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Ma yuan painting Stock Photos and Images
RM2B012DP–China: Confucius (Kong Zi, K'ung-tzu, K'ung-fu-tzu, 551– 479 BCE), celebrated Chinese philosopher of the Spring and Autumn Period. Silk painting by Ma Yuan (1160-1225), late 12th - early 13th century. The philosophy of Confucius emphasises personal and governmental morality, correctness of social relationships, justice and sincerity. These values gained prominence in China during the Han Dynasty(206 BC – 220 AD). Confucius' thoughts have been developed into a system of philosophy known as Confucianism. It was introduced to Europe by the Italian Jesuit Matteo Ricci.
RF2HG3EM4–Chinese medieval painting: Villa With Pine Tree. By Bayen (Ma Yuan). Reproduction of book illustration of 1912 Ma Yuan (c. 1160–65 – 1225) was a Chine
RM2GA5K71–China: ‘Dancing and Singing (Peasants Returning from Work)’. Hanging scroll painting by Ma Yuan (1160-1225), late 12th – early 13th century. Ma Yuan (1160-1225) was a Chinese painter hailing from the Song Dynasty, born into a family of painters from Qiantang (now Hangzhou). Like his forebears, he became a court painter, serving under Emperors Guangzong and Ningzong. He was held in high esteem and favour by his patrons at court. Alongside Xia Gui, Ma formed the so-called Ma-Xia school of painting, which were considered some of the finest paintings from that period, and his works, especially hi
RMRY60YK–Drinking in the Moonlight, late 1100s-early 1200s. Ma Yuan (Chinese, c. 1150-after 1255). Album leaf, ink on silk; painting: 24.5 x 25 cm (9 5/8 x 9 13/16 in.); overall: 67.6 x 39.2 cm (26 5/8 x 15 7/16 in
RMGD27RM–fine arts, painting, wise man sitting under a pine tree, Indian ink on silk, China, Ma Yuan, Song Dynasty (960 - 1127), National Museum, Taipei, Artist's Copyright has not to be cleared
RM2B0JACA–Designed by Wang Gai, Landscape after Ma Yuan (active ca. 1190–1225), from the Mustard Seed Garden Manual of Painting, China, Designed by Wang Gai (Chinese, 1645–1710), First edition, 1679, China, Woodblock print; ink and color on paper, 9 5/8 x 11 13/16 in. (24.4 x 30 cm), Prints
RMPAXN1B–Early spring landscape. Artist: Unidentified Artist. Culture: China. Dimensions: 9 3/4 x 10 1/4 in. (24.8 x 26 cm). Date: mid-13th century. Throughout the mid-thirteenth century, during the reign of Emperor Lizong (r. 1224-64), the Southern Song Painting Academy continued to flourish under the leadership of Ma Yuan, Xia Gui, Li Song, and Ma Yuan's son Ma Lin. In landscape painting, the decorative realism of Liu Songnian (active ca. 1150-after 1225) remained popular. Evening in the Spring Hills, a fan painting by an anonymous midthirteenth- century master, recalls Liu's sumptuous landscape sty
RMMP3EKH–. English: A scroll painting of the Three Friends of Winter by Ma Yuan (c. 1160–1225) . before 1225. Ma Yuan (1160–1225) Alternative names surname and name: Mǎ Yuǎn (马远/馬遠) courtesy name: Yáofù (遥父/遙父) pseudonym: Qīnshān (钦山/欽山) Description Chinese painter Date of birth/death circa 1160 circa 1225 Location of birth Qiantan, today Hangzhou Work location Qiantan, today Hangzhou Authority control : Q433603 VIAF: 68773087 ISNI: 0000 0001 2320 9681 LCCN: nr88005755 NLA: 36731773 GND: 136133142 WorldCat 837 Ma Yuan three-friends
RF2HW322B–Art inspired by 南宋 佚名 倣馬遠 松陰玩月圖 冊頁, Viewing the Moon under a Pine Tree, Southern Song dynasty (1127–1279), early 13th century, China, Album leaf; ink and color on silk, 10 x 10 in. (25.4 x 25.4 cm), Paintings, After Ma Yuan (Chinese, active ca. 1190–1225), This painting, formerly, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT
RM2H10YFA–Drinking in the Moonlight, late 1100s-early 1200s. Ma Yuan (Chinese, c. 1150-after 1255). Album leaf, ink on silk; painting: 24.5 x 25 cm (9 5/8 x 9 13/16 in.); overall: 67.6 x 39.2 cm (26 5/8 x 15 7/16 in.).
RM2RM1T7C–Bildnummer: 59626277 Datum: 10.05.2013 Copyright: imago/Xinhua (130510) -- TOKYO, May 10, 2013 (Xinhua) -- A visitor looks at paintings in the Yuan Xiang Traditional Chinese Realistic Painting Exhibition at the Ueno Royal Museum in Tokyo, Japan, May 10, 2013. Yuan Xiang brought more than 20 traditional Chinese realistic paintings to his exhibition at the Ueno Royal Museum. (Xinhua/Ma Ping)(zhf) JAPAN-TOKYO-CHINESE PAINTING-EXHIBITION PUBLICATIONxNOTxINxCHN Kulst Kunst xas x0x 2013 quer 59626277 Date 10 05 2013 Copyright Imago XINHUA Tokyo May 10 2013 XINHUA a Visitor Looks AT Paintings
RM2HHBWDE–Conversation in a cave 13th century Unidentified Although this painting bears the spurious signature of Xia Gui, the undisputed master of landscape painting in the Song Imperial Painting Academy, its motifs, brushwork, and palette relate it to the work of Ma Yuan, Xia's contemporary and the other leadingSong Academy master. Images of caves and grottoes have rich associations involving their role as possible access points to Daoist paradises. The use of such imagery here may imply an escapist wish to leave behind the cares of the mundane world.. Conversation in a cave 36052
RF2HG3EM2–Chinese medieval painting: Bamboo And Villa In Winter. By Bayen (Ma Yuan). Reproduction of book illustration of 1912 Ma Yuan (c. 1160–65 – 1225) was a
RMPAXMPF–Viewing the Moon under a Pine Tree. Artist: After Ma Yuan (Chinese, active ca. 1190-1225). Culture: China. Dimensions: 10 x 10 in. (25.4 x 25.4 cm). Date: early 13th century. This painting, formerly attributed to the leading court artist Ma Yuan, repeats the motifs and brushwork for which Ma was famous. A scholar seated beneath a great pine tree holds a zither in his lap, while a young attendant dozes nearby. Although the work lacks the psychic energy of Ma Yuan's paintings, the relaxed yet forceful round brushwork suggests the hand of an early and close follower of the master. Museum: Metrop
RM2D6D68A–Landscape after Ma Yuan (active ca. 1190-1225), from the Mustard Seed Garden Manual of Painting, First edition, 1679.
RF2HW3225–Art inspired by 南宋 佚名 倣馬遠 洞天論道圖 團扇, Conversation in a Cave, Song dynasty (960–1279), 13th century, China, Fan mounted as an album leaf; ink and color on silk, Image: 9 3/4 × 9 15/16 in. (24.8 × 25.2 cm), Paintings, After Ma Yuan (Chinese, active ca. 1190–1225), Although this painting, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT
RF2HG3EP4–Chinese medieval painting said to by by Rin Teikei (Lin Ting-Kuei). At Daitoku-ji temple. Reproduction of book illustration of 1912 Lin Tinggui (Chine
RM2HJ146W–Scholar Viewing Plum Blossoms ca. 1300 Unidentified artist This small landscape is a rare example of the continuation of the Southern Song Painting Academy manner during the Mongol occupation. With the establishment of the native Chinese Ming dynasty in 1368, the Song style again returned to prominence as the model for the Ming Imperial Painting Academy. This painting demonstrates that practitioners of the Song style continued to work through the fourteenth century, bridging the gap between the two formal academies.Executed in the mode of the Song master Ma Yuan (act. ca. 1190–1225), the paint
RM2RM1T9E–Bildnummer: 59626278 Datum: 10.05.2013 Copyright: imago/Xinhua (130510) -- TOKYO, May 10, 2013 (Xinhua) -- Chinese painter Yuan Xiang introduces his work to visitors in the Yuan Xiang Traditional Chinese Realistic Painting Exhibition at the Ueno Royal Museum in Tokyo, Japan, May 10, 2013. Yuan Xiang brought more than 20 traditional Chinese realistic paintings to his exhibition at the Ueno Royal Museum. (Xinhua/Ma Ping)(zhf) JAPAN-TOKYO-CHINESE PAINTING-EXHIBITION PUBLICATIONxNOTxINxCHN Kulst Kunst xas x0x 2013 quer 59626278 Date 10 05 2013 Copyright Imago XINHUA Tokyo May 10 2013 XINHU
RM2T91GGT–Enjoying the Sun Beneath Pine Trees, 13th-14th century, Attributed to Ma Yuan, active c. 1195 - 1264, 42 5/16 x 21 9/16 in. (107.47 x 54.77 cm) (image)77 1/8 x 28 in. (195.9 x 71.12 cm) (overall, without roller), Ink and color on silk, China, 13th-14th century, Ma Lin, named in the red seal, was the son of the great academy artist Ma Yuan. Characterized by firm, expert brushwork, the composition and stylistic features of this painting place it clearly within the classical tradition of court painting that flourished in Hangzhou from the 1100s to the early 1400s.
RMPA9M12–Quatrain on spring's radiance. Artist: Empress Yang Meizi (Chinese, 1162-1232). Culture: China. Dimensions: Image: 9 1/8 x 9 5/8 in. (23.2 x 24.4 cm). Date: early 13th century. During the Southern Song, artists and connoisseurs who wished to express their emotional responses to paintings frequently added poems to them. Empress Yang's poems appear on a number of paintings by such court artists as Ma Yuan (active ca. 1190-1225) and Ma Lin (active ca. 1180-after 1256); this quatrain must once have complemented a fan painting of flowers, but it reveals more about the state of mind of the empress
RM2A50FPD–Chinese Literatus Viewing a Valley, possibly mid- to late 1500s-1600s. This painting depicts a well-recognized scene in East Asian painting most often associated with the Chinese Southern Song dynasty painter Ma Yuan: a figure, most likely a retired government official, contemplating a high mountain valley from a scenic overlook. The lower left corner of the painting has a tripod-shaped seal resembling that of Kano Hideyori. The work appears to have either been made or repurposed to hang as a pair with a painting by Hideyori.
RF2HW38R5–Art inspired by 南宋 馬遠 高士觀瀑圖 冊頁 絹本, Scholar viewing a waterfall, Southern Song dynasty (1127–1279), late 12th–early 13th century, China, Album leaf; ink and color on silk, Image: 9 7/8 x 10 1/4 in. (25.1 x 26 cm), Paintings, Ma Yuan (Chinese, active ca. 1190–1225), Ma Yuan, a fourth-, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT
RM2HHC4X6–Landscape after Dong Yuan, Juran, Ma Yuan, and Xia Gui dated yiwei ??, 1655? Li Zai Chinese This landscape of swirling, fantastic mountains has puzzled scholars. The painting is signed “Li Zai of Putian,” a painter who lived during the fifteenth century, but its style clearly places it in the seventeenth century or later. Also, the artist’s inscription mentions the sixteenth-century collector Xiang Yuanbian, so it was obviously not intended to be a forgery of the fifteenth-century Li Zai, but the possibility of another painter by that name from the same hometown is unlikely. Whoever this Li Za
RM2RM1T8C–Bildnummer: 59626276 Datum: 10.05.2013 Copyright: imago/Xinhua (130510) -- TOKYO, May 10, 2013 (Xinhua) -- Chinese painter Yuan Xiang (1st R) introduces his work to visitors in the Yuan Xiang Traditional Chinese Realistic Painting Exhibition at the Ueno Royal Museum in Tokyo, Japan, May 10, 2013. Yuan Xiang brought more than 20 traditional Chinese realistic paintings to his exhibition at the Ueno Royal Museum. (Xinhua/Ma Ping)(zhf) JAPAN-TOKYO-CHINESE PAINTING-EXHIBITION PUBLICATIONxNOTxINxCHN Kulst Kunst xas x0x 2013 quer 59626276 Date 10 05 2013 Copyright Imago XINHUA Tokyo May 10 20
RM2T91FGJ–Riverside Retreat, c. 1250, Xia Sen, Chinese, active 13th century, 9 13/16 x 10 in. (24.92 x 25.4 cm) (image), Ink and color on silk, China, 13th century, This fan painting is signed Xia Sen on the earthen bank just below and to the right of the roots of the large tree extending from the left margin of the picture. Born the son of the famous academy painter Xia Gui (c. early 1200s), Xia Sen continued his father’s innovative style. The intimate, focused view of nature, clearly rendered motifs, low-angle perspective, and evocation of a coherent space are all characteristics of the painting
RM2GGBT9R–Pavilion on the Hillside, Ming dynasty, 15th century. Traditionally attributed to Ma Yuan.
RF2HW3241–Art inspired by 南宋 佚名 風雨拉縴圖 團扇, Towing a Boat in a Rainstorm, Song dynasty (960–1279), late 12th century, China, Fan mounted as an album leaf; ink and color on silk, Image: 9 5/8 × 10 1/4 in. (24.4 × 26 cm), Paintings, Unidentified Artist Chinese, late 12th century, In this painting, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT
RM2HHCEC5–Viewing the Moon under a Pine Tree early 13th century After Ma Yuan Chinese This painting, formerly attributed to the leading court artist Ma Yuan, repeats the motifs and brushwork for which Ma was famous. A scholar seated beneath a great pine tree holds a zither in his lap, while a young attendant dozes nearby. Although the work lacks the psychic energy of Ma Yuan's paintings, the relaxed yet forceful round brushwork suggests the hand of an early and close follower of the master.. Viewing the Moon under a Pine Tree 36037
RM2RM1T8K–Bildnummer: 59626279 Datum: 10.05.2013 Copyright: imago/Xinhua (130510) -- TOKYO, May 10, 2013 (Xinhua) -- A visitor looks at paintings in the Yuan Xiang Traditional Chinese Realistic Painting Exhibition at the Ueno Royal Museum in Tokyo, Japan, May 10, 2013. Yuan Xiang brought more than 20 traditional Chinese realistic paintings to his exhibition at the Ueno Royal Museum. (Xinhua/Ma Ping)(zhf) JAPAN-TOKYO-CHINESE PAINTING-EXHIBITION PUBLICATIONxNOTxINxCHN Kulst Kunst xas x0x 2013 quer 59626279 Date 10 05 2013 Copyright Imago XINHUA Tokyo May 10 2013 XINHUA a Visitor Looks AT Paintings
RM2HH7KR1–Landscape after Ma Yuan (active ca. 1190–1225), from the Mustard Seed Garden Manual of Painting First edition, 1679 Designed by Wang Gai In 1679, the author Li Yu published a primer for aspiring landscape painters called the Mustard Seed Garden Manual of Painting, and he commissioned the versatile painter Wang Gai to provide designs for the illustrations. The first edition features volumes on the components of landscape painting—trees, rocks, and human figures—with instructions on how to draw different types of each. It also includes two volumes of landscapes in the styles of old masters, whic
RM2RR0P3P–200822 -- ZHENGZHOU, Aug. 22, 2020 -- Feng Yake L introduces a hotel room to visitors in Sanhe Village of Songxian County, central China s Henan Province, Aug. 19, 2020. Stylish residences, impressive paintings on walls and modern homestays and hotels are in sight when tourists walk around in Sanhe Village. It is difficult for them to imagine that this village, located in mountainous area, was once deeply impoverished. In 2016, as a native, Feng Yake went back to his hometown for entrepreneurship. Learning art for years, he is fully aware of the value and potential of the village. As an art ma
RM2HJ1C42–Quatrain on spring’s radiance early 13th century Empress Yang Meizi Chinese During the Southern Song, artists and connoisseurs who wished to express their emotional responses to paintings frequently added poems to them. Empress Yang's poems appear on a number of paintings by such court artists as Ma Yuan (active ca. 1190–1225) and Ma Lin (active ca. 1180–after 1256); this quatrain must once have complemented a fan painting of flowers, but it reveals more about the state of mind of the empress than about the lost painting it accompanied:My makeup worn and faded, only the scent lingers;Still I s
RM2GGNFND–Dancing and Singing (Peasants Returning from Work). Museum: Palace Museum, Beijing. Author: MA YUAN.
RMKC68R6–南宋 佚名 風雨拉縴圖 團扇, Towing a Boat in a Rainstorm, Unidentified Artist Chinese, late 12th century, late 12th century
RM2GGBT8E–Sitting under a Pine, Ming dynasty, 15th-16th century. Traditionally attributed to Ma Yuan.
RF2HW38PM–Art inspired by 南宋 佚名 春山曛暮圖 團扇, Early spring landscape, Song dynasty (960–1279), mid-13th century, China, Fan mounted as an album leaf; ink and color on silk, 9 3/4 x 10 1/4 in. (24.8 x 26 cm), Paintings, Unidentified Artist, Throughout the mid-thirteenth century, during the reign of, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT
RM2HJ4KM3–Scholar viewing a waterfall late 12th–early 13th century Ma Yuan Chinese Ma Yuan, a fourth-generation member of a family of painters, was a leading artist at the Southern Song painting academy in Hangzhou. A city of unsurpassed beauty, Hangzhou was graced with pavilions, gardens, and scenic vistas. In this album leaf, which shows a gentleman in a gardenlike setting, the jagged rhythms of the pine tree and garden contrast with the quiet mood of the scholar, who gazes pensively into the bubbling rapids of the cascade. Listen to experts illuminate this artwork's story Listen Play or pause #7313.
RM2HH4M1C–Towing a Boat in a Rainstorm late 12th century Unidentified artist In this painting, the modulated brush lines and vivid use of ink washes to model forms and evoke a moisture-laden atmosphere betray none of the hallmarks of the Southern Song academic style as defined by Ma Yuan (active ca. 1190–1225) and Xia Gui (active ca. 1195–1230). Recalling the late eleventh-century style of Guo Xi and other Northern Song masters, the painting can reasonably be dated to the early Southern Song era.. Towing a Boat in a Rainstorm 36056
RM2R6EWM4–Travelers under willow trees. Origin: China. Ink on silk. Period: Yuan or Ming dynasty. Date: 1279-1644. Museum: Freer Gallery of Art and Arthur M. Sackler Gallery.
RM2HHR3TD–Boats Moored in Wind and Rain 13th century Unidentified artist Yan Ciyu, to whom this fan was once attributed, is represented today by a single signed album leaf now in the Freer Gallery, Washington, D.C. In contrast to the restrained and dramatic manner of the Freer landscape, which is painted in the blue-and-green style of Li Tang (ca. 1070s–ca. 1150s), the flattish, formalistic design of the Crawford painting, with its heavily outlined trees and rocks and sharply silhouetted hills, is indebted to the stylistic developments of Ma Yuan and Xia Gui (both act. ca. 1190–1225).. Boats Moored in W
RM2GGBT8R–Looking at Flowering Plums and Reading, Ming dynasty, 14th-15th century. Style of Ma Yuan. Formerly attributed to Li Tang.
RM2HH2X3K–Early spring landscape mid-13th century Unidentified artist Throughout the mid-thirteenth century, during the reign of Emperor Lizong (r. 1224–64), the Southern Song Painting Academy continued to flourish under the leadership of Ma Yuan, Xia Gui, Li Song, and Ma Yuan's son Ma Lin. In landscape painting, the decorative realism of Liu Songnian (active ca. 1150–after 1225) remained popular. Evening in the Spring Hills, a fan painting by an anonymous midthirteenth- century master, recalls Liu's sumptuous landscape style. Seen below two great pine trees with ball-shaped clusters of pine needles and
RM2H0YGWR–Chinese Literatus Viewing a Valley, possibly mid- to late 1500s–1600s. Japan, Muromachi period (1392-1573) to Edo period (1615-1868). Hanging scroll; ink and light color on paper; mounted: 137 x 46.3 cm (53 15/16 x 18 1/4 in.). This painting depicts a well-recognized scene in East Asian painting most often associated with the Chinese Southern Song dynasty painter Ma Yuan: a figure, most likely a retired government official, contemplating a high mountain valley from a scenic overlook. The lower left corner of the painting has a tripod-shaped seal resembling that of Kano Hideyori. The work appe
RM2R6EN73–Simply drawn buildings on the riverbank in the lower left corner of the composition are dwarfed by large windblown trees growing from a foreground promontory. A narrow bridge connects the elements in the lower left with a small tip of land at the lower right and, compositionally, leads the viewer into the distance, which is dominated by light blue mountain peaks. The asymmetrical composition is based on traditions developed during the Southern Song period and usually associated with Ma Yuan (active 1189-1224) and Xia Gui (active 1194-1224). Date: 16th century. Origin: China. Period: Ming dynas
![Drinking in the Moonlight, late 1100s-early 1200s. In the lower left corner, a figure leans back to gaze at the moon appearing between mountain peaks in the upper right. On the rocky deserted platform beneath a cliff, a piece of paper with calligraphy is spread out. A brush and ink stick rest on a stand, ink stone and water dropper placed aside. Asymmetrical compositions are characteristic of the court artist Ma Yuan and his followers. The diagonal division into solid land mass and open space gave rise to his nickname "One-corner Ma." Stock Photo](https://c8.alamy.com/comp/2A50MPA/drinking-in-the-moonlight-late-1100s-early-1200s-in-the-lower-left-corner-a-figure-leans-back-to-gaze-at-the-moon-appearing-between-mountain-peaks-in-the-upper-right-on-the-rocky-deserted-platform-beneath-a-cliff-a-piece-of-paper-with-calligraphy-is-spread-out-a-brush-and-ink-stick-rest-on-a-stand-ink-stone-and-water-dropper-placed-aside-asymmetrical-compositions-are-characteristic-of-the-court-artist-ma-yuan-and-his-followers-the-diagonal-division-into-solid-land-mass-and-open-space-gave-rise-to-his-nickname-quotone-corner-maquot-2A50MPA.jpg "Drinking in the Moonlight, late 1100s-early 1200s. In the lower left corner, a figure leans back to gaze at the moon appearing between mountain peaks in the upper right. On the rocky deserted platform beneath a cliff, a piece of paper with calligraphy is spread out. A brush and ink stick rest on a stand, ink stone and water dropper placed aside. Asymmetrical compositions are characteristic of the court artist Ma Yuan and his followers. The diagonal division into solid land mass and open space gave rise to his nickname "One-corner Ma." Stock Photo")
RM2A50MPA–Drinking in the Moonlight, late 1100s-early 1200s. In the lower left corner, a figure leans back to gaze at the moon appearing between mountain peaks in the upper right. On the rocky deserted platform beneath a cliff, a piece of paper with calligraphy is spread out. A brush and ink stick rest on a stand, ink stone and water dropper placed aside. Asymmetrical compositions are characteristic of the court artist Ma Yuan and his followers. The diagonal division into solid land mass and open space gave rise to his nickname "One-corner Ma."
RMPB19F7–Landscape after Dong Yuan, Juran, Ma Yuan, and Xia Gui. Artist: Li Zai (Chinese, active 17th century) ?. Culture: China. Dimensions: Image: 11 x 126 in. (27.9 x 320 cm) Overall with mounting: 13 1/2 x 365 5/8 in. (34.3 x 928.7 cm). Date: dated yiwei ??, 1655?. This landscape of swirling, fantastic mountains has puzzled scholars. The painting is signed 'Li Zai of Putian,' a painter who lived during the fifteenth century, but its style clearly places it in the seventeenth century or later. Also, the artist's inscription mentions the sixteenth-century collector Xiang Yuanbian, so it was obvious
RMPAB0W6–Towing a Boat in a Rainstorm. Artist: Unidentified Artist Chinese, late 12th century. Culture: China. Dimensions: Image: 9 5/8 × 10 1/4 in. (24.4 × 26 cm) Mat: 15 1/2 × 15 1/2 in. (39.4 × 39.4 cm). Date: late 12th century. In this painting, the modulated brush lines and vivid use of ink washes to model forms and evoke a moisture-laden atmosphere betray none of the hallmarks of the Southern Song academic style as defined by Ma Yuan (active ca. 1190-1225) and Xia Gui (active ca. 1195-1230). Recalling the late eleventh-century style of Guo Xi and other Northern Song masters, the painting can r
RM2R6EFRH–Picnic on the Riverbank. Date: 18th century. Origin: China. Period: Qing dynasty. Ink and color on silk. Museum: Freer Gallery of Art and Arthur M. Sackler Gallery.
RM2GPWAGJ–Dancing and Singing (Peasants Returning from Work). Found in the Collection of the Palace Museum, Beijing.
Search Results for Ma yuan painting Stock Photos and Images (118)
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