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Verd antique marble Stock Photos and Images
RM2G25FE8–Hagia Sophia (Turkish: Ayasofya), officially Ayasofya-i Kebir Cami-i ?erifi literally Holy Mosque of Hagia Sophia the Grand, and formerly the Church of Hagia Sophia. Istanbul, Turkey. Basket capitals and verd antique and marble columns.
RM2A2P664–attributed to Charles-Honoré Lannuier, American, 1779-1819, Pier Table, ca. 1815, rosewood, marble, brass, gilt and verd antique, Overall: 34 3/4 × 43 × 20 inches (88.3 × 109.2 × 50.8 cm
RF2B93FD3–attributed to Charles-Honoré Lannuier, American, 1779-1819, Pier Table, ca. 1815, rosewood, marble, brass, gilt and verd antique, Overall: 34 3/4 × 43 × 20 inches (88.3 × 109.2 × 50.8 cm), Reimagined by Gibon, design of warm cheerful glowing of brightness and light rays radiance. Classic art reinvented with a modern twist. Photography inspired by futurism, embracing dynamic energy of modern technology, movement, speed and revolutionize culture.
![. Florists' review [microform]. Floriculture. NOTIMBBB 17. 1921 The Florists' Review 37. General View of Main Salesroom in New Store of Woodlawn Flower Shop, Seattle. H. E. Munday to fit the local require- ments. This is semi-octagonal in shape and is backed by mirrors of full height. The flooring is of white vitrolite and the outer wall is handled in verd antique marble. Probably the most unusual phase of this window, after its shape, is the fact that the glass panels are joined with cement instead of the usual brass bars. This allows an unbroken view of the window from any angle. Attraction Stock Photo](https://c8.alamy.com/comp/RRCW3T/florists-review-microform-floriculture-notimbbb-17-1921-the-florists-review-37-general-view-of-main-salesroom-in-new-store-of-woodlawn-flower-shop-seattle-h-e-munday-to-fit-the-local-require-ments-this-is-semi-octagonal-in-shape-and-is-backed-by-mirrors-of-full-height-the-flooring-is-of-white-vitrolite-and-the-outer-wall-is-handled-in-verd-antique-marble-probably-the-most-unusual-phase-of-this-window-after-its-shape-is-the-fact-that-the-glass-panels-are-joined-with-cement-instead-of-the-usual-brass-bars-this-allows-an-unbroken-view-of-the-window-from-any-angle-attraction-RRCW3T.jpg ". Florists' review [microform]. Floriculture. NOTIMBBB 17. 1921 The Florists' Review 37. General View of Main Salesroom in New Store of Woodlawn Flower Shop, Seattle. H. E. Munday to fit the local require- ments. This is semi-octagonal in shape and is backed by mirrors of full height. The flooring is of white vitrolite and the outer wall is handled in verd antique marble. Probably the most unusual phase of this window, after its shape, is the fact that the glass panels are joined with cement instead of the usual brass bars. This allows an unbroken view of the window from any angle. Attraction Stock Photo")
RMRRCW3T–. Florists' review [microform]. Floriculture. NOTIMBBB 17. 1921 The Florists' Review 37. General View of Main Salesroom in New Store of Woodlawn Flower Shop, Seattle. H. E. Munday to fit the local require- ments. This is semi-octagonal in shape and is backed by mirrors of full height. The flooring is of white vitrolite and the outer wall is handled in verd antique marble. Probably the most unusual phase of this window, after its shape, is the fact that the glass panels are joined with cement instead of the usual brass bars. This allows an unbroken view of the window from any angle. Attraction
RMPARYYW–Five-light candelabrum (one of a pair). Culture: French. Dimensions: H. 45 3/8 x W. 13 1/2 x D. 17 1/2in. (115.3 x 34.3 x 44.5cm). Modeler: Derived from a model by Clodion (Claude Michel) (French, Nancy 1738-1814 Paris). Date: ca. 1785. Museum: Metropolitan Museum of Art, New York, USA.
RM2G25FXD–Hagia Sophia (Turkish: Ayasofya), officially Ayasofya-i Kebir Cami-i ?erifi literally Holy Mosque of Hagia Sophia the Grand, and formerly the Church of Hagia Sophia. Istanbul, Turkey. Basket capitals and verd antique and marble columns.
RM2ANG32E–Some observations made in travelling through France, Italy, &cin the years MDCCXX, MDCCXXI, and MDCCXXII . finely adornd : thetwelve apoftles, twice as large as the life, in white marble,have a in oft magnificent appearance: they are modern per-formances, i. e. of the prefent age, but by the befl mafters init, asMonf. le Grot, Camillo Rofconi, &c. and fome of themmay juftly be called very fine. They ftand in fpacious niches,adornd on each fide with pillars of verd antique % which weredefignd by the cavalier Boromini, who in fome of his workswas a little particular in his fancy, but in the main
RMPAMBK0–Five-light candelabrum (one of a pair). Culture: French. Dimensions: H. 45 3/8 x W. 16 7/8 x D. 14 1/4in. (115.3 x 42.9 x 36.2cm). Modeler: derives from a model by Clodion (Claude Michel) (French, Nancy 1738-1814 Paris). Date: ca. 1785. Museum: Metropolitan Museum of Art, New York, USA.
RM2G25FG3–Hagia Sophia (Turkish: Ayasofya), officially Ayasofya-i Kebir Cami-i ?erifi literally Holy Mosque of Hagia Sophia the Grand, and formerly the Church of Hagia Sophia. Istanbul, Turkey. Basket capitals and verd antique and marble columns.
RM2CEW99A–. Lexicon medicum, or, Medical dictionary : containing an explanation of the terms in anatomy, botany, chemistry, materia medica, midwifery, mineralogy, pharmacy, physiology, practice of physic, surgery, and the various branches of natural philosophy connected with medicine : selected, arranged, and compiled from the best authors. AllCILLITE. B. WacUt Slate.A. Clay Slate. Chloritic.Glazed.Roof-slale.Red. Purple. Flinty slate. An-thracite. Striatedquartz. Milky quartz. Chlorite.. Granular Lime-rock. B. Sandy.A. Compact. GranularQuartz. B. Sandy.A. Compact. Verd-antique.Dolomite.Statuary marble.
RMPB3YG5–Relief with the Annunciation. Culture: Italian. Dimensions: 26 1/2 x 24 x 4 3/4 in. (67.3 x 61 x 12.1 cm). Date: ca. 1180-1200. This relief is one of seven panels from a pulpit in the church of San Piero Scheraggio in Florence, which was dismantled sometime between 1410 and 1755. In medieval Italy, pulpits were used for the reading of the Gospels and the Epistles and were located on the south side of the choir. Here, the Virgin and the archangel Gabriel stand in separate niches under a city wall. The fluid treatment of the drapery, the form of the figures, and the combination of narrative rel
RM2CENEKK–. The Decorator's assistant. oge and flahe white.Or-Molu—Mix hinges yellow and Indian yellow.Velvet—Mix carmine and Indian red. GreenBaize—Mix indigo and gamboge; for chair seats,use vermilion. Glass—Mix lamp-black and in-digo ; shadow with the same. Porphyry Marble—Mix lake, Venetian red, and ivory black,afterwards speckle with constant white and withlamp-black. Verd Antique—Mix indigo am,Roman ochre; afterwards lay on light and darkgreen spots. We shall continue these hints nextweek. An Amateur.- Jt. in.25 5 long.15 10 broad. 38121 32 2 402 57 11 2 0 deep 2817368 010 28 10 9) 3815 10 10 10 3
![Commode. Culture: French. Dimensions: 34 1/2 × 50 1/2 × 24 3/4 in. (87.6 × 128.3 × 62.9 cm). Maker: André Charles Boulle (French, Paris 1642-1732 Paris). Date: ca. 1710-20. In 1708, the prototypes for this commode, then called a pair of bureaux, were delivered to the Grand Trianon by André-Charles Boulle. The duc d'Antin, director of the king's buildings, wrote to Louis XIV: 'I was at the Trianon inspecting the second writing desk by Boulle; it is as beautiful as the other and suits the room perfectly.'[1] Not until the Trianon inventory of 1729 were the pieces described as 'commodes.' (They Stock Photo](https://c8.alamy.com/comp/PAA9XE/commode-culture-french-dimensions-34-12-50-12-24-34-in-876-1283-629-cm-maker-andr-charles-boulle-french-paris-1642-1732-paris-date-ca-1710-20-in-1708-the-prototypes-for-this-commode-then-called-a-pair-of-bureaux-were-delivered-to-the-grand-trianon-by-andr-charles-boulle-the-duc-dantin-director-of-the-kings-buildings-wrote-to-louis-xiv-i-was-at-the-trianon-inspecting-the-second-writing-desk-by-boulle-it-is-as-beautiful-as-the-other-and-suits-the-room-perfectly-1-not-until-the-trianon-inventory-of-1729-were-the-pieces-described-as-commodes-they-PAA9XE.jpg "Commode. Culture: French. Dimensions: 34 1/2 × 50 1/2 × 24 3/4 in. (87.6 × 128.3 × 62.9 cm). Maker: André Charles Boulle (French, Paris 1642-1732 Paris). Date: ca. 1710-20. In 1708, the prototypes for this commode, then called a pair of bureaux, were delivered to the Grand Trianon by André-Charles Boulle. The duc d'Antin, director of the king's buildings, wrote to Louis XIV: 'I was at the Trianon inspecting the second writing desk by Boulle; it is as beautiful as the other and suits the room perfectly.'[1] Not until the Trianon inventory of 1729 were the pieces described as 'commodes.' (They Stock Photo")
RMPAA9XE–Commode. Culture: French. Dimensions: 34 1/2 × 50 1/2 × 24 3/4 in. (87.6 × 128.3 × 62.9 cm). Maker: André Charles Boulle (French, Paris 1642-1732 Paris). Date: ca. 1710-20. In 1708, the prototypes for this commode, then called a pair of bureaux, were delivered to the Grand Trianon by André-Charles Boulle. The duc d'Antin, director of the king's buildings, wrote to Louis XIV: 'I was at the Trianon inspecting the second writing desk by Boulle; it is as beautiful as the other and suits the room perfectly.'[1] Not until the Trianon inventory of 1729 were the pieces described as 'commodes.' (They
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