Conventionalized design Stock Photos and Images

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Conventionalized design Stock Photos and Images

Conventionalized Design of Fans Floating on the River, Totoya Hokkei, 19th century Stock Photo

RMKC6YHN–Conventionalized Design of Fans Floating on the River, Totoya Hokkei, 19th century

Art inspired by Conventionalized Design of Fans Floating on the River, Edo period (1615–1868), 19th century, Japan, Polychrome woodblock print (surimono); ink and color on paper, 7 1/16 x 6 5/8 in. (17.9 x 16.8 cm), Prints, Totoya Hokkei (Japanese, 1780–1850, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT Stock Photo

RF2HW3G0K–Art inspired by Conventionalized Design of Fans Floating on the River, Edo period (1615–1868), 19th century, Japan, Polychrome woodblock print (surimono); ink and color on paper, 7 1/16 x 6 5/8 in. (17.9 x 16.8 cm), Prints, Totoya Hokkei (Japanese, 1780–1850, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT

Trimming, Medium: silk, metallic thread Technique: woven, Conventionalized design of flowers and leaves., Italy, 16th century, trimmings, Trimming Stock Photo

RM2DMBA66–Trimming, Medium: silk, metallic thread Technique: woven, Conventionalized design of flowers and leaves., Italy, 16th century, trimmings, Trimming

Conventionalized Design of Fans Floating on the River. Artist: Totoya Hokkei (Japanese, 1780-1850). Culture: Japan. Dimensions: 7 1/16 x 6 5/8 in. (17.9 x 16.8 cm). Date: 19th century. Museum: Metropolitan Museum of Art, New York, USA. Stock Photo

RMPA8N82–Conventionalized Design of Fans Floating on the River. Artist: Totoya Hokkei (Japanese, 1780-1850). Culture: Japan. Dimensions: 7 1/16 x 6 5/8 in. (17.9 x 16.8 cm). Date: 19th century. Museum: Metropolitan Museum of Art, New York, USA.

Trimming, Medium: silk Technique: woven, Blue and yellow trimming fragment with a conventionalized design of crossing lines and lozenges., France, 19th century, trimmings, Trimming Stock Photo

RM2DM8739–Trimming, Medium: silk Technique: woven, Blue and yellow trimming fragment with a conventionalized design of crossing lines and lozenges., France, 19th century, trimmings, Trimming

Trimming. Conventionalized design of flowers and leaves. Stock Photo

RM2BF2W04–Trimming. Conventionalized design of flowers and leaves.

Fragment, Medium: linen Technique: bobbin lace, Fragment of Mechlin lace with incomplete conventionalized design. 'Fond de neige' ground., Belgium, 18th century, lace, Fragment Stock Photo

RM2DN7RTJ–Fragment, Medium: linen Technique: bobbin lace, Fragment of Mechlin lace with incomplete conventionalized design. 'Fond de neige' ground., Belgium, 18th century, lace, Fragment

Fragment. Chantilly-style edging with a small, conventionalized design of berries and leaves. Stock Photo

RM2BF36W1–Fragment. Chantilly-style edging with a small, conventionalized design of berries and leaves.

Fragment, Medium: silk Technique: machine-made net with embroidery, Chantilly-style edging with a small, conventionalized design of berries and leaves., France, ca. 1870, lace, Fragment Stock Photo

RM2DMJPN9–Fragment, Medium: silk Technique: machine-made net with embroidery, Chantilly-style edging with a small, conventionalized design of berries and leaves., France, ca. 1870, lace, Fragment

Fragment. Border fragment has a conventionalized design of blossoms and scrolls with round mesh. Stock Photo

RM2BF6BYA–Fragment. Border fragment has a conventionalized design of blossoms and scrolls with round mesh.

Fragment, Medium: linen Technique: bobbin lace (Valenciennes ground), Border fragment has a conventionalized design of blossoms and scrolls with round mesh., France, 18th century, lace, Fragment Stock Photo

RM2DN7TA9–Fragment, Medium: linen Technique: bobbin lace (Valenciennes ground), Border fragment has a conventionalized design of blossoms and scrolls with round mesh., France, 18th century, lace, Fragment

Fragment. Fragment of Mechlin lace with incomplete conventionalized design. 'Fond de neige' ground. Stock Photo

RM2BF35JK–Fragment. Fragment of Mechlin lace with incomplete conventionalized design. 'Fond de neige' ground.

Conventionalized Design of Fans Floating on the River 1929 by Totoya Hokkei Stock Photo

RM2TBJAKM–Conventionalized Design of Fans Floating on the River 1929 by Totoya Hokkei

Fragment. Chartreuse damask with a highly conventionalized design of flowers and large scale leaves. Stock Photo

RM2BF1XRH–Fragment. Chartreuse damask with a highly conventionalized design of flowers and large scale leaves.

Conventionalized Design of Fans Floating on the River 19th century Totoya Hokkei Japanese. Conventionalized Design of Fans Floating on the River 54937 Stock Photo

RM2HH9MXY–Conventionalized Design of Fans Floating on the River 19th century Totoya Hokkei Japanese. Conventionalized Design of Fans Floating on the River 54937

Fragment. Fragment of raised lace with a highly conventionalized design of a pomegranate bud with an openwork tip. Stock Photo

RM2BF35G7–Fragment. Fragment of raised lace with a highly conventionalized design of a pomegranate bud with an openwork tip.

Conventionalized Design of Fans Floating on the River, 19th century. Stock Photo

RM2D6CP47–Conventionalized Design of Fans Floating on the River, 19th century.

Fragment. Light brown rectangular fragment with a conventionalized design of a bird and scrolling floral forms. Stock Photo

RM2BF2JW0–Fragment. Light brown rectangular fragment with a conventionalized design of a bird and scrolling floral forms.

blue, culture, colour, model, design, project, concept, plan, draft, green, Stock Photo

RFJ8YTF5–blue, culture, colour, model, design, project, concept, plan, draft, green,

Trimming. Research in ProgressBlue and yellow trimming fragment with a conventionalized design of crossing lines and lozenges. Trimming Stock Photo

RM2BD1TWP–Trimming. Research in ProgressBlue and yellow trimming fragment with a conventionalized design of crossing lines and lozenges. Trimming

Art inspired by 藍綸子地松鎖模様振袖, Kosode with Design of Pines and Interlocking Squares, Edo period (1615–1868), second half of the 18th century, Japan, Tie-dyed (shibori) pattern on figured silk satin (rinzu), 71 x 50 in. (180.3 x 127 cm), Costumes, This garment's design juxtaposes, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT Stock Photo

RF2HW3B1M–Art inspired by 藍綸子地松鎖模様振袖, Kosode with Design of Pines and Interlocking Squares, Edo period (1615–1868), second half of the 18th century, Japan, Tie-dyed (shibori) pattern on figured silk satin (rinzu), 71 x 50 in. (180.3 x 127 cm), Costumes, This garment's design juxtaposes, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT

Fragment. Light brown rectangular fragment with a conventionalized design of a bird with a leaf and foliated floral forms. Stock Photo

RM2BF2JXY–Fragment. Light brown rectangular fragment with a conventionalized design of a bird with a leaf and foliated floral forms.

Kosode with Design of Pines and Interlocking Squares. Culture: Japan. Dimensions: 71 x 50 in. (180.3 x 127 cm). Date: second half of the 18th century. This garment's design juxtaposes interlocking squares with gently diagonal passages of pines, in their conventionalized cloudlike form. The entire pattern was rendered in a resist-dyeing technique called kanoko (literally, fawn) shibori, in which tiny portions of the fabric were tied with thread and the cloth was dyed with indigo. The wrapped areas resisted the dye, resulting in a spotted pattern, resembling the coat of a fawn, in white against Stock Photo

RMPB61W1–Kosode with Design of Pines and Interlocking Squares. Culture: Japan. Dimensions: 71 x 50 in. (180.3 x 127 cm). Date: second half of the 18th century. This garment's design juxtaposes interlocking squares with gently diagonal passages of pines, in their conventionalized cloudlike form. The entire pattern was rendered in a resist-dyeing technique called kanoko (literally, fawn) shibori, in which tiny portions of the fabric were tied with thread and the cloth was dyed with indigo. The wrapped areas resisted the dye, resulting in a spotted pattern, resembling the coat of a fawn, in white against

Letter case. Letter case of green silk damask with conventionalized design in metallic thread; lining of white silk. Stock Photo

RM2BF195W–Letter case. Letter case of green silk damask with conventionalized design in metallic thread; lining of white silk.

. English: Imitation Leather, Cecil, ca. 1890 . English: Large scale design of interlacing bands and conventionalized flowers, with vase and tulip forming center axis. Embossed and gilt, and the ground over-printed with green. Straight match and repeat. . circa 1890 155 Imitation Leather, Cecil, ca. 1890 (CH 18402913) Stock Photo

RMP2974C–. English: Imitation Leather, Cecil, ca. 1890 . English: Large scale design of interlacing bands and conventionalized flowers, with vase and tulip forming center axis. Embossed and gilt, and the ground over-printed with green. Straight match and repeat. . circa 1890 155 Imitation Leather, Cecil, ca. 1890 (CH 18402913)

Fragment. Panel with several repeats of a conventionalized design made from leaves and flowers, arabesques and curving, intersecting lines. Stock Photo

RM2BF4FW5–Fragment. Panel with several repeats of a conventionalized design made from leaves and flowers, arabesques and curving, intersecting lines.

RF2CG40BT–logo, sign for companies, businesses, sports team, emblem, sign, symbol, arms, chevron, team, eagle, club, vector, illustration, drawing, design, star

Fragment. Research in ProgressLight brown rectangular fragment in a conventionalized design of scrolling leaves and floral forms. Fragment Stock Photo

RM2BD1MR7–Fragment. Research in ProgressLight brown rectangular fragment in a conventionalized design of scrolling leaves and floral forms. Fragment

Light blue abstract background with conventionalized feather Stock Photo

RFBT83EX–Light blue abstract background with conventionalized feather

Fragment, Medium: linen Technique: needle lace, Fragment of raised lace with a highly conventionalized design of a pomegranate bud with an openwork tip., Venice, Italy, 17th century, lace, Fragment Stock Photo

RM2DN7KPH–Fragment, Medium: linen Technique: needle lace, Fragment of raised lace with a highly conventionalized design of a pomegranate bud with an openwork tip., Venice, Italy, 17th century, lace, Fragment

Studies in the decorative art of Japan . Pine Iree highly conventionalized.(Design for wall-paper.). •J < OS a <z j • o Ou Stock Photo

RM2AWY3AG–Studies in the decorative art of Japan . Pine Iree highly conventionalized.(Design for wall-paper.). •J < OS a <z j • o Ou

Trimming, Medium: silk Technique: woven, Trimming fragment in a conventionalized design in yellow on green ground between green and white borders., France, 19th century, trimmings, Trimming Stock Photo

RM2DM983K–Trimming, Medium: silk Technique: woven, Trimming fragment in a conventionalized design in yellow on green ground between green and white borders., France, 19th century, trimmings, Trimming

Textile Length with Design of Conventionalized Flowers M.73.5.707 Stock Photo

RMDCGNH2–Textile Length with Design of Conventionalized Flowers M.73.5.707

Fragment, Medim: silk Technique: 5-harness satin damask, Chartreuse damask with a highly conventionalized design of flowers and large scale leaves., France or Italy, 18th century, woven textiles, Fragment Stock Photo

RM2DN8E3A–Fragment, Medim: silk Technique: 5-harness satin damask, Chartreuse damask with a highly conventionalized design of flowers and large scale leaves., France or Italy, 18th century, woven textiles, Fragment

RMMKK4AD–Ornamental Rose Studies

Fragment, Medium: linen Technique: applique and embroidery, Light brown rectangular fragment in a conventionalized design of scrolling leaves and floral forms., Belgium or France, early 17th century, embroidery & stitching, Fragment Stock Photo

RM2DMC5W1–Fragment, Medium: linen Technique: applique and embroidery, Light brown rectangular fragment in a conventionalized design of scrolling leaves and floral forms., Belgium or France, early 17th century, embroidery & stitching, Fragment

Noh Costume (Surihaku) with Water, Water Plants, and Leaves 19th century Japan Noh robes patterned with metallic leaf are called surihaku, a term also used for the textiles from which they are made. For this robe, the surihaku textile was decorated by applying paste through stencils, placing and pressing gold leaf onto the still-wet paste and finally, when the paste was dry, brushing away the excess gold leaf. Some surihaku robes have static, repetitive patterns, but the artful arrangement of the stencils for this robe yielded a fluid, rhythmic design.The conventionalized flowing water beneith Stock Photo

RM2HH8NT3–Noh Costume (Surihaku) with Water, Water Plants, and Leaves 19th century Japan Noh robes patterned with metallic leaf are called surihaku, a term also used for the textiles from which they are made. For this robe, the surihaku textile was decorated by applying paste through stencils, placing and pressing gold leaf onto the still-wet paste and finally, when the paste was dry, brushing away the excess gold leaf. Some surihaku robes have static, repetitive patterns, but the artful arrangement of the stencils for this robe yielded a fluid, rhythmic design.The conventionalized flowing water beneith

Fragment, Medium: linen Technique: applique and embroidery, Light brown rectangular fragment with a conventionalized design of a bird and scrolling floral forms., Belgium, France, early 17th century, embroidery & stitching, Fragment Stock Photo

RM2DM8YHM–Fragment, Medium: linen Technique: applique and embroidery, Light brown rectangular fragment with a conventionalized design of a bird and scrolling floral forms., Belgium, France, early 17th century, embroidery & stitching, Fragment

RFJ8YTET–blue, culture, colour, model, design, project, concept, plan, draft, green,

Girdle fragment, Medium: cotton, metal Technique: embroidered, Piece cut from the end of girdle. Embroidery in conventionalized design based on diagonal lines and squares., Balkans, 19th century, embroidery & stitching, Girdle fragment Stock Photo

RM2DN9T5K–Girdle fragment, Medium: cotton, metal Technique: embroidered, Piece cut from the end of girdle. Embroidery in conventionalized design based on diagonal lines and squares., Balkans, 19th century, embroidery & stitching, Girdle fragment

Pitcher (Goelet Schooner Prize) ca. 1883 Whiting Manufacturing Company This pitcher and an accompanying tray (on display in the Museum’s Henry R. Luce Center for the Study of American Art) were awarded to Samuel R. Platt’s schooner, Montauk, in 1882, the inaugural year of the Goelet Cup races off Newport, Rhode Island. The dynamic design, which incorporates a mermaid, a dolphin, seahorses, and seaweed, is punctuated with bright enamel in conventionalized floral motifs and is a testament to the designer, Charles Osborne’s consummate skill and original artistic vision.. Pitcher (Goelet Schooner Stock Photo

RM2HJ3HME–Pitcher (Goelet Schooner Prize) ca. 1883 Whiting Manufacturing Company This pitcher and an accompanying tray (on display in the Museum’s Henry R. Luce Center for the Study of American Art) were awarded to Samuel R. Platt’s schooner, Montauk, in 1882, the inaugural year of the Goelet Cup races off Newport, Rhode Island. The dynamic design, which incorporates a mermaid, a dolphin, seahorses, and seaweed, is punctuated with bright enamel in conventionalized floral motifs and is a testament to the designer, Charles Osborne’s consummate skill and original artistic vision.. Pitcher (Goelet Schooner

Fragment, Medium: linen Technique: applique and embroidery, Light brown rectangular fragment with a conventionalized design of a bird with a leaf and foliated floral forms., Belgium or France, early 17th century, embroidery & stitching, Fragment Stock Photo

RM2DMCHRK–Fragment, Medium: linen Technique: applique and embroidery, Light brown rectangular fragment with a conventionalized design of a bird with a leaf and foliated floral forms., Belgium or France, early 17th century, embroidery & stitching, Fragment

Coffeepot. Culture: American. Dimensions: 10 5/8 × 6 × 4 7/8 in., 30oz. 9dwt. (27 × 15.2 × 12.4 cm, 947.2g). Manufacturer: Gorham Manufacturing Company (American, 1831-present). Date: 1881. Made as singular or limited production 'specials,' this sinuous coffee pot and tray epitomize the eclectic tastes and sensibilities that characterize the Aesthetic movement. Here exotic near-eastern forms and decoration are combined with conventionalized plant motifs inspired by the British design reform movement. The exquisitely crafted result is an inventive amalgam that is at once complex and coherent Stock Photo

RMPANWTA–Coffeepot. Culture: American. Dimensions: 10 5/8 × 6 × 4 7/8 in., 30oz. 9dwt. (27 × 15.2 × 12.4 cm, 947.2g). Manufacturer: Gorham Manufacturing Company (American, 1831-present). Date: 1881. Made as singular or limited production 'specials,' this sinuous coffee pot and tray epitomize the eclectic tastes and sensibilities that characterize the Aesthetic movement. Here exotic near-eastern forms and decoration are combined with conventionalized plant motifs inspired by the British design reform movement. The exquisitely crafted result is an inventive amalgam that is at once complex and coherent

Fragment, Medium: linen Technique: applique and embroidery, Light brown rectangular fragment with a conventionalized design of a spoked circle surrounded by petals and scrolling bands and lines., Belgium and France, early 17th century, embroidery & stitching, Fragment Stock Photo

RM2DMC79P–Fragment, Medium: linen Technique: applique and embroidery, Light brown rectangular fragment with a conventionalized design of a spoked circle surrounded by petals and scrolling bands and lines., Belgium and France, early 17th century, embroidery & stitching, Fragment

. English: Drawing, Design after William Morris, a Tile, after 1917 . English: At the center of the tile, a conventionalized flower head with its elements (stamen and petals) separated. Detailed stems and leaves cover the rest of the surface. . after 1917 99 Drawing, Design after William Morris, a Tile, after 1917 (CH 18730037) Stock Photo

RMP28705–. English: Drawing, Design after William Morris, a Tile, after 1917 . English: At the center of the tile, a conventionalized flower head with its elements (stamen and petals) separated. Detailed stems and leaves cover the rest of the surface. . after 1917 99 Drawing, Design after William Morris, a Tile, after 1917 (CH 18730037)

RF2CG3Y7T–logo, sign for companies, businesses, sports team, emblem, sign, symbol, arms, chevron, team, eagle, club, vector, illustration, drawing, design, star

Fragment. Light brown rectangular fragment with a conventionalized design of a spoked circle surrounded by petals and scrolling bands and lines. Stock Photo

RM2BF2JXG–Fragment. Light brown rectangular fragment with a conventionalized design of a spoked circle surrounded by petals and scrolling bands and lines.

collection of arrows with sharp ends and rounded Stock Vector

RF2KC091D–collection of arrows with sharp ends and rounded

Girdle fragment. Research in ProgressPiece cut from the end of girdle. Embroidery in conventionalized design based on diagonal lines and squares. Girdle fragment Stock Photo

RM2BCYJ44–Girdle fragment. Research in ProgressPiece cut from the end of girdle. Embroidery in conventionalized design based on diagonal lines and squares. Girdle fragment

. Baltimore and Ohio employees magazine . The theatre bag is made of white hncii,or silk may be used, if preferred. Theembroidery is done in two shades of ])lue.The scallop is carried out in dark blueand has an inner line of light blue.Raised satin stitch is used for the dotsand conventionalized design. The scal-lops should be slightly padded and but-tonholed. A white silk cord is drawnthrough the top of the bag. There isnothing daintier for a gift than this bagand its cost can be kept within thefifty-cent limit. Embroidery Design No. 1202L Transferpattern for two towels. Price, 10 cents. Desi Stock Photo

RM2CGRNH0–. Baltimore and Ohio employees magazine . The theatre bag is made of white hncii,or silk may be used, if preferred. Theembroidery is done in two shades of ])lue.The scallop is carried out in dark blueand has an inner line of light blue.Raised satin stitch is used for the dotsand conventionalized design. The scal-lops should be slightly padded and but-tonholed. A white silk cord is drawnthrough the top of the bag. There isnothing daintier for a gift than this bagand its cost can be kept within thefifty-cent limit. Embroidery Design No. 1202L Transferpattern for two towels. Price, 10 cents. Desi

Fragment. Research in ProgressLight brown rectangular fragment in a conventionalized design of a circle with spokes surrounded by scrolling bands and triangles that suggest floral forms. Fragment Stock Photo

RM2BD1MR1–Fragment. Research in ProgressLight brown rectangular fragment in a conventionalized design of a circle with spokes surrounded by scrolling bands and triangles that suggest floral forms. Fragment

RFHE8K1B–Graphic image of a lion's head, perfect for a logo or an emblem

Square. Yellow square with highly conventionalized design of plant forms in dark blue. Initials IAW embroidered in tiny red cross stitch in one corner. Stock Photo

RM2BF4GAF–Square. Yellow square with highly conventionalized design of plant forms in dark blue. Initials IAW embroidered in tiny red cross stitch in one corner.

RMMKK4AW–Floral Corners

Sidewall. Conventionalized design. A trefoil effect of three flowers in brown and red growing on straight, upright stems, enclosed in a four-sided, diamond shaped or diaper framework of foliage. Stock Photo

RM2BF2F2E–Sidewall. Conventionalized design. A trefoil effect of three flowers in brown and red growing on straight, upright stems, enclosed in a four-sided, diamond shaped or diaper framework of foliage.

RF2D9F537–Arrows doodle vector set

Cane handle. Small round knob, slightly flattened, set on short stem; wood inlaid in silver in completely conventionalized design; formed of small lines, dots in circular pattern or perpendicular pattern on stem. Stock Photo

RM2BF5CA4–Cane handle. Small round knob, slightly flattened, set on short stem; wood inlaid in silver in completely conventionalized design; formed of small lines, dots in circular pattern or perpendicular pattern on stem.

RFJ8YTEX–blue, culture, colour, model, design, project, concept, plan, draft, green,

Fragment. Fragment has a conventionalized tulip and leaf design. Stock Photo

RM2BF35GK–Fragment. Fragment has a conventionalized tulip and leaf design.

Art inspired by Tray, 1881, Made in Providence, Rhode Island, United States, American, Silver, ivory, 7/8 × 7 7/8 × 7 7/8 in., 10 oz. 19 dwt. (2.2 × 20 × 20 cm, 341.5g), Silver, Made as singular or limited production “specials,” this sinuous coffee pot and tray epitomize the eclectic, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT Stock Photo

RF2HW17F8–Art inspired by Tray, 1881, Made in Providence, Rhode Island, United States, American, Silver, ivory, 7/8 × 7 7/8 × 7 7/8 in., 10 oz. 19 dwt. (2.2 × 20 × 20 cm, 341.5g), Silver, Made as singular or limited production “specials,” this sinuous coffee pot and tray epitomize the eclectic, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT

RFWXHY28–Light blue abstract background with conventionalized feather

Pseudo-chinese latin font. Letters A-I Stock Photo

RFC82ETK–Pseudo-chinese latin font. Letters A-I

Fragment, Medium: linen Technique: applique and embroidery, Light brown rectangular fragment in a conventionalized design of a circle with spokes surrounded by scrolling bands and triangles that suggest floral forms., Belgium or France, early 17th century, embroidery & stitching, Fragment Stock Photo

RM2DMBGP6–Fragment, Medium: linen Technique: applique and embroidery, Light brown rectangular fragment in a conventionalized design of a circle with spokes surrounded by scrolling bands and triangles that suggest floral forms., Belgium or France, early 17th century, embroidery & stitching, Fragment

Graphic silhouette of a fish on an abstract sea background Stock Vector

RFH9CK3J–Graphic silhouette of a fish on an abstract sea background

Fragment, Medium: silk, polychrome paint Technique: painted and printed on plain weave, Panel with several repeats of a conventionalized design made from leaves and flowers, arabesques and curving, intersecting lines., China, 18th century, printed, dyed & painted textiles, Fragment Stock Photo

RM2DN6R3X–Fragment, Medium: silk, polychrome paint Technique: painted and printed on plain weave, Panel with several repeats of a conventionalized design made from leaves and flowers, arabesques and curving, intersecting lines., China, 18th century, printed, dyed & painted textiles, Fragment

RF2CG401E–logo, sign for companies, businesses, sports team, emblem, sign, symbol, arms, chevron, team, eagle, club, vector, illustration, drawing, design, star

Vector silhouette of a fish on an abstract sea background Stock Vector

RFH9CK36–Vector silhouette of a fish on an abstract sea background

Vector green concept; clip-art Stock Photo

RFDXY2Y4–Vector green concept; clip-art

The decorative periods . law has forced the art ofthe strict Mohammedan into narrow channels, and we have theoutcome of the conventionalized flower treatment. But there are few strict Mohammedans in China, and theBuddhist faith gives full license to the representation of animalforms. The student is commended to the study of ChinesePorcelain, by W. G. Garland, issued with 485 illustrations, fornothing short of such a book can properly present the mytho-logical, the religious, the symbolic and emblematic characteristicsof Chinese design. The Chinese employ, in their decorative work, an endlessli Stock Photo

RM2AJ72M2–The decorative periods . law has forced the art ofthe strict Mohammedan into narrow channels, and we have theoutcome of the conventionalized flower treatment. But there are few strict Mohammedans in China, and theBuddhist faith gives full license to the representation of animalforms. The student is commended to the study of ChinesePorcelain, by W. G. Garland, issued with 485 illustrations, fornothing short of such a book can properly present the mytho-logical, the religious, the symbolic and emblematic characteristicsof Chinese design. The Chinese employ, in their decorative work, an endlessli

RFH9CK42–Vector silhouette of a fish on an abstract sea background

Farm animals. Vector illustration. Cute cartoon baby pig Stock Vector

RFPPAFE9–Farm animals. Vector illustration. Cute cartoon baby pig

A cup of black coffee with milk standing on coffee beans. A healthy breakfast concept. Stock Photo

RFREFFBT–A cup of black coffee with milk standing on coffee beans. A healthy breakfast concept.

Word energy laid out from coffee grains on wooden background Stock Photo

RF2BB98KJ–Word energy laid out from coffee grains on wooden background

Hand drawn set of arrows doodles with blue lettering in vector Stock Photo

RF2D8YTFT–Hand drawn set of arrows doodles with blue lettering in vector

Hand drawn set of arrows doodles with blue lettering in Stock Photo

RF2HNNWP2–Hand drawn set of arrows doodles with blue lettering in

Three conical RGB shafts of light shines a spotlight into the black Stock Photo

RFCEDM51–Three conical RGB shafts of light shines a spotlight into the black

Hand drawn set of arrows vector doodles Stock Photo

RF2HNNWMX–Hand drawn set of arrows vector doodles

Fragment. Fragment has a delicate conventionalized floral design connected by picoted bars. Stock Photo

RM2BF35RN–Fragment. Fragment has a delicate conventionalized floral design connected by picoted bars.

Art inspired by Coffeepot, 1881, Made in Providence, Rhode Island, United States, American, Silver, ivory, 10 5/8 × 6 × 4 7/8 in., 30oz. 9dwt. (27 × 15.2 × 12.4 cm, 947.2g), Silver, Made as singular or limited production “specials,” this sinuous coffee pot and tray epitomize the, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT Stock Photo

RF2HW17FD–Art inspired by Coffeepot, 1881, Made in Providence, Rhode Island, United States, American, Silver, ivory, 10 5/8 × 6 × 4 7/8 in., 30oz. 9dwt. (27 × 15.2 × 12.4 cm, 947.2g), Silver, Made as singular or limited production “specials,” this sinuous coffee pot and tray epitomize the, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT

Border. Binche lace worked with conventionalized floral design and edged with shallow scallops. Stock Photo

RM2BF2MB7–Border. Binche lace worked with conventionalized floral design and edged with shallow scallops.

Pseudo-chinese latin font. Letters J-R Stock Photo

RFC82ETP–Pseudo-chinese latin font. Letters J-R

Trimming. Yellow trimming fragment in a design of conventionalized flower forms and lozenges. Stock Photo

RM2BF2NFH–Trimming. Yellow trimming fragment in a design of conventionalized flower forms and lozenges.

Happy emoticon made of coffee beans on a yellow background. Stock Photo

RF2K4KB70–Happy emoticon made of coffee beans on a yellow background.

Square, Medium: silk Technique: printed, Yellow square with highly conventionalized design of plant forms in dark blue. Initials IAW embroidered in tiny red cross stitch in one corner., India, late 19th century, printed, dyed & painted textiles, Square Stock Photo

RM2DNBEYW–Square, Medium: silk Technique: printed, Yellow square with highly conventionalized design of plant forms in dark blue. Initials IAW embroidered in tiny red cross stitch in one corner., India, late 19th century, printed, dyed & painted textiles, Square

RF2CG3M8J–logo, sign for companies, businesses, sports team, emblem, sign, symbol, arms, chevron, team, eagle, club, vector, illustration, drawing, design, star

Cane handle, Wood, inlaid silver, Small round knob, slightly flattened, set on short stem; wood inlaid in silver in completely conventionalized design; formed of small lines, dots in circular pattern or perpendicular pattern on stem., India, possibly Morocco, 19th century, metalwork, Decorative Arts, Cane handle Stock Photo

RM2DM9MCC–Cane handle, Wood, inlaid silver, Small round knob, slightly flattened, set on short stem; wood inlaid in silver in completely conventionalized design; formed of small lines, dots in circular pattern or perpendicular pattern on stem., India, possibly Morocco, 19th century, metalwork, Decorative Arts, Cane handle

Fragment. Research in ProgressTan ground with design of scrolling conventionalized leaves and palmettes. Fragment Stock Photo

RM2BD149X–Fragment. Research in ProgressTan ground with design of scrolling conventionalized leaves and palmettes. Fragment

Sidewall, Becker, Smith & Page, Inc., founded 1899, Machine-printed, Conventionalized design. A trefoil effect of three flowers in brown and red growing on straight, upright stems, enclosed in a four-sided, diamond shaped or diaper framework of foliage. Portions of background consist of short, irregular, broken lines in black giving the effect of a woven fabric showing the woof [sic] threads running horizontally. On selvedge is printed: 'Becker, Smith & Page, Inc. Phila. - 0388'., Philadelphia, Pennsylvania, USA, 1900–1910, Wallcoverings, Sidewall Stock Photo

RM2DN31XK–Sidewall, Becker, Smith & Page, Inc., founded 1899, Machine-printed, Conventionalized design. A trefoil effect of three flowers in brown and red growing on straight, upright stems, enclosed in a four-sided, diamond shaped or diaper framework of foliage. Portions of background consist of short, irregular, broken lines in black giving the effect of a woven fabric showing the woof [sic] threads running horizontally. On selvedge is printed: 'Becker, Smith & Page, Inc. Phila. - 0388'., Philadelphia, Pennsylvania, USA, 1900–1910, Wallcoverings, Sidewall

Gloves. Gloves ornamented with blue, green and gold beads in design of conventionalized flowers. Stock Photo

RM2BF1YKX–Gloves. Gloves ornamented with blue, green and gold beads in design of conventionalized flowers.

Letter case, Medium: metal-wrapped silk threads, flat gilt wire and silver spangles on silk foundation Technique: embroidered in padded couching stitches on damask foundation, Letter case of green silk damask with conventionalized design in metallic thread; lining of white silk., Italy or Spain, 17th century, costume & accessories, Letter case Stock Photo

RM2DMFR7X–Letter case, Medium: metal-wrapped silk threads, flat gilt wire and silver spangles on silk foundation Technique: embroidered in padded couching stitches on damask foundation, Letter case of green silk damask with conventionalized design in metallic thread; lining of white silk., Italy or Spain, 17th century, costume & accessories, Letter case

Trimming. Yellow trimming fragment in a design of a scrolling stem with conventionalized leaves. Stock Photo

RM2BF2MT2–Trimming. Yellow trimming fragment in a design of a scrolling stem with conventionalized leaves.

Fragment, Medium: silk, metallic Technique: woven, Conventionalized vine design with palmettes., 17th century, woven textiles, Fragment Stock Photo

RM2DMT6GN–Fragment, Medium: silk, metallic Technique: woven, Conventionalized vine design with palmettes., 17th century, woven textiles, Fragment

Needlework as art . verruled by thespaces to be covered and the materials to be employed.His design must produce a flat pattern; he must repeatit again and again ; he must give it a strong outline ; hemust distribute it regularly at certain intervals. Repe-tition at once . conventionalizes the most naturalisticdrawing, and the most sacred and mysterious emblem.Alternation is equally a source of conventionalism. Thereis no motive that cannot be conventionalized into apattern by repetition. A Gothic crown and a true lily,repeated, will make an ecclesiastical conventional pattern.Then come all th Stock Photo

RM2AM33X3–Needlework as art . verruled by thespaces to be covered and the materials to be employed.His design must produce a flat pattern; he must repeatit again and again ; he must give it a strong outline ; hemust distribute it regularly at certain intervals. Repe-tition at once . conventionalizes the most naturalisticdrawing, and the most sacred and mysterious emblem.Alternation is equally a source of conventionalism. Thereis no motive that cannot be conventionalized into apattern by repetition. A Gothic crown and a true lily,repeated, will make an ecclesiastical conventional pattern.Then come all th

Fragment, Medium: linen Technique: bobbin lace (Brussels-style), Fragment has a conventionalized tulip and leaf design., Belgium, 1750–1800, lace, Fragment Stock Photo

RM2DMDCJ5–Fragment, Medium: linen Technique: bobbin lace (Brussels-style), Fragment has a conventionalized tulip and leaf design., Belgium, 1750–1800, lace, Fragment

Graphic silhouette of an elephant on an abstract background Stock Vector

RFH9CK20–Graphic silhouette of an elephant on an abstract background

Fragment, Medium: silk, metallic Technique: brocaded, Tan ground with design of scrolling conventionalized leaves and palmettes., 17th–18th century, woven textiles, Fragment Stock Photo

RM2DMN73J–Fragment, Medium: silk, metallic Technique: brocaded, Tan ground with design of scrolling conventionalized leaves and palmettes., 17th–18th century, woven textiles, Fragment

Abstract butterfly in black and white Stock Vector

RFH9CJ8M–Abstract butterfly in black and white

Trimming, Medium: silk Technique: woven, Yellow trimming fragment in a design of conventionalized flower forms and lozenges., France, 19th century, trimmings, Trimming Stock Photo

RM2DMA84H–Trimming, Medium: silk Technique: woven, Yellow trimming fragment in a design of conventionalized flower forms and lozenges., France, 19th century, trimmings, Trimming

Abstract butterfly in muted colors Stock Vector

RFH9CJ8Y–Abstract butterfly in muted colors

Trimming, Medium: silk Technique: woven, Pink trimming fragment in a design of conventionalized leaves between broken borders., France, 19th century, trimmings, Trimming Stock Photo

RM2DN7T5P–Trimming, Medium: silk Technique: woven, Pink trimming fragment in a design of conventionalized leaves between broken borders., France, 19th century, trimmings, Trimming

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Conventionalized design Stock Photos and Images

Conventionalized design Stock Photos and Images

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