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Han dynasty painting Stock Photos and Images
RM2B013KE–China: Emperor Guangwu of Han (13 January 5 BCE – 29 March 57 CE). Handscroll painting from the 'Thirteen Emperors Scroll' by Tang Dynasty court painter Yan Liben (600-673), 7th century. Emperor Guangwu, born Liu Xiu, was an emperor of the Chinese Han Dynasty, restorer of the dynasty in 25 CE and thus founder of the Later Han or Eastern Han (the restored Han Dynasty). He ruled over parts of China at first, and through suppression and conquest of regional warlords, the whole of China was consolidated by the time of his death in 57 CE.
RMGG2G6G–Anonymous Chinese school The Emperor of the Han dynasty with scholars translating classical texts. From 'The History of the Chinese Emperors' 18th century Painting on silk Paris, Bibliothèque Nationale de France
RM2B01B5A–China: Emperor Guangwu (13 January 5 BCE - 29 March 57 CE), fifth emperor of the Eastern Han Dynasty (206 BCE - 9 CE). Ming Dynasty hanging scroll painting, 1368-1644. Emperor Guangwu, born Liu Xiu, courtesy name Wenshu and temple name Shizu, was an emperor of the Han Dynasty, restorer of the dynasty in 25 CE and thus founder of the Later Han or Eastern Han (the restored Han Dynasty). Initially he ruled over part of China, but through the suppression and conquest of regional warlords, the whole of China was consolidated by the time of his death in 57.
RMRY1FKH–Han Yige, c. 1368-1644. China, Ming dynasty (1368-1644). Hanging scroll, color on silk; painting: 142.9 x 82.1 cm (56 1/4 x 32 5/16 in
RM2B01E9P–China: Sima Qian (c. 145-86 BCE), Father of Chinese historiography and 'Grand Historian' of China, early Han Dynasty (206 BCE - 220 CE). Sima Qian (Wade-Giles: Ssu-ma Ch'ien) was a Prefect of the Grand Scribes (太史公) of the Han Dynasty. He is regarded as the father of Chinese historiography for his highly praised work, Records of the Grand Historian, a 'Jizhuanti'-style general history of China, covering more than two thousand years from the Yellow Emperor to Emperor Wu of Han. His definitive work laid the foundation for later Chinese historiography.
RMRY1FKJ–Madam Han Neefang, 1368- 1644. China, Ming dynasty (1368-1644). Hanging scroll, ink and color on silk; painting: 130 x 78.3 cm (51 3/16 x 30 13/16 in
RM2B00MNJ–China: A Buddhist monk transcribing scriptures. Mural from the Qigexing Caves, Xinjiang. The Qigexing Buddhist Temple Ruins (Uyghur: Xorquᶄ, Chinese: Qīgè Xīng Fúsì Yízhǐ; literally ‘Seven-Stars Buddhist Temple Ruins’) is a ruined compound of Buddhist religious sites located about 25–30 km southwest of the town of Yanqi, Yanqi Hui Autonomous County, Xinjiang, China. Qigexing was part of the ancient Buddhist Karashara Kingdom that is first mentioned in Chinese sources from the Han Dynasty as the Kingdom of Yanqi. In 94 CE, Qigexing was conquered by the Han Dynasty in its reconquest of the Tar
RM2JE0WGH–Ancient Chinese painting, portrait of a Chinese dignitary, tempera on canvas, Qing period 1644-1911.
RM2B014PD–China: Guardian Deity of the Morning, ceramic tile painting, Han Dynasty (202 BCE - 220 CE). Painting on a ceramic tile from the Chinese Han Dynasty. This figure, wearing Han Dynasty robes, represents the Guardian Spirit of Dawn (from 5 to 7 am).
RMPA76Y2–Hangzhou, Zhejiang, China, 21th July 2018. Actress Xu Jiao and actor Li Yapeng attended the opening ceremony of the Han Chinese painting exhibition in Hangzhou, and introduced the influence of Chinese culture in the Han Dynasty, so that people can better understand the traditional Chinese culture and art. Credit:Costfoto/Alamy Live News
RMKWDJJY–NIGHT SHINING WHITE, by Han Gan, 743-756, Chinese, Tang dynasty, painting, ink on paper. The animated horse of 8th century Emperor Xuanzong is portrayed with flaring nostrils and raised hoofs. This is the most famous work by Han Gan, the leading horse painter of his time. The seals and inscriptions added by later owners are a custom of Chinese connoisseurship (BSLOC 2017 16 6)
RMDB5T2N–fine arts, China, Han Dynasty, brass rubbing, wall of the funerary chamber of the Vu family in Shandong, 147 BC / 68 BC, Grande wall painting 'The recovery of the lost Three-River', British Museum London, Artist's Copyright has not to be cleared
RFT4WW9D–The Southern Song Dynasty 'Hujia 18 Shots', this picture is a painting by the Song people based on Cai Wenji, Cai Wei, composing Hu Jia 18
RMWHA4FR–Han Kan. Tang painter 618-906. Han-Kan lived in Chang-an, the capital of the Tang dynasty (618 -907). He painted Buddhist and Taoist wall paintings but became mostly famous for his great compositions of horse paintings which represented the knightly spirit of his time. He is considered one of the greatest classical Chinese master artists of animal painting.
RMKWDM9Y–NIGHT SHINING WHITE, by Han Gan, 743-756, Chinese, Tang dynasty, painting, ink on paper. The animated horse of 8th century Emperor Xuanzong is portrayed with flaring nostrils and raised hoofs. This is the most famous work by Han Gan, the leading horse painter of his time. The seals and inscriptions added by later owners are a custom of Chinese connoisseurship (BSLOC 2017 16 6)
RMKC55DT–西漢 錯金銀青銅劍, Sword Blade, Western Han dynasty (206 B.C.–A.D. 9), China, Bronze inlaid with gold and silver, L. 20 1/4 in. (51.4
RF2HK56PF–Inspired by Portrait of Chief Minister Han Ik-mo, Ink and light color on silk, Korea, last half of 18th century, Joseon Dynasty, 62 3/8 × 26 1/8 in., 158.4 × 66.4 cm, Asian Art, Choson, ink, inscription, Joseon, Korea, Munsuk, Official, painting, portrait, Robe, silk, Silk hat, Reimagined by Artotop. Classic art reinvented with a modern twist. Design of warm cheerful glowing of brightness and light ray radiance. Photography inspired by surrealism and futurism, embracing dynamic energy of modern technology, movement, speed and revolutionize culture
RMKC880H–Covered Jar (Hu), Western Han dynasty (206 B.C.–A.D. 9), 2nd–1st century B.C., China, Earthenware with painted decoration, H. 18
RMGG29XH–Chinese anonymous painting Daily life of the Chinese emperors Outi from the Han Dynasty (206 BC) liked the men of letters 17th / 18th century China
RM2HB29BK–Portrait of Chief Minister Han Ik-mo, Ink and light color on silk, Korea, last half of 18th century, Joseon Dynasty, 62 3/8 × 26 1/8 in., 158.4 × 66.4 cm, Asian Art, Choson, ink, inscription, Joseon, Korea, Munsuk, Official, painting, portrait, Robe, silk, Silk hat
RM2K0AGT9–Chen Juzhong (1195-1224) Lady Wenji's Return to China. Cai Wenji (162-229), daughter of Cai Yong from the Eastern Han period, was abducted by northern tribesmen on horseback during the chaos of the Xingping era, married to King Zuoxian of the Southern Xiongnu, and later rescued by Cao Cao after payment of a large ransom. This painting had been attributed to Chen Juzhong during the Jiatai reign (1201-1204) of Emperor Ningzong of the Song dynasty.
RMMW15M5–. English: Nuwa and Fuxi, two of the Three Divine Rulers . AD 151. mural painting from Han dynasty 450 Nuwafuxi4
RM2B014PH–China: Guardian Deity of Midnight, ceramic tile painting, Han Dynasty (202 BCE - 220 CE). Painting on a ceramic tile from the Chinese Han Dynasty. This figure, wearing Han Dynasty robes, represents the Guardian Spirit of Midnight (from 11 pm to 1 am).
RM2B01EM9–China: Two gentlemen engrossed in conversation while two others look on. Handscroll painting from a tomb near Luoyang, Henan province, dated to the Eastern Han Dynasty (25-220 CE). The Han Dynasty (206 BCE - 220 CE) was the second imperial dynasty of China, preceded by the Qin Dynasty (221-207 BCE) and succeeded by the Three Kingdoms (220-280 CE). It was founded by the peasant rebel leader Liu Bang, known posthumously as Emperor Gaozu of Han. It was briefly interrupted by the Xin Dynasty (9-23 CE) of the former regent Wang Mang. This interregnum separates the Han into two periods.
RMDB5T3F–fine arts, China, Han Dynasty, brass rubbing, wall of the funerary chamber of the Vu family in Shandong, 147 BC / 68 BC, Grande wall painting with the reception of the drive in front of the dignitaries, British Museum London, Artist's Copyright has not to be cleared
RM2B013KB–China: Emperor Zhao of Han (94-74 BCE). Handscroll painting from the 'Thirteen Emperors Scroll' by Tang Dynasty court painter Yan Liben (600-673), 7th century. Emperor Zhao of Han was an emperor of the Chinese Han Dynasty from 87 BCE to 74 BCE. Emperor Zhao was the youngest son of Emperor Wu of Han. By the time Zhao was born, Emperor Wu was already 62. Zhao ascended the throne only 8 years old, and Huo Guang served as regent. Emperor Zhao, under the tutelage of Huo, took the initiative and lowered taxes and reduced government spending. Citizens prospered and the Han Dynasty enjoyed peace.
RMTB7T0W–A Chinese painting of Wang Zhaojun's bridal procession, Black and white ink on paper, drawing in Baimiao style depicting the bridal procession of the concubine Wang Zhaojun heading to meet her future husband. Slightly stained, paper backing and white contrasting mounts loose. With a text by the painter Qu Junzai dating from 1908 who ascribes the painting either to Li Gonglin (1049 - 1106), Northern Song Dynasty, or to Ding Yunpeng (1547 - 1628). Wang Zhaojun was a concubine of the Emperor Han Yuandi (75 - 33 B.C.) who married her for political re, Additional-Rights-Clearance-Info-Not-Available
RM2B01K1B–China: Sima Qian (c. 145/135-86 BCE), Father of Chinese historiography and 'Grand Historian' of China. Hanging scroll painting, c. 19th century. Sima Qian was a Prefect of the Grand Scribes (太史公) of the Han Dynasty. He is regarded as the father of Chinese historiography for his highly praised work, 'Records of the Grand Historian' (史記 or 史记), a 'Jizhuanti'-style general history of China, covering more than two thousand years from the Yellow Emperor to Emperor Wu of Han. His definitive work laid the foundation for later Chinese historiography.
RMTB7T12–A Chinese painting of Wang Zhaojun's bridal procession, Black and white ink on paper, drawing in Baimiao style depicting the bridal procession of the concubine Wang Zhaojun heading to meet her future husband. Slightly stained, paper backing and white contrasting mounts loose. With a text by the painter Qu Junzai dating from 1908 who ascribes the painting either to Li Gonglin (1049 - 1106), Northern Song Dynasty, or to Ding Yunpeng (1547 - 1628). Wang Zhaojun was a concubine of the Emperor Han Yuandi (75 - 33 B.C.) who married her for political re, Additional-Rights-Clearance-Info-Not-Available
RM2B01B59–China: Emperor Gaozu (256/247 BCE - 1 June 195 BCE), founder and first ruler of the Western Han Dynasty (206 BCE-9 CE). Ming Dynasty hanging scroll painting, 1368-1644. Emperor Gaozu, personal name Liu Bang, courtesy name Ji, temple name Taizu and posthumous name Gaodi, was the founder of the Han Dynasty, ruling over China from 202 BCE to 195 BCE. Liu was one of the few dynastic founders in Chinese history who emerged from the peasant class (another major example being Zhu Yuanzhang of the Ming Dynasty). In the early stage of his rise to prominence, Liu was addressed as 'Duke of Pei'.
RF2HKKA3J–Art inspired by Portrait of Chief Minister Han Ik-mo, Ink and light color on silk, Korea, last half of 18th century, Joseon Dynasty, 62 3/8 × 26 1/8 in., 158.4 × 66.4 cm, Asian Art, Choson, ink, inscription, Joseon, Korea, Munsuk, Official, painting, portrait, Robe, silk, Silk hat, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT
RM2B01CYB–Vietnam: Ngo Quyen, victor of the First Battle of Bach Dang River, commanding his forces (938 CE). Traditional folk painting from Dong Ho village, 20th century. At the Battle of Bạch Đằng River in 938 the Vietnamese forces, led by Ngô Quyền, defeated the invading forces of the Southern Han state of China and put an end to centuries of Chinese imperial domination in Vietnam. It took place at the Bach Dang River, near Halong Bay in northern Vietnam. This victory ended China's long domination of Vietnam and began a period of Vietnamese independence until conquest by the Ming Dynasty.
RMW540E8–Vase with 'taotie' masks in relief, Vase of earthenware, with a worn-down painting. Twice a 'taotie' mask in relief on the abdomen. Below and above several horizontal bands. Manufactured after a bronze grave vase., anonymous, China, c. -206 - c. 220, Han-dynasty (-206-220), earthenware, painting, h 38.6 cm d 17.2 cm d 28.7 cm d 17.4 cm
RM2B011A4–China: 'Man Herding Horses'. Tang dynasty handscroll painting of two prized horses and a single rider by Han Gan (706-783), 8th century. The Tang Dynasty (Chinese: 唐朝; pinyin: Táng Cháo; June 18, 618 – June 1, 907) was an imperial dynasty of China preceded by the Sui Dynasty and followed by the Five Dynasties and Ten Kingdoms Period. It was founded by the Li (李) family, who seized power during the decline and collapse of the Sui Empire. The dynasty was interrupted briefly by the Second Zhou Dynasty (October 8, 690 – March 3, 705) when Empress Wu Zetian seized the throne.
RF2HTTPWY–Art inspired by 西漢 錯金銀青銅劍, Sword Blade, Western Han dynasty (206 B.C.–A.D. 9), China, Bronze inlaid with gold and silver, L. 20 1/4 in. (51.4 cm); W. 1 1/8 in. (2.9 cm); D. 1/4 in. (.6 cm), Metalwork, The gold and silver wire inlays on this blade depict animals moving through a, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT
RM2B01R24–China: Five women playing flutes. Detail from the handscroll painting 'Night Revels of Han Xizai' by Gu Hongzhong (937-975), later Song Dynasty (960-1279) remake of a 10th century original. The Night Revels of Han Xizai is a painted scroll depicting Han Xizai, a minister of the Southern Tang Emperor Li Yu (937-978). This narrative painting is split into five distinct sections: Han Xizai listens to the pipa, watches dancers, takes a rest, plays string instruments and then sees guests off.
RMKC68XD–Night-Shining White, 唐 韓幹 照夜白圖 卷, Tang dynasty (618–907), ca. 750, China, Handscroll; ink on paper, Image: 12 1/8 x 13 3/8 in. (
RM2B01498–China: Empress Yang (30 June 1162 - 18 January 1233), consort of Emperor Ningzong, 13th ruler of the Song Dynasty and 4th ruler of the Southern Song Synasty (r.1194-1224). Hanging scrol painting, c. 1194-1233. Empress Yang, formally known as Gongsheng and also known as Yang Meizi, was consort to Emperor Ningzong. She succeeded Empress Han and was known for her ambition and cunning, working alongside her ally Shi Miyuan, who became grand chancellor. She served as co-regent of Emperor Lizong until her death. She is considered 'one of the most powerful empresses of the Song Dynasty.'
RMMXFJ2F–. English: Nuwa and Fuxi, two of the Three Divine Rulers . AD 151. mural painting from Han dynasty 451 Nuwafuxi3
RM2B01499–China: Empress Yang (30 June 1162 - 18 January 1233), consort of Emperor Ningzong, 13th ruler of the Song Dynasty and 4th ruler of the Southern Song Synasty (r.1194-1224). Hanging scrol painting, c. 1194-1233. Empress Yang, formally known as Gongsheng and also known as Yang Meizi, was consort to Emperor Ningzong. She succeeded Empress Han and was known for her ambition and cunning, working alongside her ally Shi Miyuan, who became grand chancellor. She served as co-regent of Emperor Lizong until her death. She is considered 'one of the most powerful empresses of the Song Dynasty.'
RM2GFTTB2–China: Empress Yang (30 June 1162 - 18 January 1233), consort of Emperor Ningzong, 13th ruler of the Song Dynasty and 4th ruler of the Southern Song Synasty (r.1194-1224). Hanging scrol painting, c. 1194-1233. Empress Yang, formally known as Gongsheng and also known as Yang Meizi, was consort to Emperor Ningzong. She succeeded Empress Han and was known for her ambition and cunning, working alongside her close ally Shi Miyuan, who became grand chancellor. She served as co-regent of Emperor Lizong until her death. She is considered 'one of the most powerful empresses of the Song Dynasty'.
RM2B01B3M–China: 'The Night Revels of Han Xizai'. Detail of handscroll painting by an anonymous Song Dynasty painter after the original by Gu Hongzhong (937-975), 12th century. 'The Night Revels of Han Xizai' is a painted scroll depicting Han Xizai, a minister of the Southern Tang Emperor Li Yu (937-978). This narrative painting is split into five distinct sections: Han Xizai listens to the pipa, watches dancers, takes a rest, plays string instruments, and then sees guests off. The original, painted by Gu Hongzhong, is lost, but a 12th century copy, housed in the Palace Museum in Beijing, survives.
RM2B011A8–China: 'Night-Shining White'. Zhao Ye Bai, a favourite horse of Emperor Xuanzong (712-56). Handscroll painting by Han Gan (706-783), c. 750 CE. Emperor Xuanzong of Tang ( 8 September 685-3 May 762), also commonly known as Emperor Ming of Tang (Tang Minghuang), personal name Li Longji, known as Wu Longji, was the seventh emperor of the Tang dynasty in China, reigning from 712 to 756. His reign of 43 years was the longest during the Tang Dynasty. In the early half of his reign he was a diligent and astute ruler, ably assisted by capable chancellors like Yao Chong and Song Jing.
RF2HTW4P2–Art inspired by Dongfang Shuo stealing peaches of longevity, 清 琥珀東方朔偷桃擺件, Qing dynasty (1644–1911), China, Amber, H. 6 1/2 in. (16.5 cm); W. 4 1/2 in. (11.4 cm), Amber, Dongfang Shuo was an official at the court of Han Emperor Wu (r. 141–87 B.C.) known for his quick wit and humorous, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT
RM2B014PB–China: Han Dynasty tomb mural of horse and chariot, c.100 CE. Eastern Han Dynasty (23-220 CE) mural of a group of horses and a horse pulling a covered chariot and rider. One of 57 murals from the Nei Menggu Helingeer/Holingor Tomb in Inner Mongolia, the tomb of a prominent official, landowner, and colonel of the Wuhuan Army.
RMTB7T11–A Chinese painting of Wang Zhaojun's bridal procession, Black and white ink on paper, drawing in Baimiao style depicting the bridal procession of the concubine Wang Zhaojun heading to meet her future husband. Slightly stained, paper backing and white contrasting mounts loose. With a text by the painter Qu Junzai dating from 1908 who ascribes the painting either to Li Gonglin (1049 - 1106), Northern Song Dynasty, or to Ding Yunpeng (1547 - 1628). Wang Zhaojun was a concubine of the Emperor Han Yuandi (75 - 33 B.C.) who married her for political re, Additional-Rights-Clearance-Info-Not-Available
RM2B00XCR–China: Two ladies smoking opium, late Qing Dynasty painting. The Qing Dynasty (1644–1911) was founded after the Manchus defeated the Ming, the last Han Chinese dynasty. The Manchus introduced a 'queue order', forcing the Han Chinese to adopt the Manchu queue hairstyle and Manchu-style clothing. The Qing consolidated control of some areas originally under the Ming, including Yunnan. They also stretched their sphere of influence over Xinjiang, Tibet and Mongolia. But during the 19th century, Qing control weakened, and it collapsed in 1912, replaced by the Republic of China.
RF2HTTCP9–Art inspired by Night-Shining White, 唐 韓幹 照夜白圖 卷, Tang dynasty (618–907), ca. 750, China, Handscroll; ink on paper, Image: 12 1/8 x 13 3/8 in. (30.8 x 34 cm), Paintings, Han Gan (Chinese, active ca. 742–756), A leading horse painter of the Tang dynasty, Han Gan was known for capturing, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT
RM2B017KT–China: 'Cai Wenji on Horseback among the Xiongnu'. Detail of handscroll painting, Southern Song Dynasty (1127-1279). Cai Wenji was born shortly before 178 CE in what is now Qi County, Kaifeng, Henan. In 195, the chaos after Chancellor Dong Zhuo's death brought Xiongnu nomads into the Chinese capital and Cai Wenji was taken captive to the northern lands. During her captivity, she became the wife of the Xiongnu chieftain Liu Bao and bore him two sons. It was not until twelve years later that Cao Cao, the new Chancellor of Han, ransomed her in her father's name.
RM2K0AGNP–According to palace records, Lady Hyegyeong, King Jeongjo's mother, was so pleased to be presented with a screen of such magnificent scale and stunning precision that she rewarded each of the seven artists who participated in its production. The artists were Choe Deuk-hyeon, Kim Deuk-sin, Yi Myeong-gyu, Jang Han-jong (1768 - 1815), Yun Seok-keun, Heo Sik (1762 - ?) and Yi In-mun. From the time of Joseon Dynasty (1392 - 1910)
RMPB1KCM–Bowl with Geometric Designs. Culture: China. Dimensions: H. 3 5/8 in. (9.2 cm); Diam. 10 7/16 in. (26.5 cm). Date: 2nd century B.C.. Likely used for serving a liquid such as wine or soup, this bowl is painted with dramatic swirling lines interlaced with small curls and other forms. Known as cloud energy, or yunqi, this design, which was pervasive during the Western Han dynasty, is understood to represent a forbidding but numinous realm inhabited by immortals. Museum: Metropolitan Museum of Art, New York, USA.
RMKC7TH0–Dongfang Shuo stealing peaches of longevity, 清 琥珀東方朔偷桃擺件, Qing dynasty (1644–1911), China, Amber, H. 6 1/2 in. (16.5 cm); W. 4
RMK617PX–Dongzi Culture Park, Dezhou, Shandong, China. Memorial mural painting of Western Han Dynasty Confucian philosopher Dong Zhongshu
RMDXP925–Changsha, China's Hunan Province. 28th Mar, 2014. Visitors watch the the T-shaped painting on silk, the highlight of the Hunan Provincial Museum, at the museum in Changsha, capital of central China's Hunan Province, March 28, 2014. More than 50 pieces (sets) of cultural relics from the Mawangdui Tombs of the Han Dynasty (206 B.C. - 220 A.D.), located in the eastern suburbs of Changsha, will be officially re-presented at the museum from March 29. © Bai Yu/Xinhua/Alamy Live News
RMMW15KC–. English: Nuwa and Fuxi, two of the Three Divine Rulers . AD 151. mural painting from Han dynasty 450 Nuwafuxi3
RMDXE1AY–(140325) -- CHANGSHA, March 25, 2014 (Xinhua) -- Staff members arrange the T-shaped painting on silk, the highlight of the Hunan Provincial Museum, at the museum in Changsha, capital of central China's Hunan Province, March 25, 2014. More than 50 pieces (sets) of cultural relics from the Mawangdui Tombs of the Han Dynasty (206 B.C. - 220 A.D.), located in the eastern suburbs of Changsha, will be re-presented at the museum from March 29. The museum started its renovation in June 2012. (Xinhua/Bai Yu) (wyo)
RM2JE0WGX–Ancient Chinese painting, portrait of a Chinese dignitary with his wife, tempera on canvas, Qing period 1644-1911.
RF2HW3B4R–Art inspired by 明 佚名 瑤臺獻壽圖 團扇, Paying Homage to the Queen Mother of the West, Ming dynasty (1368–1644), 15th century, China, Fan mounted as an album leaf; ink and color on silk, Image: 11 3/8 × 11 3/8 in. (28.9 × 28.9 cm), Paintings, Unidentified Artist Chinese, 15th century, The, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT
![Spring Morning in the Han Palace, 2nd half 17th century. This is a copy of a famous handscroll (in the National Palace Museum, Taipei, Taiwan) by the Ming-dynasty artist Qiu Ying [Ch'iu Ying]. It depicts imperial life at its most idyllic. During the years of the Qing [Ch'ing] dynasty, copies of Qiu Ying's painting were popular because they were an excellent guide to elegant behaviour. Stock Photo](https://c8.alamy.com/comp/2TBKXKF/spring-morning-in-the-han-palace-2nd-half-17th-century-this-is-a-copy-of-a-famous-handscroll-in-the-national-palace-museum-taipei-taiwan-by-the-ming-dynasty-artist-qiu-ying-chiu-ying-it-depicts-imperial-life-at-its-most-idyllic-during-the-years-of-the-qing-ching-dynasty-copies-of-qiu-yings-painting-were-popular-because-they-were-an-excellent-guide-to-elegant-behaviour-2TBKXKF.jpg "Spring Morning in the Han Palace, 2nd half 17th century. This is a copy of a famous handscroll (in the National Palace Museum, Taipei, Taiwan) by the Ming-dynasty artist Qiu Ying [Ch'iu Ying]. It depicts imperial life at its most idyllic. During the years of the Qing [Ch'ing] dynasty, copies of Qiu Ying's painting were popular because they were an excellent guide to elegant behaviour. Stock Photo")
RM2TBKXKF–Spring Morning in the Han Palace, 2nd half 17th century. This is a copy of a famous handscroll (in the National Palace Museum, Taipei, Taiwan) by the Ming-dynasty artist Qiu Ying [Ch'iu Ying]. It depicts imperial life at its most idyllic. During the years of the Qing [Ch'ing] dynasty, copies of Qiu Ying's painting were popular because they were an excellent guide to elegant behaviour.
RF2RXF55Y–Beijing China, February 17, 2023: Western Han Dynasty painted pottery Terra Cotta Warriors in the National Museum of China.
RF2H1ENN0–EQUATORIAL GUINEA - CIRCA 1977: a stamp printed in Equatorial Guinea shows Chinese Horse Painting, Chinese Art, Dynasty Han, circa 1977
RMTB7T0X–A Chinese painting of Wang Zhaojun's bridal procession, Black and white ink on paper, drawing in Baimiao style depicting the bridal procession of the concubine Wang Zhaojun heading to meet her future husband. Slightly stained, paper backing and white contrasting mounts loose. With a text by the painter Qu Junzai dating from 1908 who ascribes the painting either to Li Gonglin (1049 - 1106), Northern Song Dynasty, or to Ding Yunpeng (1547 - 1628). Wang Zhaojun was a concubine of the Emperor Han Yuandi (75 - 33 B.C.) who married her for political re, Additional-Rights-Clearance-Info-Not-Available
RM2AHRC3M–Tripod Caldron (Ding). 206 BC–9 AD. China. Gray earthenware with mold-impressed decoration Under the Han dynasty (206 B.C.-A.D. 220), dynastic stability and affluence broadened the clientele for burial goods from aristocratic families to officials and landowners. Clay replicas of costly vessels of bronze and lacquer met the wider demand for tomb furnishings by middle-income patrons. This caldron, modeled after a common bronze shape, is covered with a lid molded to depict a sinuous dragon—a design executed most naturally in lacquer painting.
RM2B017KR–China: 'Cai Wenji Returns to Her Homeland'. Anonymous painting of Cai Wenji and her Xiongnu husband Liu Bao, Southern Song Dynasty (1127-1279). Cai Wenji was born shortly before 178 CE in what is now Qi County, Kaifeng, Henan. In 195, the chaos after Chancellor Dong Zhuo's death brought Xiongnu nomads into the Chinese capital and Cai Wenji was taken captive to the northern lands. During her captivity, she became the wife of the Xiongnu chieftain Liu Bao and bore him two sons. It was not until twelve years later that Cao Cao, the new Chancellor of Han, ransomed her in her father's name.
RM2K0AGMW–According to palace records, Lady Hyegyeong, King Jeongjo's mother, was so pleased to be presented with a screen of such magnificent scale and stunning precision that she rewarded each of the seven artists who participated in its production. The artists were Choe Deuk-hyeon, Kim Deuk-sin, Yi Myeong-gyu, Jang Han-jong (1768 - 1815), Yun Seok-keun, Heo Sik (1762 - ?) and Yi In-mun. From the time of Joseon dynasty (1392 - 1910)
RMPB9RB5–Paying homage to Xiwangmu, the Queen Mother of the West. Artist: Unidentified Artist Chinese, 15th century. Culture: China. Dimensions: Image: 11 3/8 × 11 3/8 in. (28.9 × 28.9 cm). Date: 15th century. The auspicious subject of this fan painting is the birthday anniversary of Xiwangmu, the Queen Mother of the West. Standing atop an ornately furnished terrace, the three Daoist immortals Lü Dongbin, Han Zhongli, and Zhang Guolao are depicted reverently paying their respects to the queen of the Daoist pantheon. The figures, drawn with a minimum of calligraphic flourish, seem to be the work of a p
RMWADK5N–--FILE--A painting, which illustrates a subset of the women described in the Han dynasty work 'Biographies of Exemplary Women', created by Gu Kaizhi,
RM2WJT398–Funeral lamp support '. Terracotta, traces of painting. China, Han dynasty (206 BC-220 AD). Paris, Cernuschi museum. Chinese art, Chinese Ceramic, Han dynasty, Han time, bottleneck, funeral lamp, character, support, terracotta
RMMXE46Y–. English: Nuwa and Fuxi, two of the Three Divine Rulers . AD 151. mural painting from Han dynasty 451 Nuwafuxi4
RMDXE3E8–(140325) -- CHANGSHA, March 25, 2014 (Xinhua) -- Staff members arrange the T-shaped painting on silk, the highlight of the Hunan Provincial Museum, at the museum in Changsha, capital of central China's Hunan Province, March 25, 2014. More than 50 pieces (sets) of cultural relics from the Mawangdui Tombs of the Han Dynasty (206 B.C. - 220 A.D.), located in the eastern suburbs of Changsha, will be re-presented at the museum from March 29. The museum started its renovation in June 2012. (Xinhua/Bai Yu) (wyo)
RM2RGG55P–(230809) -- NINGMING, Aug. 9, 2023 (Xinhua) -- This combo photo shows a diagram (above) of the movements of jumping and a Huashan rock painting depicting jumping (photo taken by Xinhua photographer Fei Maohua on Aug. 8, 2023) in Ningming County, Chongzuo City, south China's Guangxi Zhuang Autonomous Region. The Zuojiang Huashan site is home to more than 1,900 well-preserved drawings on the face of the Huashan mountains along the Zuojiang River and its tributary Mingjiang River in Chongzuo. The brownish red paintings, created from the Warring States Period (475-221 BC) to East Han Dynasty (25
RM2A52ARK–Su Shi (So Shoku) and Pan Lang (Han Ro), early 1600s. This pair of screens depicts episodes from the stories of famed Song-dynasty poets Su Shi of the 1000s and Zhou-dynasty official Pan Lang of the 900s. Both men were banished by their rulers for their perceived missteps. Su Shi’s comments on a series of economic reforms were seen as criticism of the emperor. Pan Lang composed an ill-advised verse about one of the king’s horses. In the left screen Pan rides backward on his donkey as he returns from exile so that he may have a last look at his now beloved Mount Hua. Su Shi, in th
RMTB7T13–A Chinese painting of Wang Zhaojun's bridal procession, Black and white ink on paper, drawing in Baimiao style depicting the bridal procession of the concubine Wang Zhaojun heading to meet her future husband. Slightly stained, paper backing and white contrasting mounts loose. With a text by the painter Qu Junzai dating from 1908 who ascribes the painting either to Li Gonglin (1049 - 1106), Northern Song Dynasty, or to Ding Yunpeng (1547 - 1628). Wang Zhaojun was a concubine of the Emperor Han Yuandi (75 - 33 B.C.) who married her for political re, Additional-Rights-Clearance-Info-Not-Available
RM2B017KP–China: Cai Wenji (177 CE - ), also known as Cai Yan, at the Xiongnu Court. Detail of handscroll painting, Southern Song Dynasty (1127-1279). Cai Wenji was born shortly before 178 CE in what is now Qi County, Kaifeng, Henan. In 195, the chaos after Chancellor Dong Zhuo's death brought Xiongnu nomads into the Chinese capital and Cai Wenji was taken captive to the northern lands. During her captivity, she became the wife of the Xiongnu chieftain Liu Bao and bore him two sons. It was not until twelve years later that Cao Cao, the new Chancellor of Han, ransomed her in her father's name.
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