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DIE I JULORATORIET I JUMP THE GUN I KAVAFIS I LA GRANDE QUERCIA 

I LA TIN BOYS GO TO HELL I LICENSED TO KILL I LIFE I LOVE ETC. I LOVE 

FILM I MA NILA BY NIGHT/ CITY AFTER DARK I MARION I MARVIN’S ROOM 

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OFF I SHAMPOO HORNS I SHOOTING THE BREEZE I SICK:THE LIFE AND 

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LA ITALIA-ZUFLUCHT AUF WIDERRUF I BLACK KITES I BRAND I CALLING 

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QU I NA,PRINCESA DO BRAZIL I CHUKJE I CLOSE-UP LONG SHOT I CLUBB- 

ED TO DEATH I COMO NASCEM OS ANJOS I CREDE-MI I DA HABT IHR MEIN 

LE BEN. MARIELUISE - KIND VON GOLZOW I DAIJIGA UMULE PAJINNAL 

I DAS MEDIUM IST DIE BOTSCHAFT. FÜNFZEHN ARTEN, EIN JUBILÄUM 

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ARIK SHARON I EMILE HABIBI - NISZARTY BE HAIFA I EXIL SHANGHAI 

I FOR DANIEL I FRAU SIEBERT UND IHRE SCHÜLER I FROST I FU CK HAM- 

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GENERALSTREIK - KAMPFNACHRICHTEN I GOOD SISTER/ BAD SISTER 

I GU HUO ZAI SAN ZHISHOU ZHETIAN I HIMITSU NO HANAZONO I I MA GI 

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I TAVA LUZ I O SERTÃO DAS MEMÓRIAS I OBYKNOWENNYJ PRESIDENT 

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PRISE I ROBERT ALTMAN’S JAZZ’34: REMEMBRANCES OF KANSAS CI- 

TY SWING I SECHINKU I SOLIDARITY SONG:THE HANNS EISLER STO- 

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AND OTHER TALES I THE NERVOUS SYSTEM.FROM MUYBRIDGE TO 

BRO OK LYN BRIDGE I THE NERVOUS SYSTEM. THE MARRIAGE OF HEA- 

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TERS VERDEN I DER FLUG DES ALBATROS I DINNER FOR TWO I DIZZY, 

LIEBER DIZZY I GOAL ATZMI I HASENHERZ I HET ZAKMES I ›IMU HAR‹, 

UNE LEGENDE I KALLE BLOMKVIST - MÄSTERDETEKTIVEN LEVER 

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KRATKA I KUKOLKA I LA GRANDE MIGRATION I LORENZ IM LAND DER 

LÜGNER I LUKÁŠ I MAJA STEINANSIKT I MANGANINNIE I ØRNENS ØJE I 

OH, XIANGXUE I OZONFISK I THE ANIMATOR I THE END OF THE WORLD 

MAN I THE PEAR BOTTLE I THE WHOLE OF THE MOON I TIC TAC I WHEN I 

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PA N DORA I DIE FREUDLOSE GASSE I DIE LIEBE DER JEANNE NEY I DIE 

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KUAI LE,YUE DUO LUO WETTBEWERB (AUSSER KONKURRENZ) GREAT EX- 

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I CUBA15 I DARB AL-TABANAT I DAS FRANKFURTER KREUZ I DER STAUB DER 

STADT I DE SUIKERPOT I DIDNÍT DO IT FOR LOVE I DIRTY I ESCRITO EN EL 

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TEENA STORY I THE DYBBUK OF THE HOLY APPLE FIELD I THE LAND GIRLS 

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I DAS JAHR NACH DAYTON I DE L’AUTRE CÔTÉ DU PÉRIPH’ I DEMAIN ET EN- 

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MR. RIGHT I MICKEY’S MECHANICAL MAN I OTSTUPNIK I PINOCCHIO I POLI- 

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OF THE ROBOT I THE BRIDE OF FRANKENSTEIN I THE CLOCKWORK HEA RT 

I THE CURSE OF FRANKENSTEIN I THE CYBERNAUTS I THE ISLAND OF DR 

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IN DIE NACHT I WOTENICK I ZOE 2001 WETTBEWERB AI NI AI WO I À MA 

SŒUR! I ÂME NOIRE

350 TalenTs from 

95 counTries 

Welcome to the Berlinale Talent campus! 

We would like to thank our international network for its support 

Media Development Center Singapore, Cyprus Cinema Advisory Committee, Instituto Nacional de Cine y Artes Audiovisuales, Québec Government Office

Skillset is proud to be a founding partner 

Skillset’s research findings and consultation with industry and education 

Skillset’s has given research rise to a findings series of and priorities consultation that form with the industry basis for and our education work 

has given rise to a series of priorities that form the basis for our work 

of the Berlinale Talent with the radio sector. 

with the radio sector. Campus. 

These will be regularly reviewed to ensure that the focus of our activity 

These remains will relevant be regularly to changing reviewed industry to ensure needs. 

that the focus of our activity 

Helping to build a world beating UK film industry by developing skills. 

remains relevant to changing industry needs. 

Helping to build a world beating UK film industry by developing skills. 

Find out more about our work at 

Find out more about our work at www.skillset.org 

www.skillset.org 

Introduction 

Contents 

IntroduCtIon 

p. 06 Location 01 

Chapter 

p. 08 Editorial Dieter Kosslick 

p.09 Editorial Matthijs Wouter Knol, Christine Tröstrum 

p. 10 A welcome from our partners 

p. 12 The Berlinale Talent Campus website 

p. 13 Berlinale Talent Campus Abroad 

p. 14 Campus alumni at the Berlinale 

p. 15 Supporting foundations 

Hands-on traInIng 

p. 22 Score Competition 

p. 23 Interview Alexandre Desplat 

p. 24 Campus Studio 

p. 25 Talent Actors Stage 

p. 26 Talent Press 

p. 27 Interview Chris Fujiwara 

p. 28 Script Station 

p. 29 Doc Station 

p. 30 Talent Project Market 

p. 31 Interview Kathi Bildhauer, Sonja Heinen 

p. 32 Berlin Today Award 

p. 35 Meet the Expert 

Index 

p. 68 Index of experts 

p. 75 Index of Talents 

p. 77 Note of thanks 

p. 78 Team and Imprint 

p. 79 Partners 

FoCus 

p. 18 Cinema Needs Talent: 

Looking for the Right People 

03 

Chapter 

Campus programme 

p. 40 Campus programme – Timetable 

p. 47 day 1 – Sat, Feb 13 

p. 48 day 2 – Sun, Feb 14 

p. 52 day 3 – Mon, Feb 15 

p. 56 day 4 – Tue, Feb 16 

p. 60 day 5 – Wed, Feb 17 

p. 64 day 6 – Thu, Feb 18 

05 

Chapter 

02 

Chapter 

04 

Chapter

page 

06 

Berlinale talent Campus 

at theater Hebbel am ufer (Hau) 

Hau 1 

Stresemannstr. 29 

Hau 2 

Hallesches Ufer 32 

Hau 3 

Tempelhofer Ufer 10 

ewerk 

Mauerstraße 78-80 

Berlinale Talent Campus #8 

theater Hebbel am ufer (Hau 1-3) 

loCatIon 

Hau 3 

ewerk 

Hau 2 

Hau 1 

Chapter 

01 

IntroduCtIon 

p.08 Editorial Dieter Kosslick 

p.09 Editorial Matthijs Wouter Knol, Christine Tröstrum 

p.10 Words of welcome / p.12 The Berlinale Talent 

Campus website / p.13 Berlinale Talent Campus Abroad / 

p.14 Campus alumni at the Berlinale 

p.15 Supporting foundations

page 

08 

“The Berlinale Talent Campus was a 

standout few days in my filmmaking development.” 

ken wardrop, participant 2004 

The Berlin International Film Festival celebrates its 60th 

anniversary this year – that is wonderful. But this also means: 52 years 

without the Berlinale Talent Campus. From today’s perspective, a 

Berlinale without a Campus is hard to imagine. And it’s not because 

we’ve got used to the 350 enthusiastic and energetic young filmmakers 

around the Potsdamer Platz and the Theater Hebbel am Ufer or 

because of the gaping hole the missing seminars and discussions 

would leave behind. The prolific interaction between the Festival and 

the Campus goes further beyond: the Campus programme is closely 

connected to the films, events and highlights of the Berlinale sections 

and is therefore completely integrated into the exciting flow of the 

Berlin International Film Festival. 

In return, former Campus participants give their ideas and 

creativity to the Berlinale. Like in 2010: Many of the lovely birthday 

greetings from friends around the world, which you can see on the 

Berlinale website, have been collected and provided by the Berlinale 

Dieter Kosslick 

Festival Director Berlin International Film Festival 


editorial 

tHe BerlInale 

needs talents 

Talent Campus community. But more importantly: the Official Programme 

of the Berlin International Film Festival is enriched year after 

year by Campus alumni films. In this anniversary year, we are proud 

to present 33 films made with the major involvement of 45 former 

Talents in the official Berlinale selection. I cannot think of a better way 

for the Berlinale Talent Campus to prove its sustained worth to young 

filmmakers and to the Festival. 

So, one could say, the Berlinale needs Talents just as cinema 

needs talent. The correspondent motto of this year’s Berlinale Talent 

Campus is ”Cinema Needs Talent: Looking for the Right People”. This 

motto refers to an extremely important moment in filmmaking: 

teaming up with the right people. The pleasure of being creative and 

the quality of its results are closely connected to the people you are 

surrounded by. 

And I definitely know what I am talking about. The Berlinale 

Talent Campus has developed so perfectly and rapidly over the last 

seven years. And that is the sheer result of collaborating with the right 

people – be it within its team, the group of its exquisite experts or the 

sphere of its true partners and supporters. Our particular gratitude is 

extended to all of them for their constant belief in the ambitious idea 

of the Berlinale Talent Campus. This year, we are very happy to thank 

Bernd Neumann, the Federal Government Commissioner for Culture 

and the Media (BKM) as one of our funders, the MEDIA Training 

Programme of the European Union and the founding partners 

Medienboard Berlin-Brandenburg and Skillset/UK Film Council. It is 

their support that helps us keep this vivacious, creative and worldspanning 

community alive. 

So look for the right people at this eighth edition of the 

Berlinale Talent Campus and come back next year with your joint film 

in tow. I wish everybody an exciting and productive Campus week. 

Eight years Berlinale Talent Campus: Happy birthday, youngster. 

editorial 

sHare tHe experIenCe 

“ The Berlinale Talent Campus is a place where 

people from different nations and cultures 

gather to speak the same language: 

the language of cinema. ” myrna maakaron, 

winner of the Berlin today award 2004 

Did you ever ask yourself where inspiration comes from? 

Neither does it blow in the wind nor is it to be found or ordered online. 

Do you remember a moment when you felt inspired by 

someone? It was probably a moment when concepts and ideas 

started to shuffle in your head, opening up new horizons and 

encouraging you to try new avenues you hadn’t thought of before. 

It might have happened in a split second. It might also have been the 

start of an intense period of sharing work and time with somebody 

and experiencing a mutual energy over and over again. 

Did you ever ask yourself how you can inspire others? Knowing 

what you’re good at and offering it to others is a good start. 

Acknowledging that besides your own ideas, the input of others can 

enrich and diversify your work helps as well. Sincerity and openness 

are the quintessential elements. Inspiration is not something to sit 

and wait for. It comes when you don’t expect it and only enters your 

consciousness when you allow it to. 

The Berlinale Talent Campus 2010 brings together emerging 

filmmakers from all over the world, a vibrant group of people sharing 

a passion for cinema in all its diversity and richness. We offer you a 

platform to enable you to meet others with whom you can share your 

ideas and dreams, be surprised and get inspired. And it’s not only 

Talents, but also the 150 expert guests who join the Campus this year 

to meet the filmmakers who will inspire and be talked about in the 

near future. 

Over the past years, the Berlinale Talent Campus team has 

built an international community of filmmakers who have experienced 

this synergy. In 2010, we offer you this opportunity again – in 

Berlin, Buenos Aires, Durban, Guadalajara and Sara jevo. Inspiration 

strikes every single minute at the Berlinale Talent Campus. We are glad 

to join you in that. Feel welcome and share the experience! 

Photo: Ali Ghandtschi 

Christine Tröstrum 

Project Manager, Berlinale Talent Campus 

Matthijs Wouter Knol 

Programme Manager, Berlinale Talent Campus

Photo: Bundesregierung/Chaperon 

page 

10 

Costas Daskalakis 

Head of the EU MEDIA programme 

at the Education, Audiovisual 

and Culture Executive Agency 

Bernd Neumann 

Federal Government Commissioner for Culture and the Media 

Minister of State to the Federal Chancellor 


partners partners 

words 

oF welCome 

Costas daskalakis 

medIa programme 

Over the past sixteen years, MEDIA has supported the de - 

vel op ment and distribution of thousands of films as well as training 

activities, festivals and promotion projects throughout Europe. It has 

therefore been natural for us to be the main financial partner of the 

Berlinale Talent Campus since the beginning. We strive for the same 

objectives and values: training professionals, fostering projects, 

connecting people in Europe and the world. 

More than 1,500 professionals from countries participating in 

the MEDIA Programme are trained year after year through the MEDIAfunded 

training initiatives where they have the opportunity to acquire 

new skills, learn from the errors and successes of others, fine-tune 

their projects with the help of experienced tutors, explore new technologies 

and expand their contact base. Apart from training activities, 

there is a lot more that the MEDIA programme offers to young filmmakers: 

project development, international distribution, networking 

and access to key markets and co-production forums in Europe and 

around the world. One of the many events at this year’s Campus, 

“Brussels in Berlin: How To Produce in Europe”, will display how MEDIA 

has successfully supported filmmakers in Europe. I wish you an exciting 

Campus week and rich, vibrant collaborative filmmaking adventures. 

Bernd neumannn 

Federal government Commissioner 

for Culture and the media 

On the occasion of its 60th anniversary, the Berlin International 

Film Festival is looking back through its rich history as one 

of the world's most important film festivals. At the same time, 

the Berlinale Talent Campus – which has now been around for seven 

years – provides us with a glimpse into the future. This is where the 

filmmakers of tomorrow come together, where we‘re in the midst of a 

movement and of visions for a future film culture. The festival is thus 

celebrating both tradition and innovation – ideal conditions for 

a successful future! 

Seven years of the Berlinale Talent Campus, that means seven 

years of the best kind of active support for next-generation filmmakers: 

effortless, exciting, diverse and successful. This is why, for the first time, 

the Federal Government is supporting this extraordinary initiative. 

And so in 2010, I wish the Campus and its participants many inspiring 

encounters and lively exchanges – and may the cinema of tomorrow 

continue to entertain and move us with its diversity, energy and vision! 

petra m. müller, kirsten niehuus 

medienboard Berlin-Brandenburg 

People devoted to film are often thought to be hiding in the 

dark, lurking in the shadows of the cinema, their temple of choice. Yet 

once a year, upcoming filmmakers up the stakes and travel the world 

to come together for a tribal gathering, come rain or shine – or subzero 

temperatures. It is thus with great pleasure that we welcome all of 

you here for this year’s Berlinale Talent Campus on the occasion of 

the 60th Berlinale! 

It is wonderful that this year, as every year since 2003, aspiring 

filmmakers from all over the world are coming to Berlin to meet and 

share, listen and learn. In doing so, you are not only participating in a 

truly unique platform for up-and-coming filmmaking talents, you are 

also enriching the city of Berlin, which has become an ever growing 

hub for international filmmakers over recent years. This year’s Berlinale 

programme and the schedule for the Campus are evident proof of 

that. Make the most of your time here; there are 349 friends to be 

made from among the visiting Talents. 

And if you want to work in Berlin, why not participate in the 

Berlin Today Award, our annual short film competition open exclusively 

to Berlinale Talent Campus participants, past and present. This year’s 

edition of films created under the motto “Straight to Cinema” will 

premiere at the opening ceremony of the Berlinale Talent Campus. The 

jury made up of director Stephen Daldry, actress Heike Makatsch and 

producer Peter Rommel will crown one of the five contenders during 

the Dine & Shine event as the winner of the Berlin Today Award. Last 

year’s winner WAGAH has collected many prizes and has been a major 

boost to the director Supriyo Sen. And the new edition is already 

under way… 

Enjoy the Berlinale Talent Campus, make the most of Berlin, 

and may the force be with you! 

Petra M. Müller 

CEO Medienboard Berlin-Brandenburg, 

Managing Director Media Development 

Kirsten Niehuus 

CEO Medienboard Berlin-Branden burg, 

Managing Director Film Funding

page 

12 

The homepage of the Campus website 

“ The Berlinale Talent Campus is like a huge live 

film database with an easy interface. 

This multicultural meeting point for the people 

enrolled in film inspires you to explore modern 

tendencies.” giorgi mrevlishvili, finalist of the Berlin today award 2010 

The Media Library 

Find information at: 

www.berlinale-talentcampus.de/ 

campus/mobile/index. 


www.berlinale-talentcampus.de 

tHe vIrtual 

Campus 

the worldwide Campus network is the central feature 

of the Berlinale talent Campus website – our online community 

and international network. 

The Berlinale Talent Campus website is not only a great source of information about 

the current edition, the next application deadline and ongoing programme elements like the 

Berlin Today Award – but it is also continuously updated with news on Campus events around 

the globe. A central element is the worldwide Campus network. It gives an overview of all 

Talents attending the 8th Campus. Computer stations in HAU 1 and 2 give direct access to this 

network, where you can browse profiles that include samples of work and filmographies, as 

well as the opportunity to contact a Talent directly. The perfect way to “find the right people“! 

The Berlinale Talent Campus community includes profiles of all former Campus 

participants, including those of the Campus Abroad initiatives. These young filmmakers 

represent the diverse cinematic perspectives of more than 125 countries. The Campus 

community offers various networking tools to increase visibility of Talent projects; whereby 

various opportunities for crew-building are easily accessible. For Talents this is a great way to 

keep in touch and network, just connect and converse with one another on your online profiles. 

The Campus Media Library is a growing pool of archived Campus events and consists 

of telelectures, transcripts, and audio files, as well as the Campus Short Film programmes. A 

growing list of names such as Janusz Kamiński, Frances McDormand, Tom Tykwer, Walter Salles, 

Shah Rukh Khan and Wim Wenders are included in the video lectures, which cover Campus 

events, and are a great way to get information on contemporary topics, themes, discussions, or 

movements within the industry. The virtual services at the Campus website offer a wide range 

of media content for filmmakers and reflect the diversity of the Campus. 

Stay updated all year round with the Campus newsletter. Featuring not only news from 

Berlin, it also reports on all Campus ventures around the world, including the Campus Abroad 

initiatives and recent alumni projects. The latest news letter can be read online or register to 

receive it per email on the Berlinale Talent Campus homepage. 

Take the Berlinale Talent Campus wherever you go, on your cell phone! This year sees 

the launch of the official website designed to be accessed on your cell phone. Features include 

the complete programme, all participant profiles as well as details on this year’s experts. Of 

course you can browse former Campus editions too and find information about Campus 

locations and the team. The place for all your daily Campus needs! 

Berlinale talent Campus abroad 

wIdenIng networks 

Four international editions of the Campus, modelled along 

the lines of the archetype, have taken off abroad: 

in guadalajara, Buenos aires, durban and sarajevo. 

2nd talent Campus guadalajara (march 11-15, 2010) 

Jorge sánchez, director guadalajara International Film Festival 

“If there is something that characterises Mexico, Central America and the Caribbean, 

it’s the enormous asymmetry that we live in. Cinema is inside this context, and it cannot escape 

or disconnect from it. We are young cinema industries, often almost nonexistent, that fight to 

have a place on the map. At the Guadalajara International Film Festival, we assume this reality 

as part of ourselves because we can't – and also don't want – to elude being part of the 

construction of a better scenario where our stories can be told. The Talent Campus is a useful 

tool that allows us to build bridges between professionals and new filmmakers who are the 

owners and users of the future.“ 

5th talent Campus Buenos aires (april 10-13, 2010) 

maría marta antin, director talent Campus Buenos aires 

“The spirit of Berlinale Talent Campus inspires all the Campus’ Abroad. Our character 

gathers young filmmakers to benefit from the academic atmosphere and the common native 

language, uniting them in a single world in Buenos Aires. Each edition of the Talent Campus 

reflects common concerns, such as the city, politics and, of course, the arts in this creative 

context. In this unique climate, we pride ourselves when we discover how our Talents profit 

from networking while developing a platform for their own projects. This year we double the 

bet; motivating them to join the new Campus Studio, a place to document their own talent 

experience. The result is an intense and rich debate around the fact of sharing a continent, 

South America.“ 

3rd talent Campus durban (July 23-27, 2010) 

peter rorvik, director durban International Film Festival 

“The Talent Campus Durban is a highly valued networking and skills training 

opportunity, bringing together 40 young filmmakers from around 20 different countries in 

Africa. The first two editions have successfully managed to establish meaningful exchange 

between African filmmaking talents, facilitating inspiration and opportunities for participants. 

What is most gratifying is to hear positive feedback reports about Talents working together 

afterwards – and the Durban International Film Festival has already received film submissions 

from some of them, affirming the contribution this project makes in identifying and 

empowering a new generation of filmmakers in Africa.“ 

4th talent Campus sarajevo (July 25-31, 2010) 

mirsad purivatra, director sarajevo Film Festival 

“Sarajevo Talent Campus lifts the creative energy of the Sarajevo Film Festival with its 

networking and learning opportunities for film talents from South-East Europe. Our Campus 

offers not only an opportunity to widen networks, but also to socialise with film professionals 

and the public in Sarajevo, famous for its vibrant spirit and warm hospitality. The exceptional 

mix of international and regional guests makes the Sarajevo Film Festival and its Campus a 

truly unique experience for young, emerging filmmakers. If cinema needs talent – Sarajevo 

Talent Campus is the place for the right people to be found.“ 

rubrik the four Campus abroad editions 

(from above): talent Campus guadalajara 

(supported by the Goethe-Institut Guadalajara 

and the University of Guadalajara), 

talent Campus Buenos aires 

(supported by the Goethe-Institut Buenos Aires, 

Buenos Aires International Independent Film Festival 

and the Buenos Aires Lab), 

talent Campus durban (supported by the German 

Embassy South Africa, the Goethe-Institut 

Johannes burg and the KwaZulu-Natal Department 

of Economic Development), 

and talent Campus sarajevo (supported by the 

Robert Bosch Stiftung and partners).

page 

14 

Films in the Official Programme with alumni 

participation (from above to below): HONEY (Berlinale 

Competition), SEx & DRUGS & ROCK & ROLL (Panorama), 

RUN IF YOU CAN (Perspektive Deutsches Kino) 


Campus alumni 

makIng tHe Cut 

a record number of Campus alumni will feature 

in the 60th Berlin International Film Festival 

in various sections this year. 

The 60th Berlinale will see 45 Talents return with major roles in 

33 projects spanning the different sections of the festival. The Berlinale 

Talent Campus celebrates not only the return of these Talents to Berlin, 

but also the projects that feature collaboration between filmmakers 

forged at the Campus. “Looking for the right people“ is not just the 

motto of 2010, but a general mission statement of the Campus. 

REvOLUCIóN, a short film omnibus from Mexico (Berlinale 

Special), features two Campus participants, Fernando Eimbcke (2003) 

and Amat Escalante (2004), along with some of the most established 

names in Mexican cinema. Selected to show in Berlinale Competition 

is HONEY, the German/Turkish co-production was edited by 2005 

Talent, Suzan Hande Guneri (Turkey). Another omnibus featuring 

Talents will show in the Berlinale Panorama: Young filmmakers turn 

their focus to Brazil for FUCKING DIFFERENT SãO PAULO. Five former 

Campus participants from Brazil, Rene Guerra (2006), Rodrigo Diaz 

Diaz (2009), Monica Palazzo (2007), Joana Galvao (2008) and vinicius 

Calvitti (2009) contributed to the 14 shorts. Another set of four Talents, 

Rusudan Pirveli, Guram Navrozashvili, Omar Gelashvili and George 

Chalauri, all Georgian, collaborated on SUSA which will premiere at 

Berlinale Generation. Ugandan alumna (2007) Caroline Kamya will 

celebrate her directorial feature debut IMANI at the Berlinale Forum. 

This year three projects from alumni will also be presented at 

the Berlinale Co-Production Market: Samuli valkama‘s “Love and Other 

Troubles“, Mira Fornay‘s “My Dog, Killer“ and Faye Gilbert‘s “Towrz“. 

other Campus alumni at the Berlinale in 2010 

Feo Aladag and Züli Aladag (WHEN WE LEAvE), Jenna Bass (THE 

TUNNEL), Manuel Bickenbach (66/67 – FAIRPLAY WAR GESTERN), 

Dietrich Brüggemann and Anna Brüggemann (RUN IF YOU CAN), Felix 

Gönnert (APOLLO), Lisa Gornick (THE OWLS), Kihyun Kim and Midori 

Hirano (MATH TEST), Leong Huat Michael Kam (MASALA MAMA), vesela 

Kazakova (WAGS), Jochen Laube (THE HOUSEMAID), Itai Marom 

(DESCENT), Meike Martens (DAY OF THE SPARROW), Sebastian Pille 

(FRAUENZIMMER), Urszula Pontikos (I-DO-AIR), Tim Prebble (BOY), 

Martin Preiss (ZERO), Jussi Rantamäki (WHISPERING IN A FRIENDS 

MOUTH), Yang Rui (CROSSING THE MOUNTAIN), David Sieveking (DAvID 

WANTS TO FLY), Marija Skaricic (YELLOW MOON), Brigitte Staermose 

(OUT OF LOvE), Nathalie Teirlinck (vENUS vS ME), Paul viragh (SEx & 

DRUGS & ROCK & ROLL), Maria Zamora (MY OTHER HALF) 

The Campus loves to see Talents return and premiere their 

films at the Berlinale. For more information on submissions to the 

Berlin International Film Festival, visit www.berlinale.de. 

dates 

tue 16 | 17:00 

Hau 1 

Revolución: Mexican 

Filmmakers Joining 

Forces. (p.58) 

wed 17 | 17:00 

Hau 2 

Happy Returns: The 

Future After the Campus. 

(p.63) 

tHu 18 | 16:00 

Hau 2 

Things to Take Home. 

(p.66) 

supporting foundations 

east-west CooperatIons 

the robert Bosch stiftung and the manfred durniok Foundation have 

been supporting the Berlinale talent Campus over the past years. 

their contribution, whether financial or conceptual, are invaluable 

to its success. 

manfred durniok Foundation 

German producer, filmmaker, photographer and writer Manfred 

Durniok was always drawn to distant places. Although a visitor of 

many continents, it was Asia that captured his imagination. Considered 

a pioneer who brought Asian cinema to the attention of Western 

audiences, he promoted and encouraged intercultural encounters 

and exchanges through film co-productions. 

The Manfred Durniok Foundation, founded by the late 

filmmaker’s daughter, Ayano Teramoto, is a non-profit organisation 

established in 2006 to support and promote cultural exchanges between 

Germany and Asia, to grant scholarships, award prizes and to 

give financial support to intercultural gatherings. Dialogue that goes 

beyond political and cultural borders, a recurrent theme in the films 

Nominated for the European Film Award in 2009: 

Paul Negoescu’s RENOvATION 

Durniok made and produced, is the spirit the foundation hopes to 

continue. Following his commitment to nurture intercultural exchanges 

not only through films, the foundation strives to further 

Durniok’s vision and ideals. 

The Manfred Durniok Foundation once again supports Talents 

from South East Asia attending the 8th edition of the Berlinale Talent 

Campus by covering the costs of their travel, as they have since 2007. 

Meet fellow East Asian Talents at the Manfred Durniok Foundation‘s 

reception on Feb 14 from 12.30 to 13.30 in the Möckernstübl. 

more information 

on the manfred durniok Foundation can be found 

at www.durniok.com. 

rubrik 

the Co-prodution prize of the robert Bosch stiftung 

Interview by Martin Blaney 

“Artistic cooperation between Germany and South-East 

Europe had been supported by the Foundation since the mid-1990s,“ 

says Frank W. Albers who came to the Robert Bosch Stiftung in 2001 

with a background in film and television. “We looked at ways of giving 

more a focus to the programme and soon decided that film could be a 

way of bringing young German and Eastern and South East European 

artists together on a high creative level and continue promoting the 

Foundation's idea of international understanding,“ Albers describes 

the founding of the Co-Production Prize in 2005. 

The Competition is open to young filmmakers aged between 

18 and 35 and graduates from film and media academies from 

Germany and East and South East Europe. Only joint production teams 

with a producer, director, camera operator (not for animated films) 

and a screenwriter in a balanced mix from both regions are allowed to 

submit applications. The categories qualifying for three co-production 

prizes for joint short film productions are animated film, documentary 

and short film, and each winning production can receive up to Euros 

70,000 in funding. 

“Initially, the support was not intended as production funding, 

but specifically aimed to cover the production team's costs for travel, 

meals and accommodation,“ Albers explains. ”This has changed 

slightly, but the focus still remains on our idea of international understanding 

– bringing people together and creating an interest in the 

art and culture of others.“ Moreover, apart from receiving a produc t - 

ion grant for their short films, two members of the winning three 

teams will be invited to Berlin the following February as guests of the 

Berlinale Talent Campus. 

Many of the produced films have been invited to festivals such 

as Denis Todorovic's AMOR FATI, Michaela Kezele's MILAN (winner 

of the 2007 Grand Prix at the Tampere International Short Film Festi - 

val and nominated for the Student Oscar) or Paul Negoescu’s RENO vA- 

TION (nominated for the European Film Award). 

At the Rise and Shine Breakfast on Feb 14, you have the chance 

to meet the team of the Co-Production Prize and hear more details. 

For more information please contact: 

robert Bosch stiftung, Frank w. albers, 

frank.albers@bosch-stiftung.de 

Coordination of the Co-production prize, enrico Battaglia, 

battaglia@filmfoerderpreis.com

N 

I 

P 

K 

O 

W 

P 

R 

O 

G 

R 

A 

M 

M 

Scholarships for European 

Audiovisual Media 

Further studies for qualified applicants in the fields of 

Film, television and video financing, production, marketing 

and distribution 

New technologies (multimedia, interactivity) 

TV computer design and computer graphics 

WITH THE SUPPORT OF 

Professionals in Berlin 

Contact 

Kurfürstendamm 225 

D - 10719 Berlin 

phone: +49 30 614 28 38 

fax: +49 30 614 28 26 

e-mail: nipkow-programm@t-online.de 

visit: www.nipkow.de 

Chapter 

02 

focus 

p.18 Cinema Needs Talent: Looking for 

the Right People

Page 

18 

Looking for the Right People – 

at the Berlinale Talent Campus 

“ The Berlinale Talent Campus is an 

amazing network of people. 

Through it I have found a wonderful crew 

for my project with whom I expect 

to continue collaborating in the future.” 

sergi Portabella, finalist of the Berlin today Award 2010 


focus focus 

Make films with people you trust – 

the focus of this year’s Berlinale Talent Campus 

film is tHe result 

of love 

with its focus “cinema Needs talent: looking for the right People“, 

the Berlinale talent campus #8 explores the skill of finding 

the right people to work with and tries to define what it is you’re 

looking for in your fellow-filmmakers. 

Whether you like it or not, filmmaking is a social activity. 

Filmmakers who manage to work alone from concept to print belong 

to an almost extinct race. Most of the time, such films might be en dearing 

if they are debut films, but it is a different matter when filmmakers 

appear unable to work with others. 

The precious thing called film goes through many minds and 

hands before it is ready to be screened. Whatever essential part you 

play in the process of filmmaking, you’d better make sure that the 

people around you appreciate your work and value your input. You’d 

rather look for people who share your passion for the film you’re 

working on, people who give the best they have. You need to make 

films with people you trust. 

Positive reinforcement is something desperately needed once 

in a while: A film director telling you that you’ve done a great job, a 

producer convincing you that you’re just the one he needs, you telling 

your fellow crew members that they’ve managed to bring you to a 

working level you’d never thought of. 

How do you choose these people? How do you recognize 

them when you meet them? Acclaimed filmmakers Isabel Coixet and 

Stephen Daldry are well acquainted with this. At the opening panel of 

the Campus, they will talk about their collaboration with particular 

crew members whose contribution ensured that their films received 

international recognition. For Isabel Coixet, it is for example her close 

collaboration with the sound designer of her films THE SECRET LIFE OF 

WORDS and MAP OF THE SOUNDS OF TOKYO. For Stephen Daldry, 

Oscarnominated for his last three films, it was the intense collaboration 

with a brilliant screenwriter on the literary adaptations of THE HOURS 

and THE READER. They’re joined by Mike Medavoy, legendary producer 

(SHUTTER ISLAND) who started as a casting director and has worked 

with nearly every body in the American film industry, and put together 

many film crews all over the world. 

It’s a different issue if the talent is there, but the place where 

you work is unable to encourage you to the extent that your talent has 

the opportunity to fully blossom. In that case, collaborations with 

people abroad become very important. This might be for political 

reasons, like for Iranian filmmaker Rafi Pitts and Cameroonian 

documentary filmmaker JeanMarie Teno, or simply for the reason that 

you wish to extend the cultural boundaries of your own work, like in 

the case of Indian multitalented filmmaker and artist Madhusree 

Dutta and debut filmmaker Natalia Smirnoff from Argentina. They will 

share experiences on the panel “Cinema Unlimited: Intercontinental 

Connections“. 

The vital interaction between screenwriter, 

director and editor, all those who 

essentially contribute to the narrative of the 

film, will be the focus of the panel “The 

Storytelling Trojka“. Directors and screenwriters 

Stephen Frears and Jasmila Žbanić, as 

well as acclaim ed editor Yann Dedet will talk 

about how they interweave their skills with 

those of the others involved in structuring the 

narrative – thus making sure that the story 

that should be told is the story eventually 

experienced by the audience. 

The skills of filmmakers are also addres 

sed in a series of master classes on produc 

tion design, cinematography and editing, 

ac ting or score composing. Seasoned and 

awardwinning experts like Sir Ken Adam, 

Christian Berger, Susan Korda, Johanna ter 

Steege and Alexandre Desplat will give an 

exclusive insight into their way of working, 

making choices about whom to work with 

and contributing integrally to the films they 

worked on. 

Talk, show your work, show your 

passion. It’s not just these experts who can 

enrich us, but you bring your own experience 

to Berlin as well. You will often hear that it’s all 

about personal relationships and being able 

to maintain them. It also has to do with trus ting 

your gut feeling, showing who you are 

and what you stand for, taking risks and trying 

out new things, meeting people in ci dentally 

and taking the time to get to know them and 

discover their work. 

Every year, the Berlinale Talent Campus 

selects filmmakers who could benefit 

from coming to the Berlin International Film 

Festival and connecting with the global film 

industry that gathers here. Join these people 

endeavouring to see and hear more about 

their forte. Film is the result of love – nothing 

more, nothing less! 

dates 

suN 14 | 11:00 

HAu 1 

Cinema Needs Talent – 

Looking for the Right 

People. (p.48) 

suN 14 | 14:00 

HAu 1 

Shooting Suspects: Trust 

and Risks in 

Documentary Films. 

(p.49) 

suN 14 | 14:00 

HAu 2 

Kill Your Darlings. (p.48) 

suN 14 | 17:00 

HAu 1 

The Storytelling Trojka. 

(p.51) 

moN 15 | 11:00 

HAu 1 

Cinema Unlimited: 

Intercontinental 

Connections. (p.52) 

tue 16 | 11:00 

HAu 1 

The True “Q“. (p.56) 

tue 16 | 14:00 

HAu 1 

Life Through A Lens. 

(p.57) 

tue 16 | 17:00 

HAu 3, top floor 

Directing Actors. (p.59) 

wed 17 | 17:00 

HAu 1 

Sublime Sounds, 

Haunting Scores. (p.62)

Chapter 

03 

HANds-oN trAiNiNg 

p.22 Score Competition / p.23 Interview Alexandre Desplat 

p.24 Campus Studio / p.25 Talent Actors Stage 

p.26 Talent Press / p.27 Interview Chris Fujiwara 

p. 28 Script Station / p.29 Doc Station / p.30 Talent Project 

Market / p.31 Interview Kathi Bildhauer and Sonja Heinen 

p.32 Berlin Today Award / p.35 Meet the Expert

Page 

22 

Alexandre desplat at the mixing desk, scoring for films like the Berlinale 

competition film, roman polanski‘s THe GHOST WrITer (in the middle) 

Last year’s winner of the Score competition, Atanas valkov from poland, 

in discussion with 2009 mentor max richter 

Berlinale Talent campus #8 

Score Competition 

HeAr iT AgAin 

Scoring for film: three Talent composers on 

an unforgettable film journey in Berlin. 

Though we might think of film as an essentially visual experience, 

we really cannot underestimate the importance of film 

sound. A meaningful soundscape is often as complicated as the image 

on the screen. The Score competition of the Berlinale Talent campus 

provides young film composers firsthand experience of working with 

internationally renowned experts and high-end equipment of the 

German Film Orchestra Babelsberg and the Film and Television 

Academy (HFF) “konrad Wolf”. 

One film, three composers and a very tight time frame: vladimir 

cháb from the czech republic, Alexander komlew from Germany and 

camilo Sanabria from colombia were selected by a four member jury 

in early de cem ber 2009. The three finalists will each compose a score 

for david O reilly’s short animation pLeASe SAY SOmeTHInG, which 

bagged the Short Film Golden Bear at the Berlin International Film 

Festival 2009. For the Score com pe tition, Oreilly reedited the original 

ten-minute computer animation to around four minutes. 

“To get the chance to have professional 

composers to listen to your music and 

give very useful advice was very helpful 

and encouraging.” ilja Coric, winner of the 2007 Score Competition 

Guided along the way by their mentor, renowned film 

composer Alexandre desplat, the finalists have all of nine days to 

produce their scores for Oreilly’s animation. They will record their 

compositions in Berlin with the German Film Orchestra Babelsberg 

under the supervision of noted re-recording mixer martin Steyer. The 

final mixing takes place at the Film and Television Academy (HFF) 

“konrad Wolf”. The various preparations and editing will take place at 

the post-production com pany Wave-line. The feedback and direction 

they receive from experts during each stage of post-production – on 

preparing their scores, using studio resources, recording with an 

orchestra and the final editing, as well as the individual sessions with 

their mentor – will go a long way in assisting the process of composing 

and finalising their scores. 

Their impassioned efforts, sleepless nights and high energy 

will climax at the campus closing on February 18 with the announcement 

of the winner, who will take home the prize sponsored 

by dolby Laboratories: a very exclusive tour of the sound studios in 

Los Angeles. 

Score Competition 

reACH THe HeArT 

oF A movie 

Score Competition mentor Alexandre Desplat about composing, 

working with Talents and finding the core of a film. 

How do you define your relation to the moving image? 

The most important thing that makes my approach a bit 

special is my strong relationship to moving images. I always wanted to 

write music exclusively for cinema, this was my passion. I was never 

inclined to write for concerts or the opera. When I was 15, my idols 

were not The Beatles, my idols were film directors – although I never 

had the intention of becoming a film director – and of course the film 

composers. So there is this strange sensitivity I have for the image 

while dealing with music. 

Why do moving images and music fit together so perfectly? 

Because music is the less physical of the arts. It’s not on canvas, 

it’s not in print, not in marble or stone, it’s not fleshly – it’s just sounds. 

Sounds you can’t see, you can’t touch. They are just going through the 

air caused by an instrument or a voice directly to your ear. That’s why 

music works so effectively with pictures. 

How do you normally begin to compose a soundtrack? 

The main question in the beginning of a production is always 

the same: Why is there music in this film? What am I here for? And the 

only way to get the answers to that is talking to the director and asking 

him what his movie is about. I know of course what it is about, if it’s a 

drama, a suspense or love story or whatever it might be. But I want to 

go beyond that, I want to go further than that, I want to go to the core 

of the film and find the director’s emotional approach. So, why am I 

here and what can I bring to the picture? The second question is: What 

tools will I use to attain this approach? Should I use an orchestra, 

chamber music, what kind of fantasy will I invent or create? And then: 

Which vocabulary will I use? What kind of themes do I need? One main 

theme that comes and goes, different themes for characters or maybe 

no theme at all and just working with moods? This is the way to reach 

the heart of the movie. 

What is it that makes you look forward to working with 

young composers at the Score Competition? 

I like the idea of giving some of your energy to feel young 

people tremble with desire and excitement. Furthermore, you learn a 

lot from them because they have great technique and can push you to 

your limits. When I was young there was nothing like a film composer’s 

master class but I would have loved to attend one. I was just lucky to 

be able to go to studios to watch great composers. So I know that you 

learn so much from people who have experienced many recordings 

and collaborations with directors. It gets you quicker to the place 

where you should be. 

Profile 

Alexandre Desplat 

Film composer 

Alexandre Desplat 

Two-time Oscar-nominated and Golden 

Globe Award-winning French film composer. He won 

the Best Film Score of the Year for THe curIOuS cASe OF 

BenjAmIn BuTTOn at the World Soundtrack Academy 

Awards in 2009. In 2005 he won a Silver Bear for the 

Best Score for his composition for THe BeAT THAT 

mY HeArT SkIpped. His recent scores include roman 

polanski‘s THe GHOST WrITer which will be screened at 

this year‘s Berlinale competition. 

Selected Filmography 

2010: THe GHOST WrITer (roman polanski) 

2010: THe Tree OF LIFe (Terrence malick) 

2009: neW mOOn (chris Weitz) 

2009: FAnTASTIc mr. FOx (Wes Anderson) 

2009: un prOpHèTe (jacques Audiard) 

2009: cOcO AvAnT cHAneL (Anne Fontaine) 

2009: cHérI (Stephen Frears) 

2008: THe curIOuS cASe OF BenjAmIn BuTTOn 

(david Fincher) 

2007: THe GOLden cOmpASS (chris Weitz) 

2006: THe queen (Stephen Frears) 

2006: LA dOuBLure (Francis veber) 

2005: SYrIAnA (Stephen Gaghan) 

2005: THe BeAT THAT mY HeArT SkIpped 

(jacques Audiard) 

2003: GIrL WITH A peArL eArrInG (peter Webber) 

2003: TrISTAn (philippe Harel) 

2000: THe LuzHIn deFence (marleen Gorris) 

1999: Le cHâTeAu deS SInGeS 

(jean-François Laguionie) 

1996: LOve, eTc. (marion vernoux) 

1994: reGArde LeS HOmmeS TOmBer 

(jacques Audiard) 

1992: LApSe OF memOrY (patrick dewolf) 

Find the longer version of the interview 

with Alexandre desplat at 

www.berlinale-talentcampus.de. 

Alexandre desplat 

Dates 

WeD 17 | 17:00 

HAU 1 

Sublime Sounds, 

Haunting Scores. 

(p.62) 

THU 18 | 17:00 

HAU 3, Top Floor 

Say It With A Score: 

Score competition 

presentation. (p.66) 

THU 18 | 20:00 

HAU 1 

closing and Award 

ceremony of the 

Score competition 

(by invitation only). 

(p.66)

Page 

24 

Campus Studio 

Dates 

The post-production Studio offers the possibility 

to shoot with digital cameras. 

Talent directors and editors working with mentors 

on the rough cut of their short film. 


TeAming TAlenTS 

WiTH TeCHnology 

in its second year, the Campus Studio is already a thriving hub 

for post-production and rough cut editing at the Campus. 

The campus Studio focuses on improving films in the final 

stage of production. The emphasis is on professionalising Talents’ 

working processes by providing access to technology and expertise 

they may not normally have. The post-production Studio will introduce 

Talents to the latest technology available for ingest and transfer, 

editing, grading and mastering digital data. directors in the editing 

Studio will be aided by outstanding editors in finding the optimal 

dramatic cut for their films. The campus Studio will take place in 

cooperation with The post republic, dffb and pictorion das werk. 

Campus Studio: 

Post-Production Studio 

Internationally acclaimed post-production experts Stefan 

ciupek and dirk meier will coach Talents to work with the most up-todate 

digital workflow equipment. more technology-heavy, the postproduction 

Studio offers thirty Talents an in-depth look into the 

practical techniques of filmmaking: shooting with digital cameras like 

Sony ex3 and red One, followed by digital post-production processes 

including editing, grading, mastering and data management. “This 

interdisciplinary workshop offered a broad experience in post-production 

integrated with shooting on several high-end Hd-cameras. It 

was a gain in experience to share this with filmmakers from all over the 

world, to get to know them better and to find friends. To work together 

in teams and to have the pos sibilty to ask the technical experts specific 

things on the subjects was very enriching”, said conny Beissler, 

participant at the campus Studio 2009. 


editing Studio 

editing for weeks and not moving ahead? Internationally 

renowned editors Bettina Böhler, menno Boerema, Yann dedet, katja 

dringenberg, Susan korda and Gesa marten assist ten Talents in the 

editing room, giving that little extra touch and valuable insights to 

finalise their respective fiction and documentary short films. Talent 

directors and editors will work with a campus Studio editor on the 

rough cut of their short film or an excerpt of their feature film for one 

entire day. 

SUn 14 | 14:00 


Working Through 

digital Workflows. 

(p.51) 

THU 18 | 14:00 


Where Things come 

Together: 

campus post-production 

Studio presentation. 

(p.66) 

“An extraordinary, unique opportunity 

and a milestone for the development 

of my film!” Uli Hesse, participant at the Campus Studio 2009 

THU 18 | 14:00 

CinemA DFFB 

cutting on the edge: 

campus editing 

Studio presentation. 

(p.66) 

Talent Actors Stage 

ACTorS gAin THeir 

oWn STAge 

Confidence, originality, self-discipline: The brand-new hands-on 

training of the Berlinale Talent Campus boosts actors skills. 

The Berlinale Talent campus #8 offers participating actors a 

new intensified hands-on programme in 2010, the Talent Actors Stage. 

Offering a range of training opportunities for actors, from acting 

techniques, dialogue training, to casting and camera acting, it also 

provides interdisciplinary collaborations with other hands-on programmes 

at the campus to facilitate networking with Talent directors, 

producers and screenwriters. 

Apart from enabling actors to improve their performance 

working under the expert direction of professionals from the acting 

field and from other film disciplines, the Talent Actors Stage aims to 

give Talent actors more visibility within the campus and facilitate 

networking with other film practioners. 

The Talent Actors Stage comprises five main events: 

”directing Actors“, the master class by internationally renowned 

dutch actress johanna ter Steege, focuses on getting the best out 

of actors while rehearsing and shooting a film. The session will concentrate 

on intensifying the collaboration between directors and 

actors from the actor’s viewpoint. 

The workshop “embodying the character“, using the Alex ander 

Technique to focus on body techniques, will be conducted by 

acting coach, movement specialist and choreographer jean-Louis 

rodrigue. 

“casting Internationally“, an event organised in collaboration 

with the european Film promotion, is where up-and-coming actors 

meet casting experts from uSA and europe – Simone Bär, Fred roos, 

Lina Todd – and German actress Heike makatsch, to gain an insight 

into the international casting process and the cooperation between 

directors and casting directors. 

”I’m ready For my close-up: Actors camera Training Workshop“, 

a cooperation with The Actors cut (edinburgh), Skillset, dffb 

and Arri, offers a top-notch screen acting course guided by renowned 

director of photography Tom Fährmann and course coordinators 

Andrew and Gregory Byatt. 

”rehearsed reading: Actors reading Scripts“ focuses on dialogue 

training, with Talent Actors reading selected scenes from two 

Script Station projects under the direction of script consultant and 

former theatre director Alby james. 

jean-Louis rodrigue working with 

acting Talents on stage in 2009. 

Workshops for acting Talents 

on the stage of HAu 3. 

Dates and Talents 

SUn 14 | 14:00 


embodying the character. 

(p.50) 

SUn 14 | 17:00 


casting Internationally. 

(p.51) 

mon 15 | 9:00 


I'm ready For my 

close-up: Actors camera 

Training Workshop. 

(p.52) 

TUe 16 | 11:00 

HAU 3, Front House 

rehearsed reading: 

Actors reading Scripts. 

(p.57) 

TUe 16 | 17:00 


directing Actors. (p.59) 

Participants: 

Serhan Arslan (TurkeY), 

Benimino Brogi (GermAnY), 

Susana Bas corominas 

(SpAIn), 

miliana dodevska 

(mAcedOnIA), 

deglin Gudiel (cuBA), 

Yves Heck (FrAnce), 

philipp Alfons Heitmann 

(GermAnY), 

Slavisha kajevski 

(mAcedOnIA), 

dimitra kontou (FrAnce), 

dragana kostadinovska 

(mAcedOnIA), 

O. moses Leo (GermAnY), 

Andres montiel Figueiras 

(mexIcO), 

maria nikilinska (pOLAnd), 

rungano nyoni (zAmBIA), 

nike papaopoulos 

(GermAnY), 

ma. milanie Sumalinog 

(GermAnY), 

claire Thill (LuxemBOurG), 

mosholova Yana 

(BuLGArIA), nina Fog (uk), 

Laure roldan (Luxem.), 

romina viatsovic 

(crOATIA), 

katja Wagner (GermAnY).

Page 

26 

Film critic and Honorary president of the FIpreScI, 

derek malcolm, working with the press Talents in 2009 


Talent Press 

on THe 

CriTiCAl WATCH 

young and thirsty for film, eight film critics and journalists 

travel to Berlin to report on movies and movie-making. 

The campus editorial room at the potsdamer platz is abuzz 

with fervent activity. By day, it houses eight up-and-coming critics and 

journalists from far and wide: kartik nair (India), james Gabrillo (The 

philippines), erzsébet plájás (romania), Aleksander radovanovic 

(Serbia), espera S.G. donouvossi (South Africa), Loïc valceschini 

(Switzerland), Tuba parlak (Turkey), and Aily nash (uSA). They work for 

print and online media in their home countries and form the core 

team of the Talent press 2010. 

The Talent press, organised in close collaboration with the 

Goethe-Institut and FIpreScI, is an intense week-long hands-on 

training of the Berlinale Talent campus, which affords its participants 

international festival exposure and the expert guidance of reputed 

film critics. 

now in its seventh edition, the Talent press is a well-established 

platform that enables young film critics and journalists to experience 

the inner workings of a multi-faceted international festival, work in an 

editing room situation with its pressures and tight deadlines, review 

films of the Berlinale and cover campus events. 

jay Weissberg, film critic for variety, remarks: “I‘ve always been 

struck by the impressive list of mentors the Talent press gathers for the 

young film critics programme, which consistently produces a high 

level of committed and passionate cineastes.“ This year press Talents 

will have the opportunity to polish their writing and reviewing skills 

under the guidance of leading film critics chris Fujiwara, dana Linssen, 

derek malcolm and Stephanie zacharek. 

Their articles will be published daily – from Feb 13-18 – on the 

websites of the Berlinale Talent campus, the Goethe-Institut and 

FIpreScI. The “Best of Talent press”, a print publication comprising 

some of the best articles that emerge during the campus week, will be 

released on the morning of Feb 18. 

A workshop for press Talents will take place a day before the 

campus begins. Bringing together mentors, invited guests and press 

Talents, this all-day workshop will not only consist of helpful tips on 

navigating the campus, but also provide an overview of the current 

state of international film criticism, and a workshop on blogwriting by 

mentors Stephanie zacharek and dana Linssen. 

The newly launched website – www.talentpress.org – will 

feature articles by press Talents and alumni throughout the year. 

moreover, articles from the very first Talent press abroad, taking place 

at the Talent campus Guadalajara from march 11 – 15, 2010, will also 

be published on the new website. 

mentor Stephanie zacharek 

planning the next day’s assignments with her Talents. 


Film AS An ArT 

neeDS CriTiCiSm 

Film critic and publicist Chris Fujiwara about the current 

state of international film criticism. 

How would you define film criticism? 

Film criticism tries to translate in language the writer's 

experience of watching a film, and it tries to explore the implications 

of this experience in as rigorous a way as possible. 

Do you feel the places vanish where this kind of film 

criticism is cultivated? 

In commercial newspaper and magazine publishing, there is 

less and less space for criticism of any kind, and greater obedience to 

corporate marketing and publicity. most academic film studies 

departments – at least in the english-speaking world – couldn't care 

less about criticism and aesthetics and consider film as a part of 

cultural studies. So film criticism is in a difficult position now. On the 

other hand, the Internet has enhanced opportunities for critics to gain 

a readership and take part in a dialogue with one another. 

Why does the film business need film criticism? 

To answer this question literally, ”the film business“ – at least 

as the major entertainment corporations shape and define it – 

certainly does not need and does not want film criticism, unless it can 

use something a so-called critic said for promotional purposes. On the 

other hand, film as an art needs criticism to deepen the aesthetic, 

political, and ethical questions that films pose; to establish connections 

and oppositions between films; and to analyse the historical context 

in which all these things operate. unless these tasks are done, the 

filmmaker is working in a vacuum, and films are only consumable 

entertainment or some basically solipsistic expression. 

What has the Talent Press to offer its participants? 

At the Talent press, you have the chance to talk and work with 

people who are motivated by the same thing as you: the desire to see 

and understand cinema. It's a very intense programme because it's 

tied to the schedule of the festival, which shows so many films within 

a short time, and meanwhile you have to keep up with the work of the 

Talent press, and you want to meet people and go to parties and 

events and everything else. In the end it's up to you to communicate 

your discoveries in writing through the Talent press, and later on to 

maintain the meaningful connections you make. 

What could film criticism look like in the future? 

The biggest problem with film criticism now is that critics like 

too many films. In the future, critics will like fewer films and will dislike 

more films, and will have reasons for their choices that they will have 

to defend, and that will be a good thing. 

Profiles 

Chris Fujiwara 

Film critic 

Chris Fujiwara 

Writer, film critic, journalist, editor and trans - 

lator, he is author of the books ”jerry Lewis“, ”The World 

and Its double“ and ”jacques Tourneur: The cinema of 

nightfall”. 

He is editor of ”defining moments in movies” 

and of the online film criticism magazine called 

”under current“ of FIpreScI. He contributed to numerous 

journals such as Film quarterly. He also teaches 

and lectures on film at universities worldwide. 

chris Fujiwara 

Dates 

WeD 17 | 14:00 

HAU 2 

Fear eats The Soul: 

The State of Film criticism. 

(p.62)

Page 

28 

Script Station 

Dates 

Intensive work on the selected scripts to prepare 

for the feedback sessions with mentors. 

Script Station mentor and jury member Alby james 

(right) working with scriptwriting Talents. 


CinemA neeDS 

STorieS 

Developing film projects: script consultants give their inputs 

and inspirational insights on Talent screenplays. 

We seldom take into account the early work put into a script, 

the collaborative exchange between the writer and script advisor that 

develops a first draft into an effective working document that can be 

pitched, filmed and ultimately presented on the silver screen. The 

Script Station brings together Talent scriptwriters and leading script 

consultants from across the globe for in-depth development and 

enhancement of Talent projects. 

An intensive project development day, followed by personal 

coaching and feedback sessions with Script Station mentors Gyula 

Gazdag, Louise Gough (SOurceS 2), Alby james, marten rabarts, 

Franz rodenkirchen and Selina ukwuoma will take participants a 

great distance in finalising their scripts. A hands-on training of the 

Berlinale Talent campus in cooperation with the German Federal Film 

Board (FFA), the Script Station provides vital assistance at this critical 

juncture in the filmmaking process. 

in December 2009, an international jury 

selected twelve projects for this year’s Script Station: 

01 / Tears lost 

by Tina Smalcelj, 

Bosnia & Herzegovina 

02 / All the Simple Things 

by daniel rodrigues 

da Silva ribeiro, Brazil 

03 / To endear the 

Donkey years 

by david Incorvaia, 

uSA / canada 

04 / The Swimming lesson 

by philippe Lamensch, 

Belgium / France 

05 / mrs Casey & 

the ethnographer 

by Ailbhe keogan, Ireland 

06 / youth 

by Tom Shoval, Israel 

07 / Forget-me-nots 

by Lote eglite, Latvia 

08 / Zrtva 

by Ognen Georgievski, 

macedonia 

09 / gated 

by Aslihan unaldi, 

Turkey / uSA 

The Script Station owes its existing form and content to the 

strong support of its partners: Script House, an established script 

agency in Germany; the project devel op ment day 2010 is planned by 

mentors and jury members Alby james and Franz rodenkirchen; and 

SOurceS 2, the european Script Writers’ Training programme lends its 

support by way of experts from its teaching staff. Above all, the Script 

Station has been made possible by the support of the German Federal 

Film Board (FFA). 

TUe 16 | 11:00 

HAU 3, Front House 

rehearsed reading: 

Actors reading Scripts. 

(p.57) 

WeD 16 | 14:00 

HAU 3, White Stage 

call it Fiction: 

Script Station 

presentation. (p.62) 

10 / Kataklysmos 

by Stavros pamballis, 

cyprus / uk 

11 / The Footsoldier 

by Faisal qureshi, uk 

12 / Finding Alpha 

by Anja marquardt, 

Germany / uSA 

Doc Station 

exPloring 

THe reAl WorlD 

A hands-on training to assist up-and-coming 

documentarians: the doc Station. 

“ At the Berlinale Talent Campus 

I found the right people to 

guide me to my destination.” 

nicolas entel, Doc Station Talent 2007 

real life drama between representation and presentation 

undergoes intensive scrutiny at the Doc Station. 

A slice of life, factual works of art are under examination at the 

doc Station, a practical workshop that supports young film practioners 

by broadening the quality, range and ambition of their projects and by 

enhancing their creative skills. 

Twelve documentary film projects were selected 

in early December to be part of Doc Station 2010: 

01 / Ten views of Tokyo 

by Adrian Francis, 

Australia / japan 

02 / Cocaine Prison 

by violeta Ayala, 

Bolivia / Australia 

03 / gezellig 

by elizabeth rocha Salgado, 

Brazil / netherlands 

04 / The lost Souls 

of Boychinovzi 

by Tonislav Hristov, 

Bulgaria / Finland 

05 / Disconnected 

by dirk manthey, 

Germany 

06 / Forever Angel 

(working title) 

by marcel michael Wehn, 

Germany 

07 / Faithless 

by Fadi Hindash, jordan 

united Arab emirates 

08 / The Smiling Pirate 

by kaizer matsumunyane, 

Lesotho / canada 

This hands-on training, made possible 

thanks to the support of the Ger - 

man Federal Film Board (FFA), assists 

up-and-coming documentarians at a 

point when they begin feeling the 

pressures and challenges of structuring 

their treat ments. They will spend the campus week reworking their 

treatments on the expert advice and input of doc-industry mentors 

kathrin Brinkmann, dick Fontaine, jakob kirstein Høgel, ulla Simonen, 

Fleur knopperts, david Wingate (SOurceS 2), Heino deckert and 

merle kröger. An in-depth project development day will be followed 

by mentoring sessions that run parallel over the week. On Feb 17 on 

the panel of “reality Bites”, Talents of the doc Station will present their 

treatments, in different stages of development, for the very first time 

and receive critical feedback from the audience and head of zdF/ArTe 

Theme evenings, Hans-robert eisenhauer. 

Over the years, the doc Station has been supported by way of 

mentoring and through the designing of the project development 

day by zdF/ArTe, one of the most important German television 

departments for the production and co-production of international 

documentaries. SOurceS 2, the european Script Writers’ Training 

programme, lends its support by way of experts from its teaching staff. 

Dates 

WeD 17 | 11:00 


reality Bites: 

doc Station presentation. 

(p.61) 

09 / Pictures of Susan 

by daniel Salmon, 

new zealand 

10 / la Cantuta in 

the Devil’s mouth 

by Tilsa Gonzales, 

peru 

11 / Colombianos 

by Tora mårtens, 

Sweden 

12 / Woman on Hold 

by jessy chisi, 

zambia

Page 

30 

“Cinema needs talent, talent needs 

opportunity, opportunity is at 

the Talent Campus.” Bat-Amgalan lkhagvajav, Talent 2009 

Talent Projects are the "insider tip" 

at the Berlinale Co-Production market. 

Feature films from eight countries as far flung as costa rica, 

Israel, canada, uSA, norway, France, uk and Germany are among the 

eleven projects selected for the Talent project market, one of the 

hands-on trainings of the Berlinale Talent campus in close cooperation 

with the Berlinale co-production market. 

The Talent projects were picked from a record number of 267 

entries by an international jury of film producers and financiers: “my 

Sweet euthanasia” by Tal Granit (Israel), “The Samaritan” by Odilon 

rocha (uk), “kin” by Asitha Ameresekere (uk), “Out of Time man” by 

Arne kohlweyer (Germany), “Arcadia” by Olivia Silver (uSA), “Lifelined” 

by Basile doganis (France), “princesas rojas” by Laura Astorga (costa 

rica), “Without mercy” by Thomas Wangsmo (norway), “I Am north” by 

noah pink (canada), “Gone, june” by Brooke Sebold (uSA), and “central 

Station” by Amiel Livne (Israel). 

All of the eleven projects will be presented in the Berlinale coproduction 

market's project catalogue and three will be chosen for a 

public pitching, the “Talent Highlight pitch”, to the producers and 

potential financiers attending the co-production market. “Talent 

Highlight pitch” is sponsored by the vFF – German collecting Society 

for Inhouse and commissioned production of Film and Tv programmes 


Talent Project market 

TAlenTS on TArgeT 

katriel Schory (Israel Film Fund) talks with Talent Amy Lo (uSA) about 

her project which participated in the Talent project market 2009. 

– and confers a special development award of euros 3,000 on the three 

preselected projects. 

The three-day Talent project market programme will provide 

participating directors and producers the chance to present their 

film projects to experienced co-producers and financiers attending 

the Berlinale co-production market. The first day focuses on the pre - 

paration of meetings and learning about the international business 

and markets. A renowned pitching trainer, the international jury 

and other industry experts will pave the way for Talent producers and 

directors, giving valuable advice on presenting and marketing 

pro jects, and on the technicalities of international co-production, 

financing and markets. The following days will be filled with preset 

one-on-one meetings with potential partners keen on getting 

in vol ved in projects at an earlier stage. 

The Talent project market also opens up a variety of informal 

networking opportunities, besides the possibility of exchanging ideas 

and sharing projects with other participants. 

Talent Project market 

Sonja Heinen and Kathi Bildhauer in an interview 

about setting up international co-productions. 

What exactly is the Berlinale Co-Production market? 

SH: It is a networking platform for internationally experienced 

producers and financiers where preselected projects are presented to 

participants from production, television, distribution and world sales. 

What are the criteria for a potential co-production? 

KB: There is no precise catalogue of criteria even though you’ll 

find some quite obvious leads. A road movie taking place in three different 

countries is of course quite suitable for an international co-production in 

the respective countries. However, regardless of the setting, while reading 

the projects we quickly detect an international appeal, a universal 

character of the story. But this can be due to different possible reasons. 

SH: But it is also important to underline that you cannot give 

your film a global appeal and an international face simply by trying to 

create it. That would be the wrong way to go because the most 

important thing for your story is authenticity. now, what the coproduction 

market provides is: It helps to check whether your story 

works at an international level because potential co-production 

partners are at the same time your first international audience. The 

extent of their interest reflects a possible potential in their countries. 

At which stage of a project does it make sense 

to join the Berlinale Co-Production market? 

SH: To take part in the Berlinale co-production market, 30% of 

the financing must be set. There isn‘t much sense in looking for 

international partners if even money from your own country is not at 

your disposal – even though we know that year after year the teamingup 

with co-production partners happens earlier. 

KB: However, the Talent project market is the more ex perimental 

part of the co-production market. Fresh ideas, exciting stories, 

often more original than the average. That’s why the financial criteria 

is not the prime issue here but the pure quality of the project. every 

year we are very happy to see the increasing number of professional 

market guests who want to meet our Talents. 

How many projects actually get produced? 

KB: We have a success rate of about 40%. Actually there is one 

project for example, which took part at the Talent project market in 

2008, which you can watch in the official programme of this year’s 

Berlinale Generation: SuSA by rusudan pirveli. 

is it possible for a current Talent to apply next year? 

KB: Sure! All Talent producers and Talent directors are invited 

to apply with a project for next year’s Talent project market. 

Profiles 

looKing For 

inTer nATionAl APPeAl 

Sonja Heinen & Kathi Bildhauer 

Berlinale Co-Production market 

Sonja Heinen 

Head of the Berlinale co-production market 

and project manager of the World cinema Fund, both 

initiatives of the Berlin International Film Festival are 

dedicated to international co-productions. 

Kathi Bildhauer 

member of the Berlinale co-production 

mar ket team since its first year and coordinator of the 

Talent project market, she also works for the World 

cinema Fund. She is the author of ”drehbuch re - 

load ed” based on her phd thesis on unconventional 

contemporary screenplays. She is also a lecturer at 

German uni ver sities. 

Dates 

THU 18 | 10:30 


All You Should know 

About: Berlinale 

co-production market. 

(p.64) 

THU 18 | 12:15 


World cinema Fund: 

How to Apply. (p.65) 

Sonja Heinen (above), 

kathi Bildhauer (below)

Page 

32 

Indian director Supriyo Sen celebrates his Berlin Today Award 2009 

for WAGAH – in the background the jury members Wim Wenders, emily Atef 

and Andreas dresen. 


Berlin Today Award 2011 

enviSion A WorlD 

BeyonD THe FAmiliAr! 

Five directors will have the special opportunity to make 

a short film based on the theme “you Are leaving The Familiar 

Sector” in collaboration with a production company from 

Berlin / Bran denburg. The Berlin Today Award, the annual short 

film com petition of the Berlinale Talent Campus, is within reach. 

The short film competition of the Berlinale Talent campus 

invited directors from all over the world to submit short film ideas 

inspired by the theme “You Are Leaving the Familiar Sector”. Since its 

invention, cinema has helped us to imagine what our lives could be 

like and what the world could look like. Film offers an extraordinary 

glimpse into a world you've never seen, never dreamt of or dared to 

enter. crossing sectors in a wall-divided Berlin used to be an experience 

where everything could change in the space of a few hundred metres. 

How do you imagine a world beyond what you've known, and what 

do you see when you leave the place you know best? 

Fifteen Talents selected prior to the campus will be able to 

pitch their film ideas to selected producers during the producers’ 

meeting at the Berlinale Talent campus 2010. The top five projects will 

be produced by five production companies from Berlin and 

Brandenburg – with funding from the medienboard Berlin-Bran denburg 

and in-kind contributions from the film industry. 

The short films will celebrate their world premiere at the 

Opening of the Berlinale Talent campus 2011, as part of the 61st Berlin 

“We were given the freedom and support to 

explore, experiment and play; to create a film we 

really cared about; and I know our team gained 

so much from the experience.” Bryn Chainey, finalist of the Berlin Today Award 2010 

International Film Festival. Last year‘s winner Supriyo Sen (WAGAH): 

”The Berlinale Talent campus is a new world order in the periphery of 

global cinema. It’s a space for young cineastes having different racial, 

cultural and economical background to learn and share on the basis of 

equality. So my friends go and grab the opportunity at the campus to 

tell your unique local story to a global audience!” 

every year, current and former participants of the Berlinale 

Talent campus are invited to apply for the Berlin Today Award. For 

detailed information on the competition please visit: www.berlinaletalentcampus.de/berlin-today-award. 

The Berlin Today Award has been funded by the medienboard 

Berlin-Brandenburg since 2004. 


Five SHorTS on THeir WAy 

STrAigHT To CinemA 

Sharing the limelight, the five short films competing for the Berlin 

Today Award 2010 celebrate their world premiere on the opening 

night of the Berlinale Talent Campus. 

passion for cinema is still alive and kicking. The motto for this 

year’s competition “Straight to cinema” encouraged filmmakers to be 

inspired by the power of cinema and to create a short film that is made 

for the big screen. A jury comprising director Stephen daldry, actress 

Heike makatsch and producer peter rommel select the winner of the 

Berlin Today Award 2010 from: 

By night 

by Juan DiazB (Colombia) 

In a wondrous parallel universe where day never ends, 

martin has to create night in order to set camille, the love of his life, 

free and let her return to her real life – even if that means losing her 

forever. Produced by Molly Aida Film. 

Hum 

by rebecca Daly (ireland) 

An abandoned house. dead bees scatter every window ledge. 

A mutilated piano waits upstairs in an empty afternoon. A woman 

climbs the staircase, pausing to remove her shoes. She has come here 

in search of silence… Produced by Lichtblick Media. 

Jonah and the vicarious nature of Homesickness 

by Bryn Chainey (UK/Australia) 

One day, jonah left his family and blasted-off in his homemade 

spaceship. He gave no explanation and no goodbye – only a 

telephone number that redirected to a most peculiar answering 

machine. Produced by Anna Wendt Filmproduktion. 

reflection 

by giorgi mrevlishvili (georgia) 

A documentary about a film screening specially organised for 

the inhabitants of ushguli, a remote and magical Georgian village, 

far from the modern, digital world. Produced by A-FILM. 

The Astronaut on the roof 

by Sergi Portabella (Spain) 

A comedy about two scriptwriters who write a film about two 

scriptwriters who write a film about a teenage couple who become 

bank robbers. Produced by Penrose Film. 

The Berlin Today Award 2010 is supported 

by medienboard Berlin-Brandenburg and the film industry. 

The five short films of the 2010 

Berlin Today Award 

(from above): BY nIGHT (juan diazB), 

Hum (rebecca daly), jOnAH And THe vIcArIOuS 

nATure OF HOmeSIckneSS (Bryn chainey), 

reFLecTIOn (Giorgi mrevlishvili) and 

THe ASTrOnAuT On THe rOOF (Sergi portabella) 

Dates 

SAT 13 | 17:00 

HAU 1 

Opening ceremony 

& World premiere of the 

Berlin Today Award Films 

2010 (by invitation only). 

(p.47) 

SUn 14 | 19:30 

eWerK 

dine & Shine – Talents 

rendezvous with 

Berlinale Guests and 

Award ceremony of the 


(by invitation only). (p.51) 

WeD 17 | 20:00 

CineSTAr 5 

Screening at the 

european Film market. 

(see Berlinale programme) 

SUn 21 | 16:00 

CinemAxx 6 

public Screening 

at the Berlinale kinotag. 

(see Berlinale programme)

PROFESSIONAL 

DEVELOPMENT 

& TRAINING 

Three-month process coached by experienced script advisers for 

European screenwriters and teams of writers, producers or directors! 

SOURCES 2 Script Development Workshops 

Seven-day session, coached development period, follow-up session. 

Application dates 

1 st March 2010 for the workshop at the FilmCamp/Norway, 10 th – 18 th June 2010, 

with the support of FilmCamp AS. 

Requested: Feature film projects and creative documentaries 

1 st July 2010 for the workshop in Potsdam/Germany, 18 th – 26 th November 2010, 

with the support of Medienboard Berlin-Brandenburg and 

MFG Filmförderung Baden-Württemberg. 

Requested: Feature film projects, biopics and creative documentaries 

SOURCES 2 at BERLINALE TALENT CAMPUS 

Consultation – Analysis – Advice for selected projects 

Louise Gough at the Script Station, 

David Wingate at the Doc Station. 

Lecture and Q&A 

David Wingate: Collaborative Filmmaking – The Role of the Producer 

Please contact the SOURCES 2 office close to Potsdamer Platz! 

Köthener Straße 44 • D-10963 Berlin 

Tel. + 49(0) 30 - 88 60 211 • info@sources2.de • www.sources2.de 

Meet the Expert 

UP cLoSE And PErSonAL 

Join different experts for focused discussions 

at HAU 1, HAU 2 and HAU 3. 

The meeting point is at HAU 1, ten minutes prior 

to the appointment. 

Sunday, Feb 14 

Bettina Allamoda 

HAU 1, Foxbar | 12:30-13:30 

Bettina Allamoda will introduce you to the Berlin artworld and 

discuss practices, production, conditions and spaces in the city and 

everything happening around this year’s Berlinale related to the visual 

arts. As an artist focusing on the concealed politics of visibility inscribed 

in history, documentation, fashion, art and archi tecture, she 

will talk about her performance fieldtrip tour of the visual art projects 

within the Berlinale Forum expanded programme and beyond. 

Mathias Schwerbrock & Joachim Knaf: 

Line Producer – The Art of Budgeting 

In cooperation with the Film and Television Academy (HFF) 

“Konrad Wolf” and Erich Pommer Institute. 

HAU 3, Top Floor | 12:45 -13:30 

Joachim Knaf, tutor at the Film and Television Academy (HFF) 

“Konrad Wolf”, and Mathias Schwerbrock, German producer, will focus 

on two essential questions: what is the best way to compute an 

international coproduction? How do you get hold of new financial 

sources for your project? They will introduce “LineProducer“, a software 

Meet the Expert: discussing with experienced business people 

and filmmaking professionals. 

designed to link the two sectors of calculation and financing. It in corporates 

factors such as currency, countrystocks and coproductions 

enabling you to efficiently plan your budget. The software also describes 

multiple “Sources of Financing“ that range from funding given 

by broadcasters to funding given by investors from different countries. 

They will use a handson example to illustrate their findings. They 

are keen to teach you the art of budgeting and will emphasis that you 

can learn it if you make use of networking and the right tools. 

christian Goldbeck 

HAU 3, Black Stage | 12:30-13:30 

Christian Goldbeck, German production designer and art 

director is keen to discuss the essential elements to consider when 

con tributing to a story with a landscape of spaces and things. 

Martin Todsharow 

HAU 1, Foxbar | 16:00 -16:50 

Having worked with an array of filmmakers in Germany and 

Europe, Martin Todsharow is one of the most prolific score composers 

in Germany today. This is your chance to find out about the working 

life of an experienced music composer. Martin Todsharow will answer 

all questions related to composing a score and will discuss what it 

takes to create music for film in collaboration with the filmmaking 

team.

Page 

36 

Reserved for Talents: 

Meet the Expert twice a day 

Sandra Beerends 


Script editor Sandra Beerends has worked with an array of 

screenwriters/directors strengthening the narrative structure of their 

script. She will join you to discuss the role of script editors and how 

they can help filmmakers during the writing process, the shooting and 

the editing of the film. 

Monday, Feb 15 

Jan Miller 

HAU 1, Foxbar | 12:30-13:30 

Jan Miller has developed and honed one of the top pitching 

and project development workshops in the world. She will be happy 

to answer questions about the art of pitching and your creative development 

package. 

cecilia Lidin 

HAU 3, Black Stage | 12:30 -13:30 

Cecilia Lidin, head of office at European Documentary Network, 

will join you to talk about documentary filmmaking in Europe 

and share her experience in developing, financing and promoting 

documentaries in Europe and internationally. 



“The experiences and contacts you make 

during the Campus week really leave 

a mark on you. You can profit from 

this on a long term basis if you continue 

exchanging information.” Melissa dulius, participant 2006 

Bärbel Mauch 

HAU 1, Foxbar | 16:00-16:50 

Bärbel Mauch has considerable experience in production and 

distribution in Africa and will share her expertise in films and 

filmmaking in the region. Find out more about African film networks 

and festivals by joining Bärbel Mauch. 

Lizzie Francke 


Lizzie Francke will discuss her work with the Development 

Fund at the uK Film Council and give her insights on broadening the 

quality, range and ambition of film projects. overseeing all aspects of 

production, she is also keen to talk about her work as an independent 

producer and film critic. 

Tuesday, Feb 16 

Sydney Levine 

HAU 1, Foxbar | 12:30 -13:30 

Sydney Levine, founder of FilmFinders with over 25 years 

experience in the entertainment industry, will talk about how you can 

enter the market as a producer, and how to find the right market for 

your film project. 


Jean-Louis rodrigue 


JeanLouis Rodrigue, theatre and movement director, will be 

happy to talk to you about his unique style of acting coaching, movement 

training and choreography. He will discuss the fundamental 

tools needed to improve your levels of performance in film and 

theatre. 

John Sloss 

HAU3 ,Top Floor | 12:40 -13:40 

While the legal aspect of filmmaking can seem daunting to 

any filmmaker, understanding and utilizing it correctly is critical in 

protecting your film, idea, script and music from intellectual property 

infringement. John Sloss has immense experience in all aspects of 

motion picture financing, production and distribution, and has 

worked with entertainment industry professionals of all kinds, advising 

them on the industry. This year, John was involved in the 

projects HoWL, ExIT THRouGH THE GIFT SHoP and CoLLAPSE, all 

selected for the Berlinale. In this session, he will advise filmmakers on 

how to proceed with project financing and what to expect when 

contracts come into play. 

Katriel Schory 

HAU 1, Foxbar | 16:00-16:50 

Being the executive director of the Israel Film Fund and 

founder of BELFILMS, Katriel Schory is an experienced producer and 

will be available to talk about what you need to focus on when getting 

involved in a coproduction. He is familiar with many film markets, 

including the Berlinale CoPro duction Market. He will also give advice 

on what you should pay attention to before entering the film market 

and what to think about when applying for the 2011 Talent Project 

Market. 

Ido Abram 


This is your chance to talk to the director of the Binger Film 

lab and former CineMart director at the Rotterdam International Film 

Festival. With his broad experience, Ido Abram is consultant to the 

Berlinale CoProduction Market and has served as a jury member of 

the Talent Project Market for several years. He will talk about the inner 

workings of a coproduction market, highlight what you need to 

consider when starting a coproduction and give advise on applying 

for the 2011 Talent Project Market. 

Wednesday, Feb 17 

Peter Belsito 

HAU 1, Foxbar | 12:30 -13:30 

Peter Belsito, American producer, cinematographer, publisher 

and executive vice president of FilmFinders will be free to speak about 

how to build strategies and business plans to maximise the growth 

and value of your project. 

nikolaj nikitin 

HAU 2, WAU Bar | 12:30-13:30 

Nikolaj Nikitin, the Berlinale’s delegate for Eastern Europe, will 

share his expertise on the film industry in Eastern European countries 

and talk about filmmaking, networks and festivals in the area. 

Lina Todd 


Lina Todd, renowned casting director in New York and Los 

Angeles, is keen to talk to you about her casting experiences and will 

give you advice on how actors, directors and producers can prepare 

themselves for castings. 

Klaus Eder 

HAU 1, Foxbar | 16:00-16:50 

General Secretary of FIPRESCI and renowned film critic Klaus 

Eder, who has coinitiated the Talent Press programme at the Campus, 

will talk about the opportunities film critics have today, also in terms 

of networking, and about the recent developments related to film 

criticism and journalism. 

Karol Martesko-Fenster 


Karol MarteskoFenster, based in New York City and SVP & 

General Manager of Babelgum’s Film Division, will discuss the artistic 

and financial aspects of online and mobile film distribution. He will 

highlight the type of professional films that work well on mobile and 

online platforms and review what filmmakers need to consider when 

evaluating traditional and other platforms available. 

Thursday, Feb 18 

Michel reilhac 

HAU 1, Foxbar | 12:30-13:30 

Michel Reilhac, executive director of ARTE France Cinema and 

Director of Film Acquisitions for ARTE France, will throw light on 

developing film concepts for broadcasters, be they analogue or cross 

media projects.

Advertisement 

Chapter 

04 

ProGrAMME 

p.40 Timetable / p.47 Day 1 – Sat, Feb 13 

p.48 Day 2 – Sun, Feb 14 / p.52 Day 3 – Mon, Feb 15 

p.56 Day 4 – Tue, Feb 16 / p.60 Day 5 – Wed, Feb 17 

p.64 Day 6 – Thu, Feb 18

Page 

40 

9:00 

10:00 

11:00 

13:00 

15:00 

17:00 

9:00 

9:30 

11:00 

12:30 

14:00 

17:00 

HAU 1 

Opening Ceremony & World Premiere 

of the Berlin Today Award Films 

Isabel Coixet, Alexandre Desplat, Dieter Kosslick, 

Kirsten Niehuus, Christine Tröstrum. 

Moderated by Matthijs Wouter Knol. Supported 

by Medienboard Berlin-Brandenburg (p.47). 

Cinema Needs Talent – 

Looking for the Right People 

Isabel Coixet, Stephen Daldry, Mike Medavoy. 

Moderated by Matthijs Wouter Knol (p.48). 

Lunch Break 

Shooting Suspects: 

Trust and Risks in Documentary Films 

Fredrik Gertten, Laura Poitras, Anat Zuria. 

Moderated by Jörg Taszman. In cooperation with 

Berlinale Forum and Berlinale Culinary Cinema (p.49). 

The Storytelling Trojka 

Yann Dedet, Stephen Frears, Jasmila Žbanić. 

Moderated by David M. Thompson. 

In cooperation with Berlinale Retrospective 

and Robert Bosch Stiftung (p.51). 


HAU 1 

Foxbar 


Bettina Allamoda (p.35). 

16:00 


Martin Todsharow (p.35). 


TimeTAble 

HAU 2 HAU 3 

White Stage 

Ticketing and Talent Registration (p.47). 

9:30 Rise and Shine Breakfast (p.47). 

11:30 – 12:30 

Taking Off Essential briefing on services, 

programme and hands-on-trainings (p.47). 

13:00 – 14:00 

Fast Forward Germany 

Christine Berg, Mariette Rissenbeek, 

Daniel Saltzwedel. Moderated by Roman Paul. 

In cooperation with Medienboard Berlin-Brandenburg, 

FFA, German Films, Perspektive Deutsches Kino (p.47). 

15:00 – 16:00 

Global Speed Matching Meet and greet session 

with Matthijs Wouter Knol (p.47). 

Ticketing 

Rise and Shine Breakfast 

Presented by Robert Bosch Stiftung 

and Sarajevo Film Festival 

(p.48). 

Speed Matching 

Directors and pro du cers meet everyone (p.47). 

Kill Your Darlings 

Editing master class with Susan Korda (p.49). 

Making Things Happen: 

The Producer in Close-Up 

Cedomir Kolar, Katriel Schory (p.51). 

10:15 

Doc & Script Station 

Welcome meeting. 

In cooperation with FFA (p.28-29). 

9:30 


In cooperation with FFA 

(p.28-29). 

more information: 


HAU 3 

Black Stage 


Christian Goldbeck (p.35). 

16:00 


Sandra Beerends (p.36). 

HAU 3 

Top Floor 

Sat, FEB 13 

Sun, FEB 14 

Working Through Digital Workflows 

Stefan Ciupek, Dirk Meier. 

In cooperation with The Post Republic (p.49). 

12:45 Meet the Expert 

Joachim Knaf, Mathias Schwerbrock. In cooperation 

with HFF, Erich Pommer Institute (p.35). 

Embodying the Character 

Acting workshop with Jean-Louis Rodrigue 

(p.50). 

Casting Internationally 

Simone Bär, Heike Makatsch, Fred Roos, 

Lina Todd. Moderated by Claudia Landsberger. 

In cooperation with European Film Promotion (p.51). 

Colour code 

Other Venues 

9:30 Campus Editing Studio. In cooperation with dffb, Pictorion das werk (p.24). 

10:00 Score Competition 

Editing at Wave-line / feedback session with Alexandre Desplat (p.22). 

10:00 

Campus Post-Production Studio In cooperation with The Post Republic and dffb (p.24). 

10:15 

Talent Actors Stage Welcome meeting (p.25). 

10:45 

Talent Project Market (p.30). 

11:00 

Berlin Today Award 2011 Coaching Supported by Medienboard Berlin-Brandenburg (p.32). 

15:00 

Talent Press Editorial meeting. In cooperation with Goethe-Institut and FIPRESCI (p.26). 

9:45 


Events open to the public 

Hands-on training events 

Workshops 

10:00 

Score Competition Editing at Wave-line (p.22). 

Reception Manfred Durniok Foundation 

for East Asian Talents. 

Supported by Manfred Durniok Foundation (p.15). 

13:00 

Campus Post-Production Studio In cooperation with The Post Republic and dffb (p.24). 

15:00 


19:30 

Dine & Shine – Talents Rendezvous with Berlinale Guests 

and Award Ceremony of the Berlin Today Award 2010 

at ewerk. With Stephen Daldry, Dieter Kosslick, Heike Makatsch, Bernd Neumann, 

Kirsten Niehuus, Peter Rommel. Moderated by Adrian Kennedy. 

Supported by Medienboard Berlin-Brandenburg and Robert Bosch Stiftung (p.33, 51).

Page 

42 

9:00 

11:00 

12:30 

14:00 

17:00 

9:00 

11:00 

12:30 

14:00 

17:00 

HAU 1 

Cinema Unlimited: 

Intercontinental Connections 

Madhusree Dutta, Rafi Pitts, Natalia Smirnoff, 

Jean-Marie Teno. Moderated by Vincenzo Bugno. 

In cooperation with Berlinale Forum expanded, 

World Cinema Fund (p.52). 

Lunch Break 

Pencils, Puppets and Pixels 

Merlin Crossingham, Anita Killi, Mait Laas. 

Moderated by Ben Gibson. In cooperation with 

Robert Bosch Stiftung, Berlinale Generation (p.53). 

In the Limelight: Claire Denis 

Claire Denis. 

In cooperation with Berlinale Forum (p.54). 

20:00 

Be Kind, Rewind: Directors Comment Live 

Moderated by Maike Mia Höhne and 

David M. Thompson. In cooperation with 

Berlinale Shorts, Berlinale Generation (p.55). 

The True “Q“ 

Production design master class with Sir Ken Adam. 

Moderated by Sir Christopher Frayling (p.56). 

Lunch Break 

Life Through A Lens 

Cinematography master class with 

Christian Berger. Moderated by Peter Cowie (p.57). 

Revolución: 

Mexican Filmmakers Joining Forces 

Mariana Chenillo, Pablo Cruz, Fernando Eimbcke, 

Amat Escalante, Rodrigo García, Diego Luna, 

Gerardo Naranjo, Rodrigo Plá, Carlos Reygadas, 

Patricia Riggen. Moderated by Mike Goodridge. 

In cooperation with Berlinale Special (p.58). 


HAU 1 

Foxbar 


Jan Miller (p.36). 

16:00 


Bärbel Mauch (p.36). 


Sydney Levine (p.36). 

16:00 


Katriel Schory (p.37). 


TimeTAble 

HAU 2 HAU 3 


Ticketing 

9:30 


Presented by DW-TV (p.52). 


Directors meet producers and editors (p.47). 

The Indie Filmmakers Guide to Cross Media I 

Alexandre Brachet, Martin Ericsson, Lance Weiler. 

Moderated by Liz Rosenthal. 

In cooperation with Skillset (p.54). 

Shorts Have More to Say 

Paul Negoescu, Paul Wright. Moderated by 

Maike Mia Höhne. In cooperation with Berlinale 

Shorts and Robert Bosch Stiftung (p.55). 

18:30-19:30 

Short Encounters 

Talents meet short film industry. 

In cooperation with Berlinale Shorts (p.55). 

Ticketing 

9:30 

Rise and Shine Breakfast (p.56) 


Directors meet writers (p.47). 

Choosing Images: 

Posters That Hook An Audience 

Hengameh Panahi, Helga Rechenbach, 

Fred Roos, Margrit & Peter Sickert. Moderated by 

Florian Weghorn. In cooperation with Berlinale 

Generation, Berlinale Shorts (p.58). 

Brussels in Berlin: How to Produce in Europe 

Britta Knöller, Tomas Leyers, Soon-Mi Peten, 

David Thion. Moderated by Catherine Buresi. 

In cooperation with MEDIA, European Film Market 

(p.59). 

9:30 



(p.28-29). 

9:30 



(p.28-29). 



HAU 3 

Black Stage 


Cecilia Lidin (p.36). 

16:00 


Lizzie Francke (p.36). 

Mon, FEB 15 


Jean-Louis Rodrigue (p.37). 

16:00 


Ido Abram (p.37). 

HAU 3 

Top Floor 

Tue, FeB 16 

9:00 

I‘m Ready For My Close-Up – The Actors Cut 

Camera Training Workshop 

Andrew Byatt, Gregory Byatt, Tom Fährmann. 

In cooperation with The Actors Cut, Skillset, 

dffb and Arri (p.52). 

The Secret Life of Sound 

Stefan Busch, Peter Strickland. 

Moderated by Peter Cowie (p.57). 

12:40 Meet the Expert 

John Sloss (p.37). 

The Indie Filmmakers Guide to Cross Media II 

Ben Grass, Karol Martesko-Fenster, Michel Reilhac, 

Lance Weiler. Moderated by Liz Rosenthal. 


Directing Actors 

Acting master class with Johanna ter Steege. 

Moderated by Marten Rabarts (p.59). 


Other Venues 

9:00 Campus Editing Studio In cooperation with dffb 

and Pictorion das werk (p.24). 

10:00 Talent Project Market (p.30). 

10:00 Score Competition Editing at Wave-line (p.22). 

10:00 Campus Post-Production Studio 

In cooperation with The Post Republic and dffb (p.24). 

11:00 

StreetDance 3D 

at Cubix 7. Max H. Penner, Julian Pinn, Michael Reuter, 

Jim Spencer. Moderated by Jennifer Hoffmann. 

In cooperation with The Post Republic and Dolby (p.53). 

13:15 

Excursion to the Costume House Theaterkunst 

In cooperation with Theaterkunst (p.53). 

15:00 


Editorial meeting. In cooperation with Goethe-Institut and FIPRESCI (p.26). 

16:00 

Excursion to “Meet the Docs“ at European Film Market 

Sydney Levine. 

In cooperation with European Film Market (p.54). 

9:00 Campus Editing Studio In cooperation with dffb and Pictorion das werk (p.24). 

9:00 Campus Post-Production Studio 

In cooperation with The Post Republic and dffb (p.24). 

10:00 Score Competition Final Mixing at the HFF “Konrad Wolf“ (p.22). 

10:00 Excursion to European Film Market 

Sydney Levine. In cooperation with European Film Market (p.54). 

11:00 Rehearsed Reading: Actors Reading Scripts Alby James (p.25, 57). 

12:00 Art Field Trip for Talents 

Bettina Allamoda. In cooperation with Berlinale Forum expanded (p.57). 

15:00 


Editorial meeting. In cooperation with Goethe-Institut and FIPRESCI (p.26). 



18:00 

Lighting Workshop 

Christian Berger (p.57). 



Workshops

Page 

44 

9:00 

11:00 

12:30 

14:00 

17:00 

9:00 

11:00 

12:30 

14:00 

17:00 

HAU 1 

In the Limelight: Yôji Yamada 

Tsutomu Abe, Yôji Yamada and Ichirô Yamamoto. 

Moderated by Masayo Kajimura. 

In cooperation with Berlinale Forum (p.61). 

Lunch Break 

Shotgun Stories: African Cinema Attacks 

Kunle Afolayan, Oliver Hermanus, Caroline Kamya, 

Tom Tykwer. Moderated by Dorothee Wenner. 

In cooperation with Heinrich Böll Foundation, 

Berlinale Forum, Berlinale Generation (p.61). 

Sublime Sounds, Haunting Scores 

Score composing master class with Alexandre 

Desplat. Moderated by Peter Cowie (p.62). 

22:00 

The Abstract Prophecy Conference 

Performance by Ásdís Sif Gunnarsdóttir. In cooperation 

with Berlinale Forum expanded (p.63). 

Sixty For The Future: Celebrating the Berlinale 

Hans-Christoph Blumenberg, Michel Ciment, 

Dieter Kosslick, Hanna Schygulla, Gesine Strempel. 

Moderated by Peter Cowie (p.65). In cooperation 

with Berlinale Special and Berlinale Retrospektive. 

Lunch Break 

Ásdís Sif Gunnarsdóttir: 

Film Experience as Real Time Happening 

Ásdís Sif Gunnarsdóttir. Moderated by Stefanie 

Schulte Strathaus, Bettina Steinbrügge. In coop eration 

with Berlinale Forum expanded (p.65). 

20:00 

Closing and Award Ceremony 

of the Score Competition 

Alexandre Desplat, Hubert Henle, Martin Steyer. 

Moderated by Thomas Heinze and 

Matthijs Wouter Knol (p.66). 


HAU 1 

Foxbar 


Peter Belsito (p.37). 

16:00 


Klaus Eder (p.37). 


Michel Reilhac (p.37). 


TimeTAble 

HAU 2 HAU 3 


Ticketing 

9:30 

Rise and Shine Breakfast (p.60) 


Directors meet everyone (p.47). 

Meet the Expert at WAU Bar: Nikolaj Nikitin (p.37). 

Fear Eats The Soul: The State of Film Criticism 

Nick James, David Thomson, Stephanie Zacharek. 

Moderated by Dana Linssen. In cooperation with 

Berlinale RetrospeKtive (p.62). 

Happy Returns: The Future After the Campus 

Jenna Bass, Rodrigo Diaz Diaz, Sebastian Pille, 

Rusudan Pirveli, David Sieveking. 

Moderated by Matthijs Wouter Knol. 

In cooperation with Berlinale Panorama, 

Berlinale Generation, Berlinale Shorts and 

Perspektive Deutsches Kino (p.63). 

Ticketing 

9:30 


Presented by the French Embassy (p.64). 


Last call for everyone (p.47). 

Eastern Promises: Emotional Conflicts 

in New Eastern European Cinema 

Vladimir Perišić, Alexei Popogrebsky, 

Florin Serban. Moderated by Nikolaj Nikitin. 

In cooperation with Robert Bosch Stiftung (p.65). 

16:00 

Things to Take Home 

Marjorie Bendeck, Kathi Bildhauer, 

Marcus Forchner, Matthijs Wouter Knol, 

Christine Tröstrum (p.66). 

21:00 

Closing Party 

Call It Fiction: 

Script Station Presentation 

Moderated by Fleur Knopperts. 

In cooperation with FFA (p.62). 

Extending Scripts 

Alexandre Brachet, Martin Ericsson, 

Liz Rosenthal. 

Moderated by Jakob Kirstein Høgel. 


9:30 



(p.28-29). 



HAU 3 

Black Stage 


Lina Todd (p.37). 

16:00 


Karol Martesko-Fenster (p.37). 

HAU 3 

Top Floor 

Wed, FeB 17 

Thu, FEB 18 

Reality Bites: Doc Station Presentation 

Hans-Robert Eisenhauer. Moderated by Sirkka Möller. 


The Indie Filmmakers Guide to Cross Media III 

Lizzie Gillett, Karol Martesko-Fenster, 

Timo Vuorensola. Moderated by Liz Rosenthal. 


Right to Music 

Mareile Büscher, Milena Fessmann. 

In cooperation with Hogan & Hartson Raue LLP (p.63). 

10:30 

All You Should Know About: 

Berlinale Co-Production Market 

Kathi Bildhauer, Martina Bleis, Sonja Heinen. In coop 

eration with Berlinale CoProduction Market (p.64). 

12:15 

World Cinema Fund: How to Apply 

Vincenzo Bugno, Sonja Heinen. 

In cooperation with World Cinema Fund (p.65). 

Where Things Come Together: 

Campus Post-Production Studio Presentation 


In cooperation with The Post Republic (p.66). 


Score Competition Presentation 

Vladimir Cháb, Alexander Komlew, David OReilly, 

Camilo Sanabria. Moderated by Annette Gentz (p.66). 


Other Venues 

9:00 Campus Editing Studio In cooperation with dffb and Pictorion das werk (p.24). 



10:00 Berlin Today Award 2011 Producers‘ Meeting 

Supported by Medienboard Berlin-Brandenburg (p.60). 

10:00 Excursion to the German Film Orchestra Babelsberg Martin Steyer. 

In cooperation with the German Film Orchestra Babelsberg and HFF “Konrad Wolf“ (p.61). 

12:00 Absolute Hearing 

Sound mixing master class with Martin Steyer. In cooperation with Insight Out (p.61). 

14:15 

Talent Actors Stage Wrap-up (p.25). 

15:00 




10:00 

A Second Skin – Master class at Costume House Theaterkunst 

In cooperation with Theaterkunst (p.64). 

11:00 


11:00 Screening the Future: Excursion to the Heinrich Hertz Institute 

Alfred Behrens, Ralf Schäfer, Corinna Volkmann. 

In cooperation with Fraunhofer / Heinrich Hertz Institute (p.64). 

13:45 




Workshops 

Cutting on the Edge: Campus Editing Studio Presentation 

Menno Boerema, Katja Dringenberg. 

Moderated by Kevin Murphy. 

In cooperation with dffb and Pictorion das werk (p.66).


SATURDAy, FeB 13 

Ticketing and Talent Registration 

9:00 / HAU 2 

The first thing to do is to register yourself at the Ticketing and 

Registration counter, pick up your Campus bag which holds invitations 

and a variety of information. This is where you can ask all questions 

pertaining to the various activities offered in the programme, the 

Berlinale film programme, logistics, ticketing, and importantly also 

your travel reimbursements. Moreover, this is where you can connect 

with fellow Campus participants as you queue up. 


9:30 / HAU 2 

The Berlinale Talent Campus invites you to its informal welcome 

and gettogether over breakfast. You can mingle with fellow 

Talents, get to know the Campus team and get into the spirit and 

mood of the Campus over hot coffee and a scrumptious breakfast. 

Taking Off 

11:30 / HAU 2 

This initial and absolutely imperative Talent briefing will enlighten 

participants about the forthcoming week. It will give an 

introduction to the team members, to internet access and the use of 

the Campus database, as well as other vital logistics. Above all, you will 

receive an overview of the range of events and activities the Campus 

has put together, and information on this year’s handson trainings: 

the Score Competition, the Campus Studio, the Talent Press, the Doc & 

Script Station, the Talent Project Market, the Berlin Today Award, and 

the brandnew Talent Actors Stage. 

Fast Forward Germany 

Christine Berg, Mariette Rissenbeek, Daniel Saltzwedel. 

Moderated by Roman Paul. 

In cooperation with Medienboard Berlin-Brandenburg, FFA, 

German Films and Perspektive Deutsches Kino. 

13:00 / HAU 2 

An opportunity for German Talents and everyone else at the 

Campus to come together, and also to acquaint themselves with the 

various German film funding organisations, their respective initiatives, 

their ob jec tives in promoting German cinema, and the prerequisites 

for applying for funding. Representatives of Medienboard Berlin 

Brandenburg, German Federal Film Board (FFA) and German Films will 

interact with Talents, moderated by Roman Paul, president of the 2010 

“Dialogue en perspective“ jury, an initiative of the FrancoGerman 

Youth Office. 

Global Speed Matching 

Meet and greet session 

with Matthijs Wouter Knol. 

15:00 / HAU 2 

Networking, socialising and meeting your peers from around 

the world are key elements of the Berlinale Talent Campus. To kickstart 

this crucial experience, join us in the Global Speed Matching 

session – our very own version of speeddating. All Talents are invited 

to HAU 2 to meet and greet each other in a succession of rapid fire 

threeminuteconversations. Led by Matthijs Wouter Knol, this will be 

a good warmup for effective networking over the coming days. This 

fastpaced “global filmmakers’ village” is where you will meet fellow 

Talents – actors, directors, screenwriters, directors of photography, 

producers, editors, music composers – from different corners of the 

world. It promises to be a rich cultural and professional tour. More 

focused and less frenetic speed matching will continue every day at 

12:30 where you can meet potential work partners. 

This year’s speed matching sessions 

are as follows: 

Feb 14 – directors and producers meet everyone 

Feb 15 – directors meet producers and editors 

Feb 16 – directors meet writers 

Feb 17 – directors meet everyone 

Feb 18 – last call for everyone 

Opening Ceremony and World Premiere 

of the Berlin Today Award Films 

Isabel Coixet, Alexandre Desplat, Dieter Kosslick, 

Kirsten Niehuus, Christine Tröstrum. 


Supported by Medienboard Berlin-Brandenburg. 

17:00 / HAU 1 

We welcome you to the opening of the Berlinale Talent 

Campus 2010! The two Campus heads Christine Tröstrum and Matthijs 

Wouter Knol will greet Talents and guests, and present the focus of the 

8th edition of the Campus. Berlinale festival director Dieter Kosslick, 

together with illustrious Spanish director Isabel Coixet and prolific 

sound composer Alexandre Desplat will then step into the limelight to 

officially declare open this year’s Campus. Subsequently, Kirsten 

Niehuus, managing director of the Medienboard BerlinBrandenburg, 

will introduce the five films produced within the framework of the 

Berlin Today Award 2010 and celebrating their World Premiere at this 

event. For details on the Berlin Today Award see page 32.

Page 

48 

Rise and Shine Breakfast: a joint start to the day. 


Presented by Robert Bosch Stiftung and Sarajevo Film Festival. 

9:30 / HAU 2 

The Berlinale Talent Campus partners, Robert Bosch Stiftung 

and the Sarajevo Film Festival, host this morning’s breakfast of hot 

coffee and sweet and savoury delights. Meet representatives of both 

in sti tutions who will introduce you to the CoProduction Prize (see 

p.15) and the Sarajevo City of Film initiative. 



SUNDAy, FeB 14 

Cinema Needs Talent – Looking for the Right People 

Isabel Coixet, Stephen Daldry, Mike Medavoy. 


11:00 / HAU 1 

Developing an original idea into a finished film is a timeconsuming 

and highly collective process. The key issue is putting 

together the core team, the right people who inspire, support, bring 

openness, ideas and suggestions to the table. These are relationships 

that last a lifetime. To be able to create a collective vision means being 

intellectually and creatively nimble enough to follow a story through 

its up and downs, twists and turns – and in the process yield fresh 

and sometimes surprising results. Finding the right people could 

mean the film finding its voice. examining the very epicentre of the 

creative process, the people who make it all happen, the Berlinale 

Talent Campus invites us to look at how the development of personal 

craftsmanship and the knack of choosing the right people intertwine 



to build rewarding longtime collaborations. Famed panelists like 

Spanish filmmaker Isabel Coixet, British director Stephen Daldry 

and USAmerican producer Mike Medavoy (SHUTTeR ISLAND) share 

their experiences of working with those key individuals who greatly 

inspired them and brought a creative drive to their film projects. 

Working Through Digital Workflows 


In cooperation with The Post Republic. 

11:00 / HAU 3, Top Floor 

This workshop is designed to create an understanding of 

digital film production as it relates to various stages of production and 

postproduction techniques including digital camera, visual effects 

and digital intermediate. Renowned cameraman, specialist in digital 

cinematography and colorist, Stefan Ciupek has worked on technically 

groundbreaking films such as the multiple Academy Award winning 

SLUMDOG MILLIONAIRe and Lars von Trier’s ANTICHRIST. In this session, 

he teams up with Dirk Meier, colorist and postproduction consultant, 

with whom he has worked on RUSSIAN ARK and on the color grading 

of ANTICHRIST. 

Using examples from their work on ANTICHRIST, Stefan 

Ciupek and Dirk Meier will talk about the handling of the diverse 

dataformats from Red One and the Phantom highspeed camera, on 

set data management, the grading of dailies, the techniques of visual 

effects shots up to the complex multilayer grading of ANTICHRIST’s 

“hypnotic” visualisation scenes. They will provide an indepth view 

of the whole digital intermediate workflow until the final 35mm film 

print/digital cinema master. 

Shooting Suspects: 

Trust and Risks in Documentary Films 

Fredrik Gertten, Laura Poitras, Anat Zuria. 

Moderated by Jörg Taszman. 

In cooperation with Berlinale Forum and Berlinale Culinary Cinema. 

14:00 / HAU 1 

Unveiling unpleasant truths when shooting documentary 

films challenges filmmakers to balance between building strong 

trust with their protagonists and taking significant risks. What if the 

story told endangers protagonists and the film crew or enrages major 

organisations depicted in the film? 

Laura Poitras’ THe OATH intimately portrays a man whose 

involvement with AlQaeda sets him on a course of events that take him 

to Afghanistan, Osama bin Laden, Guantanamo, and the U.S. Supreme 

Court, and revolves around the question of the oath he swore to Bin 

Laden. Fredrik Gertten's film BANANAS!* confronts the viewer with the 

banana industry in Latin America, where USAmerican company Dole 

dominates the market and forces workers to face lifeendangering 

working conditions. Dole sued the filmmaker after the release of the 

film. Anat Zuria’s BLACK BUS deals with the ultraorthodox separation 

of men and women in public, telling the story of two young women 

and their courageous attempt to document the society from which 

they have fled. The directors, who present their films at this year’s 

Berlinale, discuss the perils of filming on tricky ground. 

Kill your Darlings 

editing master class with Susan Korda. 

14:00 / HAU 2 

Deepening the storyteller’s understanding of merging filmed 

moments into rich cinematic experiences, Susan Korda will take you 

into the sacred confines of the editing room to explore the magic of 

the editing process. Korda is an editor, director, writer and lecturer at 

NYU Tisch School of the Arts, and a longtime Campus expert. She 

will use excerpts from such films as BONNIe AND CLYDe to draw your 

attention to a thousand details from the sound and the edit, to the 

background, and explain how a film can function very well despite 

flaws in the wardrobe or the camera’s angle. She will give advice on 

how you can kill your darlings in the editing process, the very difficult 

decisions that one prefers to avoid, without killing collaborations in 

the montage stage of filmmaking. She will display how an editor can 

work to extract and weave together the best material from a daunting 

excess of footage, every decision shaping the tone and pace of the 

film. 

Fredrik Gertten‘s film BANANAS!* (showing in the Berlinale 

Culinary Cinema) enraged the USAmerican company Dole. 

*One third of the production cost of the average banana goes to pesticides. 

Source: Anne Vézina, spokesperson for the International Network for the Improvement of Banana and Plantain; The Guardian May 21, 2006. 

*All over the world, banana plantation workers are suffering irreversible damage 

to their health due to these pesticides.

Page 

50 

Director Stephen Frears (THe QUeeN) is part 

of “The Storytelling Trojka“. 




Dine & Shine: Meet fellow Talents and Berlinale guests 

with every served course. 

embodying the Character 

Acting workshop with Jean-Louis Rodrigue. 


JeanLouis Rodrigue is an internationally recognised movement 

coach in Los Angeles whose specialty is helping actors bring 

the gracefulness and fluidity of dance to their performances. A combination 

of acting coach, choreographer and physical therapist, Jean 

Louis Rodrigue uses techniques that have much in common with 

dance training. Dancers are taught to rely on movement and gesture 

to convey the personalities of characters, an idea he stresses to all the 

actors he coaches. 



Born in Morocco, raised in Italy and originally an actor himself, 

he was inspired to study the body when, as a boy, he saw some of 

Leonardo da Vinci‘s drawings in Milan. “He depicts the body as a place 

where creation happens and imagination lives,“ he says. “That idea 

stayed with me.“ It also led him to the Alexander Technique, a method 

which explores the basic impulses of human movement – how we 

interfere with our own coordination – offering a means to change. 

Through mental and physical processes, the master class will allow 

actors and directors to expand their level of awareness of themselves, 

in stillness and in movement, teaching them to transform into their 

character roles. 

The Storytelling Trojka 

yann Dedet, Stephen Frears, Jasmila Žbanić. 

Moderated by David M. Thompson. 

In cooperation with Berlinale Retrospektive and Robert Bosch Stiftung. 

17:00 / HAU 1 

Where storytelling is concerned, the three different stages of 

the filmmaking process – the development of the script, shooting with 

actors and finally, the editing of the film – can crucially influence the 

narrative structure. But to what extent is it realistic to have the different 

players involved in all three stages of the filmmaking process? Known 

for making provocative, stylized, and tightly budgeted films about 

people living on society's social and /or sexual fringes (MY BeAUTIFUL 

LAUNDReTTe, DANGeROUS LIAISONS), British director Stephen Frears 

will share the podium with Bosnian filmmaker Jasmila Žbanić, noted 

for the 2006 Golden Bear winning film GRBAVICA, and eminent editor 

Yann Dedet (THe AMeRICAN NIGHT). In conversation with David M. 

Thompson, they talk about how they were able to enrich their own 

and the work of the other professionals involved, they will discuss how 

scriptwriters, editors and directors can contribute effectively to each 

other’s work from an early stage without curbing the independence 

of the craftsman in question and intruding on his or her creative space. 

Making Things Happen: 

The Producer in Close-Up 

Katriel Schory, Cedomir Kolar. 

17:00 / HAU 2 

Producing is not just contributing to the production process – 

it is doing the entire process. Producers contribute to the development 

of the script, help design the production, from the look, to the cast, to 

the crew, to the rhythm, to the tone, they work on the film’s release, 

the marketing and the distribution strategy. Katriel Schory, acclaimed 

producer and now director of the Israeli Film Fund and Cedomir Kolar, 

cofounder of A.S.A.P. Films, state that it takes a lot to be a producer, 

to ensure that all options are carefully thought through and the 

ramification of each choice considered in advance. The two established 

producers will look closely into the process of producing and discuss 

the various elements that make a good producer for any project. They 

will focus on project development, creative producing and financing, 

as well as setting up coproductions, marketing, distribution and 

selecting filmmakers to work with. 

Casting Internationally 

Simone Bär, Heike Makatsch, Lina Todd, Fred Roos. 

Moderated by Claudia Landsberger. 

In cooperation with European Film Promotion. 

The man with the golden touch, casting director and producer 

Fred Roos simply says, “It's a gut thing. You feel something 

about an actor. I put great stock in the interview process – talking indepth 

and at length with actors about who they were, and what they 

would bring to the screen. 90% of the time, I was right.“ Participants 

of the Talent Actors Stage will share the limelight with reputed 

casting directors from the US and europe – Lina Todd, Fred Roos, 

Simone Bär – and German leading actress Heike Makatsch, to discuss 

casting experiences. Crucial to successful filmmaking ventures is the 

synergising of different working styles on international productions. 

How do actors, producers or directors locate the right casting director 

for international projects? At the same time, how do casting directors 

find actors abroad? These are some questions this panel will throw 

light on, providing Talent actors valuable advice on how they can 

maximise their opportunities working internationally and on home 

ground. What’s more, casting directors from around the world 

attending the Berlinale will be in the audience scouting for fresh faces. 

Dine & Shine – Talents Rendezvous with Berlinale 

Guests and Award Ceremony of the Berlin Today Award 2010 

Stephen Daldry, Dieter Kosslick, Heike Makatsch, 

Bernd Neumann, Kirsten Niehuus, Peter Rommel. 

Moderated by Adrian Kennedy. 

Supported by Medienboard Berlin-Brandenburg 

and Robert Bosch Stiftung. 

19:30 / ewerk 

“Dine & Shine – Talents Rendezvous” is the secret hot spot of 

the Berlinale Talent Campus. Reputed filmmaking professionals from 

all over the world will be gathered in one place and you will be sitting 

next to them enjoying dinner and a conversation. Joining Talents 

will also be Bernd Neumann, Federal Government Commissioner for 

Culture and the Media, Berlinale festival director Dieter Kosslick, the 

managing director film funding, Medienboard BerlinBrandenburg, 

Kirsten Niehuus and the Berlin Today Award jury members Stephen 

Daldry, Heike Makatsch and Peter Rommel to announce the winner of 

this year’s Berlin Today Award.

Page 

52 

Natalia Smirnoff‘s PUZZLe is part 

of the Berlinale Competition. 

THe HUNTeR by Rafi Pitts 

features in this year’s Berlinale Competition. 



MONDAy, FeB 15 


Presented by DW-TV. 

9:30 / HAU 2 

Ready, set, breakfast! Today’s breakfast is presented by Deutsche 

Welle and offers you a tasty start to your day. Meet Deutsche 

Welle representatives and catch up with fellow Talents over hot coffee 

and ovenfresh croissants. 

I'm Ready for My Close-Up – The Actors 

Cut Camera Training Workshop 

Andrew Byatt, Gregory Byatt, Tom Fährmann. 

In cooperation with The Actors Cut, Skillset, dffb and ARRI. 


“Uncover, discover, discard and find the simplicity in acting.” 

This statement embodies the most cuttingedge screen acting course 

conceptualised by The Actors Cut organised by Scottish Film Actors 

and Writers Workshop producers Andrew and Gregory Byatt. The 

workshop, replicating an actual movie shoot, affords participants an 

extraordinary opportunity to experience acting in a realistic en vi ronment 

similar to ones they will encounter in the professional world. 

The Actors Cut has been described as “a roadmap for actors enabling 

them to navigate in that foreign land known as a feature film set where 

people speak in a strange language and etiquette is unintelligible to 

outsiders”. 

This one day practical, intensive, professional development 

workshop, will enable actors of the Talent Actors Stage to rehearse 

and perform film scenes that are recorded using the latest High 

Definition cameras by a professional crew and under the guidance of 

renowned director of photography Tom Fährmann. The scenes will be 

instantly projected, allowing Talent actors to reevaluate and redo their 

performances as per the feedback they receive from Fährmann and 

course coordinators Andrew and Gregory Byatt. 

Cinema Unlimited: Intercontinental Connections 

Madhusree Dutta, Rafi Pitts, Natalia Smirnoff, Jean-Marie Teno. 

Moderated by Vincenzo Bugno. 

In cooperation with Berlinale Forum expanded and World Cinema Fund. 

11:00 / HAU 1 

Looking for the right people gets trickier when one isn’t on 

home ground. A range of international film professionals discuss and 

share their experiences on how they prefer to connect and collaborate 

in their region or abroad. They will talk about how they built up 

networking platforms and coproductions, especially when there is 

no major support from the regional film industry. JeanMarie Teno 

(SACReD PLACeS, THe COLONIAL MISUNDeRSTANDING), Cameroonian 

filmmaker, has been producing and directing films for over twenty 

years. Joining him on the panel is Iranian filmmaker Rafi Pitts, whose 



latest film THe HUNTeR features in this year’s Berlinale Competition. 

The panel includes Madhusree Dutta, Indian filmmaker, curator and 

activist, whose interdisciplinary installation project “Cinema City“, 

exploring questions about the relationship between urban space 

and cinema, will be presented at the 2010 Berlinale Forum expanded. 

Last but not least, Argentinian filmmaker Natalia Smirnoff, who took 

the step up from assistant to the director’s position with PUZZLe, 

presented in this year’s Berlinale Competition. Highlighting best 

prac tices in collaboration, these experts will reveal what they take 

into account when putting together their team and choosing their 

protagonists. 

StreetDance 3D 

Julian Pinn, Max H. Penner, Michael Reuter, Jim Spencer. 

Moderated by Jennifer Hoffmann. 

In cooperation with The Post Republic and Dolby. 

11:00 / Cubix 7 

Accredited Berlinale guests are invited to learn more about 

what it means for film professionals working with 3D. Produced by 

Vertigo Films in 2009, STReeTDANCe 3D is europe’s first liveaction 

3D feature film. The making of this film brought together leading 

3D production company Paradise FX (MY BLOODY VALeNTINe and 

THe HOLe – winner of the top prize at the Venice 3D Film Festival) 

and The Post Republic who have developed Germany’s first 3D postproduction 

solution. This session will offer a preview of clips from 

STReeTDANCe 3D at Cubix 7 with Dolby digital 3D and surround 

sound, and a discussion on the production of the film. Giving an 

overview of what needs to be considered when embarking on a 3D 

production, it will look at the ground breaking digital technology and 

workflow employed in STReeTDANCe 3D, as well as focusing on the 

techniques involved in 3D postproduction and surround sound and 

the opportunities they offer filmmakers embracing 3D. 

excursion to the Costume House Theaterkunst 

In cooperation with Theaterkunst. 

13:15 / Meeting point: 13:00 at the entrance of HAU 1 

Founded in 1907, Theaterkunst specialized from the very start 

in creating and renting out costumes to theaters, revues and operas. 

In the 1920s, the company made costumes for big productions such 

as Fritz Lang’s MeTROPOLIS or Fred Niblo’s BeN HUR. In recent times, 

it has fitted the cast of numerous critically acclaimed films including 

THe LIVeS OF OTHeRS, THe ReADeR and INGLOURIOUS BASTeRDS. 

Theaterkunst’s stock is arranged by historical epochs and genres, and 

not by when a film originated. It not only rents costumes but also 

designs a very personal and individual collection for each and every 

client according to their specifications, taking factors like age, gender, 

milieu, profession and status, as well as historical and social context 

Anita Killi‘s short film ANGRY MAN 

features in this year‘s Berlinale Generation. 

into account. Today, after over 100 years of its existence, the company 

has more than ten million items in stock, stored at its three branches 

and its headquarters in Berlin. 

This general tour is open to ten Talents. 

Pencils, Puppets and Pixels 

Merlin Crossingham, Anita Killi, Mait Laas. 

Moderated by Ben Gibson. 

In cooperation with Robert Bosch Stiftung and Berlinale Generation. 

14:00 / HAU 1 

The ability to show us practically anything, to delve into any 

world, to give voices to the voiceless, emotions to the emotionless, 

to go beyond the restrictions of liveaction filmmaking – this is the 

world of animation filmmaking. A marvel of traditional craftsmanship, 

the animation industry is all the rage with young and old alike. On 

this panel, we have three pathbreaking professionals: Mait Laas, 

author, animator and documentary filmmaker, has created an array of 

astonishing stopover animations at the Nukufilm Studios in estonia; 

Anita Killi, animator and founder of the animation studio Trollfilm AS, 

has directed the awardwinning ANGRY MAN; and creative director of 

WALLACe AND GROMIT at Aardman Animations, Merlin Crossingham 

is the key character animator in the feature film department and has 

worked on films such as CHICKeN RUN. These experts will reflect on 

the current popularity and the visibility of animation films. Presenting 

a range of excerpts from their respective film portfolios, they will 

provide an overview of the current state of animation making and 

discuss the mixing of craftsmanship and technology.

Page 

54 

Sydney Levine (in the middle) guides five tours 

through the european Film Market. 

The Indie Filmmakers Guide to Cross Media I – 

extending the Story: 

An Introduction to Cross Media Storytelling 

Alexandre Brachet, Martin ericsson, Lance Weiler. 

Moderated by Liz Rosenthal. 

In cooperation with Skillset. 

14:00 / HAU 2 

For one hundred years of cinema, film stories have been 

restricted by running times, distribution formats and platforms. 

Technology is now impacting on the art and craft of storytelling. Now 

that audiences are engaging with media across multiple platforms and 

are moving from a passive viewing experience to active collaboration, 

how does the art of storytelling change? How does one develop 

stories and characters that can travel across screens and devices? 

experts in crossmedia and interactive / immersive storytelling 

will describe how to build story worlds that span across multiple 

platforms and engage audiences in powerful new ways. 




excursion to european Film Market 

Sydney Levine. 

In cooperation with European Film Market. 

Meeting point: entrance to HAU 1, 

always 15 minutes prior to the start. 

“Meet the Docs”: Mon 15 at 16:00 

Tue 16 and Wed 17 at 10:00 & 16:00 

The european Film Market (eFM), the first major film market of 

the year, is a magnet for international film industry professionals and 

is seen as a barometer for the upcoming film year. The business centre 

of the Berlinale, the eFM is located in the magnificent renaissance 

exhibition hall of the MartinGropiusBau and in the official second 

location at the eFM Marriott Offices. It is vibrantly active during the 

nine days that it runs. every year, producers, distributors, buyers and 

sales agents converge at the eFM where both commercial arthouse 

and specialised mainstream films enjoy star status. This year over 400 

exhibitors from 48 countries and over 600 films will be presented to 

professional visitors. 

Led by Sydney Levine, Talents will be introduced to the format 

and the workings of the eFM. There will be a special tour for Talents 

to “Meet the Docs”, a platform facilitating the networking among 

buyers, sellers, directors and producers of documentary films, hosted 

in cooperation with the european Documentary Network. 

In the Limelight: Claire Denis 

Claire Denis. 

In cooperation with Berlinale Forum. 

17:00 / HAU 1 

In the films of Claire Denis one often feels that all is well even 

as worlds collide and collapse or, conversely, that a serious challenge 

underlies the seemingly calm moments. One of French cinema’s most 

distinctive and humanist storytellers, her films capture the emotional 

and social effects of crosscultural tensions and alienation. They 

depict her deep affection and solidarity with marginalised characters 

– immigrants, exiles, alienated individuals, sexual transgressives – and 

are at the same time a contemplative examination of ambivalent, 

sometimes undecipherable postcolonial identities. Following her 

outstanding début film CHOCOLAT, she has made films such as 

NéNeTTe eT BONI, TROUBLe eVeRY DAY, VeNDReDI SOIR, 35 RHUMS 

and WHITe MATeRIAL, establishing a reputation as one of the only 

current French filmmakers who “has been able to reconcile the 

lyricism of French cinema with the impulse to capture the often harsh 

face of contemporary France”. Claire Denis, whose BeAU TRAVAIL will 

be screened in this year‘s “4 Decades of the Forum” programme, will 

talk about her nonconformative, highly individualistic style of making 

films and her profound interest in exploring the themes of belonging 

and otherness, the gravity and the gift of foreignness. 



Paul Wright‘s PHOTOS OF GOD (above) 

and Paul Negoescu‘s DeRBY (below) compete in the Berlinale Shorts. 

Shorts Have More to Say 

Paul Negoescu, Paul Wright. Moderated by Maike Mia Höhne. 

In cooperation with Berlinale Shorts and Robert Bosch Stiftung. 

17:00 / HAU 2 

Short films are big time. Massive changes in film technology 

and the internet have seen an explosion in short filmmaking and its 

creative possibilities. They constitute a form and are a medium in 

their own right. In fact, short films are increasingly (re)establishing 

themselves as advanced cinema brought back to its pure form. 

On this panel, we look at narratives that provide the perfect 

synergy of inspiring, ground breaking and creative new talent. Maike 

Mia Höhne will converse with awardwinning Romanian director and 

scriptwriter of twelve short films, Paul Negoescu, whose latest film 

DeRBY screens at the 2010 Berlinale Shorts, and British filmmaker Paul 

Wright, whose PHOTOS OF GOD also features in this year’s Berlinale 

Shorts. His previous film BeLIeVe won the Leopards of Tomorrow Short 

Film Competition at the 62nd Locarno Film Festival in Switzerland. 

The three short films proponents look at how short film concepts are 

translated to great visual films, without losing the basic concept after 

having spent long months working on the script and on developing 

the film. Towards the end of the panel, short film industy experts will 

be introduced to the audience. 

Short encounters 

In cooperation with Berlinale Shorts. 

18:30 / HAU 2 

Immediately following the aforementioned panel, HAU 2 will 

open its door to Talents and experts to mingle and explore possibilities 

of producing, distributing and showcasing short films. This session will 

include short film industry professionals – broadcasters, distributors, 

sales agent, producers, festival programmers and short film marketing 

institutions. Talents can network and get information pertinent to 

their own short film projects with regard to opportunities, possible 

partners and funders, as well as familiarising themselves with the 

market of alternative venues. Additional industry experts from within 

Germany and abroad will be invited to this mini “marketplace“. 

Be Kind, Rewind: Directors Comment Live 

Moderated by Maike Mia Höhne and David M. Thompson. 

In cooperation with Berlinale Shorts and Berlinale Generation. 

20:00 / HAU 1 

Four short films of the 2010 Berlinale Shorts and Berlinale 

Ge ne r ation programme will be screened at the last event of this short 

film evening. Following the first viewing of each film, the directors will 

be invited on stage by moderator of the evening, David M. Thompson, 

to give a live audio commentary on the film as it is played for a second 

time. The concept behind “Be Kind, Rewind“ is the rewinding to specific 

scenes so as to enable a second look, comments and discussion, and 

to make the audience aware of the process of producing these films, 

the hurdles encountered, the choices that were made, and finally the 

collaboration that helped finalising these films.

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DoP Christian Berger created the beautiful black and white photography 

for Michael Haneke‘s Golden Globe winner THe WHITe RIBBON. 


9:30 / HAU 2 

Today’s Rise and Shine Breakfast offers you a tasty start to 

a promising new Campus day. Meet Campus representatives and 

catch up with fellow Talents over hot coffee and a spread of delicious 

savoury and sweet delights. 

The True “Q“ 

Production design master class 

Sir Ken Adam. Moderated by Sir Christopher Frayling. 

11:00 / HAU 1 

The man who has created some of the most iconic and 

memorable sets in the history of film: Sir Ken Adam, production designer 

and architect, is the person responsible for the James Bond 

aesthetic, a result of his work on the seven most visually stimulating 

and imaginative 007 films. DR. NO is possibly the most important of that 

series as it created a unique futuristic look which became a hallmark of 



TUeSDAy, FeB 16 

Sir Ken Adam with Talent Linus Yao Fui (Malaysia) 

at the Berlinale Talent Campus in 2005. 

the film. The boldness of Sir Ken Adam‘s work is apparent throughout 

and it is this boldness that facilitates the minute as the grandiose. He 

is versatile and keen on detail, assets that have guided him to much 

success, including two Oscars for his sweeping recreation of 18th 

century england in Stanley Kubrick’s BARRY LYNDON and for Nicholas 

Hytner’s THe MADNeSS OF KING GeORGe. In conversation with Sir 

Christopher Frayling, British educationalist and writer who conducted 

a series of radio and television interviews with figures from the world 

of film, including Woody Allen, Sir Ken Adam, Francis Ford Coppola 

and Clint eastwood, Adam will go behind the curtain of one of the 

film world’s least understood art forms, giving examples from his 

extensive portfolio of films. Sharing the inspiration for his work with 

the audience, he will illustrate how production design enriches the 

visual storytelling of a film, adding narrative layers to the landscape of 

spaces and things surrounding the main characters. 



Rehearsed Reading: Actors Reading Scripts 

Alby James. 

11:00 / HAU 3, Front House 

Focusing on dialogue training in tandem with the Talent Actors 

Stage (p.25), this session will have Talent actors explore selected scenes 

and characters from two of the Script Station projects. engaging in a 

deep exploration of storytelling and interpretation for performance 

guided by Alby James, Talent actors will immerse themselves in the 

scenes and embody their roles, creating real, intriguing characters and 

making dialogues and story lines come alive. 

Alby James, a successful theater director for fifteen years before 

he moved into films, radio and television drama, was previously 

Head of Development with eON Screenwriters’ Workshop in London, 

and is currently working as an independent producer. Talents of the 

Script Station are invited to observe their screenplays come to life 

for the first time and get fresh insights into their characters from the 

actors’ take on their scripts. Actors and scriptwriters will have the 

opportunity to offer suggestions and comments during the session. 

The Secret Life of Sound 

Stefan Busch, Peter Strickland. Moderated by Peter Cowie. 


Often filmmakers who appreciate sound still have a limited 

idea of the potential for sound in storytelling. Designing the film with 

sound in mind implies allowing sound’s contributions to influence 

creative decisions in the other crafts. Only when each craft influences 

the other does the film begin to take on a life of it’s own, the sound 

shaping the picture as much as the picture shapes the sound. Based on 

his outstanding sound design for PeRFUMe – STORY OF A MURDeReR 

and his work on a wide range of films, Stefan Busch will describe 

how he created his mix and what his close collaboration with the 

director during the development and shooting process meant to him. 

British director Peter Strickland will do the same with his directorial 

debut KATALIN VARGA, the pleasant surprise at last year’s Berlinale 

Competition, screened subsequently at a number of international 

festivals. For KATALIN VARGA, Strickland recently won the european 

Discovery 2009 Award at the 22nd european Film Awards. He will talk 

about his passion for sound design and the hidden secrets of narrative 

storytelling through the ears of the spectator. 

Art Field Trip for Talents 

Bettina Allamoda. 

In cooperation with Berlinale Forum expanded. 

12:00 / excursion 

(meeting point: Arsenal Bar, Filmhaus Basement) 

exploring the intersections between film and other arts, 

this year’s Berlinale Forum expanded programme presents new 

per spec tives, both artistically and geopolitically, with a selection of 

more than 40 films, installations and performances from 20 countries. 

The artistic practices on view include Madhusree Dutta’s “Cinema 

City”, an installation project exploring questions on the relationship 

between urban space and cinema. An exhibition of the early films of 

Heinz emigholz, as well as other works featuring in the cinema and in 

exhibition spaces form part of the programme. 

The 2010 Berlinale Forum expanded programme can be 

viewed at various venues across the city including the Arsenal cinema 

in the Filmhaus, the Akademie der Künste, the Hamburger Bahnhof, 

the House of World Cultures (in cooperation with the Transmediale). 

The Berlinale Talent Campus and Berlinale Forum expanded give 

Talents the opportunity to discover and rediscover the links between 

the classical format of a film festival and the works of other film 

practitioners working in art contexts. This tour with Bettina Allamoda 

will combine the old, new, innovative and historical reflecting also the 

dynamic nature of the city of Berlin. 

Life Through a Lens 

Cinematography master class 

Christian Berger. Moderated by Peter Cowie. 

14:00 / HAU 1 

Lighting Workshop: Tue 16 at 18:00, 

HAU 3, Basement 

Renowned director of photography Christian Berger, also 

director, producer and writer of numerous documentaries, TV films 

and features, has worked with leading directors such as Michael 

Haneke, Luc Bondy, Stephen Gaghan and Amos Gitai. Recipient of 

numerous awards, most recently he was awarded the “Behind the 

Camera Award“ Los Angeles “Cinematographer of the Year“ for THe 

WHITe RIBBON. Berger developed the new “Cine Reflect Lighting 

System Berger/Bartenbach” in collaboration with the Bartenbach 

Lichtlabor, which, in addition to creating new aesthetic possibilities 

for the camera, gives actors and directors unprecedented flexibility 

and freedom. 

In his master class, he will give insight into his style of 

working – how he decides to join a particular project, prepares for the 

shoot ing stage with the director and how together they find a way 

to develop a common film language. Not least, he will talk about 

how he manages to surprise directors and producers with images 

beyond their expectation, lending the final film its very own mood 

and intensity. In the “Lighting Workshop“ on February 16 at 18:00, 

DoP Talents will benefit from a presentation of his lighting system, 

which he employed to shoot films such as DeAD MAN’S MeMORIeS, 

CACHé and THe WHITe RIBBON.

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58 

The film shows in the Berlinale Special, the directors 

at the Berlinale Talent Campus: Mexican filmmakers 

joined forces for the omnibus film ReVOLUCIóN. 

Choosing Images: Posters That Hook an Audience 

Hengameh Panahi, Helga Rechenbach, Fred Roos, 

Margrit Sickert, Peter Sickert. 

Moderated by Florian Weghorn. 

In cooperation with Berlinale Shorts and Berlinale Generation. 

14:00 / HAU 2 

The film is finished, it is ready to get out there! Not quite yet. 

The film poster, immortalising in one static image the feeling and 

atmosphere of a motion picture, is an often takenforgranted art 

form. The very first impression counts and is often what gets a person 

into the cinema. 

This panel brings together eminent professionals of the film 

world: Fred Roos, longtime acclaimed producer who has worked on 

films by Sofia Coppola; Helga Rechenbach, graphic designer and cofounder 

of Propaganda B in Berlin; Hengameh Panahi, sales agent and 

founder of Celluloid Dreams; and graphic designer Margrit Sickert 

and art director and photographer Peter Sickert of the Munichbased 

graphic design studio, Sickerts. Comprising the viewpoints of the 

producer, the graphic designer and the sales agent, this panel looks at 

how creating the right poster and choosing the most effective film stills 

increases the appeal of a film without exploiting and overshadowing 

its content. They will highlight some great examples of alluring poster 

imagery, including some of those featured at the 60th Berlinale. 




The Indie Filmmakers Guide To Cross Media II – 

extending The Finance: How To Produce Cross-Media Projetcs 

Ben Grass, Karol Martesko-Fenster, Michel Reilhac, 

Lance Weiler. Moderated by Liz Rosenthal. 



As storytelling extends beyond the big screen and the 90 

minute feature, what is the potential of building new financing 

partnerships across media industries and extending the value of the 

stories and intellectual property that you create? As traditional film 

finance routes dry up, this session will suggest possible new alliances 

and partnerships with online networks, multiplatform broadcasters, 

brands, agencies and other new financiers. 

Revolución: Mexican Filmmakers Joining Forces 

Mariana Chenillo, Pablo Cruz, Fernando eimbcke, Amat 

escalante, Rodrigo García, Diego Luna, Gerardo Naranjo, 

Rodrigo Plá, Carlos Reygadas, Patricia Riggen. 

Moderated by Mike Goodridge. 

In cooperation with Berlinale Special. 

17:00 / HAU 1 

Celebrating 100 years of their independence and marking the 

centenary of the Mexican Revolution (1910), Mexican filmmakers have 

Photo: Petr Novák 



Directing Actors: Dutch actress 

Johanna ter Steege‘s master class is part 

of the new Talent Actors Stage. 

come together on an extensive film journey, resulting in the omnibus 

film ReVOLUCIóN. Made up of 10 short films, ReVOLUCIóN directors 

include illustrious film professionals of international repute: one of 

the most important directors of modern cinema, Carlos Reygadas 

(SILeNT LIGHT, JAPóN), prominent directors Patricia Riggen, Rodrigo 

García, Fernando eimbke (2003 Campus Alumnus, whose LAKe 

TAHOe featured in the 2008 Berlinale Competition), Rodrigo Plá, Amat 

escalante (2004 Campus Alumnus), Gerardo Naranjo (I’M GONNA 

eXPLODe, 2009 Berlinale Generation), Mariana Chenillo, and last but 

not least famed actorturneddirectors Gael García Bernal and Diego 

Luna. Through the eyes of these ten filmmakers, ReVOLUCIóN offers 

a multifaceted analysis of what is the revolution today and what it 

means to the young minds of Mexico. The team of filmmakers together 

with producer Pablo Cruz, gather at the Campus and debate whether 

the revolution a century ago was worth it in light of the current state 

of politics and culture in Mexico. 

Brussels in Berlin: How to Produce in europe 

Britta Knöller, Tomas Leyers, Soon-Mi Peten, David Thion. 

Moderated by Catherine Buresi. 

In cooperation with MEDIA and European Film Market. 

17:00 / HAU 2 

The producer's task to bring together filmmakers with com 

pel ling stories and professionals who are able to shoot, (script) edit, 

postproduce and sell the film hasn't become easier with european 

coproduction regulations. Increasingly, reality on the ground requires 

several parts of the filmmaking process to be divided amongst 

professionals working all over the continent. Successful film producers 

Britta Knöller, David Thion and Tomas Leyers, whose projects were 

supported by MeDIA, talk about how they managed to maximise 

coproduction and bring together the best professionals in europe. 

Together with MeDIA Development representative SoonMi Peten, 

the producers will discuss how MeDIA, aware of these complexities, 

assists producers and filmmakers by preparing them to find the 

right people abroad and to ensure that the films reach the audience. 

Over the past 16 years, MeDIA, the eU's support programme for the 

european audiovisual industry, has supported the development and 

distribution of thousands of films as well as training activities, festivals 

and promotion projects throughout the continent. MeDIA is one of 

the Berlinale Talent Campus’ most essential partners. 

Directing Actors 

Acting master clas with Johanna ter Steege. 

Moderated by Marten Rabarts. 


This master class with illustrious Dutch actress Johanna 

ter Steege is part of the new Talent Actors Stage, which aims at 

giving actors practical experience through the collaboration with 

professionals from other film disciplines. Directing actors is crucial to 

establishing creative, collaborative relationships with actors, getting 

the most out of rehearsals, working on weak performances and giving 

directions. This session focuses on intensifying the collaboration 

between directors and actors from the viewpoint of the actor. 

Winning the european Film Award for Best Supporting Actress 

for her very first role in George Sluizer’s THe VANISHING, Johanna 

ter Steege has since worked with a wide range of internationally 

renowned directors including Robert Altman, István Szabó, Heddy 

Honigmann, Kai Wessel, Sandra Nettelbeck and Bruce Beresford. 

Her most recent role was in L'INSURGée (2009) by Laurent Perreau. 

From her own perspective and experience, she will advise and show 

directors how they can encourage, support and stimulate actors to 

draw out the best performances from them.

Page 

60 

excursion to the HFF “Konrad Wolf“ where rerecording mixer 

Martin Steyer will hold a master class. 


9:30 / HAU 2 

Today’s Rise and Shine Breakfast offers you a tasty start to a 

pro m ising new Campus day. Meet Campus representatives and catch 

up with fellow Talents over hot coffee and a delicious breakfast spread. 

Berlin Today Award 2011 Producers‘ Meeting 

Supported by Medienboard Berlin-Brandenburg. 

10:00 / HAU 3, Front House 

Five films are in the production lineup of the Berlin Today 

Award 2011, the Campus’ Talent Short Film Competition. The films, 



WeDNeSDAy, FeB 17 

Yôji Yamada‘s OTOUTO will be screened 

as the Official Closing Film of this year‘s Berlinale. 

based on the theme “You Are Leaving The Familiar Sector”, will 

cele brate their world premiere at the opening of the 9th Berlinale 

Talent Campus in 2011. The Producers’ Meeting is a marriage market of 

shorts, where 15 preselected Talents meet producers interested in 

producing one of the Berlin Today Award shorts. Starting with brief 

introductions and a round of project presentations, Talents will be 

able to present their projects in oneonone meetings with producers. 

An entire day of discussions, pitching and profiling will end with 

Talents and producers voting for their choice partners. In spring 2010, 

the Berlinale Talent Campus will select the final five projects and their 

producers from the wish list compiled at this Producers’ Meeting. 



excursion to the German 

Film Orchestra Babelsberg 

Martin Steyer. 

In cooperation with Insight Out, German Film Orchestra Babelsberg 

and the Film and Television Academy (HFF) "Konrad Wolf". 

10:00 / Meeting point in front of HAU 1 

The German Film Orchestra Babelsberg, the only professional 

orchestra for film music in Germany, opens its doors to sound 

designers and composers attending the Campus. Located on the 

premises of Studio Babelsberg where cinematic images have been 

brought to life for a long time and films such as THe BLUe ANGeL, 

MURDeReRS AMONG US, THe LIFe OF OTHeRS and THe GHOST WRITeR 

were produced. The excursion will be followed by a sound editing and 

rerecording mixing master class (see below). 

Absolute Hearing 

Master class sound editing & re-recording mixing 

with Martin Steyer. 

In cooperation with Insight Out. 

Prof. Martin Steyer, vice president of the Film and Television 

Academy (HFF) “Konrad Wolf” and rerecording mixer of the Academy 

Award winning film THe LAST KING OF SCOTLAND, will conduct a 

master class on the film‘s soundtrack, which has an original score by 

composer Alex Heffes. Martin Steyer will explicate, both technically 

and strategically, how the score was woven into the fabric of the film 

from the very start to immerse the audience in the music of Uganda, 

adding a contrasting large scale orchestral score to the film. But not 

only the score, he will also give details from his perspective on film 

sound as an audio event with a quasi musical structure. The sound 

crew of the film including former HFF students Christian Conrad 

(supervising sound editor) and Dominik Schleyer (dialogue editor) 

were nominated for The Golden Reel Award (Best Sound editing) of 

MPSe (Motion Picture Sound editors) in 2007. 

In the Limelight: yôji yamada 

Tsutomu Abe, yôji yamada, Ichirô yamamoto. 

Moderated by Masayo Kajimura. 

In cooperation with Berlinale Forum. 

11:00 / HAU 1 

Yôji Yamada is one of Japan’s preeminent directors with a 

lengthy career of over 80 films starting in 1968 and including the 

critically acclaimed DOWNTOWN HeROeS, THe TWILIGHT SAMURAI, 

and KAABee – all of which competed for the Golden Bear in previous 

years. Yamada is also very wellknown for making the longest ever 

theatrical film series OTOKO WA TSURAI YO (better known as TORA- 

SAN), spanning a period of about 25 years and comprising 48 films. A 

combination of road movie, romance, comedy and nostalgia, it was a 

boxoffice success every single time. This prolific filmmaker returns to 

the Berlinale with two films in this year’s programme: OTOUTO and 

KYOTO STORY; the latter a collaborative project with Japanese students. 

Together with producer Ichirô Yamamoto and Tsutomu Abe, codirector 

on KYOTO STORY, he talks about the twists and turns in his 

long cinematic journey and his collaboration with a new generation of 

Japanese filmmakers. 

Reality Bites: Doc Station Presentation 

Hans-Robert eisenhauer. 

Moderated by Sirkka Möller. 

In cooperation with German Federal Film Board (FFA). 


They say that truth is stranger than fiction. In the hands of 

talented documentary filmmakers, it can also be funnier or more 

dramatic, more captivating or more poignant – and infinitely more 

inspiring. The Doc Station presents a unique insight into the devel opment 

of documentary films by upandcoming docu men tarians from 

around the world. Like the filmmakers themselves, also their stories 

reflect a world of global communication and crossnational identities, 

be it a political docu thriller from Peru or the gripping conflict of a 

female boxer in Zambia. At different stages of development, these 

stories by Doc Station Talents will be presented for the first time before 

a pro fes sional audience. 

Shotgun Stories: African Cinema Attacks 

Kunle Afolayan, Oliver Hermanus, Caroline Kamya, 

Tom Tykwer. Moderated by Dorothee Wenner. 

In cooperation with Heinrich Böll Foundation, 

Berlinale Forum and Berlinale Generation. 

14:00 / HAU 1 

There’s a whole new generation of African filmmakers ready to 

shoot films which might blow our minds away: as they don’t match 

the image of African cinema that we are used to. Many young direc 

tors choose urban Africa as a location to tell stories of love and hate; 

they prefer hip hop to traditional drums in their scores and are eager 

to portray lifestyles yet to be discovered beyond Kampala, Johan nesburg, 

Nairobi or Lagos. Although filmmaking in most African countries 

is more difficult than in other parts of the world, this new generation 

refuses to be silenced by those who try to control their work by means 

of funding, tough political oppression or simply due to lack of interest. 

The headwinds from home blow just as strongly as they do from 

countries in the North, but they aren‘t strong enough to stop this 

movement. This panel offers a platform to exchange ideas for the 

future of African cinema based on personal experiences, new strat egies 

and individual films. It’s time for action: moving images can be 

used as sharp weaponry in a warfare against ignorance.

Page 

62 

Fear eats The Soul: The State of Film Criticism 

Nick James, David Thomson, Stephanie Zacharek. 

Moderated by Dana Linssen. 

In cooperation with Berlinale Retrospektive. 

14:00 / HAU 2 

A large number of film critics feel increasingly embattled in 

their efforts to write serious criticism because of commercial pressure 

from publishers, publicists and film distributors, all of whom seem to 

be interested in using critics as marketing aids. As print circulation 

declines, bloggers appear to have the advantage in virtual space with 

few professional responsibilities or interventions holding them back. 

This may on the one hand, constitutes the “crisis“ of film criticism, if 

one can call it that. On the other hand, this “crisis“ seems also to arise 

from the waning influence of critics, the oncevillains of the film 

world, hated by filmmakers and distrusted by readers. Film critics 

seem today to have opted for the safety of pure admiration, focusing 

more on disappearing film magazines and newspapers, than on the 

quality of film criticism itself. In his article “On Provocation“, the editor 

of “Sight & Sound“, Nick James recently questioned the obedient and 

hardly provocative role film critics play in reviewing films, resulting in 

filmmakers challenging and provoking critics, take Tarantino or von 

Trier. Shouldn’t critics take the lead again and write forcefully and 

with a clear voice? Questioning the role of film criticism today, leading 

critics David Thomson, Nick James and Stephanie Zacharek debate the 

current state of press affairs. 

The Indie Filmmakers Guide To Cross Media III – 

extending The Audience: How To Distribute 

Across Multiple Platforms 

Lizzie Gillet, Karol Martesko-Fenster, 

Timo Vuorensola. Moderated by Liz Rosenthal. 



As audiences discover and engage with films across a rapidly 

expanding array of platforms and devices, distribution strategies for 

independent film are evolving. Looking at a variety of distribution 

case studies, speakers will demonstrate a variety of models and lessons 

learned from making films available across multiple platforms, 

sites and devices to simultaneous release strategies, special events 

and digital wordofmouth campaigns. 




Call it Fiction: Script Station Presentation 

Moderated by Fleur Knopperts. 


14:00 / HAU 3, White Stage 

At the heart of a good film is a good script, which has the 

power to grab the audience from the very first scene and sustain its 

attention until the end: This means transforming a story into images, 

turning it from mere words on paper into cinema. Talents of the Script 

Station, under the guidance of professional script advisors, have been 

developing their scripts, giving them their energy, emotion, due 

form and structure. These screenplays of the Script Station will be 

presented on stage for the very first time, taking shape in the form of 

powerful dialogues and enthralling story lines, be they intense family 

dramas set in Bosnia, Belgium or Ireland; a gripping thriller in Cyprus; 

the threat of terrorism hanging over an American family, an eastern 

european comedy or the very endearing coming out of a blind boy 

in Brazil. The twelve Script Station screenplays in their various stages 

of development will be presented as works in progress by the Talents 

and their expert mentors. 

Sublime Sounds, Haunting Scores 

Master class score composing with Alexandre Desplat. 

Moderated by Peter Cowie. 

17:00 / HAU 1 

If you enquire after the rising stars in film composition on 

the Hollywood scene, you will inevitably encounter the name of 

Alexandre Desplat. With a wellgrounded background in film composition, 

extensive experience and an evident personal style, this 

French composer, after having composed the music for over 50 

european films, began his triumphant success around the world in 

2003 with the wonderful neoclassical and haunting score of GIRL 

WITH A PeARL eARRING and the Silver Bearwinning score for THe 

BeAT THAT MY HeART SKIPPeD (2005). With a gift for rich, cinematic 

melody, his varying and sensitive orchestral style, his ear for rhythmic 

precision and his keen sense for dramatic nuances has been enriching 

the world of film music across the globe. He has made awardwinning 

scores for such films as THe PAINTeD VeIL, THe QUeeN, BIRTH and THe 

CURIOUS CASe OF BeNJAMIN BUTTON. Using excerpts of the diverse 

films he has worked on, this prolific composer will discuss the ways of 

introducing the mood of a film through the opening music, the timing 

of a score and heightening of suspense moments within a scene. He 

will elaborate on the music in historical films or those made on foreign 

ground, and his approach to composing a score at a time when scores 

are increasingly being written before the film is edited. He will also 

talk about his close collaboration with various film directors and the 

differences in the production of european and US American films. 



Happy Returns: The Future After the Campus 

Jenna Bass, Rodrigo Diaz Diaz, Sebastian Pille, Rusudan Pirveli, 

David Sieveking. Moderated by Matthijs Wouter Knol. 

In cooperation with Berlinale Panorama, Berlinale Generation, 

Berlinale Shorts and Perspektive Deutsches Kino. 

17:00 / HAU 2 

The motto of the eighth edition of the Berlinale Talent Campus, 

“Cinema Needs Talent: Looking for the Right People“, aptly defines 

the platform the Campus has managed to create since its inception. 

The Berlinale is not just home to leading filmmakers, it rejoices year 

after year in the discovery of new innovative films, a number of them 

were projects developed at the handson programmes of the Campus 

or made by Talent alumni, former participants of the Campus. On 

centre stage today, these filmmakers, Jenna Bass, Rodrigo Diaz Diaz, 

Sebastian Pille, Rusudan Pirveli and David Sieveking, will present their 

films and take us behind the scenes of their film projects. They will 

talk about the stumbling blocks that roughed up their filmmaking 

journeys. They will also give helpful tips on getting your films through 

trying times. The future is out there waiting for you – happy returns to 

the Campus! 

Right to Music 

Mareile Büscher, Milena Fessmann. 

In cooperation with Hogan & Hartson Raue LLP. 


The legal aspects of filmmaking affect the practical and 

creative concerns of making films and music. Sounds, words and ideas 

can be legally treacherous but are real issues essential to protecting 

your film from a lawsuit. Milena Fessmann and Mareile Büscher know 

this reality well. Music supervisor and founder of Cinesong, which offers 

a full range of services related to music and films, Milena Fessmann 

has been music consultant on films including PALeRMO SHOOTING 

and FC VeNUS and music supervisor on several films. Focusing on how 

music and sound can be used legally in film, Fessmann and Mareile 

Büscher, legal counsel for Hogan & Hartson Raue LLP on press, media 

and copyright law, will discuss how you decide when you need to clear 

music rights, how you go about it, and at what stage of production 

you should do this. They will elaborate on the process of clearing 

rights to music and sound and the formulation of a proper request for 

licensing music in a movie. 

extending Scripts 

Alexandre Brachet, Martin ericsson, Liz Rosenthal. 

Moderated by Jakob Kirstein Høgel. 


17:00 / HAU 3, White Stage 

enabling filmmakers to connect with key digital innovators 

and helping them make the transition to a crossmedia digital age, 

this panel presents crossmedia experts – Alexandre Brachet, director 

of Upian (France), Martin ericsson, creative director of The company P 

(Sweden) and Liz Rosenthal, managing director of Power to the Pixel 

(UK) – who will inform and inspire screenwriters participating in the 

Doc & Script Station to develop new models of storytelling. They will 

encourage and challenge participants to consider cross media project 

development for their current or future projects. As direct, practical 

examples relevant to Talents of the Doc & Script Station, the experts 

will use a number of projects developed at the handson training as 

examples for developing projects aimed at multiple platforms, which 

also open up new forms of creativity, finance and distribution. 

Performance: The Abstract Prophecy Conference 

Ásdís Sif Gunnarsdóttir. 


22:00 / HAU 1 

“Prepare to loose your dignity. Start lying. Prepare to loose 

your dignity by a kiss of a stranger. Prepare to be somebody else 

and follow your sins, you’ll regret not falling into the sins, the sins 

will lead you to the right places and leave you travelling. Those were 

the mistakes, you should’ve done, and those were the right mistakes. 

Prepare to loose your dignity.“ 

Icelandic performance and film artist Ásdís Sif Gunnarsdóttir’s 

performance will have a poetic conference feel: A journey to the 

psychedelic vastness of the feminine mind. In a relaxed, meditative 

atmosphere, she will control an abstract power point blended in with 

music, videos, performances and poetry. It will be a onewoman show 

but a dark haired lady will be her assistant, mixing bloody marys for her 

and occasionally playing one note on the keyboard. The performance 

will be full of feminine gestures – poetic, fantastic moments that are 

visually interesting without a narrative. The audience should be able 

to enjoy the performance sitting down, falling asleep and having lucid 

dreams, then waking up and still being in a dream.

Page 

64 

Talents visiting the collection of uniforms at the traditional 

Costume House Theaterkunst. 


Presented by the French Embassy. 

9:30 / HAU 2 

Today’s Rise and Shine Breakfast is presented by the French 

embassy and offers you a tasty start to a promising new Campus day. 

Meet French embassy representatives and catch up with fellow Talents 

over hot coffee and a spread of delicious savoury and sweet delights. 

A Second Skin – Master Class 

for Set Designers at Costume House Theaterkunst 

In cooperation with Theaterkunst. 

10:00 / excursion (meeting point 9:30 at the entrance of HAU 1) 

Finding the right costumes for the cast, the story and the 

particular era is something of a challenge. It requires that accura 

cy, ideas and execution lie in one hand, that of a costume 

house like the Theaterkunst. Having fitted the cast of some of the 

most cele brat ed films of the 1920s such as THe BLUe ANGeL and 

MeTROPOLIS, Germany’s largest costume house for film, television, 

advertising and theatre is just as active today costuming films 

like THe BAADeR-MeINHOF COMPLeX and THe ReADeR. With a collect 

ion of 10 million costumes covering all periods, styles and trends, 

it supplies both national and international productions of all sizes. 

Talent production designers will benefit not just from a guided tour, 

but also from the insightful case study on the film INGLOURIOUS 

BASTeRDS, which was filmed in Germany and supplied with around 

3,000 costumes by Theaterkunst. 



THURSDAy, FeB 18 

expending the last bit of energy at the Closing Party in HAU 2. 

All you Should Know About: 

Berlinale Co-Production Market 

Kathi Bildhauer, Martina Bleis, Sonja Heinen. 

In cooperation with Berlinale Co-Production Market. 


The Berlinale CoProduction Market, best described by the 

Berlinale festival director Dieter Kosslick as “a home for international 

producers and financiers attending the Berlinale,” will celebrate its 

seventh edition from Feb 1416, 2010. This eagerly awaited event 

brings together around 450 international producers, sales agents, 

distributors as well as broadcasting and funding representatives 

active in the field of coproduction. These film industry professionals 

have the opportunity for oneonone meetings with potential coproducers 

to discuss an array of preselected film projects. In addition, 

workshops and case studies are held to update participants on the 

latest developments and trends in the industry and to create a 

platform for the exchange of ideas, experiences and information. And, 

to round out the programme, social events allow participants and 

guests to meet in an informal atmosphere to further discuss projects. 

Head of the CoProduction Market, Sonja Heinen, together with Kathi 

Bildhauer and Martina Bleis introduce the role and purpose of the 

market, explain ing the application and selection process. 

Screening the Future: 

excursion to the Heinrich Hertz Institute 

Alfred Behrens, Ralf Schäfer, Corinna Volkmann. 

In cooperation with Fraunhofer / Heinrich Hertz Institute. 

11:00 / excursion (meeting point 10:30 at the entrance of HAU 1) 

The Heinrich Hertz Institute is a leading research institute for 

mobile and fixed communication networks and for key applications in 

the world. Innovations for the digital future – both in the field of 



stateoftheart communications systems and in the field of digital 

me dia and services use – are at the heart of the research and de vel op 

ment work carried out by the Institute. Multimedia is seen as one of 

the key components in information technology as images, video, 

language, sound and additional data are being used for an increasing 

number of services in the office, at home and in public areas. Their 

innovative approaches for the film industry comprise image pro cessing, 

image communication and 3D displays, as well as the development 

of new audio technologies. With upwardscalable resolutions, 

“tomorrow's cinema“ goes far beyond the standards aspired to in the 

digital cinema world. A group of Talents will learn about the cuttingedge 

technologies for screen and sound developed for the future. 

Sixty For The Future: Celebrating the Berlinale 

Hans-Christoph Blumenberg, Michel Ciment, Dieter Kosslick, 

Hanna Schygulla, Gesine Strempel. Moderated by Peter Cowie. 

In cooperation with Berlinale Special and Berlinale Retrospektive. 

11:00 / HAU 1 

The Berlin International Film Festival was launched on June 6, 

1951 and celebrates its 60th edition this year. Over the past decades, 

the Berlinale has become one of the most important film festivals in 

the world. Festival director Dieter Kosslick introduces this panel of 

prominent filmmakers and critics HansChristoph Blumenberg, Michel 

Ciment, and Gesine Strempel, and legendary actress Hanna Schygulla. 

The panel not merely relives the rich history of the Berlinale, but also 

discusses the role the festival has played and continues to play for 

filmmakers – that of connecting cultures and international cinema, the 

North to the South, and bringing closer the east to the West. The festival 

remains a home base for the emerging and the established, today and 

in the future. Film historian and critic Peter Cowie, whose reflections 

on the history of the festival and the Berlinale today are presented in 

the book “The Berlinale. The Festival”, will explore together with the 

experts questions about how a festival like the Berlinale can enrich the 

métier of filmmaking and enhance the joy of watching films, and how 

cinema will continue to bring people together in the future. 

World Cinema Fund: How to Apply 

Vincenzo Bugno, Sonja Heinen. 

In cooperation with World Cinema Fund. 


Five years on and increasingly going strong: the World Cinema 

Fund, this promising model for creating a truly global cinema is a joint 

initiative of the Berlin International Film Festival and the German 

Federal Cultural Foundation in cooperation with the GoetheInstitut. 

Within a short of time, the World Cinema Fund has established itself as 

one of the leading institutions in the field of the international funding 

of artistically ambitious films. It supports features and documentaries 

with a strong cultural identity in countries with no or a barely existing 

traditional cinema infrastructure. The World Cinema Fundbacked mov 

ies have been screened and won awards internationally – among 

them an Oscar nomination and a Berlinale Golden Bear. In addition to 

films from Latin America, Africa, the Middle east and Central Asia, the 

Fund included the Caucasus and South east Asia as funding regions 

three years ago. Sonja Heinen and Vincenzo Bugno, project managers 

of the Fund, will present background information before going into 

the aspects of the application process: eligibility and prerequisites for 

funding, the kind of projects that come into question, and fields for 

which support is offered before opening the floor to questions. 

Ásdís Sif Gunnarsdóttir: 

Film experience as Real Time Happening 

Ásdís Sif Gunnarsdóttir. Moderated by 

Stefanie Schulte Strathaus, Bettina Steinbrügge. 


14:00 / HAU 1 

Icelandic performance and film artist Ásdís Sif Gunnarsdóttir 

composes beautiful and complex sets recreating a physical state of 

mind. Her video installations and performances explore the feminine 

psyche with a mix of fantasy, psychedelia and humour by focusing 

on the identity of the character between the “takes“. Her installations 

are excerpts from her cinematic performances and are filled with random 

items such as mirrors, ribbons, glitter and many times include 

projections both on the walls and floor. As she notes, “I feel that there 

is a constant flow between performance and video art. I often bring 

performance into my installations, like dress up in the same colours as 

the work, and just lie on the floor like a ghost while the viewers walk by.” 

Organised by the Berlinale Forum expanded, Ásdís Sif Gunnarsdóttir’s 

onewomanshow “The Abstract Prophecy Conference” will be held on 

Feb 17 in HAU 1 at 22:00. In con ver s ation with Bettina Steinbrügge 

and Stefanie Schulte Strathaus, she will talk about her body of work, 

her current installation project at the Berlinale Forum expanded and 

her performance of the previous night. 

eastern Promises: emotional Conflicts 

in New east european Cinema 

Vladimir Perišić, Alexei Popogrebsky, Florin Serban. 

Moderated by Nikolaj Nikitin. 

In cooperation with Robert Bosch Stiftung. 

14:00 / HAU 2 

Young east european filmmakers are making films about 

young people in eastern europe at vital junctures in their lives: 

be ing confronted with situations in which they have to take huge 

re sponsibility and make tough life and death decisions. On centre 

stage are the filmmakers that desire to share images of everyday

Page 

66 

life and people dealing with everyday needs and problems. Russian 

filmmaker Alexei Popogrebsky has made the critically acclaimed 

ROADS TO KOKTeBeL and SIMPLe THINGS, his latest film HOW I eNDeD 

THIS SUMMeR competes for the Golden Bear this year. Joining 

him on stage are Romanian director Florin Şerban, whose IF I WANT 

TO WHISTLe, I WHISTLe also enjoys its world premiere in the 2010 

Berlinale Competition, and Serbian director Vladimir Perišić, whose 

ORDINARY PeOPLe competed for the Caméra d’Or at the 2009 Cannes 

Film Festival and won the main award at the Sarajevo Film Festival. 

This panel explores fresh new cinema from Serbia, Russia and Romania 

and will have the filmmakers reflect on what it means to work as 

young filmmakers in eastern europe today, how they put togeth 

er their creative “dream teams” and found the right cast for their films. 

Where Things Come Together: 

Campus Post-Production Studio Presentation 


In cooperation with The Post Republic. 


The Campus PostProduction Studio, geared to equip Talents 

to practical filmmaking techniques, focuses on digital workflows. This 

includes shooting with the ReD One and the eX3 camera, editing on 

Avid, grading on the Nucoda Film Master and the final mastering. 

30 Talents have been selected to work with expert practitioners in 

the Digital Workflow segment of this bustling postproduction hub. 

Prominent specialist for HD Camera, Stefan Ciupek and Dirk Meier will 

present the outcome of the Digital Workflows section. 

Cutting on the edge: Campus editing 

Studio Presentation 

Menno Boerema, Katja Dringenberg. 

Moderated by Kevin Murphy. 

In cooperation with dffb and Pictorion das werk. 

14:00 / Cinema dffb 

editing for weeks now but still stuck? That little extra input is 

needed to finalise the film. Internationally renowned editors join the 

Campus editing Studio to give feedback and help filmmakers refine 

their roughcuts in a fullday, oneonone editing session. Drawing on 

their experiences in the Campus editing Studio, selected participants 

will present excerpts from their roughcuts and show how the oneday 

session activated fresh approaches to the editing process. In 

dialogue with Menno Boerema and Katja Dringenberg, the editorial 

teams will discuss the specific challenges they identified within their 

roughcuts, and the questions, experiments and solutions that were 

tested in the editing Studio. What kinds of questions do editors pose 

to directors and to themselves when confronted with a roughcut or 

unedited dailies? 




Things to Take Home 

Marjorie Bendeck, Kathi Bildhauer, Marcus Forchner, 

Matthijs Wouter Knol and Christine Tröstrum. 

16:00 / HAU 2 

The eighth edition of the Berlinale Talent Campus comes to 

a close this evening. Is this really the end? Not quite! Before we send 

you off, we offer things to take home: opportunities and activities that 

you can avail of from your home base. Comprising members of the 

Campus team, this panel provides an overview of all the extraCampus 

services that may be useful to you in developing current and future 

film projects. Information related to the Campus Abroad editions and 

the Campus online database will be presented. 


Score Competition Presentation 

Vladimir Cháb, Alexander Komlew, David OReilly, 

Camilo Sanabria. Moderated by Annette Gentz. 


Today, more than ever, music fulfills a vital role in feature films. 

What music does in film is to make up for the emotion that is lost on 

camera. It creates the right mood and an emotional pull that directs 

your feelings. If it’s done well, you won’t even notice its presence. What 

film composers add, what they enhance, begins with what's on the 

screen. At the nerve center of practice and theory, the Berlinale Talent 

Campus’ Score Competition has guided three young film composers 

through the process of creating original music to accompany the visual 

medium and to synchronising it seamlessly to visual events. each 

of the final three scores presented at this event will tell a story of its 

own. The three finalist will converse with filmmaker David OReilly, 

whose short film PLeASe SAY SOMeTHING they scored for the Score 

Competition, about their work and strategies in the music studio, the 

preparation and the recording of their scores and the challenges they 

faced during the film scoring process. 

Closing and Award Ceremony of the Score Competition 

Alexandre Desplat, Hubert Henle, Martin Steyer. 

Moderated by Thomas Heinze and Matthijs Wouter Knol. 

20:00 / HAU 1 

Six days of highspirited action, of sharing, developing film 

ideas, networking, getting inspired and motivated come to a close. The 

8th edition of the Berlinale Talent Campus ends with a farewell from 

the Campus team and the announcement of the winner of the Score 

Competition. The winning contestant will be awarded a trip to the 

best sound studios in Los Angeles, sponsored by Dolby Laboratories. 

In celebration of an exhilarating Campus week, we invite all of 

you to the Closing Party in HAU 2. Come prepared to expend the last 

bit of your reserve energy with us! 

Chapter 

05 

INDex 

p.68 Index of experts 

p.75 Index of Talents / p.77 Note of thanks 

p.78 Team and Imprint / p.79 Partners

page 

68 

Abe, TsuTomu 

Japanese director, he co-directed Kyoto Story which will be presented at the Berlinale 

Forum this year. (p.61) 

AbrAm, Ido 

Director of Binger Filmlab, he is a consultant of the Berlinale’s European Film Market, 

the Producers Network of the Cannes Film Festival, and board member of the MEDIA 

Desk Netherlands. (p.37) 

AdAm, sIr Ken 

British-German production designer and mastermind behind the sets of many 

James Bond films and Stanley Kubricks Dr. StrANGElovE, he is a monument in 

Brit ish cinema and won Academy Awards for thE MADNESS oF KING GEorGE and 

BArry lyNDoN. (p.56) 

AfolAyAn, Kunle 

Nigerian director and actor, he started out working as a banker and acted in the 

feature SAworoIDE. After studying digital fimmaking at the New york Film Academy, 

he shot his first award-wining film IrAPADA. his recent film thE FIGurINE received 

critical acclaim worldwide. (p.61) 

AllAmodA, beTTInA 

German artist working in the contextual field of visual arts in a transdisciplinary 

sense, her work reflects the architectural interdependencies of urban public spaces/ 

spheres and projective functions of the built environment. Performance, photo, 

collage, sculpture and video serve as tools of her artistic practice. (p.35, 57) 

bAnnenberg, esTher 

Independent consultant for the international positioning and scouting of in dependent 

films, she has a solid background in worldwide sales, distribution, acqui sition, 

marketing and promotion, festivals and markets. Esther Bannenberg is a jury 

member of the talent Project Market. (p.30) 

bär, sImone 

Founder of the Simone Bär Casting, she has organised professional castings for films 

such as INGlourIouS BAStErDS and thE whItE rIBBoN, winning the German Casting 

Award at the Cologne Conference in 2002. (p.25, 51) 

bAss, JennA 

South African director, writer and Campus alumna, she is developing her first feature 

project 5.6 SECoNDS oF whItE NoISE. She has directed over ten short films and seven 

music videos. her film thE tuNNEl runs in this year‘s Berlinale Shorts. (p.14, 63) 

beerends, sAndrA 

Dutch dramaturg and producer, she was dramatic advisor of FAMIlIE in 2001 and 

DuNyA & DESIE which was screened at the 2008 Berlinale Generation. She produced 

NovEllEN: hollANDSE hElD and a tv series called Flow. (p.35) 

beheshT nedJAd, roshAnAK 

Producer and founder of Flying Moon, the company focuses on features and documentaries 

with emphasis on international co-productions. with Flying Moon she 

produced 32 A, CoMrADES IN DrEAMS, Full MEtAl vIllAGE, FootBAll uNDEr CovEr, 

ovErSEAS AND uNDEr your SKIN and hoME FroM hoME. roshanak Behesht Nedjad is 

a jury member of the talent Project Market. (p.30) 

behrens, Alfred 

German writer, director and script consultant, he was professor for script writing at the 

Film and television Academy (hFF) “Konrad wolf” from 2004-2009. he is currently 

involved in the planning of a New Media Academy at hFF and the hochschule wismar 

designing a bi-lingual workshop “Multi-Platform Project Development“. (p.64) 

belsITo, PeTer 

American producer, cinematographer and publisher, he is the executive vice 

pre sident of FilmFinders. together with Sydney levine, he successfully merged Film- 

Finders with IMDb, IMDbPro and Amazon.com. he has also been involved in 

professional education with young filmmakers via festivals and forums. (p.37) 

berg, ChrIsTIne 

Former managing director of the Film Fund Schleswig-holstein, she is project 

direc tor of the German Federal Film Fund (DFFF) at the German Federal Film Board 


Index of 

experts 

(FFA). She also worked for the production and distribution company Kinowelt as a 

producer where she produced MoStly MArthA. (p.47) 

Berger, Christian 

Award-winning Austrian cinematographer and writer for numerous documentaries 

and tV features, he has worked for renowned directors such as Michael haneke, luc 

Bondy and Stephen Gaghan. he is the founding member of the lichtakademie 

Bartenbach where he developed a new aesthetic lighting system for cameras, 

employed in the PiAno teAcher, DiSenGAGeMent and the White riBBon. (p.57) 

Beyer, Klaus-Peter 

Artistic director of the German Film orchestra Babelsberg, he was the music producer 

of the 2001 version of lotte reiniger’s the ADVentureS oF Prince AchMeD, composer of 

conVerSAtionS With A BeASt and studio manager of the MuSKeteer. Jury member of 

the Score competition 2010. (p.22) 

Bildhauer, Kathi 

See interview on p.31 (p.31, 64, 66) 

Bleis, Martina 

Member of the Berlinale co-Production Market team since its inception, and 

mana ger of the selected official projects, she is also active as a consultant for co-production 

events with international institutions and festivals. (p.64) 

BluMenBerg, hans-ChristoPh 

German film critic turned director and scriptwriter, his 1996 film BeiM nächSten KuSS 

KnAll ich ihn nieDer won the German Film Award for Best Screenplay. his film trAce 

oF the BeArS features in the 2010 Berlinale Special. (p.65) 

BoereMa, Menno 

Award-winning Dutch editor, he has worked on numerous films such as cloSure, 

JunGle ruDy, PArADiSe GirlS, trAnSit DuBAi and lolAMoViolA. Since 1998 he has 

been teaching at the Dutch Film Academy and has lectured in many countries 

around the world. (p.24, 66) 

Böhler, Bettina 

German editor, she is one of the most experienced editors in today’s German film 

industry, and has worked with directors such as Michael Klier, christian Petzold, 

christoph Schlingensief, oskar roehler and Valeska Grisebach, whose film Sehn 

Sucht screened at the 2008 Berlinale competition. (p.24) 

BraChet, alexandre 

Paris-based e-producer and founder of the cross-media production Studio upian, he 

merges cutting-edge technology and traditional techniques to break new ground in 

made-for-broadband storytelling. in spring 2010, upian will launch PriSon VAlley, 

a new interactive documentary, co-produced by Arte. (p.54, 63) 

BrinKMann, Kathrin 

commissioning editor of Arte theme evenings, a department within ZDF since 

2000, she was commissioning editor for ZDF’s “Das Kleine Fernsehspiel” from 1994- 

2000. She recently commissioned coMrADe couture, SuPer Art MArKet and A JihAD 

For loVe. (p.29) 

Bugno, VinCenzo 

Film critic and journalist, he is advisor to film festivals and the initiator and project 

manager of the Berlinale’s World cinema Fund. As a member of the programming 

committee of the locarno Film Festival, he has been heading its open Doors section 

since 2006. (p.52, 65) 

Bühler, urs orson 

Screenwriter and script consultant for numerous Swiss, German and Austrian 

production companies, he teaches screenwriting, holds an MFA from the American 

Film institute AFi and is a coach of the Berlin today Award 2011. (p.32) 

Buresi, Catherine 

Deputy director of the Berlinale’s european Film Market since 2008, she is the team 

leader of the euromed Audiovisual technical assistance since 2006. Formerly chief 

executive at eAVe, a training programme for european producers and re la ted 

professionals. (p.59) 

Index of experts 

Busch, stefan 

Award-wining sound designer and composer, he was supervising sound editor for 

BArefoot, the White MAsAi, and the rABBit Without eArs i and ii. his recent sound 

edits include the BAAder-Meinhof CoMplex and pope JoAn. he won a German film 

Award for best sound in perfuMe – the story of A Murderer. (p.57) 

Büscher, Mareile 

Berlin-based lawyer at hogan & hartson raue llp, she focuses on intellectual property 

matters, media and entertainment law, as well as copyright litigation and 

negotiation. she has lectured on the subject of art and copyright law for various 

institutions including the humboldt university Berlin. (p.63) 

Byatt, andrew 

A professional actor for 45 years, he has co-starred with harvey Keitel in doWn Where 

the BuffAlo Go and rAdio on. he ran the scottish Actors studio for 10 years till 2004. 

together with his brother Gregory Byatt, he started the scottish film Actors and 

Writers Workshop, which also organises the Actors Cut. (p.25, 52) 

Byatt, GreGory 

founder of the Actors Cut, a unique workshop for film actors, he is involved in large 

scale hd projection, event logistics, multimedia production and presentation and in 

exploring new ways of using digital presentation technology as a teaching tool in 

the medium of experiential learning. (p.25, 52) 

chenillo, Mariana 

Award-winning Mexican director, her debut feature CinCo diAs sin norA received 

numerous awards at festivals around the world such as the Best direction Award at 

the Moscow international film festival. she is one of the directors of the omnibus 

film revoluCión which premieres at the 2010 Berlinale special. (p.58) 

ciMent, Michel 

Critic and chief editor of the french film magazine “positif“ and honorary president 

of fipresCi, he was Berlinale delegate for many years and has worked in juries at the 

world’s most prominent film festivals including Cannes, Berlin, venice and locarno. 

(p.65) 

ciupek, stefan 

renowned German cinematographer and digital colorist, he is a specialist for hdcameras 

and digital post-production. he has worked on critically acclaimed films 

such as Alexander sokurov’s russiAn ArK, danny Boyle’s sluMdoG MillionAire and 

lars von trier’s MAnderlAy and AntiChrist. (p.24, 49, 66) 

coixet, isaBel 

spanish director and writer, she has directed My life Without Me (Berlinale Competition 

2003), the seCret life of Words, and eleGy (Berlinale Competition 2008). 

her MAp of sounds of toKyo won the 2009 vulcain prix for best sound design at 

Cannes. she was a member of the Berlinale international Jury in 2009. (p.47, 48) 

cowie, peter 

film historian and long-time international publishing director of variety magazine, 

he has written some 30 books on film. in 1963, he founded the international film 

Guide, which he edited for over 40 years. for the 60th anniversary of the Berlinale, 

he presents his new book “the Berlinale. the festival”. (p.57, 62, 65) 

crossinGhaM, Merlin 

British animation director, he worked at Aardman Animations for the last 12 years on 

films such as ChiCKen run and WAllACe And GroMit: in Curse of the Were-rABBit. 

he was nominated for an emmy for CreAture CoMforts in 2007. (p.53) 

cruz, paBlo 

Mexican producer, he was involved in films such as Just WAlKinG, Without nAMe, 

and ABel. he is the producer of the omnibus film revoluCión which premieres at the 

2010 Berlinale special. (p.58) 

daldry, stephen 

British director, three-time oscar-nominee for the films the reAder, the hours and 

Billy elliot, he is also a multi award-winning theatre director. his production of 

“Billy elliot the Musical” is currently running on Broadway and in london with further 

productions opening this spring in Chicago, Korea and Japan. (p.33, 48, 51) 

Deckert, Heino 

Producer and Managing director of MA.JA.DE Film Production, he founded d.net in 

1995, an informal union of seven European producers. In 2003 he established the 

world sales agency Deckert Distribution. He lectures on documentary production 

and distribution for organisations such as EDN and the Sundance Institute. (p.29) 

DeDet, Yann 

Eminent editor, he edited Truffaut’s THE AMErIcAN NIgHT and claire Denis’ NéNETTE ET 

BoNI as well as, more recently, Pascale Ferran’s LADy cHATTErLEy. He has worked with 

many well-known directors including Dušan Makavejev, Philippe garrel and Laetitia 

Masson. He also teaches at the famous Parisian film school La Fémis. (p.24, 51) 

Denis, claire 

renowned Paris-based filmmaker, her debut film cHocoLAT brought her straight to 

cannes. She has also directed the award-winning NENETTE ET BoNI, gooD Work, 

TrouBLE EvEry DAy and ToWArDS MATHILDE which was screened at the 2005 

Berlinale Forum. Her 1999 film BEAu TrAvAIL will be screened in this year‘s “4 Decades 

of the Forum” programme. (p.54) 

Desplat, alexanDre 

See interview on p.23. (p.22-23, 47, 62, 66) 

Diaz Diaz, roDrigo 

Brazilian director and 2009 Talent alumnus, he directed the short film AFTEr LuNcH 

of the series FuckINg DIFFErENT Såo PAuLo, which features in the 2010 Berlinale 

Panorama. (p.14, 63) 

Dringenberg, katja 

She belongs to germany’s finest film editors and won the german camera Award for 

BLAck Box BrD and DIE TöDLIcHE MArIA. She has worked for New german cinema 

veteran Peter Schamoni, award-winning documentarians romuald karmakar and 

Andres veiel, as well as for most Tom Tykwer films of the 90s. (p.24, 66) 

Dutta, MaDHusree 

Indian filmmaker, curator, researcher, producer and activist, she is the founder and 

executive director of Majlis, a centre for rights discourse and multicultural art initiatives 

in Mumbai. Her installation project “cinema city“ will be displayed in several cinema 

foyers as part of the 2010 Berlinale Forum expanded programme. (p.52) 

eDer, klaus 

general Secretary of FIPrEScI, he is a film critic and contributes to film magazines 

and public radio stations such as the Bayerischer rundfunk. He also curates film 

programmes for the goethe-Institut. He has supported the Talent Press since its 

inception in 2004. (p.37) 

eiMbcke, FernanDo 

Mexican director, his feature debut TEMPorADA DE PAToS won the Ariel Award for 

Best Film, and LAkE TAHoE was screened in the 2008 Berlinale competition, winning 

among others the FIPrEScI award. The campus alumnus is one of the directors of the 

omnibus film rEvoLucIóN which runs in the 2010 Berlinale Special. (p.14, 58) 

eisenHauer, Hans-robert 

Former head of the Berlin Film Fund, he was responsible for founding the European 

Film Academy and later became deputy programme director of the german-French 

Tv channel ArTE. Now head of ZDF/ArTE Theme Evenings, he has worked on more 

than 2,000 theme evenings. (p.29, 61) 

ericsson, Martin 

Senior designer and creative director of The company P in Sweden, he has initiated, 

written and designed more than twenty pieces of participative art ranging from 

reality games, pedagogical games and Shakespeare adaptations to massive Sci-Fi 

and Fantasy-LArPs. In cooperation with the Swedish Television, he created THE TruTH 

ABouT MArIkA, which won an Emmy Award in 2008. (p.54, 63) 

escalante, aMat 

Mexican filmmaker, his first feature SANgrE premiered at the cannes Film Festival 

in 2005, where it received the FIPrEScI Prize. His second feature LoS BASTArDoS 

also premiered at cannes and won a number of awards. He is one of the directors of 

the omnibus film rEvoLucIóN which runs in the 2010 Berlinale Special. (p.14, 58)

page 

70 

Fährmann, Tom 

Award-winning German cinematographer and photographer, he has shot feature 

films such as PoPe JoAn. Three films on which he worked were part of the Berlinale’s 

German Cinema: ST. PAuli nAChT, The MirACle of Bern (winner of the German film 

Award) and ulzhAn. (p.25, 52) 

Fessmann, milena 

German music supervisor, she is the founder of Cinesong, which offers a full range 

of services related to music and films. She was music consultant for PAlerMo ShooTinG 

and for requieM. She has worked as a radio DJ and currently hosts a show called 

“free falling“ on radioeins in Berlin. (p.63) 

FonTaine, Dick 

Documentary filmmaker, currently head of Documentary Direction at nfTS (uK), he 

has made over 40 films for television and the independent media. A founding 

member of Granada Television’s WorlD in ACTion, he developed experimental art 

films with John Cage, roland Kirk, Johnny rotten and Kathleen Battle. (p.29) 

Francke, lizzie 

A development producer for the uK film Council’s development fund, she was previously 

an executive producer for eM Media where her credits include ConTrol, 

CoMPleTe hiSTory of My SexuAl fAilureS and huSh. She co-produced VinyAn and 

produced unMADe BeDS, which featured in the 2008 Berlinale Generation. (p.36) 

Frayling, sir chrisTopher 

former director of the royal College of Art and chairman of Arts Council england, he 

is a globally renowned writer, film historian, award-winning broadcaster, and has 

numerous publications on the arts, popular culture and design. (p.56) 

Frears, sTephen 

Academy Award nominated film director, his cache of films include My BeAuTiful 

lAunDreTTe, DAnGerouS liAiSonS, The GrifTerS, DirTy PriTTy ThinGS, The queen and 

Cheri, which featured in the 2009 Berlinale Competition. (p.51) 

Fujiwara, chris 

See interview on p.27. (p.26-27) 

garcía, roDrigo 

Columbian-born director, his film MoTher AnD ChilD produced by Alejandro 

González iñarritu, Alfonso Cuarón and Guillermo del Toro premiered at the Toronto 

international film festival in 2009. he is one of the directors of the omnibus film 

reVoluCión which premieres at the 2010 Berlinale Special. (p.58) 

gazDag, gyula 

iconoclastic hungarian director of theatre, film, and television, his films include the 

multiple award-winning A hunGAriAn fAiry TAle, STAnD off and SinGinG on The 

TreADMill, as well as the documentaries The BAnqueT and The reSoluTion. Professor 

at the uClA School of Theatre, film & TV, he is the artistic director of the Sundance 

filmmakers lab and teaches at the Binger filmlab. (p.28) 

genTz, anneTTe 

German cultural scientist and manger, she has been conceptualising musical projects 

in the fields of film, opera, music, theatre, art, literature and dance since 2007. 

Together with Matthias Schneider, she founded "gentz & schneider – musik kultur 

management" in 2009, representing various composers such as Michael nyman and 

Max richter. (p.66) 

gerTTen, FreDrik 

Swedish filmmaker, founder of WG film, he was involved in The lefToVerS and finAl 

iMAGe. his latest BAnAnAS!* is screened at the 2010 Berlinale Culinary Cinema. (p.49) 

gibson, ben 

Director of the london film School, he has commissioned and produced films by 

Terence Davies, Derek Jarman, John Maybury, Andrew Kotting and many others as 

an independent producer and as head of production at the British film institute. he 

is founding chairman of The Script factory. (p.53) 

gilleTT, lizzie 

Producer, she came to london from new zealand, where she worked as TV news 

reporter and programmer. She worked for Spanner films, and by the end of 



2004, was on board The Stupid Beast as co-producer of the feature film Age 

of STupid. (p.62) 

Goldbeck, christian 

german production designer and art director, he was art director for AnATomy 2, 

The ReAdeR and SToRm and production designer for The educAToRS, AnTiBodieS 

and Love Life. his set designs for KRABAT, Requiem and go foR ZucKeR! were 

nominated for the german film Award. (p.35) 

GoodridGe, Mike 

editor of Screen international, he edits Screen’s print dailies at Berlin, cannes, 

Toronto and Afm. he has written on film for international publications such as The 

Times and The evening Standard (uK) and el mundo’s el cultural section in Spain. he 

was vice president of the hollywood foreign press Association from 2007 to 2009 

and is a member of the LA film critics Association, fipReSci and BAfTA/LA. (p.58) 

GouGh, louise 

Script editor and dramaturg of a number of feature films and over 40 professionally 

produced plays. She works for Robyn Kershaw productions in Australia and for 

SouRceS 2 at their script development workshops. most recently, she script edited 

BRAn nue dAe, which premieres in the Berlinale generation 14plus 2010. (p.28) 

Grass, ben 

managing director of pure grass films, he produced Beyond The RAve and KiRiLL, 

winner of a Webby for Best drama episode in 2009. he was formerly responsible for 

Sony pictures digital in europe and was, prior to that, senior advisor for corporate 

Strategy at the BBc. (p.58) 

Gunnarsdóttir, Ásdís sif 

icelandic artist, she is known for performances that take place in unconventional 

places and video installations consisting of three dimensionality and visual 

psychedelic poetry. She studied video and performance Art before she graduated 

from the new genres department of ucLA in 2004. (p.63, 65) 

heinen, sonja 

See interview on p.31 (p.31, 64, 65, 66) 

heinze, thoMas 

german actor, he has worked in homo fABeR, dAS SupeRWeiB and deR gRoSSe 

BAgARoZy, ShooT The duKe and ZWeiohRKüKen. he was nominated for the german 

Television Award in 2005. (p.66) 

herManus, oliver 

South African director and writer, he made several short films before his feature 

debut ShiRLey AdAmS, which premiered in competition at the 2009 Locarno film 

festival and won three awards at the durban international film festival. he is 

currently writing his second film script “The Struggle”. (p.61) 

hoffMann, jennifer 

coordinator for research projects at the institute for Art Research at the film and 

Television Academy (hff) “Konrad Wolf”, she is also executive producer of hff’s first 

live-action stereo 3d-shortfilm ToppeR doeSn’T give up! which premieres in march 

2010. (p.53) 

høGel, jacob kirstein 

Artistic director of new danish Screen, a talent development scheme for films and 

computer games. he was formerly a film consultant at the danish film institute 

and supported documentaries. he co-founded the production company cosmo 

doc where he produced the award-winning pRoSTiTuTion Behind The veiL. (p.29, 63) 

höhne, Maike Mia 

programme curator of Berlinale Shorts since 2007, she is also a freelance writer, 

director, curator and photographer in various contexts. Among others, she wrote, 

directed and produced ABouT devoTion and end of The cenTuRy. (p.55) 

jaMes, alby 

former head of development at eon Screenwriters’ Workshop in London, he is a 

board member of first Light movies in the uK. he is a jury member and mentor 

of the Script Station and Actors Workshop, and since 2008, a jury member of the 

Berlinale’s World cinema fund. (p.25, 28, 57) 


James, Nick 

Chief Editor of the British Film Institute’s renowned magazine “Sight & Sound“, he 

worked as a film journalist at the London listings magazine “City Limits“, and is the 

author of “Heat“, a book on Michael Mann’s film. In 2003 he was the presenter of the 

BBC4 documentary BrItISH CInEMa: tHE End oF tHE aFFaIr. (p.62) 

kaJimura, masayo 

a Japanese-German video artist and curator, she has made short films, video 

installations and works in collaboration with dance and music. She has curated the 

film series “Made in Germany”, which runs regularly at the Werkstatt der Kulturen 

and the video art sections of film festivals such as asian Hot Shots Berlin and nippon 

Connection. (p.61) 

kamya, caroliNe 

Ugandan director, she founded iVad Productions setting up a Uganda arts and 

Media academy to help young people learn about filmmaking. She is a Campus 

alumna and directed, amongst others, rEaL SaHaraWI, declared Best East african 

Film, and IManI, which features at the 2010 Berlinale Forum. (p.61) 

keNNedy, adriaN 

actor/comedian, tV writer and senior producer of dW-tV's daily lifestyle magazine 

show “Euromaxx“, he currently presents “a Hit is a Hit“, a multimedia pop music 

revue at Berlin‘s legendary Kaffee Burger. He is a founding member of the Berlin & 

Brandenburg Society for authentic and Historical Music. (p.51) 

killi, aNita 

norwegian animation director, she established the animation studio trollfilm aS 

and directed numerous short animated films. Her cache of films include tHE daUGHEr 

oF tHE SUn, and tHE HEdGE oF tHornS, which was awarded a Crystal Bear for Best 

Short Film at the Berlinale in 2002. Her anGry Man features in the 2010 Berlinale 

Generation. (p.53) 

kNaf, Joachim 

tutor at the Film and television academy (HFF) “Konrad Wolf”, he focuses on 

financing and calculation. He has authored the publication “online Filme pro duzieren“ 

and has worked on international feature and documentary pro duc t i ons 

since 1996. (p.35) 

kNöller, Britta 

Managing director of 23|5 Filmproduktion and previously employed as production 

assistant at X Filme Creative Pool, she has worked with Hans-Christian Schmid overseeing 

the productions of his award-winning films rEqUIEM, which premiered at the 2006 

Berlinale Competition, tHE WondroUS WorLd oF LaUndry and StorM. (p.59) 

kNopperts, fleur 

Former director of the Forum for international co-financing of documentaries at the 

International documentary Film Festival amsterdam, she worked for the doc/Fest in 

Sheffield in 2007 where she set up MeetMarket. She joined Volya Films where she 

works on the development and international financing of documentary and fiction 

projects. (p.29, 62) 

kolar, cedomir 

Croatian producer based in France and founder of a.S.a.P. Films, he was elected to 

the EFa Board in 2004. His credits include tom tykwer’s HEaVEn, danis tanovic’s HELL 

and traIGE. Currently in production are Benedek Fliegauf’s WoMB, Srdjan Karanovic’s 

BESa and danis tanovic’s CIrCUS CoLUMBIa. (p.51) 

korda, susaN 

She has worked as a writer, director and editor on films including the oscar 

nominated documentary For aLL ManKInd, trEMBLInG BEForE G-d and her own onE 

oF US, which featured in the 1999 Berlinale Forum. She also lectures at the new york 

tisch School of the arts and the International Film School, Cologne. (p.24, 49) 

kosslick, dieter 

Festival director of the Berlin International Film Festival since 2001, he was 

manag ing director of Hamburg‘s cultural film fund in 1983. He became director 

of the Ham burg Film Fund in 1988 and director of the Filmstiftung northrhine- 

West phalia in 1992. (p.47, 51, 65) 

Kröger, Merle 

Filmmaker, producer and writer, her company Pong has produced the awardwinning 

documentaries Peace Mission and The halFMoon Files; the latter screened 

at the 2007 Berlinale Forum. she has authored two crime novels, a radio play and 

several film scripts. her new film, co-written by Philip scheffner, DaY oF The sPaRRoW, 

premieres at the 2010 Berlinale Forum. (p.29) 

Kurz, Sibylle 

Pitching trainer and consultant for film schools and film institutes all over europe, 

she specialises in intensive pitching training, project presentation, proposal devel 

o pment, dramaturgical doctoring and consultancy work. she is a member of the 

pedagogical team of eaVe, author of three publications and a coach for the Berlin 

Today award 2011. (p.32) 

laaS, Mait 

estonian animation artist, author and director of nukuFilm studio, his film The WaY 

To niRVana won the Grand Prize at the 47th oberhausen international short Film 

Festival. his animation GeneRaTio was shown at the 2005 Berlinale Forum and won 

a Burgas Municipality award at the sophia international Film Festival in 2005. (p.53) 

landSberger, Claudia 

Vice president of european Film Promotion, she has been on many selection 

committees of film funds and festivals and was feature film development executive 

and script consultant for several european production companies. since 1995, she 

has been heading holland Film, the marketing and promotion agency for Dutch 

films worldwide. (p.51) 

levine, Sydney 

over 25 years‘ experience in the entertainment industry, she established the video 

rental division of Republic Pictures. her international contacts have resulted in 

acquisitions ranging from international features such as leTTeR To BRezhneV and MY 

BeauTiFul launDReTTe, to artistic and commercial genres. (p.36, 54) 

leyerS, toMaS 

Belgian producer, he founded the production company Minds Meet, which specia - 

lises in feature film production and event creation. he produced Kaïn and losT 

PeRson aRea and co-produced The TanGo sinGeR and The DaY GoD WalKeD aWaY. (p.59) 

lidin, CeCilia 

head of eDn (european Documentary network), she is responsible for numerous 

workshops and seminars and is a tutor and moderator of pitching sessions and film 

discussions. she conducts courses on documentary filmmaking in europe and 

promotes shorts and documentaries for Filmkontakt nord. (p.36) 

linSSen, dana 

Dutch film critic, she is a board member of FiPResci. since 1997, she has been working 

as a film critic for the Dutch daily “nRc handelsblad“, and since 1998, she is the 

edi t or-in-chief of the Dutch independent film monthly “De Filmkrant“. she is a ment 

or of the Talent Press since 2008. (p.26, 62) 

luna, diego 

Distinguished Mexican actor, he has acted in films such as nicoTina, the critically 

acclaimed Y Tu MaMá TaMBién, the oscar winning FRiDa, MilK, JusT WalKinG and 

RouGh anD VulGaR. he is one of the directors of the omnibus film ReVolución which 

premieres in the 2010 Berlinale special. (p.58) 

MaKatSCh, heiKe 

an award-winning German actress, her first appearance was in MänneRPension. she 

played leading roles in films like aiMee & JaGuaR, GRiPsholM and MaRGaReTe sTeiFF 

for which she won two Bambis and received an emmy nomination. in 2009 she 

appeared in The DooR and in the leading role in hilDe. (p.25, 33, 51) 

MalColM, dereK 

British film historian and critic with “The Guardian“ for several decades, he is 

president of the British Federation of Film societies and the international Film critics 

circle, he is honorary President of FiPResci and writes for the london “evening 

standard“. he is a mentor of the Talent Press since 2005. (p.26)

page 

72 

Marten, Gesa 

Editor and dramaturg, her edits include low lights and FräulEin stinnEs travEls 

thE world. she won, among others, the Film+’s documentary schnitt prize 2005 for 

was lEbst du? and 2009 for PErEstroika – rEconstruction oF a Flat. (p.24) 

Martesko-Fenster, karol 

Founding member of cinElan’s board of directors after being appointed general 

Manager and Publisher of babel network ltd's Film division, he successfully promoted 

sally Potter’s film ragE, which reached new audiences through online 

distribution, and coproduced wEtlands PrEsErvEd: thE story oF an activist nightclub 

in 2008. (p.37, 58, 62) 

Mauch, BärBel 

Producer and founder of bärbel Mauch Film, she has considerable experience in 

production and distribution as well as with film festivals in germany, France and 

africa. she produced Faro la rEinE dEs Eaux, which premiered at the 2007 berlinale 

Forum, and mostly recently l'avEnturiEr. (p.36) 

Medavoy, Mike 

renowned american film producer, he is chairman and chief executive officer of 

Phoenix Pictures and cofounder of orion Pictures. he has brought to screen about 

300 films such as thE PEoPlE vs harry Flynt, uturn, thE thin rEd linE, thE 6th day 

and shuttEr island, which screens at this year‘s berlinale. (p.48) 

Meier, dirk 

german postproduction consultant, he is an expert at colour management and 

postproduction for digital projections. he has worked for Farbkult, the Post 

republic, Zentropa, as well as Platige image, wdr and cinePostproduction, and on 

films such as russian ark, no nEtwork, snow and antichrist. (p.24, 49, 66) 

Meixner, Gerhard 

german producer, he worked at senator Film Productions before founding razor 

Filmproduktion with roman Paul. his productions include, among others, the award 

winning ParadisE now and waltZ with bashir. gerhard Meixner is a jury member of 

the talent Project Market. (p.30) 

Miller, Jan 

awardwinning pitching coach, she began her career as an actor and a clown. she 

has created and developed one of the top pitching and project development 

workshops which she has presented all over the world. she is also the director of the 

strategic Partners, canada‘s premier international coproduction market. (p.36) 

Möller, sirkka 

she is a freelance film curator, documentary consultant and moderator at international 

film events. she works for dok leipzig, the berlinale Panorama, the Fribourg interna t ional 

Film Festival and for the international sales agency deckert distribution. (p.29, 61) 

Murphy, kevin 

visual artist, media art curator and writer on cinema, he is a member of the berlinale 

talent campus selection committee and coorganiser of the campus Editing studio 

since 2009. (p.66) 

naranJo, Gerardo 

renowned Mexican director and screenwriter, he directed and wrote draMa/MEx, 

MalachancE and the critically acclaimed i’M gona ExPlodE which won the 2008 

FiPrEsci Prize at the thessaloniki Film Festival. he is one of the directors of the 

omnibus film rEvolución which premieres in the 2010 berlinale special. (p.58) 

neGoescu, paul 

romanian filmmaker and artistic director of the timishort Film Festival, he has 

directed several awardwinning short films. in the 2010 berlinale shorts with his film 

dErby, his films tarZiu and rEnovation premiered in berlinale shorts in 2008 and 

2009 respectively. (p.55) 

niehuus, kirsten 

Managing director of film funding at the Medienboard berlinbrandenburg gmbh, 

she is former vice president of Eurimages, a European fund dedicated to the promotion 

of the European film industry, and has worked for the german Federal Film 

board as a legal advisor. (p.11, 47, 51) 



NikitiN, Nikolaj 

The Berlinale’s delegate for Eastern-Europe and co-founder of the film magazine 

“Schnitt“, he is member of FIPRESCI and the European Film Academy. He curates 

international film festivals in Germany and across Europe, and heads the only 

European festival dedicated to editing, “Film+“ in Cologne. (p.37, 65) 

oReilly, DaviD 

Irish film director and artist based in Berlin, he is known for creating innovative 

animated shorts using a raw, stripped down aesthetic. He has created the 3D 

animated series PlEASE SAy SomETHInG, which won the 2009 Golden Bear for Short 

Films, and the iPhone concept application, iHologram. (p.22, 66) 

PaNahi, heNgameh 

Producer and sales agent, she is the president of the world sales agency Celluloid 

Dreams. Among others, she co-produced THE CounTESS by Julie Delpy, was executive 

producer of I’m noT THERE by Todd Haynes and world sales head for PERSEPolIS by 

Vincent Paronnaud and marjane Satrapi. (p.58) 

Paul, RomaN 

Founder of Razor Filmproduktion with Gerhard meixner in 2002, they produced WAlTz 

WITH BASHIR and PARADISE noW, winner of the Blue Angel Award at the 2005 Berlinale 

and a Golden Globe Award. He is this year‘s Jury President for the “Dialogue en 

perspective“ Prize. (p.47) 

PeNNeR, max h. 

An accomplished director of photography, camera systems engineer and stereographer, 

he has profound experience in multi-format special venue projects. He has 

designed and built proprietary camera rigs and lens systems for stereo-3D. His work 

on THE HolE won the prestigious Persol 3D Award at the 2009 Venice Film Festival. 

In 1991 he partnered with Tim Thomas in Paradise FX Corp. (p.53) 

PeRišić, vlaDimiR 

Serbian director, he received critical acclaim for his diploma film DREmAno oko 

which was part of Cinefoundation at Cannes in 2003. His feature debut oRDInARy 

PEoPlE was screened at the International Critic’s Week in Cannes in 2009. (p.65) 

PeteN, SooN-mi 

Audiovisual consultant before joining the mEDIA Programme in 2000, she specialised 

in development support for independent European producers. She continues 

this work as selection coordinator within the European Commission's Education, 

Audiovisual and Culture Executive Agency. (p.59) 

Pille, SebaStiaN 

German film composer and lecturer at the Hochschule für musik und Theater 

münchen since 2008, he studied composition for film and television at the academy 

cited above, and is a Campus alumnus. He has composed the sound of FRAuEnzImmER 

which features in the 2010 Perspektive Deutsches kino. (p.14, 63) 

PiNN, juliaN 

Chair of both the BSI and ISo Technical Committees on Cinematography, he is 

responsible for the development of Dolby’s motion picture services portfolio. 

With fifteen years experience as a Dolby consultant for both original and foreignlanguage 

movie releases, he is also heavily involved with standards-making. 

(p.53) 

PiRveli, RuSuDaN 

Georgian producer and Campus alumna, who received the Talent Highlight Pitch 

Award at the Talent Project market in 2008, she presents her debut feature SuSA at 

the Berlinale Generation this year. (p.14, 63) 

PittS, Rafi 

France-based Iranian film director, he belongs to the new Wave of Iranian Cinema. 

His feature film debut THE FIFTH SEASon was an international festival success, IT’S 

WInTER was screened at the 2006 Berlinale Competition and his latest, THE HunTER 

features in 2010 Berlinale Competition. (p.52) 

Plá, RoDRigo 

Award-winning mexican director and screenwriter, he won the Silver Ariel at the 

Ariel Awards in mexico for El oJo En lA nuCA and for THE DESERT WITHIn. His films 


also include Novia Mia and La ZoNa. He is one of the directors of the omnibus film 

RevoLucióN which premieres at the 2010 Berlinale Special. (p.58) 

Poitras, Laura 

oscar-nominated and award-winning director and cinematographer, her film My 

couNtRy My couNtRy, nominated for an academy award, independent Spirit award 

and an emmy award, is part of a documentary trilogy. tHe oatH is the second 

installment in the trilogy and features at the 2010 Berlinale Forum. (p.49) 

PoPogrebskY, aLexei 

Renowned Russian director, he teamed up with Boris Khlebnikov to make the short 

film PaSSiNg By. the two directors made their feature film debut with tHe RoadS to 

KoKteBeL, which was screened at many festivals including the 2003 Berlinale Forum. 

He then directed his critically acclaimed SiMPLe tHiNgS before How i eNded tHiS 

SuMMeR which premieres in the 2010 Berlinale competition. (p.65) 

rabarts, Marten 

artistic director of the Binger Filmlab amsterdam, he is a producer and screenwriter 

for cinema and tv. He has worked for La‘s Propaganda Films, Polygram Filmed 

entertainment group and Manifesto, working with Sarah Radclyffe, tim Bevan and 

alison owen. He developed and produced the film collection Red Hot oN FiLM. 

(p.28, 59) 

rauch, oLiver 

instructor for content development and seminars for pitching, he is also a scriptwriter 

and director of his own documentary and short feature films. He is a concept 

and project manager for events of the european Film academy and the deutsche 

Filmakademie. He is also a coach of the Berlin today award 2011. (p.32) 

rechenbach, heLga 

german graphic designer and head of propaganda-b, which specialises in graphic 

design and film-PR, she made the title design for films such as Stieg Larsson’s tHe 

giRL witH tHe dRagoN tattoo. (p.58) 

reiLhac, MicheL 

executive director of aRte France cinema and director of Film acquisitions for aRte 

France, he started his own production company MeLaNge in 2000 producing 

international feature films like cRy woMaN, and 7 dayS, 7 NigHtS. (p.37, 58) 

reuter, MichaeL 

Managing director at the Post Republic offering complete post-production solutions 

for international cinema productions, he is post-production supervisor of FateLeSS, 

outLaw and StReetdaNce 3d, a full length feature shot in 3d, and tHe HuNteR which 

features in the 2010 Berlinale competition. (p.53) 

reYgadas, carLos 

Preeminent Mexican producer, director and screenwriter, he gained critical acclaim 

for his films such as JaPóN, BattLe iN HeaveN, tHe BaSteRdS, tHe tRee and the 2007 

cannes Jury Prize winner SiLeNt LigHt. He is one of the directors of the omnibus film 

RevoLucióN which premieres in the 2010 Berlinale Special. (p.58) 

riggen, Patricia 

award-winning Mexican scriptwriter, she has written scripts for documentaries and 

Mexican television. She produced and directed FaMiLy PoRtRait, winning, among 

others, a grand Jury Prize at the Sundance Film Festival. She is one of the directors of 

the omnibus film RevoLucióN which premieres in the 2010 Berlinale Special. (p.58) 

rissenbeek, Mariette 

deputy managing director of german Films, she is responsible for public relations 

and press, international festivals and “das Rendezvous“, an annual german-French 

film meeting. (p.47) 

rodenkirchen, Franz 

Script advisor, teacher and tutor for workshops and individual project development 

all over europe, he is head of selection for torino Film Lab, a script advisor for the 

Binger Filmlab and partner of the dramaturgy department at Script House in Berlin. 

He is a jury member and mentor of the Script Station. (p.28) 

RodRigue, Jean-Louis 

Film and theater movement director, he is on the faculty at the UCLA School of 

Theater, Film and Television. He has worked with actors on numerous films including 

W. with Josh Brolin, SeABiSCUiT with elizabeth Banks and Bee SeASon with Juliette 

Binoche. He is currently working on Ang Lee’s LiFe oF Pi. (p.25, 36, 50) 

RommeL, PeteR 

German producer of award-winning films, his feature GriLL PoinT was nominated for 

the european Film Awards and won the Silver Bear in 2002. His recent productions 

are CLoUd 9, winner of a German Film Award and WHiSkey WiTH VodkA, winner of the 

international Film Festival karlovy Vary. (p.33, 51) 

Roos, FRed 

oscar-winning American producer and casting director, he ranks among the most 

legendary Hollywood magnates. He was co-producer of APoCALyPSe noW and THe 

GodFATHer PArT ii And iii. His productions include Sofia Coppola’s THe VirGin SUiCide, 

LoST in TrAnSLATion, MArie AnToineTTe and SoMeWHere. (p.25, 51, 58) 

RosenthaL, Liz 

digital film and media expert, she is founder and director of Power to the Pixel. She 

is also the founder of earthly delights Films, a company that develops independent 

media projects. She has recently been appointed the digital distribution strategy 

advisor to the Uk Film Council. (p.54, 58, 62, 63) 

saLtzwedeL, danieL 

Funding advisor for feature length documentary films at the Medienboard Berlin- 

Brandenburg, he has worked extensively in film production as a production assistant 

and, later on, as a producer. (p.47) 

schäFeR, RaLF 

Head of the image Processing department of the Heinrich Hertz institute, he is the 

co-founder of the companies 2Sk Media Technologies and MikroM GmbH. (p.64) 

schoRy, KatRieL 

executive director of the israel Film Fund since 1999, he has supported more than 

300 feature films. He founded the production company BeLFiLMS in 1984 where he 

was the associate and line producer of award-winning features and documentaries. 

Former head of productions at kastel Films, he produced Beyond THe WALLS which 

was nominated for an Academy Awards for Best Foreign Film in 1985. (p.37, 51) 

schuLte stRathaus, steFanie 

Curator at Arsenal – institute for Film und Video Art in Berlin, and programmer of the 

Berlinale Forum, she is the co-founder and board member of the kinothek Asta nielsen 

in Frankfurt/Main. (p.65) 

schyguLLa, hanna 

German actress, lead icon of the influential new German Cinema of the 70’s & 80’s, 

she has worked in 23 Fassbinder films such as eFFi BrieST, WHiTy, and THe MArriAGe oF 

MAriA BrAUn, winning the German Film Award for the latter two. Among others, she 

has appeared in Marco Ferreri’s THe STory oF PierA, Wim Wender’s THe WronG MoVe 

and Fatih Akin’s THe edGe oF HeAVen. (p.65) 

schweRbRocK, mathias 

German producer, he has worked on films such as AiMée & JAGUAr, niGHTSonGS and 

JoHn rABe. one of his latest projects 24H BerLin, a 24-hour documentary told in real 

time, tackled 750 hours of footage produced by 80 teams. (p.35) 

seRban, FLoRin 

romanian director, he taught film theory and started working on his first feature film 

while completing his studies in film directing at the Columbia University in new york. 

WHen i WAnT To WHiSTLe, i WHiSTLe is his debut film which has its world premiere at the 

2010 Berlinale Competition. (p.65) 

sicKeRt, maRgRit 

Award-winning freelance graphic artist, she has worked for film distributors, 

producers, directors, advertising agencies and publishing houses for the past 20 

years together with Peter Sickert. They have made posters for films such as WinGS oF 

deSire, THe AMeriCAn Friend, Wir kinder VoM BAHnHoF Zoo and BreATHLeSS. (p.58)

page 

74 

Sickert, Peter 

Together with Margrit Sickert, he has worked as graphic artist for film distributors, 

producers, agencies and publishing houses for the past 20 years. (p.58) 

Sieveking, DaviD 

German director and Campus alumnus, he worked as an editor for TV and has made 

short films and documentaries such as A ProPo DenniS, GAnGA GueST HouSe, Die 

AMerikAniSCHe BoTSCHAfT, which was screened in Cannes in 2003. His film DAViD 

WAnTS To fly will be presented at the 2010 Berlinale Panorama Dokumente. 

(p.14, 63) 

Simonen, Ulla 

freelance producer for the Aamu film company, she works as a project developer 

for klaffi productions in finland. She was a production consultant for short films and 

documentaries at AVek (the Promotion Centre for Audiovisual Culture in finland), 

and she lectures nationally and internationally on different aspects of documentary 

productions. (p.29) 

SloSS, John 

founder of Cinetic Media and the digital sales initiative Cinetic rights Management, 

he is also a managing partner and founder of the entertainment law firm Sloss 

eckhouse Brennan law Co. llP. He has executive produced over 50 films including 

the Academy Award-winning THe foG of WAr, BoyS Don’T Cry, Before SunSeT and 

fAr froM HeAVen. The Berlinale 2010 features three of his productions: HoWl, exiT 

THrouGH THe GifT SHoP and CollAPSe. (p.37) 

Smirnoff, natalia 

Argentinean casting director on lucrecia Martel’s THe Holy Girl, THe SWAMP and 

THe HeADleSS WoMAn, she assisted director Alegandro Agresti in A leSS BAD WorlD 

and VAlenTin and Pablo Trapero in Born AnD BreD. Her directorial debut Puzzle 

premieres in this year’s Berlinale Competition. (p.52) 

SPencer, Jim 

Managing Director of Paradise fx europe, he was a line producer in film and television 

before entering into the world of 3D. His credits include STreeTDAnCe 3D and 

MonSTerS for Vertigo films and TorMenTeD for BBC films/forward films/Slingshot. 

(p.53) 

Steinbrügge, bettina 

Co-curator at the Arsenal – institute for film und Video Art in Berlin and the Berlinale 

forum expanded, she also writes publications for artists and for various art 

magazines such as Art South Africa and iDeA. (p.65) 

Steyer, martin 

German sound mixer, he has worked on numerous critically acclaimed films 

including yellA and THe lAST kinG of SCoTlAnD. He won the German film Award for 

the best sound editing for requieM and TrADe. He is the vice president of the film 

and Television Academy (Hff) “konrad Wolf” and the programme director of the 

inSiGHT ouT Academy at Hff since 2009. (p.22, 61, 66) 

StremPel, geSine 

renowned journalist, she hosts “zeitpunkte“ at kulturradio, a radio show at the 

rundfunk Berlin-Brandenburg (rBB). She is also a translator and has worked for 

Marilyn french and Margaret Atwood. (p.65) 

StricklanD, Peter 

British filmmaker, he made numerous short films among which BuBBleGuM featured 

in the 1997 Berlinale Panorama. in 1996 he, Colin fletcher and Tim kirby founded an 

art project, “The Sonic Catering Band”, which explored electro-acoustic ideas 

through the process of cooking. His first feature film kATAlin VArGA featured in the 

2009 Berlinale Competition and won the Berlin Silver Bear. (p.57) 

taSzman, Jörg 

film critic, journalist and radio broadcaster, he graduated from the Budapest film 

School. He specialises in east european cinema and reviews films for the German 

Deutschlandradio kultur, and the German publications Die Welt and epd film. (p.49) 


Index of experts Index of experts 

Teno, Jean-Marie 

France based documentary filmmaker originally from Cameroon, he produces and 

directs films focusing on the colonial and post-colonial history of Africa through his 

production company Les Films du Raphia. The Berlinale Forum presented his film 

CheF! in 1999 and VACAnCes Au PAys in 2000. Other remarkable films include ALex’s 

Wedding, The COLOniAL misundeRsTAnding and sACRed PLACes. (p.52) 

Ter STeege, Johanna 

Award-winning dutch actress, she won the european Film Award for Best supporting 

Actress for her debut role in The VAnishing and at Locarno international Film Festival 

the special Prize for her role in TOT Ziens. her portfolio of films include sWeeT emmA, 

deAR BöBe and FOR eVeR And eVeR, both were presented at the 2010 Berlinale. 

(p.25, 59) 

Thion, DaviD 

French producer, he is part of the production company Les Films Pelléas which 

focuses on fiction films for the big screen. he produced hOW i CeLeBRATed The end OF 

The WORLd, une FiLLe nORmALe, TOuT esT PARdOnné and LA FAmiLLe WOLBeRg. he is 

also a member of ACe – Ateliers du Cinéma européen. (p.59) 

ThoMpSon, DaviD M. 

British film and television producer, he runs the independent production company 

Origin Pictures, having served as head of BBC Films for over a decade. Over the last 

year, he executive produced An eduCATiOn, BRighT sTAR, Fish TAnk, in The LOOP, BOys 

ARe BACk, men WhO sTARe AT gOATs and The edge OF dARkness. (p.51, 55) 

ThoMSon, DaviD 

us-based British film critic and historian, he is the author of more than 20 books and 

contributes to newspapers such as “The new york Times“, “Film Comment“ and 

“salon“. he has scripted the award-winning documentary The mAking OF A Legend: 

gOne WiTh The Wind, and curated “Play it Again…!”, the Retrospective programme on 

the Berlinale for its 60th anniversary. (p.62) 

ToDD, Lina 

new york-based casting director and development executive, her credits include 

gilles Paquet-Brenner’s eLLe s’APPeLAiT sARAh and Peter Weir’s The WAy BACk. she has 

worked with directors like Jodie Foster, Jennifer Lynch, kenneth Lonergan and 

danny Leiner. she created the Rising stars Programme at the hamptons international 

Film Festival. (p.25, 37, 51) 

ToDSharow, MarTin 

Film music composer, arranger, producer and musician, he scored for a host of films 

including deseRT FLOWeR, eLemenTARy PARTiCLes, LuLu & Jimi, minOTAuR and hiLde. he 

also works as lecturer at the Film Academy Ludwigsburg, the dffb and the Film and 

Television Academy (hFF) “konrad Wolf”. (p.35) 

Tykwer, ToM 

Award-winning german film director, screenwriter and co-founder of the production 

company x Filme Creative Pool, he received international acclaim for Run LOLA Run, 

also directing heAVen, which opened the 2002 Berlinale, and The inTeRnATiOnAL 

which featured in the 2009 Berlinale Competition. Tom Tykwer produced sOuL BOy 

running in this year‘s Berlinale generation. (p.61) 

UkwUoMa, SeLina 

Former development executive at eOn screenwriters' Workshop and Cuba Pictures, 

she now works as a freelance script editor and consultant. Among others, she has 

worked the film BOy A, which screened at the 2008 Berlinale Panorama. she is a mentor 

of the script station since 2008. (p.28) 

voLkMann, Corinna 

having studied literature, history and media consulting, Corinna Volkmann developed 

documentaries and fiction films such the international production keLLeR 

(2006 Locarno Competition) and eine FLexiBLe FRAu (2010 Berlinale Forum). she 

works as author and producer of reports and documentaries based on culture and 

society for public TV. (p.64) 

Vuorensola, Timo 

Finnish film director, he has directed short films and music videos. He is interested in 

the effect the Internet has on traditional production models. He has directed Star 

Wreck and is working on a new index of sci-fi comedy called Iron Sky. (p.62) 

WalTher, Connie 

German director and screenwriter, she won the adolf Grimme award in 1999 for her 

feature film HauptSacHe Leben and the German tV award in 2008 for 12 HeISSt: IcH 

LIebe DIcH. Her most recent films are ScHattenWeLt and Frau böHm SaGt neIn. Jury 

member of the Score competition 2010. (p.22) 

Weghorn, Florian 

co-director of berlinale Generation since 2008, he started working at the berlinale 

after graduating in theatre and film in cologne and writing his thesis on melancholy 

in youth film. (p.58) 

Weiler, lanCe 

award-winning writer and director, he is seen as a pioneer for the way he makes and 

distributes his work. His first feature tHe LaSt broaDcaSt was distributed in over 20 

countries, and HeaD trauma premiered at the La Film Festival in 2006. (p.54, 58) 

Wenner, DoroThee 

Documentary filmmaker, author and journalist, she has been on the selection 

committee of the International Forum of new cinema since 1990 and serves as the 

berlinale’s special representative for India and Sub-Saharan africa. Her 2008 documentary 

peace mISSIon received critical acclaim at numerous international festivals. 

(p.61) 

WingaTe, DaViD 

board member of SourceS 2 and a script advisor for feature and documentary 

projects, he is a consultant and dramatic advisor, and teacher in several european 

countries. His credits as dramatic advisor include FuckInG ÅmÅL, Lucky peopLe centre 

InternatIonaL and tHe SouVenIrS oF mr.X. (p.29) 

WrighT, Paul 

London-based Scottish director, his film HIkIkomorI won a Scottish baFta followed 

by a baFta nomination in 2007. His short film beLIeVe won the Golden Leopard at 

62nd Locarno Film Festival. He presents his latest pHotoS oF GoD at the 2010 

berlinale Shorts. (p.55) 

YamaDa, Yôji 

renowned Japanese director, he is well-known for the popular tora-San series, 

the world’s longest theatrical film series. His cache of films includes the critically 

acclaimed DoWntoWn HeroeS, tHe HIDDen bLaDe, tHe tWILIGHt SamuraI and kabee. 

His latest films will be presented at the berlinale this year – otouto as the official 

closing film of the festival and kyoto Story in the berlinale Forum. (p.61) 

YamamoTo, iChirô 

Japanese producer, he made tHe tWILIGHt SamuraI, caFé LumIère and LoVe anD Honour 

for which he won the best Screenplay award of the Japanese academy in 2006. 

He is the producer of the berlinale closing film otouto. (p.61) 

ZaCharek, sTePhanie 

Senior writer and film critic for Salon.com, her articles on books and pop culture 

have also appeared in “the new york times“, “the Los angeles times“, “entertainment 

Weekly“, “rolling Stone“, “new york magazine“ and “Sight & Sound“. She is a member 

of the new york Film critics circle and the national Society of Film critics. (p.26, 62) 

ŽbaniĆ, jasmila 

bosnian screenwriter, artist and director, she won the 2006 Golden bear for GrbaVIca. 

In 2007 she founded an artist’s association Deblokada. Her latest film on tHe patH 

will be presented in this year’s berlinale competition. (p.51) 

Zuria, anaT 

Independent documentary filmmaker and women's rights activist, she directed 

kLacHI In tHe HoLyLanD, the award-winning purIty and SentenceD to marrIaGe. She 

has worked as a writer for various magazines dealing with arts and Judaism. an artist 

herself, her work has been shown in distinguished galleries in Israel and abroad. Her 

film bLack buS will be screened at the 2010 berlinale Forum. (p.49) 

Index of 

talents 

A 

Agbo, Sodzine 

Ahmed, Marwa 

Al Kury, Dalia 

Aldridge, Edwin 

Ali, Manizhe 

Alp, Julia 

Amani Papy, Ndikumana 

Amaral, Carlos 

Ameresekere, Asitha 

Amirpour, Ana Lily 

Andersen, Maria Schou 

Arancibia, Denisse 

Arslan, Serhan 

Arslanpay, Zeynep 

Aschenbrenner, Ulrich 

Astorga, Laura 

Ataeian, Ana 

Ayala, Violeta 

b 

Bach, Josef 

Badac, Peter 

Baibakov, Anton 

Bailey, Thomas 

Balabaud, Gilles 

Bankovic, Maya 

Barber Eliewat, Nadia 

Bas Corominas, Susana 

Bauman, Mihai 

Baveli, Maria-Dimitra 

Bazazi, Mo 

Beck, Pola Schirin 

Beckmann, Katrin 

Beeson, Eliane 

Beetge, Jan Hendrik 

Bekbolotov, Akjoltoy 

Bellingham, Laura 

Betschart, Gabriela 

Biswas, Sankhajit 

Bong, Margaret 

Braga, Ines 

Brandt, Daniel 

Brending, Nicole 

Brog, Tal 

Brogi, Beniamino 

Burnać, Bojana 

c 

Caballero, Jorge 

Campbell, William 

Campos, Enid 

Canavesio, Valentina 

Caputo, Danilo 

Carlevaro, Daniele 

Caro Cruz, César 

Cecchetti, Federico 

Cháb, Vladimír 

Chapman, Mark 

Chau, Huy 

Chicane, Natercia 

Chiesa, Alessia 

Chisi, Jessy 

Cho, Eunsoo 

Chrysanthou, Costas 

Ciennik, Anna 

Cimini, Giacomo 

Cloke-Mcgregor, William 

Cohen, Joseph 

Colangelo, Sara 

Cotonnec, Philippe 

Crerar, Rosie 

Cunningham, Sarah 

d 

Da Silva Ribeiro, Daniel 

Danbolt, Aslak 

Daschner, Julia 

Daws, Tristan 

De Lisi, Francesca 

De Smedt, Joachim 

De Tiege, Elzemieke 

Dejaegher, Koen 

Delphine, Agut 

Diez De Sollano, 

Cristobal 

Dingli, Mark Anthony 

Dodevska, Miliana 

Doganis, Basile 

Dolenc, Boris 

Domenech, Benjamin 

Donouvossi, Segbede 

Dreibergs, Dzintars 

e 

Eastwood, Steven 

Eglite, Lote 

Ehlin, Anders 

Elida Tamalagi, Patricia 

Elkashef, Aida 

Elnaggar, Eman 

Escala, Charena 

Ewert, Anna Frances 

f 

Fabra, Luis 

Fashami, Alireza 

Fata, Ahmed 

Ferreiro, Hector 

Fog, Nina 

Forner, Ylva 

Francis, Adrian 

g 

Gabrillo, James 

Gauchet, Gabriel

page 

76 

Georgievski, Ognen 

Georgiou, Christina 

Geraghty, Geraldine 

Gidron, Assaf 

Gold, Gideon 

Goldwater, Sam 

Gonzales, Tilsa 

Gospodinova, Velislava 

Gould, Ester 

Graf, Romain 

Granit, Tal 

Greciano, Alberto 

Gudac, Tiha 

Gudiel, Deglin 

Gur Arie, Alon 

H 

Heck, Yves 

Heitmann, Philipp 

Herrmann, Paul 

Hindash, Fadi 

Hlali, Barbara 

Hoeve, Frank 

Hristov, Tonislav 

Huke, Wolfram 

I-J 

Ibrahimova, Maria 

Incorvaia, David 

Infante, Eleanor 

Istrate, Adina 

Jacob, Thomas 

Jacobs Luna, Brian 

Jagric, Rahela 

Jalkanen, Ossi 

James, Oludare 

Joel, Karekezi 

Jones, Adam 

Jorge, Bruno 

Juan, Gautier 

Junell, Ulla 

Jurican, Dario 

K 

Kaas, Stephane 

Kabugi, Patrick 

Kajevski, Slavisha 

Kalimunda, Jacqueline 

Kallos, Etienne 

Kanepe, Davis 

Karuni, Kelmend 

Katcharava, Vladimer 

Kavanagh, Ivan 

Kearney, Oonagh 

Keogan, Ailbhe 

Khalife, Mark 

Khalil, Basil 

Kharsa, Kasem 


Kieffer, Jeff 

Ko, Aung Ko 

Kohlweyer, Arne 

Komlew, Alexander 

Kontou, Dimitra 

Kosma, Kuba 

Kourtis, Ioannis 

Krstevski, Tatjana 

Krusha, Visar 

Kuehne, Joerdis 

Kuria, Mercy 

Kuvalja, Mirna 

Kwan, Julia 

Kyvik, Olaug 

L 

Lakhani, Megha 

Lamensch, Philippe 

Lau, Flora Wan Man 

Lavelle, Michael 

Leiria, Inês 

Lekovic, Maja 

Leo, O. Moses 

Leslie, Luke 

Lim, Wee Hong Thomas 

Lindner, David 

Livne, Amiel 

Loaeza Sánchez, Alfredo 

Lopatin, Ivan 

López Díaz, Nazly 

Louie, Mynette 

M 

Malinowski, Antoni 

Manohiray, 

Randriamananjo 

Manthey, Dirk 

Marquardt, Anja 

Marsh, Andrew 

Mårtens, Tora 

Mathawan, Sidharth 

Matsumunyane, Kaizer 

Mcdonald, Edward 

Mesquita Ferreira, Soraia 

Mirabel Mavis, Awuah 

Miyake, Kyoko 

Moll, Sarah 

Montefiore, Mark 

Montiel Figueiras, Andres 

Moore, Samantha 

Mora Manzano, Alfredo 

Mostafaloo, Amir Ali 

Mulligan, Ewan 

N 

Nabizada, Samiullah 

Nagypal, Orsolya 

Nair, Kartik 

Nash, Aily 

Nasiru, Idi 

Naveau, Julien 

Nayoan, Ray Arief John 

Ndjomegni, Archie 

Neagu, Ilinca 

Nestor, Mircea-Adrian 

Nicolescu, Cristian 

Niklinska, Maria 

Nikolic, Bojana 

Nyoni, Rungano 

O-P 

Odadzhiev, Petar 

Ojea Honisett, Susana 

Olsson, Sophia 

O'Neill, Eamonn 

Onitsch, Cornelius 

Otten, Menno 

Owen, Seth 

Pääsuke, Priit 

Palleiro, Fernando 

Palomares, Samantha 

Pamballis, Stavros 

Papadopoulos, Nike 

Papanikolopoulou, 

Eleni 

Park, Ji Hwan 

Parlak, Tuba 

Peach, Justin 

Pedersen, Troels Faber 

Pepe, Luigi 

Pérez López, Ingrid 

Perez Nievas, Maite 

Pérez, María 

Pervolovici, Eva 

Petrovic, Milena 

Pinho, André 

Pink, Noah 

Pisani, Carlo 

Plájás, Erzsébet 

Polak, Sacha 

Poynton, Van 

Q 

Quinto, Jaime 

Qureshi, Faisal 

R 

Radovanovic, Aleksandar 

Radu, Gorgos 

Rajabi, Masoumeh 

Raju, Sharat 

Ramezan, Hamy 

Rautio, Ilkka 

Rehmet, Ruth 

Rittmeier, Simon 

Roberts, Toby 

Index of talents Index of countries 

Danke schön! 

Rocha Salgado, 

Elizabeth 

Rocha, Odilon 

Roco Chaves, Miguel 

Angel 

Rodriguez Varela, 

Pamela 

Roldan, Laure 

Rondero, Astrid 

Rose, Alison 

Rosenfeld, Dan Malte 

Rosenthal, Zen 

Rozanov, Michael 

Rozdestvenski, Nikita 

s 

Saakyan, Maria 

Saarik, Heleri 

Sæmundsson, Guðni Páll 

Sahin, Didem 

Salmon, Daniel 

Samuriwo, Musekiwa 

Sanabria, Camilo 

Sarr, Hadji Samba 

Saulter, Storm 

Schafft, Janina 

Scharf, David Peter 

Schaublin, Cyril Amon 

Schmidt, Nicklas 

Schönig, Friedrich 

Schulsinger, Jacob 

Schutte, Hanneke 

Scott-James, Kahra 

Sebold, Brooke 

Seeger, Dorothea 

Semencic, Martin 

Sevostyanova, 

Alexandra 

Shah, Abinash 

Shamis, Khalid 

Shannon, David 

Shoval, Tom 

Silver, Olivia 

Skrzeszewska, Alina 

Šmalcelj, Tina 

Smith, David 

Smith, Diana, Lesly 

Somumjarn, Wichanon 

Spengler, Oona 

Staniford, Polly 

Stefanescu, Letitia 

Stórá, Sakaris Fríði 

Strasser, Andreas 

Strønstad, Bendik 

Subotsin, Anton 

Sumalinog, Ma. Milanie 

Supataev, Almaz 

Sutton, Shane 

T 

Tagner, Shai 

Tamasese, Timothy 

Tarling, Jack 

Tasini, Erika 

Taylor, Alexander 

Teague, Christopher 

Tervo, Noora Pauliina 

Thill, Claire 

Thongsriphong, Noth 

Timmers, Michael 

Todorov, Nikolay 

Toledo, Marco Antonio 

Trousse, Emmanuel 

Tsai, Yi-Chun 

Tsoutsas, Haralambos 

U 

Unaldi, Aslihan 

Usheva, Valeriya 

V 

Valceschini, Loïc 

Vasconcelos, António 

Vázquez, Enrique 

Vega Borrego, Sergio 

Venezia, Calogero 

Villacob, Tatiana 

Visit, Jay 

Vitanov, Milen 

Vitasovic, Romina 

Vizkelety, Marton 

Vroda, Maryna 

W 

Wagner, Katja 

Walz, Sara 

Wander, Roi 

Wangsmo, Thomas 

Wehn, Marcel Michael 

Weiwei, Sun 

Werner, Christian 

Wong, Hin Yeung 

Woodford, 

Nicole Midori 

Wu, Wing Yee 

X-Z 

Xhafka, Gavriil 

Xintaras, Ioannis 

Yana, Mosholova 

Yoo, Seung Hyun 

Youssef, Mostafa 

Zbroniec-Zajt, Ita 

Zhurzhenko, Olga 

Žickytė-Strazdienė, 

Giedrė 

Zomborácz, Virág 

Meet Talents 

from 95 countries: 

Afghanistan, Albania, 

Argentina, Australia, 

Austria, Azerbaijan, 

Belarus, Belgium, 

Benin, Bolivia, 

Bosnia and Herzegovina, 

Brazil, Bulgaria, 

Burundi, Cameroon, 

Canada, Chile, China, 

Colombia, Costa Rica, 

Croatia, Cyprus, 

Czech Republik, 

Denmark, Ecuador, 

Egypt, Estonia, 

Faroe Islands, 

Finland, France, 

Georgia, Germany, 

Ghana, Greece, 

Guatemala, 

Hong Kong, Hungary, 

Iceland, India, 

Indonesia, Iran, 

Ireland, Israel, Italy, 

Jamaica, Japan, 

Jordan, 

Kenya, Korea, Kosovo, 

Kyrgyzstan, Latvia, 

Lebanon, Lesotho, 

Lithuania, 

Luxembourg, 

Macedonia, 

Madagascar, 

Malaysia, Malta, 

Mexico, Mozambique, 

Myanmar, 

Nepal, Netherlands, 

New Zealand, 

Nigeria, Norway, 

Peru, Philippines, 

Poland, Portugal, 

Romania, 

Russian Federation, 

Rwanda, 

Samoa, Senegal, 

Serbia, Singapore, 

Slovakia, Slovenia, 

South Africa, Spain, 

Sudan, Sweden, 

Switzerland, 

Taiwan, Thailand, 

Togo, Turkey, 

Ukraine, 

United Kingdom, 

United States, 

Zambia, Zimbabwe 

ManY tHanKs 

Arri Cine Technik Dorothee Schwarz, Philip Vischer. 

Arri Rental Deutschland GmbH Ute Baron. 

Arte Hans-Robert Eisenhauer and Kathrin Brinkmann. 

Auswärtiges Amt (Federal Foreign Office) 

Dr. Guido Westerwelle, Martin Kobler, Max Maldacker, 

Helmut Lörsch and Maja Schweitzer. 

Berliner Pilsener Bettina Pöttken. 

Berlin Today Award Producers 2010 

A-FILM / Matthias Aicher and Tanja Cummings; 

Anna Wendt Filmproduktion / Anna Wendt; 

Lichtblick Media / Martin Heisler and Melanie Berke; 

Molly Aida Film / Fabian Diering; Penrose Film / 

Katja Siegel and Felix Eisele. 

Binger Filmlab Ido Abram and Marten Rabarts. 

BKM – Der Beauftragte der Bundesregierung 

für Kultur und Medien Dr. Bernd Neumann, Ingeborg 

Berggreen-Merkel, Ulrike Schauz and Michael Knoche. 

BMW Karsten Engel, Maximilian Schöberl, 

Manfred Bräunl and Hans-Reiner Schröder. 

British Council Rebecca Walton, Paul Howson, 

Satwant Gil and Elke Ritt. 

Deutsche Weine Monika Reule. 

Deutsche Welle Eric Bettermann, Sandra Wemmel, 

Christoph Lanz, Rainer Traube, Melanie Matthäus, 

Bettina Kolb, Fred Oelschlegel and the 

Deutsche Welle trainees. 

Deutsches Filmorchester Babelsberg 

Klaus-Peter Beyer and the musicians. 

dffb – German Film and Television Academy 

Maximilian Müllner and Bodo Knapheide. 

Dolby Hubert Henle and Julian Pinn. 

Durban International Film Festival 

Peter Rorvik and Nashen Moodley. 

European Film Academy Marion Döring 

and Pascal Edelmann. 

European Film Market Beki Probst, Catherine Buresi. 

European Film Promotion Renate Rose and Karin Dix. 

ewerk Ralf Regitz, Katrin Baerens, Lisa Wege 

and Katajun Fakhoury. 

FFA – German Federal Film Board Peter Dinges, 

Katja Jochum, Christine Berg and Birthe Klinge. 

FIDMARSEILLE Jean-Pierre Rehm 

and Anaelle Bourguignon. 

FIPRESCI Klaus Eder and Dana Linssen. 

Fraunhofer / Heinrich Hertz Institute 

Michael Witte and Ralf Schäfer. 

French Embassy Charles Malinas, 

Nathalie von Bernstorff and Carole Lunt. 

Gahrens & Battermann Michael Kugel. 

Goethe-Institut Buenos Aires Dr. Hartmut Becher, 

Dr. Gabriela Massuh and Inge Stache. 

Goethe-Institut Guadalajara Franz-Josef Kunz. 

Goethe-Institut Johannesburg Peter Anders. 

Goethe-Institut Kyoto 

Andreas Schiekofer and Junko Yamaoka. 

Goethe-Institut München 

Prof. Dr. Klaus-Dieter Lehmann, Dr. Hans-Georg 

Knopp, Dr. Christian Lüffe and Martina Ludemann. 

Gorol & Partner Stephan Gorol, Anne Reckmann 

and Leonie Würfel. 

Guadalajara International Film Festival 

Jorge Sanchez Sosa. 

Insight Out Johanna Kokocinski. 

Heinrich Böll Stiftung Kirsten Maas-Albert 

and Nicola Egelhof. 

Hebbel am Ufer (HAU 1-3) Matthias Lilienthal, 

Sonja Hildebrandt, Elisabeth Knauf, Kirsten Hehmeyer, 

Matthias Schäfer and the entire HAU team 

for their cool theatre. 

HFF – Film and Television Academy “Konrad Wolf” 

Prof. Dieter Wiedemann, Prof. Martin Steyer, 

Jennifer Hoffmann, Holger Lochau. 

Holland Subtitling Wibo de Groot and 

Ron van der Meij. 

Hugo Boss Philipp Wolff and Claudia Schmidt. 

London Film School Ben Gibson. 

L’ORÉAL PARIS Udo Springer, Kenneth Campbell 

and Heike Leder. 

Manfred Durniok Foundation Michiko Teramoto. 

MEDIA Training Programme of the European Union 

Aviva Silver, Costas Daskalakis, Arnaud Pasquali, 

Soon-Mi Peten and Maria Antonia Cuadrado. 

MEDIA International Irina Orssich Slavetich 

and Emmanuel Cocq. 

Medienboard Berlin-Brandenburg Kirsten Niehuus, 

Petra Maria Müller and Daniel Saltzwedel. 

Nikon Yasuo Baba. 

Nipkow Programme Uta Ganschow. 

NORDA Bruno Ciraudo. 

Pakt \ Grafische Gestaltung Sonja Jobs, Sylvia Böhm. 

Pictorion das werk Wolf Bosse and Friederike Oberlin. 

Robert Bosch Stiftung Dieter Berg, 

Dr. Kurt Liedtke, Frank Albers and Enrico Battaglia. 

Sarajevo Film Festival Mirsad Purivatra 

and Jovan Marjanovic. 

Script House Berlin Franz Rodenkirchen 

and Jürgen Seidler. 

Serve-U Phillip Sünderhauf. 

Skillset Neil Peplow, Dan Simmons and Rachael Duke. 

Small Things Pino Almeida. 

SOURCES 2 Renate and Marion Gompper. 

Talent Campus Buenos Aires María Marta Antin, 

Manuel Ferrari and Agustina Arbetman. 

Talent Campus Durban Monica Rorvik 

and Lauren Rosenberg. 

Talent Campus Guadalajara Lorena Rossette Riestra 

and Ana de la Rosa Zamboni. 

Talent Campus Sarajevo Asja Makarević 

and Adnan Beširović Hercegovac. 

Talent Project Market Sonja Heinen 

and Dr. Kathi Bildhauer. 

The Actors Cut Andrew and Greg Byatt. 

Theaterkunst Susanne Franke, Nikola Fölster, 

Birgit Raabe. 

The Post Republic Rebekka Garrido, Michael Reuter 

and Andreas Westphal. 

TOP-IX Torino e Piemonte Internet Exchange 

Silvano Giorelli and their entire team. 

U.S. Embassy Berlin Philip D. Murphy, 

Elisabeth Corwin, Wolfgang Brandt and Kerstin Reichert. 

Wallflower Press Sara Tyler. 

Wave-Line Matthias Behrens. 

20sec.net Jens Rietdorf and Robert Wagner. 

KBB – Kulturveranstaltungen des Bundes 

in Berlin GmbH Charlotte Sieben, Johannes Emig, 

Andrea Schreiber, Susanne Grünberg, Petra Hemprich, 

Stefan Martin and Jana Daubitz. 

Berlin International Film Festival Our colleagues: 

Thomas Hailer, Bernadette Kamp, Juliane Grieb, 

Antonia Pössinger, Lilian Pfeuffer, Karin Hoffinger 

and Daniela Weber. Johannes Wachs and 

Wolfgang Janßen. Anne Gebhardt, Sabine Kaszemeik, 

Albert Drügemöller and Eva Simhart. 

The section heads Alfred Holighaus, Christoph 

Terhechte, Maike Mia Höhne, Dr. Rainer Rother, 

Maryanne Redpath and Florian Weghorn, Wieland Speck 

and their teams. 

Vincenzo Bugno, Stefanie Schulte Strathaus 

and Wilhelm Faber. Frauke Greiner, Dagmar Forelle, 

Anne Marburger and their teams. Hans von Trotha. 

Markus Hönle, Gunnar Gilgen, Irena Akopjan and Jasmin 

Mehlin; Anke Leweke, Elisabeth Lequeret, Alexis Grivas, 

Pamela Pickering, Nikolaj Nikitin, Norman Wang 

and Dorothee Wenner for strategic expert approach. 

Last but not least: Dieter Kosslick! 

Our Juries: 

Score Competition Klaus Peter Beyer, Prof. Martin 

Steyer, Martin Todsharow and Connie Walther. 

Doc Station Kathrin Brinkmann, Merle Kröger 

and Sirkka Möller. 

Script Station Alby James, Franz Rodenkirchen 

and Marjorie Bendeck. 

Talent Project Market Katriel Schory, Esther Bannenberg, 

Roshanak Behesht Nedjad and Gerhard Meixner. 

The Talent Press Dana Linssen, Dr. Christian Lüffe, 

Oli Baumgarten, Rubaica Jaliwala, Frauke Greiner 

and Christiane Steiner. 

Berlin Today Award Stephen Daldry, Heike Makatsch 

and Peter Rommel. 

Berlin Today Award Pre-Selection Daniel Saltzwedel, 

Bärbel Mauch, Alexandra Gramatke, Christiane Steiner. 

Special thanks to Peter Cowie, Liz Rosenthal 

and David OReilly. 

Campus Team 2010 Andrea, Anja, Anna B., Anna L., 

Brigid, Christiane, Christina, Debora, Drew, Jana, Janne, 

Kathi, Katrin, Kevin, Lea, Lira, Marcie, Marcus, Marc Robin, 

Maria, Marjorie, Michael, Oli, Regine, Rubaica, Sirkka, 

Stefan and Susanne, to all photographers, volunteers, 

angels, service suppliers and technicians. 

Many thanks to our location partners

Page 

78 

Berlin International 

Film Festival 

Festival Director 

Dieter Kosslick 

Berlinale 

Talent Campus 2010 

Programme Manager 


Project Manager 

Christine Tröstrum 

Head of Press 

and Communication 

Christiane Steiner 

Programme Coordination 

Andrea Rieder 

Events 

& Administration 

Christina Janitz 

Communication 

& Event Assistants 

Maria Casas, Lea Benirschke 


Press & 

Communication 

Assistant 

Katrin Wirth 

Online Editor 

Marcus Forchner 

Talent 

Administration 

Marjorie Bendeck 

(Coordination), 

Lira Lousinha 

Selection Commitee 

Marjorie Bendeck, 

Marcie Jost, 

Kevin Murphy, 

Stefan Pethke 

Hands-on trainings 

Score Competition: 

Marcie Jost, 

Janne von Busse 


Debora Neumann 

Stefan Pethke 

Kevin Murphy 

Doc & Script Station: 

Sirkka Möller 

Brigid O‘Shea 

Talent Pro ject Market: 

Dr. Kathi Bildhauer 

Sonja Heinen 

Talent Press: 

Oliver Baumgarten 

Rubaica Jaliwala 

Talent Actors Stage: 

Anja Joos 

Susanne Mann 

Berlin Today Award: 

Christiane Steiner 

Maria Casas 

Guest Managers 

Jana Daedelow 

Anna Bartels 

Interns 

Programme: 

Anna Lässer 

Press: Regine Schwab 

Talent Administration: 

Drew Smith 

Imprint 

TEAM 

Forming the “B”, from top left to bottom right: Anna Lässer, Kathi Bildhauer, Regine Schwab, 

Oliver Baumgarten, Anja Joos, Anna Bartels, Marcus Forchner, Maria Casas, Anne Reckmann, 

Christiane Steiner, Kartin Wirth, Lea Benirschke. Forming the “T”, from top left to bottom: 

Andrea Rieder, Kevin Murphy, Rubaica Jaliwala, Marcie Jost, Brigid O’Shea, Christina Janitz, Lira Lousinha, 

Jana Daedelow. Forming the “C”, from top right to bottom right: Debora Neumann, Stefan Pethke, 

Sirkka Möller, Marjorie Bendeck, Drew Smith, Marc Robin Richter, Matthijs Wouter Knol, Christine Tröstrum. 

Website: 

Marc Robin Richter 

Press Acquisition 

& Support 

Dr. Kathrin Steinbrenner 

Administration 

Support 

Michael Hoffmeister 

Event Agency 

Gorol & Partner: 

Stephan Gorol 

Anne Reckmann 

Leonie Würfel 

IT Project 

Management 

20sec.net – 

Jens Rietdorf 

IT Technology 

serve-u – 

Phillip Sünderhauf 

Consultant 

Peter Cowie 

Imprint 

Circulation 

5.000 

Editorial Office 

Oliver Baumgarten 

Rubaica Jaliwala 


Anna Lässer 

Brigid O‘Shea 

Cartography 

Runze & Casper, Berlin 

Photography 



David von Becker 

Peter Himsel 

Alexander Janetzko 

mai.foto: Ute Langkafel 

and all cooperation 

partners, distributors, 

film productions 

Print Office 

Königsdruck, Berlin 

Design 

cover design: 

Büro Otto Sauhaus 

layout: 

Pakt, Sonja Jobs 

Publisher 



Berlinale Talent Campus 

Potsdamer Straße 5 

10785 Berlin 

Phone: +49 30 25 92 05 15 

Fax: +49 30 25 92 05 19 

info@berlinale-talentcampus.de 


An initiative of the Berlin 

International Film Festival, 

a business division of the 

Kulturveranstaltungen des 

Bundes in Berlin GmbH. 

Celebrating Our Official Partners 

Main Partner 

Co-Partner 

Supporter 

The Berlinale Talent Campus is an initiative of the Berlin International Film Festival, a business division of the Kulturveranstaltungen des Bundes 

in Berlin GmbH , funded by the Federal Government Commissioner for Culture and the Media upon a decision of the German Bundestag. 

In co-operation with MEDIA - Training programme of the European Union, Medienboard Berlin-Brandenburg, Skillset and UK Film Council.

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NEM JAHR MIT 13 MONDEN I MESSER IM KOPF I SCH WA RZ UND WEISS 

WIE TAGE UND NÄCHTE I TRILOGIE DES WIEDER SEHENS I WAS HEISS- 

T’N HIER LIEBE I WAS ICH BIN,SIND MEINE FILME I WILLI UND DIE KA- 

MERADEN I ZWISCHENGLEIS KURZFILME ABSTRAKTE OPER NR.1 I 

BOURBON STREET BLUES I CONTINUUM I DER SUCHER I DIE FRAU, DE- 

REN MUTTER GOETHE NOCH SAH... I EINE SCHÖNE MASKE I JEUX D’ 

EAU I KAKTUS I LISSAJOUS-GROSSSTADT I NACHTMAHR I WIE IM TRAUM 

FORUM A COMEDY IN SIX UNNATURAL ACTS I AL DAJAJ I ALIAS SERRA- 

LONGA I ANACRUSA O DE COMO LA MUSICA VIENE DESPUES DEL SILEN- 

CIO I ANNÄHERUNG MIT VIDEO AN DEN ROMAN ›DER GEHÜLFE‹ VON RO- 

BERT WALSER,TEIL I I ANUGRAHAM I ART EDUCATION I ART HERS T O- 

RY I ARVIND DESAI KI AJEEB DASTAAN I ASSAULT ON PRECINCT NO.13 

I AUS DER FERNE SEH ICH DIESES LAND I AUTUMN SCENES I BAARA 

I BERLIN-ÜBUNGEN IN NEUN STÜCKEN I BESCHREIBUNG EINER IN- 

SEL I BHUMIKA I BHUVAN SHOME I CATALA A L’ESCUELA I CHAIRS I CO- 

SES QUE RETORNEN I COUPLES I CROSS SECTION I CROSSINGS AND MEE- 

TINGS I DANAGRAM-SZENEN AUS EINEM SÜDINDISCHEN DORF I DE- 

MON I DER EINTÄNZER I DER ERSTE WALZER I DER KLEINE GODARD 

I DEUTSCHLANDGESCHICHTEN I DIE MACHT DER MÄNNER IST DIE GE- 

DULD DER FRAUEN I DIE NATÜRLICHSTE SACHE DER WELT I DOORAT- 

WA I DOUBLE VISIONS I EINLADUNG ZUR BESICHTIGUNG VON INNEN- 

RÄUMEN I EL MAR I ENCOUNTER I ESPECULACIÓ DEL SOL I FAD, JAL I FA- 

MILIENKINO I FAMILY ALBUM I FAREWELL TO MUMBO I FIRAT’IN CIN- 

LERI I FIVE BAR GATE I FLAMME EMPOR I FLAMMES I FOCAL LENGTHS I 

GENÈSE D’UN REPAS I GESCHICHTE DER NACHT I HACKNEY MARSHES 

I HITLER,EIN FILM AUS DEUTSCHLAND I HRA O JABLKO I HUNGRY AU- 

TUMN I HURRYCAN I I ILIKIA TIS THALASSAS I IN EINEM JAHR MIT 13 

MONDEN I INSIDE OUT (ARTIFICIAL MEMORY) I INTERVIEW I JUKTI,TA- 

AKO AAR GAPPO I JUMP OFF I KODIYETTOM I LA BATALLA DE CHILE (III): 

EL PODER POPULAR I LA DIADA DE CATALUNYA I LA MACCHINA CINEMA I 

AZAR I AN EINEM FEBRUARVORMITTAG I AN UNSUITABLE JOB FOR A WO- 

MAN I BEYROUTOU EL LIKA I BOSATSU: SHIMOYAMA JIKEN I BÜRGSCHAFT 

FÜR EIN JAHR I CAMILLA HORN SIEHT SICH ALS GRETCHEN IN MU R NAU’S 

STUMMFILM FAUST I CATCH AS CATCH CAN I CHER ALEXANDRE I CU RUMI NS 

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I DIE RÜCKKEHR DES WINKENDEN MÄDCHENS I DIE SEHNSU CHT DER VE- 

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GR ANDE I GENIUS OF LOVE I HET MEISJE MET HET RODE HA AR I IL MARCHE- 

SE DEL GRILLO I KOKO POPS I L’AMOUR DES FEMMES I LE RA VISSEMENT DE 

FRANK N. STEIN I LOUTKA, PŘĹTEL ČLOVĚKA I MUZHYKI I OM NATTEN I RE- 

QUIEM I ROMANZE MIT AMÉLIE I SAN GE HESHANG I SA RABA ITOSHIKI DA- 

ICHI I THE KILLING OF ANGEL STREET I UMBRA I UNE ÉT RAN GE AFFAIRE I 

XIANG QING I ZLILA CHOSERET WETTBEWERB (AUS SER KONKURRENZ) 

BUTTERFLY I COUP DE TOR CHON I DULCES HORAS I FEI NE GESELLSCHAFT - 

BE SCHRÄNKTE HAFTUNG I GROSSSTADTZIGEUNER I KRAFTPROBE I LIE- 

BESKONZIL I MILLE MILLIARDS DE DOLLARS I WHOSE LI FE IS IT ANYWAY? 

WETTBEWERB (SONDERVORFÜHRUNG) BODAS DE SAN GRE I BRUSTEN 

HIMMEL I GALLIPOLI I GARDE À VUE I KAGEROZA I SHI ZI JIE TOU I THE CHO- 

SEN I THE WAVES I THE WEAVERS: WASN’T THAT A TIME I UR GH - A MUSIC 

WAR I WEGGEHEN UM ANZUKOMMEN I WPERWYJE SAMUSHEM I ZAI SH- 

ENG REN INFO-SCHAU AD OVEST DI PAPERINO I ATHEIS I AVSKEDET I A ZS- 

A R NOK SZIVE I BELLADONNA I BERLINGER I CHYTILOVA VERSUS FOR- 

MAN - CONSCIOUSNESS OF CONTINUITY I COUPLES AND ROBBERS I DAS 

GOLDENE DING I DAS LÜGENMAL I DE HEILIGE FAMILIE I DER MÄD CHEN- 

KRIEG I DER STURZ I DEUTSCHLAND IM HERBST I DIE STADT DER HUNDE I 

DIRNENSCHICKSAL I DIRTY DAUGHTERS - DIE HURE UND DER HUREN- 

SOHN I EINE FAMILIE BRAUN I FOR THE TERM OF HIS NATURAL LI FE I FRE- 

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MI SCHTER SALAT- FRENCH DRESSING I GESCHICHTEN VOM KÜBELKIND 

I GREETINGS FROM WASHINGTON D.C. I HARD KNOCKS I HISTORIEN OM 

KIM SKOV I I APENANTI I JONAS UND DER AUFRECHTE GANG I KALTGES- 

TELLT I KLUGE LENI UND DER LÖWE I LAWINENGEFAHR I LEWAT JAM MA- 

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RAN I MANDALA I MENUET I NOPEMBER 1828 I OEJEBLIKKET I OI DROMI 

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FRIHETEN I SEPUTIH HATINYA, SEMERAH BIBIRNYA I SHA OU I SHARING 

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LAGE I TAUGENICHTS I TINA MODOTTI I TUWAT - WOCHENSCHAU I USIA 18 I 

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PRA SDNIK SWJATOWO IORGENA I QUARTO CAGNINO VIA CARLO MARX 

13 I REGENTROPFEN I REISENDER KRIEGER I RETOUR D’UN REPÈRE COM- 

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HAUNTING I THE INCREDIBLE SHRINKING WOMAN I THE INVISIBLE 

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US I LE MIRACLE DES LOUPS I LE PLAISIR I LE PURITAIN I LES EN F AN TS 

DU PARADIS I LE TESTAMENT DU DOCTEUR CORDELIER I LOVE ME TO- 

NIGHT I LUMIÈRE D’ÉTÉ I MARIA CHAPDELAINE I PORTRAIT DE MADE- 

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KIN DOUBLE JEU VARDA II KUNG FU MASTER BROADCAST NEWS I CHAUS- 

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THEOFILOS I TOCADE I UNUSUAL GROUND FLOOR CONVERSION I WALKER 

I WOHIN? I XUAN MEI JI I YASEMIN WETTBEWERB (AUSSER KONKURRENZ) 

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MICH SEHR GEFREUT I FEATHERS I FINGERED I FRAN I GELD I GUACHOABEL 

I HAIRSPRAY I HAITI: DREAMS OF DEMOCRACY I HELLO ACTORS STUDIO I 

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I TRAPS I TRUE CRIME NO FICTION I TV BUSTER I UHEPUULOTSIK I UMA PE- 

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WER REISST DENN GLEICH VORM TEUFEL AUS DEUTSCHE FILME ’78 AN- 

SCHI UND MICHAEL I BIER UND STERNE I DAS SCHLANG EN EI/ THE SERPENT 

’S EGG I DER HAUPTDARSTELLER I DER KURZE BRIEF ZUM LANGEN AB- 

SCHIED I DER MÄDCHENKRIEG I DIE AUSSCHWEIFUNG I DIE FARBE DES 

HIMMELS I DIE KONSEQUENZ I DIE RAZZIA I DIE ZUKUNFT DES HARALD E. 

I EIN VERDAMMT GUTES LEBEN I EURYDIKE BA1037 I FEUER UM MITTER- 

NACHT I HALBE-HALBE I JONNY WEST I KLUGE KINDERSTER BEN FRÜH I 

MEN SCHENFRESSER I MERGOSCIA I MIRADOR I NUR EIN KLEINES BISS- 

CHEN LIEBE I PUNK IN LONDON I STRAUBERG IST DA I SYLVESTERNACHT I 

THRENOS I WINTERSPELT/ WINTERSPELT 1944 FORUM 77 I A.CONSTANT I 

ABOUT MEDIA I ALZIRE ODER DER NEUE KONTINENT I ANGEL CITY I ANTO- 

NIA: A PORTRAIT OF THE WOMAN I APENBARINGEN I AUFPASSEN MACHT 

SCHULE I BALDESSARI SINGS LEWIT I BEFORE HINDSIGHT I BIRTH, WITH 

R.D. LAING I BLACKBIRD DESCENDING: TENSE ALIGNMENT I BLIZNA I CAS- 

SIS I CHILDREN’S TAPES: A SELECTION I CHOMANA DUDI I CINEMA MORT 

OU VIF? I COLOR SOUND FRAMES I CORINNA I CUE ROLLS I DAS ANDERE LÄ- 

CHELN I DAS ZWEITE ERWACHEN DER CHRISTA KLAGES I DAYEREH MINA 

I DER BOXER AUS KARS I DER GANZ FAIRE PROZESS DES MARCEL G. I DER 

GARTEN EDEN I DER PROZESS I DER TOD MEINES VATERS I DES JOURNÉES 

ENTIÈRES DANS LES ARBRES I DIALECTICAL FACTS I DIE ALLSEITIG REDU- 

ZIERTE PERSÖNLICHKEIT-REDUPERS I DREWO SHELANIJA I EIN GANZ 

UND GAR VERWAHRLOSTES MÄDCHEN I EVOLUTION OF THE RED STAR I 

FALSE PRETENSES (KODAK GHOST POEMS PART II) A.K.A. THE ADVEN- 

TURES OF THE EXQUISITE CORPS I FAMILY PORTRAIT SITTINGS I FEMA LE 

SENSIBILITY I FILMRÉGENY - HÁROM NÖVÉR I FLUCHTWEG NACH MAR- 

SEILLE I FOUR PLACES, TWO FIGURES AND ONE GHOST I FREE THAELMANN 

I GHASHIRAM KOTWAL I HAFENARBEIT- IM ROLL-ON, ROLL-OFF VERKEHR 

I HARMONICA I HOT TOMORROWS I ICH DENKE OFT AN HAWAII I IN VER- 

SION I IO SONO UN AUTARCHICO I ISSUNBOSHI O KIJUTSU SURU KOKORO- 

MI I JACKI I JOE AND MAXI I KAGE NO EIGA - NITO ONNA I LA FOLLIA (D)E(L) 

LA RIVOLUZIONE VERDIGLIONE I LA LANZA DE LA NACIÓN I LA LU CHA FINAL 

I LA ÚLTIMA CENA I LE CAMION I LET THE CHURCH SAY AMEN! I LET TER FROM 

AN UNKNOWN WOMAN I LIGHT I LIVES OF PERFORMERS I LOO SE ENDS I 

LOVE LETTERS FROM TERALBA ROAD I LULU I LUMA NOCTUR NA I MA DA ME 

X- EINE ABSOLUTE HERRSCHERIN I MALDOROR NO UTA I MEDIA BURN I 

MEIKU-TAN I MUSIC WITH ROOTS IN THE AETHER I NISAN ARIANA WIN- 

DOW I ONE-EYED BUM I PAREIL PAS PAREIL I PASADENA FREEWAY STILLS 

I PETSCHKI LAWO T SCHKI I QUERIDOS COMPAÑEROS I RAILROAD TURN- 

BRIDGE I RUDE AWAKENING I RWANYJE BASCHMAKI I SHIRLEY TEM P LE 

STORY I SHIWJOT TAKOJ PAREN I SHOKEN-TI I SINCERITY (PART I, II)I SI- 

NG,IRIS-SING I SKIN CANCER I SOLARIUMAGELANI: SUMMER SOL STI CE 

I SOUTH AFRICA:THE WHITE LAAGER I STRANNYJE LJUDI I STUDIES IN CH- 

R O NOVISION I SUPER VISION I TAKE THE 5:10 TO DREAMLAND I TELEVISI- 

ON DELIVERS PEOPLE I THE DESERT PEOPLE I THE DIVE I THE HAND I THE 

MARCH ON PARIS 1914 OF GENERALOBERST VON KLUCK, AND HIS ME- 

MORY OF JESSIE HO L LADAY I THE NAKED CIVIL SERVANT I THE WEEKEND- 

TA PES I TUE RECHT UND SCHEUE NIEMAND - DAS LEBEN DER GERDA SIE- 

PE BRINK I UNDERSCAN I UNDERTONE I UNE SALE HISTOIRE I VERTICAL 

ROLL I VOCABULARY I WAGA KOI WA MOENU I WAS HALTEN SIE VOM TOD 

DER WILMA MONTESI I WASCH SYN I BRAT I WEIL ICH HIER ARBEITE I WER 

EIN PAAR HOLZLATSCHEN ABGELAUFEN HAT I YOYO TRICKS I ZWEI PRO- 

TOKOLLE RETROSPEKTIVE ALTES HERZ GEHT AUF REISE I AM ENDE DER 

WELT I ANGEL I BLACK FOX I CAFE ELECTRIC (FRAGMENT) I DAS LEBEN KANN 

SO SCHÖN SEIN I DAS STAHLTIER I DAS TESTAMENT DES DR.MABUSE I DER 

SPRUNG INS LEBEN I DER VERZAUBERTE TAG I DESIRE I DESTRY RIDES 

AGAIN I DIE FRAU, NACH DER MAN SICH SEHNT I GESPRENGTE GITTER I 

GROSSE FREIHEIT NR.7 I KISMET I LIEBESLEGENDE (PREUSSISCHE LIE- 

BESGESCHICHTE) I MADAME WÜNSCHT KEINE KINDER I MANPOWER I 

MARTIN ROU M ANAC I NO HIGHWAY I PARIS WHEN IT SIZZLES I PITTSB- 

URG I RANCHO NOTORIOUS I SO SIND DIE MÄNNER I STAGE FRIGHT I THE 

FLAME OF NEW ORLEANS I THE GARDEN OF ALLAH I THE MONTE CARLO STO- 

RY I TITANIC I TOUCH OF EVIL I WITNESS FOR THE PROSECUTION 1979 

WETTBEWERB A MÉNESGAZDA I ALBERT - WARUM? I ASKNDRIE...LIE? I 

BLUE COLLAR I DAVID I DIE EHE DER MARIA BRAUN I DIE ERSTE POLKA I 

EL CORAZÓN DEL BOSQUE I ERNESTO I GEHEIME REICHSSACHE I HARD- 

CORE I HET VERLOREN PARADIJS I KASSBACH I KEJSAREN I L’A DOLES- 

CENTE I L’A MOUR EN FUITE I MEETINGS WITH REMARKABLE MEN I ME- 

S SIDOR I MOVIE MOVIE I NOSFERATU-PHANTOM DER NACHT I PARA S- 

HURAM I PROVA D’ORCHESTRA I SUPERMAN I THE DEER HUNTER I VIN- 

TERBØRN WETTBEWERB KURZFILME AFTERLIFE I BODA GITANA I DAS 

WINKENDE MÄDCHEN I ECCE HOMO I LÁÁÁSKA I LE RENDEZ-VOUS DU 

PETIT MATIN I LEO ES PARDO I PHANTOM I THE WALTZING POLICEMEN I 

UBU INFO-SCHAU A DIFFERENT STORY I ADÉLA JEŠTĚ NEVEČEŘELA I 

AM WEGE STEHEN UND NICHT WISSEN WOHIN SICH DREHEN I BAI- 

QUIEN DAFU I CIA: CASE OFFICER I CORONEL DELMIRO GOUVEIA I CURSA 

I EDITIE SPECIALA I EGY ERKÖLCSÖS ÉJSZAKA I FEEDBACK I FEMALE 

TROUBLE I GATES OF HEAVEN I HJE HEI TSE I HSIA NU (A TOUCH OF ZEN) 

I HVĚM HAR BESTEMT...!? I I TEMBELIDES TIS EFORIS KILADAS I IN 

SEARCH OF ANNA I JAI BABA FELUNATH I JAKOBINE (OS MUCKER) I LA 

CHAMBRE VERTE I LIN ZEXU I LONG WEEKEND I LULEKOGET MB MURE I 

MINSA’Y ISANG GAMU GAMO I MOUTH TO MOUTH I NEWS FRONT I ROVÉ 

HULIET (THE WOODEN GUN) I RUNOILIJA JA MUUSA I RURAL TEACHERS I 

SLEEPING DOGS I SONAGI I TEH PRIVATE FILES OF J.EDGAR HOOVER I 

THE BOSS’ SON I THE CARS THAT ATE PARIS I THE CHANT OF JIMMIE 

BLACKSMITH I THE DEVIL’S PLAYGROUND I THE GETTING OF WISDOM 

I THE IRISHMAN I THE LAST CAMPAIN I THEY ARE THEIR OWN GIFTS I 

TURI E I PALADINI I VARTIOITU KYLÄ I WITH BABIES AND BANNERS 10 

FIL ME VON HANS W. GEISSENDÖRFER CARLOS I DER FALL LENA CHRIST I 

DIE ELTERN I DIE GLÄSERNE ZELLE I DIE WILDENTE I EINE ROSE FÜR 

JANE I JONATHAN I MARIE I PEHARIM-DIE ZWEITE CHANCE I STERN- 

STEINHOF KINO FÜR LEUTE AB SECHS EIN TAG MIT DEM WIND I MOR- 

MOR OG ÅTTE UNGENE I SAMMY’S SUPER T-SHIRT I VORSTADTKROKO- 

DI LE DEUTSCHE FILME ’79 BRENNENDEN LANGEWEILE I DAS FÜNFTE 

GE BOT I DER JUNGE MÖNCH I DER SCHNEIDER VON ULM I DER STURZ I 

DIE ABFAHRER I DIE FAUST IN DER TASCHE I DIE FRAU GEGENÜBER I 

DIE SCHATTENGRENZE I EINE FRAU MIT VERANTWORTUNG I IN EI- 

NEM JAHR MIT 13 MONDEN I MESSER IM KOPF I SCH WA RZ UND WEISS 

WIE TAGE UND NÄCHTE I TRILOGIE DES WIEDER SEHENS I WAS HEISS- 

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GR ANDE I GENIUS OF LOVE I HET MEISJE MET HET RODE HA AR I IL MARCHE- 

SE DEL GRILLO I KOKO POPS I L’AMOUR DES FEMMES I LE RA VISSEMENT DE 

FRANK N. STEIN I LOUTKA, PŘĹTEL ČLOVĚKA I MUZHYKI I OM NATTEN I RE- 

QUIEM I ROMANZE MIT AMÉLIE I SAN GE HESHANG I SA RABA ITOSHIKI DA- 

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XIANG QING I ZLILA CHOSERET WETTBEWERB (AUS SER KONKURRENZ) 

BUTTERFLY I COUP DE TOR CHON I DULCES HORAS I FEI NE GESELLSCHAFT - 

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BESKONZIL I MILLE MILLIARDS DE DOLLARS I WHOSE LI FE IS IT ANYWAY? 

WETTBEWERB (SONDERVORFÜHRUNG) BODAS DE SAN GRE I BRUSTEN 

HIMMEL I GALLIPOLI I GARDE À VUE I KAGEROZA I SHI ZI JIE TOU I THE CHO- 

SEN I THE WAVES I THE WEAVERS: WASN’T THAT A TIME I UR GH - A MUSIC 

WAR I WEGGEHEN UM ANZUKOMMEN I WPERWYJE SAMUSHEM I ZAI SH- 

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A R NOK SZIVE I BELLADONNA I BERLINGER I CHYTILOVA VERSUS FOR- 

MAN - CONSCIOUSNESS OF CONTINUITY I COUPLES AND ROBBERS I DAS 

GOLDENE DING I DAS LÜGENMAL I DE HEILIGE FAMILIE I DER MÄD CHEN- 

KRIEG I DER STURZ I DEUTSCHLAND IM HERBST I DIE STADT DER HUNDE I 

DIRNENSCHICKSAL I DIRTY DAUGHTERS - DIE HURE UND DER HUREN- 

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MI SCHTER SALAT- FRENCH DRESSING I GESCHICHTEN VOM KÜBELKIND 

I GREETINGS FROM WASHINGTON D.C. I HARD KNOCKS I HISTORIEN OM 

KIM SKOV I I APENANTI I JONAS UND DER AUFRECHTE GANG I KALTGES- 

TELLT I KLUGE LENI UND DER LÖWE I LAWINENGEFAHR I LEWAT JAM MA- 

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VIVA VERNEUIL I VOUS SEREZ HEURE UX I WAN JIA DENG HUO I WIE GEHT 

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BACK I MY REPUTATION I PAYMENT ON DEMAND I POSSESSED I REBECCA 

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TER’73 NEUE DEUTSCHE FILME AMPHITRYON I CELESTE I DAS BOOT I DAS 

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LA MER I LA TERRA IN DUE I LA TRICHE I LE MEILLEUR DE LA VIE I LOUI- 

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MILK I TORPEDONOSSZY I TUTTI DENTRO - PER UNA RAPIDA MORALIZ- 

ZAZIONE DEL PAESE I VARIATION TWO I VIDEO SCULPTURE I VIENA 

NOTERES IR JOS KETURE VYRAE/ SHENSCHTSCHIN TSCHETWERO JE- 

JO MUSHTSHIN I WER WAR EDGAR ALLAN? I WHITE ELEPHANT FO- 

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MUTANZ I AMERASIA I ANASTENARIA-DAS FEST DER FEUERLÄUFER 

VON LAGADAS I ANATOMY IN MOTION AND OTHER TV STORIES I ANNAS 

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BÜ CHER IM NACKEN I CABARE MINEIRO I CABRA MARCADO PARA MOR- 

RER I CADENZAS I&XIV I CHAMBRE 666 I CHANOYU I CHARLIE PARKER/ 

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DAS AQUARIUM I DAS CABINET DES DR.CALIGARI I DAS KONZERT I DAS 

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STACCATO I GERDA I GIULIA IN OTTOBRE I GLORIA! I GO TELL IT ON THE 

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GYAKUFUNSHA-KAZOKU I HAMARA SHAHAR I HANDFEST - FREIWILLI- 

GE SELBSTKONTROLLE I HATCHING I HONG KONG TOPOGRAPHY I ICH 

MACHE DIE SCHMERZPROBE I IDOL I IKITE WA MITA KEREDO... I IL CI- 

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DUCTION TO FRAGMENT NO.31 I J’AI LA TÊTE QUI TOURNE I JAMMIN’THE 

BLUES I JEAN COCTEAU-AUTOPORTRAIT D’UN INCONNU I JEDER SCHUSS 

EIN TREFFER I JOURNEY I JUSTE LE TEMPS I KEMIRA-DIARY OF A STRI- 

KE I KING KONG I KÜCHENGESPRÄCHE MIT REBELLINNEN I KURZSICH- 

TIG UND UNTERWEGS I LA FEMME DE L’HÔTEL I LA PRÉSENCE RÉ EL- 

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LOS CHICOS DE LA GUERRA I LOS MOTIVOS DE BERTA I LUCY I MANUEL 

NA ILHAS DAS MARAVILHAS I MARION BROWN-SEE THE MUSIC I ME- 

DIA GAMES I MEDITATIONS INDIA I MEDITATIONS RIVER I MEMORIAS 

DO CARCERE I MEZZOGIORNO I MINGUS I NAMIBIA? FÜR UNS IMMER 

NOCH SÜDWEST I NATURKATASTROPHENBALLETT/ NATURKATAST- 

ROPHENGESANG I NEBEL.JAGEN I NEW MAPS OF THE CITY I NIEDER 

MIT DEN DEUTSCHEN I NOCAUT I NOITES DO SERTAO I NOTRE NAZI I O 

BAIANO FANTASMA I O MAGICO E O DELEGADO I O TERCEIRO MI LÊ NIO 

I ON THE RUN I ORINOKO-NUEVO MUNDO I OTTO KLEMPERERS LANGE 

REISE DURCH SEINE ZEIT I POLSI SOTTILI I PORTROBOT I PULZ I QUEEN 

KELLY I RAUHNACHT I RECORDING I REVERSE ANGLE: NYC MARCH’82 

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TE STERNE I SACRIFICE I SAMBA SAMBA:EIN FILM VON DRAUSSEN VOR 

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SE CRET HONOR I SEÑOR TURISTA I SHUFFLE I SJÄLEN ÄR STÖRRE ÄN 

VÄRLDEN I SO WAR DAS SO 36 I SOME MUSICS I ST. LOUIS BLUES I STOP 

FOR BUD I STRAITS OF MAGELLAN:DRAFTS&FRAGMENTS I SUPER- 

MAN I SURVIVORS - THE BLUES TODAY I TAKE CARE I TARANG I TARSASU- 

TAZAS I TERRA DEGLI DEA MADRE I THAT’S IT, FORGET IT I THE BEAST 

666 I THE COMMUNISTS ARE COMFORTABLE I THE CONNECTION I THE 

CONTRACT I THE DOMINATRIX SLEEPS TONIGHT I THE INTERVIEW I THE 

LAST OF THE BLUE DEVILS I THE LIVING ROOM (3): GREAT KENDO COM- 

MERCIAL I THE LORD’S PRAYER I THE VISITING ARTIST I THE VOICE OF 

THE PRESIDENT I THE WATER CATALOGUE I THE WAY IT IS OR EURYDI- 

CE IN THE AVENUES I THE WELLINGTON SUITE I TRANSATLANTIC I ULI 

UND JOST I UMI-TORI-SHIMOKITA HANTO HAMASEKINE I VENENO PU- 

RO I VERFÜHRUNG: DIE GRAUSAME FRAU I VIDEO COLLAGE ’83. ARTIFI- 

CIAL PARADISE I VIDEO TABLEAUX I VITE DI BALLATOIO I VOYAGE I WHICH 

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BRE AKOUT I BUSTERS VERDEN I CĂLĂTORIE ÎN JURUL PĂ

der des étrange it de va - Berlinale Talent Campus

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