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Third liber Stock Photos and Images
RF2HW6D7M–Art inspired by Ben Arthur, Scotland (Liber Studiorum, part XIV, plate 69), January 1, 1819, Etching and mezzotint; third state of three (Finberg), plate: 7 1/4 x 10 9/16 in. (18.4 x 26.8 cm), Prints, Designed and etched by Joseph Mallord William Turner (British, London 1775–1851 London, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT
RMMC6H7F–ALCHEMY - MUTUS LIBER, OR SILENT BOOK - PLATE 14. Plate 14 in the Mutus series is in some ways the most enigmatic. The emphasis in each of the top three registers is on the number 3 - the furnaces (the types of transformation), three people, and three distinct alchemical operations. This triadic symbolism seems to point to the three-fold man (Thinking Feeling and Willing) which is expressed in the Three Principles of Salt, Mercury and Sulphur, of the alchemical credo. This connexion is confirmed by the scales, in the middle of the third register down, for Mercury is the balance, the uni
RMW55ET0–Liber amicorum Van Tienhoven-Hacke, Liber amicorum with the names of the donors of the silver ensemble on the occasion of the 25-year marriage of the Van Tienhoven-Hacke couple. On the first page a rose branch with banderole in which the dates 1866 and 1891, on the second page three orchids with the text: 'Den Heer and Mevrouw van Tienhoven Hacke On the occasion of their Silver wedding party 12 September, on the third page: 'Offered by their Friends': on the nine following pages, all decorated with a different flower and / or leaf branch, the names of the donors of the ensemble in alphabetical
RM2GBXNDT–Hibernian's Joe Newell (right) and Rijeka's Adrian Liber battle for the ball during the UEFA Europa Conference League Third Qualifying Round, First Leg match at Easter Road Stadium, Edinburgh. Picture Date: Thursday August 5, 2021.
RMMP7EHG–. Illustrations from the Vita Irminae, in the Liber aureus Epternacensis . Third quarter of the 13th century (see source). Unknown 674 Irmina gotha
RFBDWWT1–t rood and t hunte 1486 14 octobre mirk john liber festialis martyrdom of st stephen a youth with a stone in both hands eight st
RMRBYBT4–382968 Artist and publisher: Joseph Mallord William Turner, British, London 1775?1851 London, Aesacus and Hesperie, Vide Ovid Metamorphosis, Book XI (Liber Studiorum, part XIII, plate 66), January 1, 1819, Etching and mezzotint; third state of six (Finberg), plate: 7 1/16 x 10 3/16 in. (17.9 x 25.9 cm) sheet: 8 5/16 x 11 1/2 in. (21.1 x 29.2 cm).
RMEB27MY–Creation, 3rd day, God creates dry land. From 'Liber Chronicarum' by Hartmann Schedel (1440-1514). See description for more information.
RMPNEP3P–Mer de Glace - Valley of Chamonix - Savoy, from the Liber Studiorum. Date/Period: 1812. Print. Mezzotint and etching in sepia-color ink. Height: 216 mm (8.50 in); Width: 293 mm (11.53 in). Author: J. M. W. Turner. TURNER, JOSEPH MALLORD WILLIAM.
RM2RBYC42–'Image captured on April 26, 1918, during the Third Liberty Loan Parade in Washington D.C. The photo shows the parade on Pennsylvania Ave, turning north into 15th St. Censored and released on May 4, 1918, by the Historical Branch of the War Plans Division. Notes mention the Hotel Occidental and restaurant.'
RM2B6R3P7–View of a fresco of Bacchus and a Faun Pompeï Object Type : photo page Item number: RP-F 2001-7-1188-16 Manufacturer : Photographer: anonymous place manufacture: Pompeï Dating: about 1862 - or for 1867 Material: cardboard Technique: albumen print dimensions: photo: h 173 mm × W 131 mmToelichtingFoto on third unnumbered page after page 100. Subject: painting, drawing and the graphic arts (story of) Bacchus (Dionysus), Liber Where: Pompeï
RM2T60ADA–Liran Berman, left, brother of Hamas hostages Gali and Ziv Berman, Doris Liber, second from left, mother of Hamas hostage Guy Itzhak Iluz currently being held hostage by Hamas militants in Gaza following the October 7, 2023, attack on Israeli citizens, and Yonatan Lulu Shamriz, third from right, older brother of Hamas hostage Alon Lulu Shamriz, and Speaker of the United States House of Representatives United States Representative Mike Johnson (Republican of Louisiana), second from right, listen while House Republican Conference Chair Elise Stefanik (Republican of New York), right, offers remar
RM2CYWFJB–Liber, Czech Republic. 02nd Oct, 2020. The elections to the regional assemblies, in which the senior government ANO is defending its victory from 2016, and the first round of the election to one-third of the Senate started in the Czech Republic at 14:00 CEST today, on Friday, October 2nd, 2020. Credit: Michaela Rihova/CTK Photo/Alamy Live News
RMR5GGT0–Laymen Donors. Six laymen are each shown with an indication of their gift: one gave the church of Wallingtone, another gave a gold chalice, a third gave a fine bell, and the other three hold charters, indicating that they gave land. . Liber benefactorum of St Albans Abbey (‘Golden Book of St Albans’). 1380. Source: Cotton Nero D. VII f.95v. Language: Latin. Author: ALAN STRAYLER. THOMAS WALSINGHAM. WILLIAM DE WYLUM.
RM2WEG6A9–Levi, Michel Wolgemut (workshop of), 1493 print A flower chalice with a man, looking to the right and with a finger raised. The text identifies him as Levi, the third son of Jakob and Lea. The performance is a fragment of the family tree of Christ in the Liber Chronicarum. The print is part of an album. paper letterpress printing persons from the Old Testament (not in biblical context, nor occurring in legendary/historical extensions included in Division 71)
RM2T60FR8–Liran Berman, left, brother of Hamas hostages Gali and Ziv Berman, Doris Liber, second from left, mother of Hamas hostage Guy Itzhak Iluz currently being held hostage by Hamas militants in Gaza following the October 7, 2023, attack on Israeli citizens, and Yonatan Lulu Shamriz, third from right, older brother of Hamas hostage Alon Lulu Shamriz, and Speaker of the United States House of Representatives United States Representative Mike Johnson (Republican of Louisiana), second from right, listen while House Republican Conference Chair Elise Stefanik (Republican of New York), right, offers remar
RMKNJ3AM–Ex Antiquis Cameorum et Gemmae Delineata- Liber Secundus-et ab Enea Vico Parmen Incis, Artist: Anonymous, Italian, 16th century, Artist: After Battista Franco (Italian, Venice ca. 1510–1561 Venice), published ca. 1599–1622, Medium: Engraving; third state
RF2RFN4YN–Melissus of Samos, who lived in 5th century BC, was the third and last member of the ancient school of Eleatic philosophy, whose other members included Zeno and Parmenides.
RF2HW6D37–Art inspired by Calm (Liber Studiorum, part IX, plate 44), April 23, 1812, Etching, aquatint and mezzotint; third state of seven (Finberg), plate: 7 x 10 9/16 in. (17.8 x 26.8 cm), Prints, Turner distilled his ideas about landscape In 'Liber Studiorum' (Latin for Book of Studies), a, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT
RMMC6H7B–ALCHEMY - MUTUS LIBER, OR SILENT BOOK - PLATE 10. The tenth plate of the Mutus opens with a scene of weighing - one third of the material represented by the star is made to balance the six-petalled flower, which has appeared more than once in the series. These two (the third part and the flower) are mixed in jar and hermetically sealed, by melting the neck of the glass container in a flame. In consequence of this process, the Moon (anima) and Sun (animus), represent in personification as Diana the Huntress and the solar King, are conjoined. At the feet of the Sun and Moon are two small fi
RM2B0JP16–Designed and etched by Joseph Mallord William Turner, Drawing of the Clyde (Liber Studiorum, part IV, plate 18), Designed and etched by Joseph Mallord William Turner (British, London 1775–1851 London), Engraved and published by Charles Turner (British, Woodstock, Oxfordshire 1774–1857 London), March 29, 1809, Etching and mezzotint; third state of three, plate: 7 3/16 x 10 1/2 in. (18.3 x 26.7 cm), sheet: 8 1/4 x 11 1/2 in. (21 x 29.2 cm), Prints
RM2AWG6GD–Diseases of the nervous system .. . one interested in the structure of th(>cerebral cortex is referred to the excellentdescription of Eamon (Studien liber diePlirnrinde des Menschen, Leipzig, 1900.Ambros. Barth). Of all the cells of this part of the cor-tex (which with their dendrite nerve fibersand collaterals form a very dense networkthat has been explored by Golgi and Ra-mon), the large pyramids (Fig. 59, ///, i)of the third layer are the only ones whichappear to be regarded as cells of the secondmotor neuron. They are characterized by amany-branching dendrite net which extendsto the sur
RM2WR931T–Landscape with stone bridge over river, bandits and fleeing goats, Prints after drawings by Claude Lorrain (series title), Liber Veritatis. Or a Collection of Two Hundred Prints, after the original designs of Claude le Lorrain (...) (series title), Centrally two people robbing a third person. On the right a man shooting towards a shepherd and group of goats., print maker: Richard Earlom, after drawing by: Claude Lorrain, publisher: John Boydell, London, 1-Jan-1774, paper, etching, height 202 mm × width 257 mm, print
RMMN0A0H–. Illustrations from the Vita Irminae, in the Liber aureus Epternacensis . Third quarter of the 13th century (see source). Unknown Irmina gotha
RMEB59TR–Creation, 3rd day, God creates dry land. From 'Liber Chronicarum' by Hartmann Schedel (1440-1514). See description for more information.
RMRXJYXB–The Woman and Tambourine, plate 3 from Liber Studiorum. Joseph Mallord William Turner (English, 1775-1851); Engraved by Charles Turner (English, 1773-1857). Date: 1807. Dimensions: 183 × 266 mm (image); 208 × 290 mm (plate); 267 × 283 mm (sheet). Etching and engraving in brown on ivory laid paper. Origin: England. Museum: The Chicago Art Institute.
RM2B6J9WG–The Tower of Babel Liber Genesis (series title) God destroyed the tower of Babel. To punish people for their pride confuses the language of the people so that they can no longer understand each other. In the margin a two-line caption in Nederlands. Manufacturer : printmaker: Crispijn of Passe (I) Publisher: Isaac Greve Place manufacture: printmaker: Utrecht Publisher: Amsterdam Date: 1700 - 1750 Physical features: car material: paper Technique: engra (printing process) Dimensions: plate edge : h 84 mm × W 126 mmToelichtingPrent also used in: Genesis Liber / Het Genesis, third edition. Amsterda
RM2CYWF17–Liber, Czech Republic. 02nd Oct, 2020. The elections to the regional assemblies, in which the senior government ANO is defending its victory from 2016, and the first round of the election to one-third of the Senate started in the Czech Republic at 14:00 CEST today, on Friday, October 2nd, 2020. Credit: Michaela Rihova/CTK Photo/Alamy Live News
RM2WEGC54–Pinechas, Michel Wolgemut (workshop of), 1493 print A flower challenge with a man in priest's clothing, turned to the right. The text identifies him as Phinese, the third high priest of the Israelites. The performance is part of the sequence priests in the Liber Chronicarum. The print is part of an album. paper letterpress printing persons from the Old Testament (not in biblical context, nor occurring in legendary/historical extensions included in Division 71). high priest hierarchy of priests
RM2HHE7FR–Ben Arthur, Scotland (Liber Studiorum, part XIV, plate 69) January 1, 1819 Designed and etched by Joseph Mallord William Turner British. Ben Arthur, Scotland (Liber Studiorum, part XIV, plate 69). Designed and etched by Joseph Mallord William Turner (British, London 1775–1851 London). January 1, 1819. Etching and mezzotint; third state of three (Finberg). Joseph Mallord William Turner (British, London 1775–1851 London). Thomas Goff Lupton (British, London 1791–1873 London). Prints
RMKP3KR2–Drawing of the Clyde (Liber Studiorum, part IV, plate 18) MET DP821384 382999 Artist: Designed and etched by Joseph Mallord William Turner, British, London 1775?1851 London, Engraver: Engraved and published by Charles Turner, British, Woodstock, Oxfordshire 1774?1857 London, Drawing of the Clyde (Liber Studiorum, part IV, plate 18), March 29, 1809, Etching and mezzotint; third state of three, plate: 7 3/16 x 10 1/2 in. (18.3 x 26.7 cm) sheet: 8 1/4 x 11 1/2 in. (21 x 29.2 cm). The Metropolitan Museum of Art, New York. Gift of Mary W. Tweed, 1929 (29.52.15)
RF2HW6D5R–Art inspired by Scene on the French Coast (Liber Studiorum, part I, plate 4), June 11, 1807, Etching and mezzotint; third state of three (Finberg), plate: 7 1/4 x 10 3/16 in. (18.4 x 25.9 cm), Prints, Designed and etched by Joseph Mallord William Turner (British, London 1775–1851, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT
RMMC6H7A–ALCHEMY - MUTUS LIBER, OR SILENT BOOK - PLATE 7. In the seventh plate, the laboratory processes continue. The distillate from the previous plates is now placed on an open dish, wetted and ground. This pulverized mixture is poured into a flask and heated on a stove until the liquid is evaporated. The residue is then ladled into another glass flask, where the form of each distillate is changed to an eight pointed star. The curious imagery of the third register probably summarizes in the green language of the alchemists the three stages described so blandly in the previous three plates. The
RM2TDJG2X–Liber Amicorum van Tienhoven-Hacke, Johannes Matthijs Lion, 1891 Liber Amicorum with the names of the donors of the Silver Ensemble on the occasion of the 25-year marriage of the couple of Tienhoven-Hacke. On the first page a rose branch with banderol in which the dates 1866 and 1891; On the second page three orchids with the text: 'Den Lord and Mrs. van Tienhoven Hacke on the occasion of their silver wedding party September 12; on the third page:' offered by their friends ': on the nine following pages all with another flower - and/or leaf branch are decorated, in alphabetical order the names
RF2RFN4YR–Melissus of Samos, who lived in 5th century BC, was the third and last member of the ancient school of Eleatic philosophy, whose other members included Zeno and Parmenides
RM2G43BWF–Amazons; Amasones; Liber chronicarum. A flower celk with three amazons, each dressed in a harness and with turban on the head. The first has a sword, the second a battle ax and the third a dagger. The print is part of an album.
RM2AM3CDF–In the matter of the application of the StLawrence River Power CompanyInterim order, opinions and hearings . July, 1898, and recorded in the office of the Clerk of theCounty of St. Lawrence on the 28th day of July, 1898, in Liber 151 C ofDeeds, at page 1442. Third. All that piece or parcel of land, being part of the southerlyhalf of Lot No. 21 in the subdivision of the Cooper tract so called andbounded as follows: Beginning at the northwesterly corner of said southerlyhalf of said premises in the center of the highway running north from theroad leading from Massena Village to Massena Center, a
RM2JE3HGP–Amazons, Amasones (title on object), Liber Chronicarum (series title), A flower calyx with three Amazons, each dressed in armor and wearing a turban on the head. The first holds a sword, the second a battle axe and the third a dagger. The print is part of an album., print maker: Michel Wolgemut, (workshop of), print maker: Wilhelm Pleydenwurff, (workshop of), Neurenberg, 1493, paper, letterpress printing, height 95 mm × width 107 mm
RMRXK9R6–The Mildmay Sea-Piece, plate 40 from Liber Studiorum. Joseph Mallord William Turner (English, 1775-1851); engraved by W. Annis and I.C. Easling. Date: 1812. Dimensions: 181 × 263 mm (image); 210.5 × 292 mm (plate); 293.5 × 443 mm (sheet). Etching and engraving in brown on ivory wove paper. Origin: England. Museum: The Chicago Art Institute.
RM2B6JHCP–Part of a description of the city Enkhuizen Enckhusa (title object) Share a description of the city Enkhuizen from Peter of Brachels edition of the third volume of 'Civitates orbis terrarum' by Georg Braun and Frans Hogenberg. Manufacturer : publisher: Peter von BrachelPlaats manufacture: Cologne Date: 1616 Physical features: text printing material: paper Technique: printing dimensions: sheet: h 256 mm × W 196 mmToelichtingTekst used: Braun, Georg and French High Mountain. Civitates orbis terrarum. Dl. 3 / urbium praecipuarum totius Mundi liber tertius. Cologne: Peter von Brachel, 1616.Onderwe
RM2CYWFJC–Liber, Czech Republic. 02nd Oct, 2020. The elections to the regional assemblies, in which the senior government ANO is defending its victory from 2016, and the first round of the election to one-third of the Senate started in the Czech Republic at 14:00 CEST today, on Friday, October 2nd, 2020. Credit: Michaela Rihova/CTK Photo/Alamy Live News
RMKNW5D8–Drawing of the Clyde (Liber Studiorum, part IV, plate 18) MET DP821384 382999 Artist: Designed and etched by Joseph Mallord William Turner, British, London 1775?1851 London, Engraver: Engraved and published by Charles Turner, British, Woodstock, Oxfordshire 1774?1857 London, Drawing of the Clyde (Liber Studiorum, part IV, plate 18), March 29, 1809, Etching and mezzotint; third state of three, plate: 7 3/16 x 10 1/2 in. (18.3 x 26.7 cm) sheet: 8 1/4 x 11 1/2 in. (21 x 29.2 cm). The Metropolitan Museum of Art, New York. Gift of Mary W. Tweed, 1929 (29.52.15)
RF2HW6CXW–Art inspired by The Woman and Tambourine (Liber Studiorum, part I, plate 3), June 11, 1807, Etching and mezzotint; third state of four, plate: 7 1/4 x 10 9/16 in. (18.4 x 26.8 cm), Prints, Designed and etched by Joseph Mallord William Turner (British, London 1775–1851 London), Turner, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT
RM2G41PM4–Levi; Leui; Liber chronicarum. A flower celk with a man, looking to the right and with finger charged. The text identifies him as Levi, the third son of Jacob and Lea. The show is a fragment of the family tree of Christ in the Liber Chronicarum. The print is part of an album.
RM2AN5CBN–Bibliotheca Spenceriana; or, A descriptive catalogue of the ..library of George John, earl Spencer . t: ia ad figura deueniendu esse putauim^. 8cc. On the reverse, there are the figures of a man and woman withoutdrapery. On the reverse of the ensuing leaf, H 2, is this prefix : lacobi Publicii Florentini exercitii memorip corroboratio/nisq; eius liber tertius k. ultimusf incipit. The chapters to this book are thus entitled: 1. Corroboratio memorice:2. Jngenio conferentia : 3. Memorice per adiunctionem litterarum alleuiatio. It is THE ILLUSTRATION OF THIS THIRD CHAPTER which formS the mOSt amus
RM2JDYP3T–Amazons, Amasones (title on object), Liber Chronicarum (series title), A flower calyx with three Amazons, each dressed in armor and wearing a turban on the head. The first holds a sword, the second a battle axe and the third a dagger. The print is part of an album., print maker: Michel Wolgemut, (workshop of), print maker: Wilhelm Pleydenwurff, (workshop of), Neurenberg, 1493, paper, letterpress printing, height 95 mm × width 107 mm
RMRXJXG1–The Woman and Tambourine, plate 3 from Liber Studiorum. Joseph Mallord William Turner (English, 1775-1851); Engraved by Charles Turner (English, 1773-1857). Date: 1807. Dimensions: 183 × 266 mm (image); 207.5 × 290 mm (plate); 279.5 × 383.5 mm (primary support); 306 × 445 mm (secondary support). Etching and engraving in brown on ivory wove paper, laid down on ivory laid paper. Origin: England. Museum: The Chicago Art Institute.
RMKCA71R–Ben Arthur, Scotland (Liber Studiorum, part XIV, plate 69), Designed and etched by Joseph Mallord William Turner, January 1
RM2B6JDH9–The destruction of Sodom and Gomorrah Liber Genesis (series title) Abraham sees smoke rising from Sodom and Gomorrah. In the background Lot and his daughters, who drank carry their father and sleep with him. In the margin a two-line caption in Nederlands. Manufacturer : printmaker: Crispijn of Passe (I) Publisher: Isaac Greve Place manufacture: printmaker: Utrecht Publisher: Amsterdam Date: 1700 - 1750 Physical features: car material: paper Technique: engra (printing process) Dimensions: plate edge : h 81 mm × W 124 mmToelichtingPrent used in Liber Genesis / The book of Genesis, third edition.
RMKCB4C6–Ex Antiquis Cameorum et Gemmae Delineata/ Liber Secundus/et ab Enea Vico Parmen Incis., Anonymous, Italian, 16th century
RM2CYWF1H–Liber, Czech Republic. 02nd Oct, 2020. The elections to the regional assemblies, in which the senior government ANO is defending its victory from 2016, and the first round of the election to one-third of the Senate started in the Czech Republic at 14:00 CEST today, on Friday, October 2nd, 2020. Credit: Michaela Rihova/CTK Photo/Alamy Live News
RMKCA71Y–Aesacus and Hesperie, Vide Ovid Metamorphosis, Book XI (Liber Studiorum, part XIII, plate 66), January 1, 1819
RMKP3KRH–Coast of Yorkshire, Near Whitby (Liber Studiorum, part V, plate 24) MET DP821391 383003 Artist: Designed and etched by Joseph Mallord William Turner, British, London 1775?1851 London, Engraver: William Say, British, Lakenham, near Norwich 1768?1834 London, Publisher: Joseph Mallord William Turner, British, London 1775?1851 London, Coast of Yorkshire, Near Whitby (Liber Studiorum, part V, plate 24), January 1, 1811, Etching and mezzotint; third state of four, plate: 7 1/8 x 10 1/2 in. (18.1 x 26.7 cm) sheet: 8 5/16 x 11 5/8 in. (21.1 x 29.5 cm). The Metropolitan Museum of Art, New York. Gift of
RF2HW6D81–Art inspired by Ville de Thun, Switzerland (Liber Studiorum, part XII, plate 59), January 1, 1816, Etching and mezzotint; third state of three, plate: 7 1/16 x 10 in. (17.9 x 25.4 cm), Prints, Designed and etched by Joseph Mallord William Turner (British, London 1775–1851 London, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT
RM2G3Y1C5–Pinechas; Phynees; Liber chronicarum. A flower celk with a man in priest clothing, turned to the right. The text identifies him as a Phinees, the third high priest of the Israelites. The show is part of the sequence priests in the Liber Chronicarum. The print is part of an album.
RM2AJ748B–Bulletin of the Maryland Agricultural Experiment Station . h c Fig. 17.—Sapertia candidn; n, larva: b, pupa; c, Imafro.the cultivated apple, but of wild crab apple, haw, pear and quince. As Ipointed out in 1877 she makes with her jaws an incision in the bark,causing it to split open from one-third to half an inch in length, andthrusts the egg between the bark and the liber at right angles to the sideof the slit, accompanying the egg with a gummy fluid which covers it andsecures it in place (Fig. 18 <r). The egg (Fig. 18 d,) is pale rustbrown in color, elongate ovoid, somewhat flattened and
RM2G4H633–. Liber Amicorum with the names of the donors of the silver ensemble on the occasion of the 25th anniversary of the couple of Tienhoven-Hacke. On the first page a rose branch with banderol in which the year students 1866 and 1891; On the second page three orchids with the text: 'Mr. and Mrs. van Tienhoven Hacke on the occasion of their silver wedding party 12 September; on the third page:' Offered by their friends ': On the nine next pages that all with another flower - and / or blade branch are decorated in alphabetical order the names of the donors of the ensemble; then a page with the names
RMRF5XHM–Aesacus and Hesperie, Vide Ovid Metamorphosis, Book XI (Liber Studiorum, part XIII, plate 66). Artist and publisher: Joseph Mallord William Turner (British, London 1775-1851 London). Dimensions: plate: 7 1/16 x 10 3/16 in. (17.9 x 25.9 cm) sheet: 8 5/16 x 11 1/2 in. (21.1 x 29.2 cm). Date: January 1, 1819. Turner distilled his ideas about landscape In 'Liber Studiorum' (Latin for Book of Studies), a series of seventy prints plus a frontispiece published between 1807 and 1819. To establish the compositions, he made brown watercolor drawings, then etched outlines onto copper plates. In a few i
RM2B6RM4A–God Cain calls to account after he has slain Abel. The figure of God the Father in this edition of the plate scratched. In the margin a two-line caption in Nederlands. Manufacturer : printmaker: Crispijn of Passe (I) Publisher: Isaac Greve Place manufacture: printmaker: Utrecht Publisher: Amsterdam Date: 1700 - 1750 Physical features: car material: paper Technique: engra (printing process) Dimensions: plate edge : h 82 mm × W 131 mmToelichtingPrent also used in: Genesis Liber / Het Genesis, third edition. Amsterdam: Y. Greve. Subject: the Lord calls on Cain to account for his purchase and went
RM2CYWTB1–Liber, Czech Republic. 02nd Oct, 2020. The elections to the regional assemblies, in which the senior government ANO is defending its victory from 2016, and the first round of the election to one-third of the Senate started in the Czech Republic at 14:00 CEST today, on Friday, October 2nd, 2020. Credit: Michaela Rihova/CTK Photo/Alamy Live News
RMKCA6R8–Little Devil's Bridge over the Russ, above Altdorft, Switzerland (Liber Studiorum, part IV, plate 19), Turner
RMKNW5DY–Coast of Yorkshire, Near Whitby (Liber Studiorum, part V, plate 24) MET DP821391 383003 Artist: Designed and etched by Joseph Mallord William Turner, British, London 1775?1851 London, Engraver: William Say, British, Lakenham, near Norwich 1768?1834 London, Publisher: Joseph Mallord William Turner, British, London 1775?1851 London, Coast of Yorkshire, Near Whitby (Liber Studiorum, part V, plate 24), January 1, 1811, Etching and mezzotint; third state of four, plate: 7 1/8 x 10 1/2 in. (18.1 x 26.7 cm) sheet: 8 5/16 x 11 5/8 in. (21.1 x 29.5 cm). The Metropolitan Museum of Art, New York. Gift of
RF2HW6D6D–Art inspired by The Fifth Plague of Egypt (Liber Studiorum, part III, plate 16), June 10, 1808, Etching and mezzotint; third state of three, plate: 7 1/8 x 10 1/4 in. (18.1 x 26 cm), Prints, Designed and etched by Joseph Mallord William Turner (British, London 1775–1851 London), Turner, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT
RF2HW63B0–Art inspired by Ex Antiquis Cameorum et Gemmae Delineata/ Liber Secundus/et ab Enea Vico Parmen Incis., published ca. 1599–1622, Engraving. Third state., plate: 3 7/16 x 4 7/8 in. (8.8 x 12.4 cm), Prints, Anonymous, Italian, 16th century, After Battista Franco (Italian, Venice ca. 1510, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT
RF2HW6D5W–Art inspired by Little Devil's Bridge over the Russ, above Altdorft, Switzerland (Liber Studiorum, part IV, plate 19), March 29, 1809, Etching and mezzotint; third state of three, plate: 7 x 10 1/4 in. (17.8 x 26 cm), Prints, Designed and etched by Joseph Mallord William Turner (, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT
RM2AWRYJ1–Liber brunensis . 1910 VARSITY RELAY TEAM The result of the indoor season of the relay team is as follows:February 5th. Annual Indoor Meet of the Armory AthleticAssociation, Providence, R. I. Team race, Wesleyan vs.Brown. Won bv Wesleyan: time for 7-8 mile, 2 min. 472-5 sec. February 13th. Annual Meet of the B. A. A., Mechanics Hall,Boston, Mass. Team race, Amherst vs. Brown. Won byBrown: time for 1500 yds. 3 min. 15 1-4 sec. February 22d. Annual Troy Armory Meet, Troy, N. Y. Teamrace, Williams vs. Brown. Won by Williams: time formile, 3 min. 33 4-5 sec.. Twenty-third Annual MeetTechnology Fie
RMPAR8MX–The Alcove, Isleworth (Liber Studiorum, part XIII, plate 63). Artist: Designed and etched by Joseph Mallord William Turner (British, London 1775-1851 London). Dimensions: plate: 7 1/4 x 10 3/8 in. (18.4 x 26.4 cm) sheet: 8 1/4 x 11 9/16 in. (21 x 29.4 cm). Engraver: Henry Edward Dawe (British, London 1790-1848 Windsor). Published in: London. Publisher: Joseph Mallord William Turner (British, London 1775-1851 London). Date: January 1, 1819. Turner distilled his ideas about landscape In 'Liber Studiorum' (Latin for Book of Studies), a series of seventy prints plus a frontispiece published betw
RM2B71527–Lamech met zijn gezin Liber Genesis (serietitel) Lamech accompanied by his two wives, Adah and Zillah, and the children he had with them Jabal and Jubal and Tubal-cain and Naamah. Right background Lamech dead leaves a man. In the margin of a two-line signature in the Nederlands. Manufacturer : print maker: Crispijn of de Passe (I), publisher: Isaac Greve Place manufacture: Amsterdam Date: 1700 - 1750 Physical characteristics: engra material: paper Technique: engra (printing process) Measurements: plate edge: h 86 mm b × 129 mmToelichtingPrent used in Liber Genesis / The book of Genesis, third
RM2CYWRPJ–Liber, Czech Republic. 02nd Oct, 2020. The elections to the regional assemblies, in which the senior government ANO is defending its victory from 2016, and the first round of the election to one-third of the Senate started in the Czech Republic at 14:00 CEST today, on Friday, October 2nd, 2020. Credit: Michaela Rihova/CTK Photo/Alamy Live News
RMKCA6RC–Coast of Yorkshire, Near Whitby (Liber Studiorum, part V, plate 24), Designed and etched by Joseph Mallord William Turner
RMKP3NHW–Ben Arthur, Scotland (Liber Studiorum, part XIV, plate 69) MET DP821586 383030 Artist: Designed and etched by Joseph Mallord William Turner, British, London 1775?1851 London, Engraver: Thomas Goff Lupton, British, London 1791?1873 London, Publisher: Joseph Mallord William Turner, British, London 1775?1851 London, Ben Arthur, Scotland (Liber Studiorum, part XIV, plate 69), January 1, 1819, Etching and mezzotint; third state of three (Finberg), plate: 7 1/4 x 10 9/16 in. (18.4 x 26.8 cm) sheet: 8 1/4 x 11 1/2 in. (21 x 29.2 cm). The Metropolitan Museum of Art, New York. Gift of Edwin De T. Becht
RF2HW6D48–Art inspired by Mêr de Glace, Valley of Chamouni-Savoy (Liber Studiorum, part X, plate 50), May 23, 1812, Etching and mezzotint; third state of five (Finberg), plate: 7 x 10 in. (17.8 x 25.4 cm), Prints, Turner distilled his ideas about landscape In 'Liber Studiorum' (Latin for Book of, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT
![A selection of drawings by old masters in the Museum collections . aving, Tools and Materials used in. Third edition, pp. 18. Royal 8vo. 1914. id. [By post id.] 81 E.I.D. Japanese Method of Colour Printing, Tools and Materials illus-trating, pp. 22 ; 3 plates, 6 figs. Royal 8vo. 1913. 2d. [Bypost ^hd.] 80 E.I.D. Japanese Colour Prints, by Utagav/a Toyokuni I. Third Edition,pp. 19 ; 8 plates. Royal 8vo. 1920. ij-. [By post is. ihd.] 85 E.I.D. Drawings of Old London, by Philip Xorman, F.S.A. RevisedEdition. 8 plates. Royal 8vo. 1921. [In the press.] 68 E.I.D. The Liber Studiorum of J. M. W. Turn Stock Photo](https://c8.alamy.com/comp/2ANHDM9/a-selection-of-drawings-by-old-masters-in-the-museum-collections-aving-tools-and-materials-used-in-third-edition-pp-18-royal-8vo-1914-id-by-post-id-81-eid-japanese-method-of-colour-printing-tools-and-materials-illus-trating-pp-22-3-plates-6-figs-royal-8vo-1913-2d-bypost-hd-80-eid-japanese-colour-prints-by-utagava-toyokuni-i-third-editionpp-19-8-plates-royal-8vo-1920-ij-by-post-is-ihd-85-eid-drawings-of-old-london-by-philip-xorman-fsa-revisededition-8-plates-royal-8vo-1921-in-the-press-68-eid-the-liber-studiorum-of-j-m-w-turn-2ANHDM9.jpg "A selection of drawings by old masters in the Museum collections . aving, Tools and Materials used in. Third edition, pp. 18. Royal 8vo. 1914. id. [By post id.] 81 E.I.D. Japanese Method of Colour Printing, Tools and Materials illus-trating, pp. 22 ; 3 plates, 6 figs. Royal 8vo. 1913. 2d. [Bypost ^hd.] 80 E.I.D. Japanese Colour Prints, by Utagav/a Toyokuni I. Third Edition,pp. 19 ; 8 plates. Royal 8vo. 1920. ij-. [By post is. ihd.] 85 E.I.D. Drawings of Old London, by Philip Xorman, F.S.A. RevisedEdition. 8 plates. Royal 8vo. 1921. [In the press.] 68 E.I.D. The Liber Studiorum of J. M. W. Turn Stock Photo")
RM2ANHDM9–A selection of drawings by old masters in the Museum collections . aving, Tools and Materials used in. Third edition, pp. 18. Royal 8vo. 1914. id. [By post id.] 81 E.I.D. Japanese Method of Colour Printing, Tools and Materials illus-trating, pp. 22 ; 3 plates, 6 figs. Royal 8vo. 1913. 2d. [Bypost ^hd.] 80 E.I.D. Japanese Colour Prints, by Utagav/a Toyokuni I. Third Edition,pp. 19 ; 8 plates. Royal 8vo. 1920. ij-. [By post is. ihd.] 85 E.I.D. Drawings of Old London, by Philip Xorman, F.S.A. RevisedEdition. 8 plates. Royal 8vo. 1921. [In the press.] 68 E.I.D. The Liber Studiorum of J. M. W. Turn
RMPAY8E5–Coast of Yorkshire, Near Whitby (Liber Studiorum, part V, plate 24). Artist: Designed and etched by Joseph Mallord William Turner (British, London 1775-1851 London). Dimensions: plate: 7 x 10 7/16 in. (17.8 x 26.5 cm) sheet: 8 1/4 x 11 1/2 in. (21 x 29.2 cm). Engraver: William Say (British, Lakenham, near Norwich 1768-1834 London). Publisher: Joseph Mallord William Turner (British, London 1775-1851 London). Date: January 1, 1811. Turner distilled his ideas about landscape In 'Liber Studiorum' (Latin for Book of Studies), a series of seventy prints plus a frontispiece published between 1807 a
RM2B714D2–Laban Rebekah's brother, Eliezer invites you to go home with him. Laban allows Rebekah to marry Isaac. In the margin a two-line caption in Nederlands. Manufacturer : printmaker: Crispijn of Passe (I) Publisher: Isaac Greve Place manufacture: printmaker: Utrecht Publisher: Amsterdam Date: 1700 - 1750 Physical features: car material: paper Technique: engra (printing process) Dimensions: plate edge : h 85 mm × W 117 mmToelichtingPrent also used in: Genesis Liber / Het Genesis, third edition. Amsterdam: Y. Greve. Subject: Laban, Rebekah's brother, comes to Eliezer at the well Eliezer seeking a w
RMKCA6WX–Ville de Thun, Switzerland (Liber Studiorum, part XII, plate 59), Designed and etched by Joseph Mallord William Turner
RMKNW795–Ben Arthur, Scotland (Liber Studiorum, part XIV, plate 69) MET DP821586 383030 Artist: Designed and etched by Joseph Mallord William Turner, British, London 1775?1851 London, Engraver: Thomas Goff Lupton, British, London 1791?1873 London, Publisher: Joseph Mallord William Turner, British, London 1775?1851 London, Ben Arthur, Scotland (Liber Studiorum, part XIV, plate 69), January 1, 1819, Etching and mezzotint; third state of three (Finberg), plate: 7 1/4 x 10 9/16 in. (18.4 x 26.8 cm) sheet: 8 1/4 x 11 1/2 in. (21 x 29.2 cm). The Metropolitan Museum of Art, New York. Gift of Edwin De T. Becht
RF2HW6D5N–Art inspired by Aesacus and Hesperie, Vide Ovid Metamorphosis, Book XI (Liber Studiorum, part XIII, plate 66), January 1, 1819, Etching and mezzotint; third state of six (Finberg), plate: 7 1/16 x 10 3/16 in. (17.9 x 25.9 cm), Prints, Turner distilled his ideas about landscape In ', Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT
RM2CH00FF–. Railway mechanical engineer . ing onto turntables, etc. The possibility of this• lugnicntation may be clearly I)rought out by considering thetitect of entering a turntable, the ends of the rails on whichare higher than the comiecting track, upon the springs of a six-wheel switch engine. The forward pair of driving springs on anengine of this type is often suspended independently of the sec-ond and third pairs, and in passing onto the turntable thesesjirings may receive a large additional deflection above that dueto the static load, with a correspondingly increased liber stress.The writer als
RMPAT183–The Woman and Tambourine (Liber Studiorum, part I, plate 3). Artist: Designed and etched by Joseph Mallord William Turner (British, London 1775-1851 London). Dimensions: plate: 7 1/4 x 10 9/16 in. (18.4 x 26.8 cm) sheet: 8 1/4 x 11 1/2 in. (21 x 29.2 cm). Engraver: Charles Turner (British, Woodstock, Oxfordshire 1774-1857 London). Publisher: Joseph Mallord William Turner (British, London 1775-1851 London). Date: June 11, 1807. Turner distilled his ideas about landscape In 'Liber Studiorum' (Latin for Book of Studies), a series of seventy prints plus a frontispiece published between 1807 and
RM2B6J4PC–The meeting of Isaac and Rebecca Liber Genesis (series title) Eliezer Rebekah takes his camel back to Canaan. Isaac sits on his field and sees the company. In the margin a two-line caption in Nederlands. Manufacturer : printmaker: Crispijn of Passe (I) Publisher: Isaac Greve Place manufacture: printmaker: Utrecht Publisher: Amsterdam Date: 1700 - 1750 Physical features: car material: paper Technique: engra (printing process) Dimensions: plate edge : h 80 mm × W 115 mmToelichtingPrent also used in: Genesis Liber / Het Genesis, third edition. Amsterdam: Y. Greve. Subject: Rebekah returns home is
RMKCA6HY–The Woman and Tambourine (Liber Studiorum, part I, plate 3), Designed and etched by Joseph Mallord William Turner, June 11, 1807
RF2HW6D7H–Art inspired by St. Catharine's Hill near Guilford (Liber Studiorum, part VII, plate 33), June 1811, Etching and mezzotint; third state of three, plate: 7 3/8 x 10 7/16 in. (18.7 x 26.5 cm), Prints, Designed and etched by Joseph Mallord William Turner (British, London 1775–1851 London, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT
RMRH13N1–. Bulletin. Gramineae -- United States; Forage plants -- United States. 66 Biana and Texas. The sugar production in Louisiana in 1889 was 292,124,050 pounds. Tbf world's production of cane sugar was then aliout 3,000,000 tons, more than one-third of which was produced by the West Indies. Molasses is a product of sugar cane (the uncrystallizable sugar), and rum is made from molasses. Refuse cane, from which the juice has been expressed, yields a strong liber, and in parts of India is used for torches, etc. No. 216. Savastana odorata (Linn.) Scribu. Yanilla-grass. (Fig. 78.) A rather slender, sw
RMPATAYP–The Mildmay Sea-Piece (Liber Studiorum, part XIII, plate 40). Artist: Designed and etched by Joseph Mallord William Turner (British, London 1775-1851 London). Dimensions: plate: 7 3/16 x 10 1/4 in. (18.3 x 26 cm) sheet: 8 7/16 x 11 7/8 in. (21.4 x 30.2 cm). Engraver: J. C. Easling (British, active 1807-33); William T. Annis (British, active 1798-1811). Publisher: Joseph Mallord William Turner (British, London 1775-1851 London). Date: February 11, 1812. Turner distilled his ideas about landscape In 'Liber Studiorum' (Latin for Book of Studies), a series of seventy prints plus a frontispiece p
RM2B6RM16–God schept de vissen en de vogels Liber Genesis (serietitel) God creates fish and birds so that the water is teeming with the li beings and along the vault of heaven flying birds. In the margin a two-line caption in Nederlands. Manufacturer : printmaker: Crispijn of Passe (I) Publisher: Isaac Greve Place manufacture: printmaker: Utrecht Publisher: Amsterdam Date: 1700 - 1750 Physical features: car material: paper Technique: engra (printing process) Dimensions: plate edge : h 82 mm × W 125 mmToelichtingPrent used in Liber Genesis / The book of Genesis, third edition. Amsterdam: Y. Greve. Subjec
RMKCA6R0–The Fifth Plague of Egypt (Liber Studiorum, part III, plate 16), Designed and etched by Joseph Mallord William Turner, June 10
RF2HW6D5T–Art inspired by Lake of Thun, Swiss (Liber Studiorum, part III, plate 15), June 10, 1808, Etching, drypoint and mezzotint; third state of three, plate: 7 3/16 x 10 1/2 in. (18.3 x 26.7 cm), Prints, Designed and etched by Joseph Mallord William Turner (British, London 1775–1851 London, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT
RMPATDB4–Mêr de Glace, Valley of Chamouni-Savoy (Liber Studiorum, part X, plate 50). Artist and publisher: Joseph Mallord William Turner (British, London 1775-1851 London). Dimensions: plate: 7 x 10 in. (17.8 x 25.4 cm) sheet: 8 9/16 x 11 5/8 in. (21.7 x 29.5 cm). Date: May 23, 1812. Turner distilled his ideas about landscape In 'Liber Studiorum' (Latin for Book of Studies), a series of seventy prints plus a frontispiece published between 1807 and 1819. To establish the compositions, he made brown watercolor drawings, then etched outlines onto copper plates. This is one of the few instances where Tur
RM2B6J7PW–The creation of Eve Liber Genesis (series title) God let Adam fall into a deep sleep while he removes his rib and create Eve. In the margin a two-line caption in Nederlands. Manufacturer : printmaker: Crispijn of Passe (I) Publisher: Isaac Greve Place manufacture: printmaker: Utrecht Publisher: Amsterdam Date: 1700 - 1750 Physical features: car material: paper Technique: engra (printing process) Notes Print also uses in Liber Genesis / The book of Genesis, third edition. Amsterdam: Y. Greve. Subject: Eve was fashioned from Adam's ribGod the Father as young or adult male (perhaps resembling Chr
RMKCA6X2–St. Catharine's Hill near Guilford (Liber Studiorum, part VII, plate 33), Designed and etched by Joseph Mallord William Turner
RF2HW6D5X–Art inspired by Coast of Yorkshire, Near Whitby (Liber Studiorum, part V, plate 24), January 1, 1811, Etching and mezzotint; third state of four, plate: 7 1/8 x 10 1/2 in. (18.1 x 26.7 cm), Prints, Designed and etched by Joseph Mallord William Turner (British, London 1775–1851 London, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT
RF2B9A3D3–Liber amicorum Van Tienhoven-Hacke, Liber amicorum with the names of the donors of the silver ensemble on the occasion of the 25-year marriage of the Van Tienhoven-Hacke couple. On the first page a rose branch with banderole in which the dates 1866 and 1891, on the second page three orchids with the text: 'Den Heer and Mevrouw van Tienhoven Hacke On the occasion of their Silver wedding party 12 September, on the third page: 'Offered by their Friends': on the nine following pages, all decorated with a different flower and / or leaf branch, the names of the donors of the ensemble in alphabetical
RMPM6099–Coast of Yorkshire. Dated: published 1811. Medium: etching and mezzotint. Museum: National Gallery of Art, Washington DC. Author: Joseph Mallord William Turner and William Say.
RM2B6Y42K–Cain is on about to kill Abel with a donkey jawbone. Right background two altars: the sacrifice of Abel is approved by God (smoke rises) is rejected Cain's sacrifice (the smoke turn down). In the margin a two-line caption in Nederlands. Manufacturer : printmaker: Crispijn of Passe (I) Publisher: Isaac Greve Place manufacture: printmaker: Utrecht Publisher: Amsterdam Date: 1700 - 1750 Physical features: car material: paper Technique: engra (printing process) Dimensions: plate edge : h 82 mm × W 127 mmToelichtingPrent also used in: Genesis Liber / Het Genesis, third edition. Amsterdam: Y. Greve.
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