

the cycle of act-response-adjustment. As we talk further with a client about what they want, we<br />

reduce equivocality and are better able to adjust. However, I am often tempted to remember<br />

how I’ve seen my boss act in similar situations and construct a network of rules about how I<br />

should act. According to this theory, this means that I’ve lost some flexibility in dealing with<br />

problems and will not be able to adjust as quickly as I should.<br />

Exercises and Activities<br />

Retention and collective memory<br />

Weick suggests that managers should “treat memory as a pest” (286). To discuss this<br />

issue within the context of your university or college, ask students to come up with rules that<br />

your institution has adopted or tacitly practices for which no good reason can be found—either<br />

because none ever existed or because no one can remember the original rationale. On some<br />

campuses students might wonder why classroom desks are set (sometimes bolted to the floor)<br />

in rows when discussion is the major form of interaction; why people wear black robes, hoods,<br />

and funny hats to graduation and convocation; why first-year students are not allowed many of<br />

the freedoms given other students; why the regular school year lasts only nine months; why<br />

athletes are granted special privileges; why English composition is required, yet courses in<br />

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public speaking and listening are not; why many coaches are paid more than renowned<br />

professors; and why grades are so important. To be balanced, of course, it’s important to<br />

emphasize the counterpoint that some degree of collective memory is necessary to provide<br />

stability for the organization. Students should be able to provide examples of instances in<br />

which your institution calls upon retained knowledge to help itself respond intelligently to<br />

problems. The same line of inquiry can be conducted with respect to smaller organizations to<br />

which students belong such as sororities, fraternities, churches, and families. (Essay Question<br />

#27 below addresses the issue of retention.)<br />

The organizing of families<br />

It may be revealing, in fact, to ask your students to imagine parenting in terms of<br />

managing. How do double interacts function within the family structure? Is “Act, then think!” an<br />

appropriate guideline for parental decision making? Encourage them to draw on their own<br />

family experiences as they respond to such questions.<br />

Double interaction and connections to interactional view<br />

When Em Griffin teaches this chapter, he uses Weick’s approach to analyze his own<br />

college. He asks students to discuss how buildings are named, how professors’ names are<br />

listed in the catalog, and so forth. He also makes a particular point of emphasizing—and<br />

exemplifying—the assumption that survival is a more important goal than the stated aims of an<br />

organization (282). He stresses that you absolutely must demonstrate the concept of the<br />

double interact for them, using an example of your own to reinforce the book’s treatment.<br />

Finally, he likes to use the interactional view as a way of characterizing the systematic<br />

approach championed by Weick. Just as family systems are comprised of intricately related<br />

individuals, so organizations are built of a network of relationships. In both contexts, one<br />

cannot understand a problem in isolation, but must look at the complex web of relations<br />

inherent in any situation.<br />

Pictionary ® , the Weick way<br />

Here’s an exercise from Carey H. Adams of Southwest Missouri State University that you<br />

may wish to try:<br />

How Do I Know What I Think Until I See What You Draw?<br />

An Experiential Game for Teaching Karl Weick’s Model of Organizational Sensemaking<br />

Learning Objective: To illustrate Karl Weick’s concepts of equivocality and the enactment-<br />

selection-retention process of equivocality reduction.<br />

Materials Needed: 25-30 drawing tasks, as in the game Pictionary ®<br />

Large drawing surface and writing utensils (e.g., whiteboard, flip chart)<br />

Paper and writing utensils for participants<br />

Group Size: 10-25<br />

Time Required: 45-60 minutes<br />

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Instructions<br />

Choose four people to serve as artists. These four artists will rotate drawing clues. Place<br />

remaining participants in groups of 3-4. Explain that participants will be playing a game similar<br />

to the popular Pictionary ® but with several modifications. The rules of the game are as follows:<br />

1. Each artist will be given a list of 8-10 drawing tasks. They will rotate drawing one picture<br />

at a time. Artists may choose to draw their tasks in any order, and artists may consult<br />

with one another.<br />

2. Artists will draw each picture in its entirety before players are allowed to guess aloud.<br />

When the artist is done, he or she sits down.<br />

3. After the artist sits down, participants may discuss the drawing and generate guesses.<br />

Note: Although participants are seated in groups of 3-4, no instructions are given<br />

regarding whether they are to play as teams or as an entire group. Participants may<br />

discuss the drawing any way they choose, but they may not communicate directly with<br />

the artist.<br />

4. Participants can generate as many guesses as they like, but final guesses are to be<br />

held until the end of the game (i.e., when time is called, participants will be asked to list<br />

all of their guesses at one time).<br />

5. Participants will indicate when they are finished discussing the drawing. At this point,<br />

the artist may choose to modify his or her drawing based upon the group’s discussion.<br />

The artist also may choose to leave the drawing as is.<br />

6. After the artist passes or makes modifications, participants may discuss the drawing<br />

one more time. At no time may the artist indicate in any way whether players have<br />

guessed correctly.<br />

7. Drawing rules:<br />

a. No talking by the artist.<br />

b. No nonverbal indicators by the artist (e.g., head nods, pointing, etc.).<br />

c. No letters or numbers allowed in drawings.<br />

d. The facilitator may disallow pictures for any rule violation.<br />

8. Announce a time limit for the game (typically 30-40 minutes). Note: It may take the<br />

group a few minutes to get into a rhythm, and enthusiasm will build as the game<br />

progresses. In this case, you may want to extend the time limit as the round nears<br />

completion.<br />

9. Announce that players will be rewarded according to the following formula:<br />

# answers x .5 x % correct answers = points<br />

Points may be extra credit, participation points, or some other reward.<br />

Ex: 24 answers x .5 x 75% correct = 8 points<br />

10. Players and artists can develop any strategy they choose within the rules of the game.<br />

Applications<br />

Drawings represent equivocality, i.e., inputs with multiple plausible meanings.<br />

Guessing is enactment, i.e., bringing inputs into the field of perception and<br />

interpretation; perceptions of drawings are shaped by initial and subsequent guesses.<br />

Processing of inputs leads to selection of relevant information.<br />

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Useful information is stored in retention for future guesses, e.g., players begin to<br />

recognize elements of artists’ drawing strategies; artists develop strategies they<br />

perceive as effective and use them repeatedly.<br />

Easy pictures are solved quickly using assembly rules, e.g., some pictures are easily<br />

recognizable; a familiar format is quickly recognized and used by players.<br />

Players engage in communication cycles when sufficient assembly rules are not<br />

available and/or inputs are highly equivocal, e.g., discussion is more extensive, more<br />

guesses are generated, or more disagreement over guesses is expressed.<br />

The entire game demonstrates the reduction of equivocality.<br />

o Players enact their environment by choosing strategies and establishing game<br />

procedures.<br />

o Players must find a way of retaining rules and information for use in making final<br />

guesses.<br />

Artists also are reducing equivocality.<br />

o Drawing is enactment.<br />

o Recognizing what clues are understood is enactment.<br />

o Retaining what has worked and using it again or building on it is retention.<br />

Some words and pictures are more equivocal than others, i.e., they present a greater<br />

number of equally acceptable interpretations or meanings.<br />

Discussion Questions for Debriefing<br />

How did the absence of feedback affect you?<br />

Did you choose speed or accuracy as a strategy to gain the most points? How did you<br />

arrive at that choice? How did that choice affect the way you approached the game?<br />

Did artists’ second attempts tend to increase or decrease equivocality? Why?<br />

What system did players devise to deal with equivocality?<br />

(If the facilitator told players the categories for drawings, e.g., place, person, action) Did<br />

telling you the drawing category always help reduce equivocality? Why or why not?<br />

What strategies were retained? Why?<br />

If you could play the game again, what would you do differently?<br />

Did the group ever talk itself out of right answers? How did that happen? Did more talk<br />

create more equivocality?<br />

Did assembly rules always work? Did they sometimes cause more confusion than they<br />

relieved because they didn’t seem to fit the drawing? For example, artists often will use<br />

the “sounds like” symbol of an ear, but a difficult “sounds like” clue may distract<br />

players from a more straightforward visual clue.<br />

Was there enough participation among players?<br />

Did artists’ adding to their drawings sometimes create more equivocality than it<br />

reduced?<br />

What kinds of feedback did players and artists use?<br />

What effect did being seated in groups have on players? Did they assume they were in<br />

competitive teams? Did they ignore the fact that they were in “groups”? Did players<br />

discuss why they were in groups?<br />

What was the most equivocal drawing? What made it equivocal?<br />

How did artists choose clues to draw? Did they change their strategies as the game<br />

progressed?<br />

To what extent did players rely on assembly rules vs. communication cycles? Why?<br />

249


Further Resources<br />

For recent writings by Weick, see:<br />

o Weick discusses idea generation in his article, “Mundane Poetics: Searching for<br />

Wisdom in Organizational Studies,” Organizational Studies 25, 4 (2004): 653-<br />

68.<br />

o In his article for the special issue of British Journal of Managament on new<br />

directions in organizational learning, Weick discusses the imagination and its<br />

role in learning, “Puzzles in Organizational Learning: An Exercise in Disciplined<br />

Imagination,” British Journal of Management 13 (2002): S7-S15.<br />

o In their 2001 book, Managing the Unexpected: Assuring High Performance in an<br />

Age of Complexity (San Francisco: Jossey-Bass), Weick and Kathleen Sutcliffe<br />

examine how high reliability organizations such as aircraft carriers and<br />

firefighting crews organize themselves in such a way as to manage the<br />

unexpected.<br />

o Weick offers a characteristically innovative, articulate critique of current<br />

organizational studies in “Drop Your Tools: An Allegory for Organizational<br />

Studies,” Administrative Science Quarterly 41 (1996): 301-13.<br />

Fredric M. Jablin and Michael W. Kramer offer a recent application of sensemaking in<br />

“Communication-Related Sense-Making and Adjustment during Job Transfers,”<br />

Management Communication Quarterly 12 (November 1998): 155-82.<br />

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Sample Examination Questions<br />

Sample Questions are not reproduced in the online version of the Instructor's Manual.<br />

To receive a copy of the Test Bank contact your local McGraw-Hill sales representative or email<br />

Leslie Oberhuber, Senior Marketing Manager at leslie_oberhuber@mcgraw-hill.com<br />

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Sample Questions are not reproduced in the online version of the Instructor's Manual.<br />

252


Sample Questions are not reproduced in the online version of the Instructor's Manual.<br />

253


Sample Questions are not reproduced in the online version of the Instructor's Manual.<br />

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