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Gonfanon Stock Photos and Images

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Gonfanon Stock Photos and Images

Emperor Charlemagne with Frankish chieftain holding a gonfalon or banner, 8th century. Charlemagne in ceremonial robes, crown, cape of Saint Maurice, embroidered silk tunic, with sceptres. Officer in plumed helmet, breastplate, tunic, and mantle. Chef arme portans un Gonfanon, Gens du peuple, Charlemagne en habit de ceremonie, Eveque. Sous Charlemagne, 8e Siecle. Handcoloured lithograph by Godard after an illustration by Charles Auguste Herbé from his own Costumes Francais, Civils, Militaires et Religieux, French Costumes, Civil, Military and Religious, Maison Martinet, Paris, 1837. Stock Photo
RM2WB0W0R–Emperor Charlemagne with Frankish chieftain holding a gonfalon or banner, 8th century. Charlemagne in ceremonial robes, crown, cape of Saint Maurice, embroidered silk tunic, with sceptres. Officer in plumed helmet, breastplate, tunic, and mantle. Chef arme portans un Gonfanon, Gens du peuple, Charlemagne en habit de ceremonie, Eveque. Sous Charlemagne, 8e Siecle. Handcoloured lithograph by Godard after an illustration by Charles Auguste Herbé from his own Costumes Francais, Civils, Militaires et Religieux, French Costumes, Civil, Military and Religious, Maison Martinet, Paris, 1837.
Cavalry battle between Crusaders and Saracens, 12th century. The crusaders wear chainmail coats and pointed helmets with small crosses, one holds a standard (gonfanon or gonfalon). Taken from a stained-glass window in St. Denis church. Profile portrait of Charles the Good (1084-1127), Count of Flanders, from a 15th centiury painting in Saint-Salvator Cathedral, Bruges. Vitre de St. Denis representant un combat des Croises contre les Infideles. Charles le Bon, Comte de Flandre (Roger de Gaignieres). Handcoloured lithograph by Villain after an illustration by Horace de Viel-Castel from his Colle Stock Photo
RM2T6A175–Cavalry battle between Crusaders and Saracens, 12th century. The crusaders wear chainmail coats and pointed helmets with small crosses, one holds a standard (gonfanon or gonfalon). Taken from a stained-glass window in St. Denis church. Profile portrait of Charles the Good (1084-1127), Count of Flanders, from a 15th centiury painting in Saint-Salvator Cathedral, Bruges. Vitre de St. Denis representant un combat des Croises contre les Infideles. Charles le Bon, Comte de Flandre (Roger de Gaignieres). Handcoloured lithograph by Villain after an illustration by Horace de Viel-Castel from his Colle
Coat of arm of the city of Milan and the Visconti family in Castello Sforzesco, Milan, Italhy, Europe Stock Photo
RF2J8Y8R1–Coat of arm of the city of Milan and the Visconti family in Castello Sforzesco, Milan, Italhy, Europe
Examples of heraldic terms describing a coat of arms. Includes mains, jambe, gerbe, houseaux, chateau, tour, coeurs, os, chemise, chapelle, piramide, maison, calices, gonfanon, manipule, chandelier, epee, etc. Copperplate engraving by Robert Benard from Blason ou Art Heraldique, the heraldry section from Denis Diderot and Jean-Baptiste le Rond d’Alembert’s Encyclopedie, published by Brisson, David, Le Breton and Durand, Paris, 1763. Stock Photo
RM2HE48JH–Examples of heraldic terms describing a coat of arms. Includes mains, jambe, gerbe, houseaux, chateau, tour, coeurs, os, chemise, chapelle, piramide, maison, calices, gonfanon, manipule, chandelier, epee, etc. Copperplate engraving by Robert Benard from Blason ou Art Heraldique, the heraldry section from Denis Diderot and Jean-Baptiste le Rond d’Alembert’s Encyclopedie, published by Brisson, David, Le Breton and Durand, Paris, 1763.
old balcony of palace with the gonfalons of San Paolo Apostolo 'Patronus Palatioli' in Palazzolo Acreide, Sicily, Italy Stock Photo
RM2REGH87–old balcony of palace with the gonfalons of San Paolo Apostolo 'Patronus Palatioli' in Palazzolo Acreide, Sicily, Italy
Gonfanon this vertical flag looks like banner it has pillar and laurel wreath and small dots all over vintage line drawing or engraving illustration Stock Vector
RFT5TXCB–Gonfanon this vertical flag looks like banner it has pillar and laurel wreath and small dots all over vintage line drawing or engraving illustration
Odin's red black Raven Banner Viking Norse totemic bird Flag at Largs, Scotland, UK Stock Photo
RMK5X7P4–Odin's red black Raven Banner Viking Norse totemic bird Flag at Largs, Scotland, UK
Seal of Alexander I of Scotland. Scotland; circa 1112. [Obverse of seal] Impression of the seal of King Alexander I of Scotland. The king on horseback, wearing a coat of mail, and conical helmet. He holds a gonfanon or banner with three streamers in his right hand, and a kite-shaped shield in the other Originally published/produced in Scotland; circa 1112. . Source: Seal XLVII.5,. Language: Latin. Stock Photo
RMR58F7J–Seal of Alexander I of Scotland. Scotland; circa 1112. [Obverse of seal] Impression of the seal of King Alexander I of Scotland. The king on horseback, wearing a coat of mail, and conical helmet. He holds a gonfanon or banner with three streamers in his right hand, and a kite-shaped shield in the other Originally published/produced in Scotland; circa 1112. . Source: Seal XLVII.5,. Language: Latin.
Cavalry battle between crusaders and infidels, 12th century. Stock Photo
RME61291–Cavalry battle between crusaders and infidels, 12th century.
. Military and religious life in the Middle Ages and at the period of the Renaissance. he Eleventh Century, fromthe Bayeux Tapestry. feudal services, such as those of the ban, and of the arriere-ban, thoserendered by the servitors of different ranks, known as bachelors, clients,esquires, bannerets, men-at-arms, barons, &c, names already ancient, butwhose rank and place in battle were only determined on the day when theywere all grouped and posted, each under his special banner or gonfanon, adistinction that implied a separate kind of equipment for each. Thus the vassals were in the power of th Stock Photo
RM2AFN3F8–. Military and religious life in the Middle Ages and at the period of the Renaissance. he Eleventh Century, fromthe Bayeux Tapestry. feudal services, such as those of the ban, and of the arriere-ban, thoserendered by the servitors of different ranks, known as bachelors, clients,esquires, bannerets, men-at-arms, barons, &c, names already ancient, butwhose rank and place in battle were only determined on the day when theywere all grouped and posted, each under his special banner or gonfanon, adistinction that implied a separate kind of equipment for each. Thus the vassals were in the power of th
Cavalry battle between Crusaders and Saracens, 12th century. The crusaders wear chainmail coats and pointed helmets with small crosses, one holds a standard (gonfanon or gonfalon). Taken from a stained-glass window in St. Denis church. Profile portrait of Charles the Good (1084-1127), Count of Flanders, from a 15th centiury painting in Saint-Salvator Cathedral, Bruges. Vitre de St. Denis representant un combat des Croises contre les Infideles. Charles le Bon, Comte de Flandre (Roger de Gaignieres). Handcoloured lithograph by Villain after an illustration by Horace de Viel-Castel from his Coll Stock Photo
RM2CGPH20–Cavalry battle between Crusaders and Saracens, 12th century. The crusaders wear chainmail coats and pointed helmets with small crosses, one holds a standard (gonfanon or gonfalon). Taken from a stained-glass window in St. Denis church. Profile portrait of Charles the Good (1084-1127), Count of Flanders, from a 15th centiury painting in Saint-Salvator Cathedral, Bruges. Vitre de St. Denis representant un combat des Croises contre les Infideles. Charles le Bon, Comte de Flandre (Roger de Gaignieres). Handcoloured lithograph by Villain after an illustration by Horace de Viel-Castel from his Coll
PEERS. Heraldry (6) 1880 old antique vintage print picture Stock Photo
RFMHPKTF–PEERS. Heraldry (6) 1880 old antique vintage print picture
Banners, pennants, ensigns, etc., 10th to 14th century. Pennon or penonceau, showing ranks of chivalry, 2,3,4,6. Military flags, pavilion or tent banners with coats of arms. Bannieres, flammes, pavillons, Xe au XIVe siecles. Chromolithograph by Ferdinand Sere from Charles Louandre’s Les Arts Somptuaires, The Sumptuary Arts, Hangard-Mauge, Paris, 1858. Stock Photo
RM2M1D79E–Banners, pennants, ensigns, etc., 10th to 14th century. Pennon or penonceau, showing ranks of chivalry, 2,3,4,6. Military flags, pavilion or tent banners with coats of arms. Bannieres, flammes, pavillons, Xe au XIVe siecles. Chromolithograph by Ferdinand Sere from Charles Louandre’s Les Arts Somptuaires, The Sumptuary Arts, Hangard-Mauge, Paris, 1858.
Banners, pennants, ensigns, etc., 10th to 14th century. Pennon or penonceau, showing ranks of chivalry, 2,3,4,6. Military flags, pavilion or tent banners with coats of arms. Bannieres, flammes, pavillons, Xe au XIVe siecles. Chromolithograph by Ferdinand Sere from Charles Louandres Les Arts Somptuaires, The Sumptuary Arts, Hangard-Mauge, Paris, 1858. Stock Photo
RM2T688DN–Banners, pennants, ensigns, etc., 10th to 14th century. Pennon or penonceau, showing ranks of chivalry, 2,3,4,6. Military flags, pavilion or tent banners with coats of arms. Bannieres, flammes, pavillons, Xe au XIVe siecles. Chromolithograph by Ferdinand Sere from Charles Louandres Les Arts Somptuaires, The Sumptuary Arts, Hangard-Mauge, Paris, 1858.
baroque balcony of Palazzo Pizzo with the gonfalon of San Paolo Apostolo in Palazzolo Acreide, Sicily, Italy Stock Photo
RM2REGH2B–baroque balcony of Palazzo Pizzo with the gonfalon of San Paolo Apostolo in Palazzolo Acreide, Sicily, Italy
. Our flag number, with 1197 flags in full colors and 300 additional illustrations in black and white. yeux,near Caen, Normandy. A copy drawn by C. Stothard, andcolored after the originals, was published by the Society of Anti-quaries in 1821-3. It has been recently announced that a facsimile in chromo-lithograph, the full size of the original, is to bepublished. Gonfanons. Dr. Myrick considers the small pennon attachedto a lance in the hand of William the Conqueror on his greatseal as a gonfanon, differing from a banner in this respect; he saysthat instead of being square, and fastened to a t Stock Photo
RM2AFR0WD–. Our flag number, with 1197 flags in full colors and 300 additional illustrations in black and white. yeux,near Caen, Normandy. A copy drawn by C. Stothard, andcolored after the originals, was published by the Society of Anti-quaries in 1821-3. It has been recently announced that a facsimile in chromo-lithograph, the full size of the original, is to bepublished. Gonfanons. Dr. Myrick considers the small pennon attachedto a lance in the hand of William the Conqueror on his greatseal as a gonfanon, differing from a banner in this respect; he saysthat instead of being square, and fastened to a t
Cavalry battle between crusaders and infidels, 12th century. The crusaders wear chainmail coats and pointed helmets with small crosses. One crusader holds a standard (gonfanon or gonfalon). Taken from Montfaucon and from a stained-glass window in Saint Denis, 1140. Handcoloured copperplate drawn and engraved by Leopold Massard from 'French Costumes from King Clovis to Our Days,' Massard, Mifliez, Paris, 1834. Stock Photo
RMP6H684–Cavalry battle between crusaders and infidels, 12th century. The crusaders wear chainmail coats and pointed helmets with small crosses. One crusader holds a standard (gonfanon or gonfalon). Taken from Montfaucon and from a stained-glass window in Saint Denis, 1140. Handcoloured copperplate drawn and engraved by Leopold Massard from 'French Costumes from King Clovis to Our Days,' Massard, Mifliez, Paris, 1834.
Nouvelle histoire de Lyon et des provinces de Lyonnais, Forez, Beaujolais, Franc-Lyonnais et Dombes . Cest à tort que des moderneslui ont donné un blason écartelé de Bologne (dor à 3 tourteaux de yueules). 11ne portait que le gonfanon dAuvergne, comme on le voit parles méreaux ci-dessus. intérêts de la France. Guy de Bologne, qui était étranger à notreEglise et fut nommé par le pape, neut peut-être pas une exacteconnaissance des intérêts en cause ; du reste, il ne siégea quedeux ans. Henri de Villars,qui succéda à Guy de Bologne, sembleavoir été absorbé par ladministration de son diocèse et pa Stock Photo
RM2ANG12P–Nouvelle histoire de Lyon et des provinces de Lyonnais, Forez, Beaujolais, Franc-Lyonnais et Dombes . Cest à tort que des moderneslui ont donné un blason écartelé de Bologne (dor à 3 tourteaux de yueules). 11ne portait que le gonfanon dAuvergne, comme on le voit parles méreaux ci-dessus. intérêts de la France. Guy de Bologne, qui était étranger à notreEglise et fut nommé par le pape, neut peut-être pas une exacteconnaissance des intérêts en cause ; du reste, il ne siégea quedeux ans. Henri de Villars,qui succéda à Guy de Bologne, sembleavoir été absorbé par ladministration de son diocèse et pa
Examples of heraldic terms describing a coat of arms. Includes mains, jambe, gerbe, houseaux, chateau, tour, coeurs, os, chemise, chapelle, piramide, maison, calices, gonfanon, manipule, chandelier, epee, etc. Copperplate engraving by Robert Benard from Blason ou Art Heraldique, the heraldry section from Denis Diderot and Jean-Baptiste le Rond dAlemberts Encyclopedie, published by Brisson, David, Le Breton and Durand, Paris, 1763. Stock Photo
RM2T695CJ–Examples of heraldic terms describing a coat of arms. Includes mains, jambe, gerbe, houseaux, chateau, tour, coeurs, os, chemise, chapelle, piramide, maison, calices, gonfanon, manipule, chandelier, epee, etc. Copperplate engraving by Robert Benard from Blason ou Art Heraldique, the heraldry section from Denis Diderot and Jean-Baptiste le Rond dAlemberts Encyclopedie, published by Brisson, David, Le Breton and Durand, Paris, 1763.
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