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Highlights Fine Art Auction Sales Auction sale - Galerie Fischer ...

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<strong>Highlights</strong><br />

<strong>Fine</strong> <strong>Art</strong> <strong>Auction</strong> <strong>Sales</strong><br />

<strong>Auction</strong> <strong>sale</strong>: 13 to 15 June 2012<br />

Preview 2 to 10 June 2012<br />

(daily from 10 a.m. to 6 p.m.)<br />

Camille Pissarro's women having a bath in the river, Pierre-Auguste Renoir's lady in a black robe - the <strong>Fischer</strong><br />

Gallery offers first-class Modern <strong>Art</strong> in its upcoming auction on the 13 to 15 June 2012. Furthermore there are<br />

outstanding works for example by Gino Severini and Pablo Picasso.<br />

Also in the category old master paintings and 19th century paintings there is a large amount of top class<br />

works of art. For example there are the painting “Zeus pester Semele“ by Erasmus Quellinus and the portrait<br />

„Clio, the historical muse” by Jean Raoux.<br />

A very special highlight of Swiss <strong>Art</strong> is the still life with coffee by Albert Anker, which is estimated 1 to 1.5 million<br />

Swiss Francs. According to leading experts of the works by Albert Anker his still lifes are proof of his high<br />

virtuosity. Furthermore there are beautiful works of art by Augusto and Alberto Giacometti, Ernest Biéler as well<br />

as Alexandre Calame.<br />

A detailled report you can find on http://www.fischerauktionen.ch/UserData/MediaNewsItem_en_121918_00.pdf.<br />

Regularly we update our list of highlights on http://www.fischerauktionen.ch/auktion/preview.aspx?l=en.<br />

For photos please click on http://www.fischerauktionen.ch/downloads/objekte.aspx?type=PressInfoList&l=en.<br />

Once more we would like to point to the very interesting letter written on the 8th march 1917 by Albert<br />

Einstein addressed to Walther Rathenau, the German foreign minister in the 1920s. Detailled information you<br />

can find on http://www.fischerauktionen.ch/UserData/MediaNewsItem_en_121913_00.pdf.<br />

Dr. Kuno <strong>Fischer</strong>


Modern & Contemporary <strong>Art</strong><br />

PIERRE-AUGUSTE RENOIR<br />

Limoges 1841-1919 Cagnes<br />

La femme à la robe noire<br />

Mogrammed "R" top right.<br />

Oil on canvas, 33,3 x 19,1 cm<br />

CHF 600'000 / 800'000 resp. EUR 500'000 / 666'000<br />

Certificate:<br />

The work of art is going to be included in the catalogue raisonné "Catalogue critique du peintre<br />

Pierre-Auguste Renoir" of the Fonds d'archives François Daulte, Durand-Ruel, Venturi, Vollard and<br />

Wildenstein (written confirmation by the Wildenstein Institute, Paris, 30 Januaryy 2003).<br />

Literature:<br />

Ambroise Vollard, Pierre-Auguste Renoir, Paintings, Pastels and Drawings, Paris 1918, revised new<br />

edition. San Francisco 1989, p.. 212, no. 899.<br />

Provenance:<br />

Swiss private collection<br />

LUCIO FONTANA<br />

Rosario 1899-1968 Comabbio<br />

Concetto spaziale<br />

Created in 1962. Signed "L. Fontana" lower right.<br />

Oil on canvas, 55 x 46 cm, in acrylic box<br />

CHF 400'000 / 600'000 resp. EUR 333'000 / 500'000<br />

Certificate:<br />

Confirmation of authenticity by the Atelier Lucio Fontana, Milano, 26 September 1969.<br />

Letter by Valeria Ernesti, Fondazione Lucio Fontana, 27 March 2007 (including the confirmation that<br />

the work of art is listed in the "Catalogo ragionato" under no. 62 O 49 and that the correct<br />

measurements are 55 x 46 cm instead of 60 x 55).<br />

Literature:<br />

Enrico Crispolti, Lucio Fontana, Catalogo Generale, vol. II, Bruxelles 1974, no. 62 O 49, p. 118 (with<br />

picture)<br />

Enrico Crispolti, Lucio Fontana, Catalogo Generale, vol. I, Milan 1986, no. 62 O 49, p.. 400 (with<br />

picture, measurements not correctly quoted)<br />

Enrico Crispolti, Lucio Fontana, Catalogo ragionato di sculture, dipinti, ambientazioni, vol. II, Milan<br />

2006, no.. 62 O 49, p.. 585 (with picture)<br />

Exhibition:<br />

McRoberts & Tunnard, London, Fontana Paintings 1962, no. 9 (with picture)<br />

Ardesio, Il Incontro artistico ad Ardesio, July 1973 (with picture)<br />

Fuji Television Gallery, Tokyo, Fontana, 7. to 29. March 1986, No. 20 (with picture)<br />

Provenance:<br />

Charles Wilp, Düsseldorf<br />

V. Vasata, Düsseldorf<br />

Galleria d'arte "dei Mille", Bergamo<br />

Studio Brescia, <strong>Art</strong>e Contemporanea, Brescia<br />

Swiss private collection


CAMILLE PISSARRO<br />

Saint-Thomas 1830-1903 Paris<br />

Baigneuses assises au bord d'une rivière<br />

Signed "C. Pissarro" and dated "1901" lower right.<br />

Gouache on silk, mounted on board, in passepartout, ca. 19 x ca. 25,8 cm (LM 17,5 x 23,5<br />

cm), framed<br />

CHF 350'000 / 450'000 resp. EUR 291'00 / 375'000<br />

Literature:<br />

Ludovic Rodo Pissarro/Lionello Venturi, Camille Pissarro, Son <strong>Art</strong> - Son Oeuvre, Catalogue<br />

Raisonné, Paris 1939, New edition. San Francisco 1989, Vol. I, P. 287, No. 1496 (Description), Vol.<br />

II, Tafel 289, No. 1496 (with picture)<br />

Exhibition:<br />

<strong>Galerie</strong> Durand-Ruel, Paris, L'Oeuvre de Camille Pissarro, April 1904, No. 171<br />

Provenance:<br />

Albert Pra, France<br />

<strong>Galerie</strong> Charpentier, Paris, <strong>Auction</strong> <strong>sale</strong>, Succession Albert Pra, 17 June 1938, Cat.no. 47<br />

French private collection (purchased from the grandfather in Paris around 1938-39)<br />

Sotheby's, London, <strong>Auction</strong> <strong>sale</strong>, 25. June 2002, Cat.no. 113<br />

Swiss private collection<br />

PABLO PICASSO<br />

Malaga 1881-1973 Mougins<br />

Corbeille et fruits<br />

Signed "Picasso" and dated "20-6-20" top left. On the reverse numbered "1182.23", "3184", "V"<br />

and customs mark. On the board label "Saidenberg Gallery", "<strong>Galerie</strong> Beyeler", "The<br />

Minneapolis Institute of <strong>Art</strong>s" and "San Francisco Museum of <strong>Art</strong>".<br />

Gouache, dip pen, Indian ink and pencil on China paper, in passepartout, 22 x 32 cm, framed,<br />

lower on the left of the center little defective spot<br />

CHF 380'000 / 440'000 resp.. EUR 316'000 / 366'000<br />

Literature:<br />

Christian Zervos, Pablo Picasso, Bd. 4, Oeuvres de 1920 à 1922, Paris 1951, No. 117 (with picture.<br />

P. 37)<br />

The Picasso Project, Picasso's Paintings, Watercolors, Drawings and Sculpture, Neoclassicism I,<br />

1920-1921, San Francisco 1995, No. 20-263.<br />

Exhibition:<br />

<strong>Galerie</strong> Beyeler, Basel, Picasso, 90 works on paper, 15 November 1971 to 15 January 1972, No. 15<br />

(with picture)<br />

The Institute of <strong>Art</strong>s, Minneapolis, Picasso, Braque, Léger, Masterpieces from Swiss Collections,<br />

October 1975 to January 1976, No. 14 (with picture. p. 13). This exhibition moved to the<br />

University of Houston, Houston, The Sarah Campbell Blaffer Gallery, January to March 1976 and<br />

The Museum of Modern <strong>Art</strong>, San Francisco, March to May 1976<br />

Provenance:<br />

Saidenberg Gallery, New York<br />

<strong>Galerie</strong> Beyeler, Basel (1971, No. 5662)<br />

Swiss private collection<br />

German private collection<br />

Dorotheum, Vienna, <strong>Auction</strong> <strong>sale</strong>, 29 May 2007, Cat.no. 34<br />

Swiss private collection


GINO SEVERINI<br />

Cortona 1883-1966 Paris<br />

"Gavroche”<br />

Signed "G. Severini", dated "29 Sept. 1947", inscribed "A mon ami très cher Fernand Dumas -<br />

affectueusement" and "Romont" lower right. On the reverse dated "1946" and inscribed<br />

"Paris".<br />

Oil and gouache on board, in passepartout, 30 x 33,9 cm (25,5 x 29 cm), framed. Outside the<br />

painted area, in the ca. 2,2 cm white based margin slightly faded.<br />

CHF 150'000 / 200'000 resp. EUR 125'000 / 166'650<br />

Provenance:<br />

Fernand Dumas (Moudon 1892-1956 Locarno), Swiss architect, who has been working together<br />

with Gino Severini since 1923<br />

<strong>Galerie</strong> Kornfeld, Bern, <strong>Auction</strong> <strong>sale</strong>, 21 June 1996, Cat.no. 136<br />

Swiss private collection<br />

YURI (ZHORZH) PAVLOVICH ANNENKOV<br />

Petropavlovsk-on-Kamchatka 1889-1974 Paris<br />

No title<br />

Signed in Cyrillic „Y. Annenkov" and dated "1922" lower right. On the reverse label<br />

"Collection Erik and Lilott Berganus" with information about the artist, work of art and numbr<br />

“65-73/IV".<br />

Mixing technique (Collage, Indian ink, dip pen, coal), 56 x 41,5 cm<br />

CHF 100’000/160'000 resp. EUR 82’900/132’700<br />

Certificate:<br />

Conformation of authenticity of the artist, 27 November 1972, on the reverse of a photography<br />

(original).<br />

Provenance:<br />

Collection Erik and Lilott Berganus <strong>Galerie</strong> Gmurzynska, Cologne<br />

Swiss private collection (purchased by the above mentioned gallery in 1980)


Old master paintings and 19th century paintings<br />

ERASMUS QUELLINUS<br />

Antwerp 1607-1678 Antwerp<br />

Zeus pester Semele<br />

Oil on canvas, 178 x 208 cm, not framed. The canvas is underlaid by a second canvas. Little<br />

defects of pigment.<br />

CHF 150'000/180'000 resp. EUR 125'000/150'000<br />

Certificate:<br />

We thank Mr. Ludwig Meyer, Archiv für Kunstgeschichte, Munich, for his support finding the artist<br />

of this painting (Letter 24 February 2012).<br />

JEAN RAOUX<br />

Montpellier 1677-1734 Paris<br />

Clio, die Muse der Geschichte<br />

In the lower left corner number "10", in the lower right corner number "116".<br />

Oil on canvas, relined, 141 x 118 cm.<br />

CHF 40'000/60'000 resp. EUR 33'350/50'000<br />

Literature:<br />

Celia Alegret, Author of the catalogue raisonné wanted to include the paintings as no. 65 in the<br />

catalogue (written confirmation of the planned description oft he painting, Paris 1993).<br />

Provenance:<br />

According to earlier pinned notes: "Aus d. Gemäldesammlung d. Frh. v. Heintze" (handschriftlich)<br />

"Eine der neun Musen in reichem, faltigen Gewande. Grösse:... cm. Alter holzgeschnitzter Rokoko-<br />

Rahmen"<br />

"Prinzlich Preussisches Privat-Familienfideikommiss Trensches (?) No. 101"<br />

Yvette Brunschwig, Lugano before 1940<br />

<strong>Galerie</strong> <strong>Fischer</strong>, Lucerne, <strong>Auction</strong> <strong>sale</strong> November 2004, Cat.no. 1097<br />

Since than in Swiss private collection<br />

FLEMISH ARTIST AROUND 1600<br />

Landscape with mountains, waterfall, mill and Maria Magdalena<br />

On the reverse old label "Joh. Brueghel geb. zu Brüssel 1589 gest. 1658." and written note in<br />

pencil "Schönfeld".<br />

Oil on panel, 53,5 x 72 cm<br />

CHF 50'000/60'000 resp. EUR 41'650/50'000

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