RMPAJ98Y–Amya Petitioning Faustus for the Custody of Saint Mamas. Artist: Jean Cousin the Elder (French, Souci (?) ca. 1490-ca. 1560 Paris (?)). Dimensions: 9 1/4 x 12 5/8 in. (23.5 x 32 cm). Date: ca.1543. This recently discovered sheet is a rare work by Jean Cousin the Elder, one of the most central and appealing artists of the French Renaissance. He was active as a designer of tapestry, stained glass, and book illustration, as well as ephemeral festival decorations for the French court. Nonetheless, Cousin's oeuvre has proven difficult to reconstruct as the majority of his designs were ultimately
RF2HW5DNP–Art inspired by Amya Petitioning Faustus for the Custody of Saint Mamas, ca3, Pen and brown ink, brush and gray wash, with white gouache, over black chalk, 9 1/4 x 12 5/8 in. (23.5 x 32 cm), Drawings, Jean Cousin the Elder (French, Souci (?) ca. 1490–ca. 1560 Paris (?)), This recently, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT
RFJXYBA3–Jaen, Spain - may 2016, 2: High altar, center of the presbyterate, tabernacle bordered by four angels, the work of Pedro Arnal, custody made by Juan R
RM2HHTPKE–Amya Petitioning Faustus for the Custody of Saint Mamas ca. 1543 Jean Cousin the Elder French This recently discovered sheet is a rare work by Jean Cousin the Elder, one of the most central and appealing artists of the French Renaissance. He was active as a designer of tapestry, stained glass, and book illustration, as well as ephemeral festival decorations for the French court. Nonetheless, Cousin’s oeuvre has proven difficult to reconstruct as the majority of his designs were ultimately executed by skilled artisans in other media.This is one of a small number of unassailably autograph sheets
RMKC9GBC–Amya Petitioning Faustus for the Custody of Saint Mamas, Jean Cousin the Elder, ca.1543
RM2CNHABX–Amya Petitioning Faustus for the Custody of Saint Mamas, ca.1543.
RFK92W6K–Great custody of Arfe, one of the most valuable works of art that conserves the Cathedral of Seville, Andalusia, Spain
RM2AFKND0–. Military and religious life in the Middle Ages and at the period of the Renaissance. r their safe custody, and bind themselves, in case their baileefailed to appear at the appointed time, to undergo the penalties attachedto the committal of the act that had necessitated the appeal to arms. Thiswas termed the vive prison. On the day fixed for the combat, the two adversaries, accompanied bytheir seconds and by a priest, appeared in the lists mounted and armed at allpoints, their weapons in their hands, their swords and daggers girded on.They knelt down opposite to one another with their hands
RMG0XM9T–High altar, detail of the dome of the presbytery, work of Pedro Arnal, custody made by Juan Ruiz, take in Jaen, Spain
RM2C1AEMA–Aerial photograph, Bochum Prison, construction site, Krümmede 3, Vonovia Ruhr Stadium on Castroper Street, football stadium, Bochum, Ruhr area, North
RF2HAX6M3–Gatehouse of the penal prison in Scheveningen, close to the city of The Hague, Netherlands
RMW19T19–CUSTODIA DE LA IGLESIA DE LA ASUNCION DE CABRA - SIGLO XVII. Author: SANCHEZ LUQUE PEDRO / CASTRO DAMIAN. Location: IGLESIA DE LA ASUNCION. CABRA. CORDOBA. SPAIN.
RMG0XMB2–High altar, detail of the dome of the presbytery, work of Pedro Arnal, custody made by Juan Ruiz, take in Jaen, Spain
RMW19T4J–CUSTODIA DE PLATA - SIGLO XVI - RENACIMIENTO ESPAÑOL. Location: IGLESIA DE LA PURIFICACION. PUENTE GENIL. CORDOBA. SPAIN.
RFJXYB01–Jaen, Spain - may 2016, 2: High altar, center of the presbyterate, tabernacle bordered by four angels, the work of Pedro Arnal, custody made by Juan R
RMRC4TH1–CUSTODIA PROCESIONAL - SIGLO XVI. Author: ALCANTARA ANTONIO. Location: IGLESIA DE LA ASUNCION. Santaella. CORDOBA. SPAIN.
RMW19T5X–CUSTODIA DEL CORPUS - SIGLO XVI - RENACIMIENTO. Location: IGLESIA DE LA ASUNCION. LORA DEL RIO. Seville. SPAIN.
RMRC4F6F–CUSTODIA RENACENTISTA - SIGLO XVI - PLATA DORADA. Author: JUAN RUIZ EL VANDALINO. Location: IGLESIA DE NUESTRA SEÑORA DEL CASTILLO. FUENTE OBEJUNA. CORDOBA. SPAIN.
RMRC32PH–CUSTODIA GRANDE - 1587 - RENACIMIENTO ESPAÑOL - PLATA. Author: DE ARFE, JUAN. Location: CATEDRAL-INTERIOR. Sevilla. Seville. SPAIN.
RMRC3094–CUSTODIA DE LA CATEDRAL DE AVILA - SIGLO XVI. Author: DE ARFE, JUAN. Location: CATEDRAL-MUSEO. AVILA. SPAIN.
RMRC300J–CUSTODIA DE LA IGLESIA DE SANTA MARIA DE MEDINA DE RIOSECO - SIGLO XVI - PLATA. Author: ARFE ANTONIO DE. Location: MARIENKIRCHE. MEDINA DE RIOSECO. Valladolid. SPAIN.
RMRC30XE–EL SACRIFICIO DE ISAAC - DETALLE DE LA CUSTODIA DE PLATA DE LA CATEDRAL DE AVILA - SIGLO XVI. Author: DE ARFE, JUAN. Location: CATEDRAL-MUSEO. AVILA. SPAIN.
RMRC3FTE–Processional monstrance made ??of silver and gold. It is a work of the late 14th century, in Gothic style with some Renaissance elements. It rests on the chair of King Martin of Aragon. Barcelona Cathedral. Museum: CATEDRAL DE BARCELONA.
RMRC49XJ–Processional monstrance made ??of silver and gold. It is a work of the late 14th century, in Gothic style with some Renaissance elements. It rests on the chair of King Martin of Aragon. Barcelona Cathedral. Museum: CATEDRAL DE BARCELONA.
RM2WE8BT1–History of England, 15th century. English gatekeeper, his dog (1480) and a cupbearer (1475). Engraving. 'Moeurs, usages et costumes au moyen-âge et à l'époque de la Renaissance', by Paul Lacroix. Paris, 1878.
RM2RH3W9C–Representation of the Catholic Church as The Fortress of Faith. The defending forces of the Christian faith. Besieged by the impious and heretics, it is defended by the Pope, the bishops, the monks, and the Doctors of the Church, who are the knights of the faith. Chromolithography from a 15th-century miniature. Detail. 'Vie Militaire et Religieuse au Moyen age et à l'Epoque de la Renaissance. Paris, 1877.
RM2RH3WBJ–Procession of René I of Anjou (1409-1480), King of Naples, in Aix-en-Provence. Depiction of the procession of the Blessed Sacrament. The archbishop of Aix-en-Provence carrying the Blessed Sacrament under a baldacchino, preceding the King René and his court. Chromolithography from a miniature of the 'Breviary du Roi René', 15th century. 'Vie Militaire et Religieuse au Moyen Age et à l'Epoque de la Renaissance'. Paris, 1877.
RM2RH3WA0–Representation of the Catholic Church as The Fortress of Faith. The defending forces of the Christian faith. Besieged by the impious and heretics, it is defended by the Pope, the bishops, the monks, and the Doctors of the Church, who are the knights of the faith. Below, coat of arms of Louis de Bruges (Louis de Gruuthuse), Flemish courtier and nobleman (ca. 1427-1492). Chromolithography from a 15th-century miniature. 'Vie Militaire et Religieuse au Moyen age et à l'Epoque de la Renaissance. Paris, 1877.
RMP80PAP–CUSTODIA DE S JUAN. Author: VAZQUEZ J. Location: ST. -JOHANNIS-KIRCHE, VELEZ MALAGA, MALAGA, SPAIN.
RMRC4P2Y–CUSTODIA PROCESIONAL - SIGLO XVI. Author: BECERRIL FRANCISCO. Location: ST. PETER'S CHURCH. VILLAESCUSA DE HARO. CUENCA. SPAIN.
RMRC2YJR–CUSTODIA PROCESIONAL ESTILO RENACENTISTA CON INFLUENCIA PLATERESCA - SIGLO XVIII - FORMADA CON PIEZAS DEL SIGLO XVI. Author: CASTRO DAMIAN. Location: CATEDRAL. Sigüenza. Guadalajara. SPAIN.
RMRC2YGK–CUSTODIA PROCESIONAL ESTILO RENACENTISTA CON INFLUENCIA PLATERESCA - SIGLO XVIII - FORMADA CON PIEZAS DEL SIGLO XVI. Author: CASTRO DAMIAN. Location: CATEDRAL. Sigüenza. Guadalajara. SPAIN.
RMRC2Y5M–CUSTODIA DE ASIENTO - 1539/44 Y 1573. Author: ARFE ANTONIO DE. Location: CATEDRAL-INTERIOR. SANTIAGO DE COMPOSTELA. Coruña. SPAIN.
RMRC2Y02–CUSTODIA DE ASIENTO - 1539/44 Y 1573. Author: ARFE ANTONIO DE. Location: CATEDRAL-INTERIOR. SANTIAGO DE COMPOSTELA. Coruña. SPAIN.
RMRC2YPW–CUSTODIA DE ASIENTO - 1539/44 Y 1573. Author: ARFE ANTONIO DE. Location: CATEDRAL-INTERIOR. SANTIAGO DE COMPOSTELA. Coruña. SPAIN.
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